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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B214F6 it is the complementary color #4DEB09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B214F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B214F6 shade: #B714F1, #C826FF, #D938FF, #EA4AFF and #FB5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B214F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B214F6 shade: #B214F6, #A102E3, #9000D0, #7F00BD and #6E00AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B214F6 shade: #B213F6, #EF13F6, #F613C0, #F61383 and #F61345

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B214F6 shade: #B213F6, #7513F6, #3713F6 and #1313F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B214F6 shade matches the following richer shades: #B213F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B214F6 shade: #B213F6, #AA27E3, #A23ACF, #9A4EBB and #9262A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B214F6 shade: #3513F6, #7213F6, #AE13F6, #EB13F6 and #F613C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B214F6 shade: #7D06B0, #9908D8, #B213F6, #BF3BF8 and #CC62F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B214F6 shade: #B214F6, #F6132D and #13F653

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B214F6 shade: #B214F6, #F6AE13 and #13F6AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B214F6 shade: #B214F6, #F6132D, #5BF613 and #13F6DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B214F6 shade: #B214F6, #F63D13, #5BF613 and #13CDF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 92 / 0 / 4

HEX #B214F6

RGB 178 20 246

HSL 281.95, 0.93%, 0.52%

LAB 47.78, 84.32, -76.72

 

Complementary color

CMYK 67 / 0 / 96 / 8

HEX #4DEB09

RGB 77 235 9

HSL 101.95, 0.93%, 0.48%

LAB 82.39, -73.3, 78.49

 

CMYK 24 / 92 / 0 / 5

HEX #B714F1

RGB 183 20 241

HSL 284.25, 0.89%, 0.51%

LAB 48.16, 84.07, -73.25

 

CMYK 22 / 85 / 0 / 0

HEX #C826FF

RGB 200 38 255

HSL 284.79, 1%, 0.57%

LAB 52.82, 85.88, -73.38

 

CMYK 15 / 78 / 0 / 0

HEX #D938FF

RGB 217 56 255

HSL 288.54, 1%, 0.61%

LAB 56.88, 84.25, -66.69

 

CMYK 8 / 71 / 0 / 0

HEX #EA4AFF

RGB 234 74 255

HSL 293.04, 1%, 0.65%

LAB 61.32, 81.95, -59.44

 

CMYK 2 / 64 / 0 / 0

HEX #FB5CFF

RGB 251 92 255

HSL 298.53, 1%, 0.68%

LAB 66.05, 79.19, -51.77

 

CMYK 28 / 92 / 0 / 4

HEX #B214F6

RGB 178 20 246

HSL 281.95, 0.93%, 0.52%

LAB 47.78, 84.32, -76.72

 

CMYK 29 / 99 / 0 / 11

HEX #A102E3

RGB 161 2 227

HSL 282.4, 0.98%, 0.45%

LAB 43.01, 80.63, -73.86

 

CMYK 31 / 100 / 0 / 18

HEX #9000D0

RGB 144 0 208

HSL 281.54, 1%, 0.41%

LAB 38.7, 75.31, -70.11

 

CMYK 33 / 100 / 0 / 26

HEX #7F00BD

RGB 127 0 189

HSL 280.32, 1%, 0.37%

LAB 34.37, 69.7, -66.19

 

CMYK 35 / 100 / 0 / 33

HEX #6E00AA

RGB 110 0 170

HSL 278.82, 1%, 0.33%

LAB 29.95, 63.99, -62.21

 

CMYK 28 / 92 / 0 / 4

HEX #B213F6

RGB 178 19 246

HSL 282.03, 0.93%, 0.52%

LAB 47.73, 84.45, -76.79

 

CMYK 3 / 92 / 0 / 4

HEX #EF13F6

RGB 239 19 246

HSL 298.15, 0.93%, 0.52%

LAB 57.53, 93.21, -60.46

 

CMYK 0 / 92 / 22 / 4

HEX #F613C0

RGB 246 19 192

HSL 314.27, 0.93%, 0.52%

LAB 55.95, 87.35, -32.23

 

CMYK 0 / 92 / 47 / 4

HEX #F61383

RGB 246 19 131

HSL 330.4, 0.93%, 0.52%

LAB 53.7, 81.4, 0.33

 

CMYK 0 / 92 / 72 / 4

HEX #F61345

RGB 246 19 69

HSL 346.78, 0.93%, 0.52%

LAB 52.38, 77.78, 35.87

 

CMYK 28 / 92 / 0 / 4

HEX #B213F6

RGB 178 19 246

HSL 282.03, 0.93%, 0.52%

LAB 47.73, 84.45, -76.79

 

CMYK 52 / 92 / 0 / 4

HEX #7513F6

RGB 117 19 246

HSL 265.9, 0.93%, 0.52%

LAB 39.41, 78.07, -90.77

 

CMYK 78 / 92 / 0 / 4

HEX #3713F6

RGB 55 19 246

HSL 249.52, 0.93%, 0.52%

LAB 33.84, 74.64, -100.19

 

CMYK 92 / 92 / 0 / 4

HEX #1313F6

RGB 19 19 246

HSL 240, 0.93%, 0.52%

LAB 32.39, 73.9, -102.65

 

CMYK 28 / 92 / 0 / 4

HEX #B213F6

RGB 178 19 246

HSL 282.03, 0.93%, 0.52%

LAB 47.73, 84.45, -76.79

 

CMYK 28 / 92 / 0 / 4

HEX #B213F6

RGB 178 19 246

HSL 282.03, 0.93%, 0.52%

LAB 47.73, 84.45, -76.79

 

