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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B20DBB it is the complementary color #4DF244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B20DBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B20DBB shade: #B70DB6, #C81FC9, #D931DC, #EA43EF and #FB55FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B20DBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B20DBB shade: #B20DBB, #A100A8, #900095, #7F0082 and #6E006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B20DBB shade: #B10DBA, #BA0D94, #BA0D66, #BA0D37 and #BA0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B20DBB shade: #B10DBA, #820DBA, #540DBA, #250DBA and #0D0DBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B20DBB shade matches the following richer shades: #B10DBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B20DBB shade: #B10DBA, #A31DAA, #942D9A, #863D8A and #774D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B20DBB shade: #520DBA, #800DBA, #AE0DBA, #BA0D97 and #BA0D69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B20DBB shade: #68086D, #8C0A93, #B10DBA, #D610E1 and #E629F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B20DBB shade: #B20DBB, #BA240D and #0DBA69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B20DBB shade: #B20DBB, #BAAE0D and #0DBAAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B20DBB shade: #B20DBB, #BA240D, #18BA0D and #0DA3BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B20DBB shade: #B20DBB, #BA580D, #18BA0D and #0D6FBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 93 / 0 / 27

HEX #B20DBB

RGB 178 13 187

HSL 296.9, 0.87%, 0.39%

LAB 43.27, 75.11, -50.17

 

Complementary color

CMYK 68 / 0 / 72 / 5

HEX #4DF244

RGB 77 242 68

HSL 116.9, 0.87%, 0.61%

LAB 84.74, -72.95, 67.67

 

CMYK 0 / 93 / 1 / 28

HEX #B70DB6

RGB 183 13 182

HSL 300.35, 0.87%, 0.38%

LAB 43.85, 75.19, -46.26

 

CMYK 0 / 85 / 0 / 21

HEX #C81FC9

RGB 200 31 201

HSL 299.65, 0.73%, 0.45%

LAB 48.85, 78.33, -49.18

 

CMYK 1 / 78 / 0 / 14

HEX #D931DC

RGB 217 49 220

HSL 298.95, 0.71%, 0.53%

LAB 54.15, 80.37, -51.45

 

CMYK 2 / 72 / 0 / 6

HEX #EA43EF

RGB 234 67 239

HSL 298.26, 0.84%, 0.6%

LAB 59.65, 81.59, -53.21

 

CMYK 2 / 67 / 0 / 0

HEX #FB55FF

RGB 251 85 255

HSL 298.59, 1%, 0.67%

LAB 65.14, 81.73, -53.2

 

CMYK 5 / 93 / 0 / 27

HEX #B20DBB

RGB 178 13 187

HSL 296.9, 0.87%, 0.39%

LAB 43.27, 75.11, -50.17

 

CMYK 4 / 100 / 0 / 34

HEX #A100A8

RGB 161 0 168

HSL 297.5, 1%, 0.33%

LAB 38.56, 70.74, -46.63

 

CMYK 3 / 100 / 0 / 42

HEX #900095

RGB 144 0 149

HSL 297.99, 1%, 0.29%

LAB 34.19, 64.98, -42.3

 

CMYK 2 / 100 / 0 / 49

HEX #7F0082

RGB 127 0 130

HSL 298.62, 1%, 0.25%

LAB 29.72, 59.09, -37.86

 

CMYK 1 / 100 / 0 / 56

HEX #6E006F

RGB 110 0 111

HSL 299.46, 1%, 0.22%

LAB 25.15, 53.05, -33.29

 

CMYK 5 / 93 / 0 / 27

HEX #B10DBA

RGB 177 13 186

HSL 296.88, 0.87%, 0.39%

LAB 43.03, 74.79, -49.98

 

CMYK 0 / 93 / 20 / 27

HEX #BA0D94

RGB 186 13 148

HSL 313.18, 0.87%, 0.39%

LAB 42.56, 71.07, -27.93

 

CMYK 0 / 93 / 45 / 27

HEX #BA0D66

RGB 186 13 102

HSL 329.13, 0.87%, 0.39%

LAB 40.71, 66.18, -2.25

 

CMYK 0 / 93 / 70 / 27

HEX #BA0D37

RGB 186 13 55

HSL 345.43, 0.87%, 0.39%

LAB 39.59, 63.08, 26.04

 

CMYK 0 / 93 / 93 / 27

HEX #BA0D0D

RGB 186 13 13

HSL 0, 0.87%, 0.39%

LAB 39.17, 61.9, 48.5

 

CMYK 5 / 93 / 0 / 27

HEX #B10DBA

RGB 177 13 186

HSL 296.88, 0.87%, 0.39%

LAB 43.03, 74.79, -49.98

 

CMYK 30 / 93 / 0 / 27

HEX #820DBA

RGB 130 13 186

HSL 280.58, 0.87%, 0.39%

LAB 35.16, 67.74, -63.1

 

CMYK 55 / 93 / 0 / 27

HEX #540DBA

RGB 84 13 186

HSL 264.62, 0.87%, 0.39%

LAB 28.69, 62.74, -73.98

 

CMYK 80 / 93 / 0 / 27

HEX #250DBA

RGB 37 13 186

HSL 248.32, 0.87%, 0.39%

LAB 24.41, 60.05, -81.22

 

CMYK 93 / 93 / 0 / 27

HEX #0D0DBA

RGB 13 13 186

HSL 240, 0.87%, 0.39%

LAB 23.4, 59.52, -82.93

 

CMYK 5 / 93 / 0 / 27

HEX #B10DBA

RGB 177 13 186

HSL 296.88, 0.87%, 0.39%

LAB 43.03, 74.79, -49.98

 

