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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B215AC it is the complementary color #4DEA53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B215AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B215AC shade: #B715A7, #C827BA, #D939CD, #EA4BE0 and #FB5DF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B215AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B215AC shade: #B215AC, #A10399, #900086, #7F0073 and #6E0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B215AC shade: #B215AC, #B21582, #B21557, #B2152D and #B21515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B215AC shade: #B215AC, #8E15B2, #6315B2, #3915B2 and #1515B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B215AC shade matches the following richer shades: #B215AC and #C205BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B215AC shade: #B215AC, #A2259D, #92358E, #82457F and #725571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B215AC shade: #6315B2, #8D15B2, #B215AD, #B21583 and #B21559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B215AC shade: #680C65, #8D1188, #B215AC, #D719D0 and #E732E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B215AC shade: #B215AC, #B23A15 and #15B278

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B215AC shade: #B215AC, #ADB215 and #15ADB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B215AC shade: #B215AC, #B23A15, #15B21A and #158DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B215AC shade: #B215AC, #B26915, #15B21A and #155EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

Complementary color

CMYK 67 / 0 / 65 / 8

HEX #4DEA53

RGB 77 234 83

HSL 122.29, 0.79%, 0.61%

LAB 82.4, -69.07, 59.55

 

CMYK 0 / 89 / 9 / 28

HEX #B715A7

RGB 183 21 167

HSL 305.93, 0.79%, 0.4%

LAB 43.35, 71.93, -38.15

 

CMYK 0 / 81 / 7 / 22

HEX #C827BA

RGB 200 39 186

HSL 305.22, 0.67%, 0.47%

LAB 48.61, 74.39, -40.86

 

CMYK 0 / 74 / 6 / 15

HEX #D939CD

RGB 217 57 205

HSL 304.5, 0.68%, 0.54%

LAB 54.12, 75.86, -42.94

 

CMYK 0 / 68 / 4 / 8

HEX #EA4BE0

RGB 234 75 224

HSL 303.77, 0.79%, 0.61%

LAB 59.8, 76.62, -44.57

 

CMYK 0 / 63 / 3 / 2

HEX #FB5DF3

RGB 251 93 243

HSL 303.04, 0.95%, 0.67%

LAB 65.6, 76.9, -45.86

 

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

CMYK 0 / 98 / 5 / 37

HEX #A10399

RGB 161 3 153

HSL 303.04, 0.96%, 0.32%

LAB 37.74, 68.13, -38.89

 

CMYK 0 / 100 / 7 / 44

HEX #900086

RGB 144 0 134

HSL 304.17, 1%, 0.28%

LAB 33.24, 62.69, -34.55

 

CMYK 0 / 100 / 9 / 50

HEX #7F0073

RGB 127 0 115

HSL 305.67, 1%, 0.25%

LAB 28.77, 56.78, -29.87

 

CMYK 0 / 100 / 13 / 57

HEX #6E0060

RGB 110 0 96

HSL 307.64, 1%, 0.22%

LAB 24.19, 50.72, -25.02

 

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

CMYK 0 / 88 / 27 / 30

HEX #B21582

RGB 178 21 130

HSL 318.34, 0.79%, 0.39%

LAB 40.59, 66.08, -20.08

 

CMYK 0 / 88 / 51 / 30

HEX #B21557

RGB 178 21 87

HSL 334.78, 0.79%, 0.39%

LAB 39.05, 61.82, 4.66

 

CMYK 0 / 88 / 75 / 30

HEX #B2152D

RGB 178 21 45

HSL 350.83, 0.79%, 0.39%

LAB 38.18, 59.33, 30.17

 

CMYK 0 / 88 / 88 / 30

HEX #B21515

RGB 178 21 21

HSL 0, 0.79%, 0.39%

LAB 37.94, 58.63, 43.4

 

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

CMYK 20 / 88 / 0 / 30

HEX #8E15B2

RGB 142 21 178

HSL 286.24, 0.79%, 0.39%

LAB 36.93, 66.53, -55.39

 

CMYK 44 / 88 / 0 / 30

HEX #6315B2

RGB 99 21 178

HSL 269.81, 0.79%, 0.39%

LAB 30.41, 60.52, -66.32

 

CMYK 68 / 88 / 0 / 30

HEX #3915B2

RGB 57 21 178

HSL 253.76, 0.79%, 0.39%

LAB 25.63, 56.56, -74.38

 

CMYK 88 / 88 / 0 / 30

HEX #1515B2

RGB 21 21 178

HSL 240, 0.79%, 0.39%

LAB 23.37, 54.88, -78.19

 

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

CMYK 0 / 97 / 4 / 24

HEX #C205BB

RGB 194 5 187

HSL 302.22, 0.95%, 0.39%

LAB 45.86, 78.54, -45.87

 