CMYK 25 / 83 / 0 / 11

HEX #AA27E3

RGB 170 39 227

HSL 281.81, 0.77%, 0.52%

LAB 46.37, 75.96, -68.33

 

CMYK 22 / 72 / 0 / 19

HEX #A23ACF

RGB 162 58 207

HSL 281.88, 0.61%, 0.52%

LAB 45.92, 64.49, -57.67

 

CMYK 18 / 58 / 0 / 27

HEX #9A4EBB

RGB 154 78 187

HSL 281.83, 0.44%, 0.52%

LAB 46.85, 49.53, -44.65

 

CMYK 13 / 41 / 0 / 35

HEX #9262A7

RGB 146 98 167

HSL 281.74, 0.28%, 0.52%

LAB 49.05, 32.07, -29.56

 

CMYK 78 / 92 / 0 / 4

HEX #3513F6

RGB 53 19 246

HSL 248.99, 0.93%, 0.52%

LAB 33.72, 74.58, -100.38

 

CMYK 54 / 92 / 0 / 4

HEX #7213F6

RGB 114 19 246

HSL 265.11, 0.93%, 0.52%

LAB 39.07, 77.83, -91.36

 

CMYK 29 / 92 / 0 / 4

HEX #AE13F6

RGB 174 19 246

HSL 280.97, 0.93%, 0.52%

LAB 47.13, 83.95, -77.8

 

CMYK 4 / 92 / 0 / 4

HEX #EB13F6

RGB 235 19 246

HSL 297.09, 0.93%, 0.52%

LAB 56.86, 92.58, -61.57

 

CMYK 0 / 92 / 20 / 4

HEX #F613C5

RGB 246 19 197

HSL 312.95, 0.93%, 0.52%

LAB 56.18, 87.94, -34.77

 

CMYK 29 / 97 / 0 / 31

HEX #7D06B0

RGB 125 6 176

HSL 282, 0.93%, 0.36%

LAB 33.19, 66.11, -60.41

 

CMYK 29 / 96 / 0 / 15

HEX #9908D8

RGB 153 8 216

HSL 281.83, 0.93%, 0.44%

LAB 41.06, 77.02, -70.8

 

CMYK 28 / 92 / 0 / 4

HEX #B213F6

RGB 178 19 246

HSL 282.03, 0.93%, 0.52%

LAB 47.73, 84.45, -76.79

 

CMYK 23 / 76 / 0 / 3

HEX #BF3BF8

RGB 191 59 248

HSL 281.9, 0.93%, 0.6%

LAB 52.93, 77.56, -69.37

 

CMYK 18 / 61 / 0 / 2

HEX #CC62F9

RGB 204 98 249

HSL 282.12, 0.93%, 0.68%

LAB 60.26, 64.9, -58.05

 

CMYK 28 / 92 / 0 / 4

HEX #B214F6

RGB 178 20 246

HSL 281.95, 0.93%, 0.52%

LAB 47.78, 84.32, -76.72

 

CMYK 0 / 92 / 82 / 4

HEX #F6132D

RGB 246 19 45

HSL 353.13, 0.93%, 0.52%

LAB 52.12, 77.02, 49.07

 

CMYK 92 / 0 / 66 / 4

HEX #13F653

RGB 19 246 83

HSL 136.92, 0.93%, 0.52%

LAB 85.34, -79.16, 62.53

 

CMYK 28 / 92 / 0 / 4

HEX #B214F6

RGB 178 20 246

HSL 281.95, 0.93%, 0.52%

LAB 47.78, 84.32, -76.72

 

CMYK 0 / 29 / 92 / 4

HEX #F6AE13

RGB 246 174 19

HSL 40.97, 0.93%, 0.52%

LAB 76.02, 15.6, 76.87

 

CMYK 92 / 0 / 29 / 4

HEX #13F6AE

RGB 19 246 174

HSL 160.97, 0.93%, 0.52%

LAB 86.56, -64.68, 21.27

 

CMYK 28 / 92 / 0 / 4

HEX #B214F6

RGB 178 20 246

HSL 281.95, 0.93%, 0.52%

LAB 47.78, 84.32, -76.72

 

CMYK 0 / 92 / 82 / 4

HEX #F6132D

RGB 246 19 45

HSL 353.13, 0.93%, 0.52%

LAB 52.12, 77.02, 49.07

 

CMYK 63 / 0 / 92 / 4

HEX #5BF613

RGB 91 246 19

HSL 100.97, 0.93%, 0.52%

LAB 86.1, -73.72, 80.66

 

CMYK 92 / 0 / 11 / 4

HEX #13F6DC

RGB 19 246 220

HSL 173.13, 0.93%, 0.52%

LAB 87.59, -53.54, -1.13

 

CMYK 28 / 92 / 0 / 4

HEX #B214F6

RGB 178 20 246

HSL 281.95, 0.93%, 0.52%

LAB 47.78, 84.32, -76.72

 

CMYK 0 / 75 / 92 / 4

HEX #F63D13

RGB 246 61 19

HSL 11.1, 0.93%, 0.52%

LAB 55.05, 67.8, 62.4

 

CMYK 63 / 0 / 92 / 4

HEX #5BF613

RGB 91 246 19

HSL 100.97, 0.93%, 0.52%

LAB 86.1, -73.72, 80.66

 

CMYK 92 / 17 / 0 / 4

HEX #13CDF6

RGB 19 205 246

HSL 190.84, 0.93%, 0.52%

LAB 76.35, -27.35, -31.81

 

Description

Color code: HEX #B214F6 | qconv.com Color code: HEX #B214F6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 20 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 20 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 92 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 92% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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