CMYK 5 / 93 / 0 / 27

HEX #B10DBA

RGB 177 13 186

HSL 296.88, 0.87%, 0.39%

LAB 43.03, 74.79, -49.98

 

CMYK 4 / 83 / 0 / 33

HEX #A31DAA

RGB 163 29 170

HSL 297.02, 0.71%, 0.39%

LAB 40.52, 67.05, -44.66

 

CMYK 4 / 71 / 0 / 40

HEX #942D9A

RGB 148 45 154

HSL 296.7, 0.55%, 0.39%

LAB 38.74, 56.34, -38.04

 

CMYK 3 / 56 / 0 / 46

HEX #863D8A

RGB 134 61 138

HSL 296.88, 0.39%, 0.39%

LAB 38.27, 42.65, -29.18

 

CMYK 2 / 37 / 0 / 52

HEX #774D7A

RGB 119 77 122

HSL 296, 0.23%, 0.39%

LAB 38.96, 25.74, -18.44

 

CMYK 56 / 93 / 0 / 27

HEX #520DBA

RGB 82 13 186

HSL 263.93, 0.87%, 0.39%

LAB 28.45, 62.58, -74.38

 

CMYK 31 / 93 / 0 / 27

HEX #800DBA

RGB 128 13 186

HSL 279.88, 0.87%, 0.39%

LAB 34.85, 67.48, -63.63

 

CMYK 6 / 93 / 0 / 27

HEX #AE0DBA

RGB 174 13 186

HSL 295.84, 0.87%, 0.39%

LAB 42.51, 74.3, -50.85

 

CMYK 0 / 93 / 19 / 27

HEX #BA0D97

RGB 186 13 151

HSL 312.14, 0.87%, 0.39%

LAB 42.7, 71.45, -29.52

 

CMYK 0 / 93 / 44 / 27

HEX #BA0D69

RGB 186 13 105

HSL 328.09, 0.87%, 0.39%

LAB 40.81, 66.45, -4

 

CMYK 5 / 93 / 0 / 57

HEX #68086D

RGB 104 8 109

HSL 297.03, 0.86%, 0.23%

LAB 24.39, 50, -33.27

 

CMYK 5 / 93 / 0 / 42

HEX #8C0A93

RGB 140 10 147

HSL 296.93, 0.87%, 0.31%

LAB 33.77, 62.63, -41.78

 

CMYK 5 / 93 / 0 / 27

HEX #B10DBA

RGB 177 13 186

HSL 296.88, 0.87%, 0.39%

LAB 43.03, 74.79, -49.98

 

CMYK 5 / 93 / 0 / 12

HEX #D610E1

RGB 214 16 225

HSL 296.84, 0.87%, 0.47%

LAB 51.95, 86.44, -57.83

 

CMYK 4 / 83 / 0 / 6

HEX #E629F0

RGB 230 41 240

HSL 296.98, 0.87%, 0.55%

LAB 56.78, 87.62, -58.39

 

CMYK 5 / 93 / 0 / 27

HEX #B20DBB

RGB 178 13 187

HSL 296.9, 0.87%, 0.39%

LAB 43.27, 75.11, -50.17

 

CMYK 0 / 81 / 93 / 27

HEX #BA240D

RGB 186 36 13

HSL 7.98, 0.87%, 0.39%

LAB 40.78, 57.29, 49.53

 

CMYK 93 / 0 / 44 / 27

HEX #0DBA69

RGB 13 186 105

HSL 151.91, 0.87%, 0.39%

LAB 66.69, -57.67, 30.25

 

CMYK 5 / 93 / 0 / 27

HEX #B20DBB

RGB 178 13 187

HSL 296.9, 0.87%, 0.39%

LAB 43.27, 75.11, -50.17

 

CMYK 0 / 6 / 93 / 27

HEX #BAAE0D

RGB 186 174 13

HSL 55.84, 0.87%, 0.39%

LAB 69.99, -10.72, 70.6

 

CMYK 93 / 0 / 6 / 27

HEX #0DBAAE

RGB 13 186 174

HSL 175.84, 0.87%, 0.39%

LAB 68.21, -41.07, -4.98

 

CMYK 5 / 93 / 0 / 27

HEX #B20DBB

RGB 178 13 187

HSL 296.9, 0.87%, 0.39%

LAB 43.27, 75.11, -50.17

 

CMYK 0 / 81 / 93 / 27

HEX #BA240D

RGB 186 36 13

HSL 7.98, 0.87%, 0.39%

LAB 40.78, 57.29, 49.53

 

CMYK 87 / 0 / 93 / 27

HEX #18BA0D

RGB 24 186 13

HSL 116.18, 0.87%, 0.39%

LAB 66.01, -66.33, 64.24

 

CMYK 93 / 12 / 0 / 27

HEX #0DA3BA

RGB 13 163 186

HSL 187.98, 0.87%, 0.39%

LAB 61.5, -26.48, -21.74

 

CMYK 5 / 93 / 0 / 27

HEX #B20DBB

RGB 178 13 187

HSL 296.9, 0.87%, 0.39%

LAB 43.27, 75.11, -50.17

 

CMYK 0 / 53 / 93 / 27

HEX #BA580D

RGB 186 88 13

HSL 26.01, 0.87%, 0.39%

LAB 48.82, 35.81, 54.96

 

CMYK 87 / 0 / 93 / 27

HEX #18BA0D

RGB 24 186 13

HSL 116.18, 0.87%, 0.39%

LAB 66.01, -66.33, 64.24

 

CMYK 93 / 40 / 0 / 27

HEX #0D6FBA

RGB 13 111 186

HSL 206.01, 0.87%, 0.39%

LAB 45.63, 2.81, -46.55

 

Description

Color code: HEX #B20DBB | qconv.com Color code: HEX #B20DBB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 13 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 13 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 93 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 93% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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