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

CMYK 0 / 77 / 3 / 36

HEX #A2259D

RGB 162 37 157

HSL 302.4, 0.63%, 0.39%

LAB 40.31, 62.63, -37.21

 

CMYK 0 / 64 / 3 / 43

HEX #92358E

RGB 146 53 142

HSL 302.58, 0.47%, 0.39%

LAB 38.92, 50.48, -30.48

 

CMYK 0 / 47 / 2 / 49

HEX #82457F

RGB 130 69 127

HSL 302.95, 0.31%, 0.39%

LAB 38.78, 35.05, -21.67

 

CMYK 0 / 25 / 1 / 55

HEX #725571

RGB 114 85 113

HSL 302.07, 0.15%, 0.39%

LAB 40.03, 17.23, -11.32

 

CMYK 44 / 88 / 0 / 30

HEX #6315B2

RGB 99 21 178

HSL 269.81, 0.79%, 0.39%

LAB 30.41, 60.52, -66.32

 

CMYK 21 / 88 / 0 / 30

HEX #8D15B2

RGB 141 21 178

HSL 285.86, 0.79%, 0.39%

LAB 36.77, 66.38, -55.66

 

CMYK 0 / 88 / 3 / 30

HEX #B215AD

RGB 178 21 173

HSL 301.91, 0.79%, 0.39%

LAB 42.79, 71.88, -42.67

 

CMYK 0 / 88 / 26 / 30

HEX #B21583

RGB 178 21 131

HSL 317.96, 0.79%, 0.39%

LAB 40.64, 66.2, -20.63

 

CMYK 0 / 88 / 50 / 30

HEX #B21559

RGB 178 21 89

HSL 334.01, 0.79%, 0.39%

LAB 39.11, 61.98, 3.46

 

CMYK 0 / 88 / 3 / 59

HEX #680C65

RGB 104 12 101

HSL 301.96, 0.79%, 0.23%

LAB 24.15, 47.79, -28.45

 

CMYK 0 / 88 / 4 / 45

HEX #8D1188

RGB 141 17 136

HSL 302.42, 0.78%, 0.31%

LAB 33.65, 59.92, -35.18

 

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

CMYK 0 / 88 / 3 / 16

HEX #D719D0

RGB 215 25 208

HSL 302.21, 0.79%, 0.47%

LAB 51.49, 83.02, -48.85

 

CMYK 0 / 78 / 3 / 9

HEX #E732E0

RGB 231 50 224

HSL 302.32, 0.79%, 0.55%

LAB 56.73, 83.41, -49.46

 

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

CMYK 0 / 67 / 88 / 30

HEX #B23A15

RGB 178 58 21

HSL 14.14, 0.79%, 0.39%

LAB 42.07, 47.14, 46.69

 

CMYK 88 / 0 / 33 / 30

HEX #15B278

RGB 21 178 120

HSL 157.83, 0.79%, 0.39%

LAB 64.45, -51.26, 19.29

 

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

CMYK 3 / 0 / 88 / 30

HEX #ADB215

RGB 173 178 21

HSL 61.91, 0.79%, 0.39%

LAB 70.02, -18.33, 68.86

 

CMYK 88 / 3 / 0 / 30

HEX #15ADB2

RGB 21 173 178

HSL 181.91, 0.79%, 0.39%

LAB 64.37, -33.55, -12.91

 

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

CMYK 0 / 67 / 88 / 30

HEX #B23A15

RGB 178 58 21

HSL 14.14, 0.79%, 0.39%

LAB 42.07, 47.14, 46.69

 

CMYK 88 / 0 / 85 / 30

HEX #15B21A

RGB 21 178 26

HSL 121.91, 0.79%, 0.39%

LAB 63.4, -63.81, 59.54

 

CMYK 88 / 21 / 0 / 30

HEX #158DB2

RGB 21 141 178

HSL 194.14, 0.79%, 0.39%

LAB 54.47, -17.33, -28.03

 

CMYK 0 / 88 / 3 / 30

HEX #B215AC

RGB 178 21 172

HSL 302.29, 0.79%, 0.39%

LAB 42.73, 71.73, -42.17

 

CMYK 0 / 41 / 88 / 30

HEX #B26915

RGB 178 105 21

HSL 32.1, 0.79%, 0.39%

LAB 51.41, 23.48, 54.14

 

CMYK 88 / 0 / 85 / 30

HEX #15B21A

RGB 21 178 26

HSL 121.91, 0.79%, 0.39%

LAB 63.4, -63.81, 59.54

 

CMYK 88 / 47 / 0 / 30

HEX #155EB2

RGB 21 94 178

HSL 212.1, 0.79%, 0.39%

LAB 40.21, 10.94, -50.57

 

Description

Color code: HEX #B215AC | qconv.com Color code: HEX #B215AC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 21 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 21 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 3 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 3% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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