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Color name
HEX #B20A8C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B20A8C it is the complementary color #4DF573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B20A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B20A8C shade: #B70A87, #C81C9A, #D92EAD, #EA40C0 and #FB52D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B20A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B20A8C shade: #B20A8C, #A10079, #900066, #7F0053 and #6E0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B20A8C shade: #B20A8C, #B20A5F, #B20A32 and #B20A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B20A8C shade: #B20A8C, #AB0AB2, #7E0AB2, #500AB2 and #230AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B20A8C shade matches the following richer shades: #B20A8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B20A8C shade: #B20A8C, #A31A84, #94297C, #853873 and #75476B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B20A8C shade: #7D0AB2, #AA0AB2, #B20A8E, #B20A61 and #B20A34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B20A8C shade: #64064F, #8B086E, #B20A8C, #D90DAB and #F21DC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B20A8C shade: #B20A8C, #B2500A and #0AB294

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B20A8C shade: #B20A8C, #8EB20A and #0A8EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B20A8C shade: #B20A8C, #B2500A, #0AB22F and #0A6CB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B20A8C shade: #B20A8C, #B2830A, #0AB22F and #0A3AB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

Complementary color

CMYK 69 / 0 / 53 / 4

HEX #4DF573

RGB 77 245 115

HSL 133.57, 0.89%, 0.63%

LAB 86.07, -69.01, 49.83

 

CMYK 0 / 95 / 26 / 28

HEX #B70A87

RGB 183 10 135

HSL 316.65, 0.9%, 0.38%

LAB 41.27, 69.22, -22.04

 

CMYK 0 / 86 / 23 / 22

HEX #C81C9A

RGB 200 28 154

HSL 316.05, 0.75%, 0.45%

LAB 46.24, 72.43, -25.63

 

CMYK 0 / 79 / 20 / 15

HEX #D92EAD

RGB 217 46 173

HSL 315.44, 0.69%, 0.52%

LAB 51.52, 74.48, -28.46

 

CMYK 0 / 73 / 18 / 8

HEX #EA40C0

RGB 234 64 192

HSL 314.82, 0.8%, 0.58%

LAB 57.04, 75.67, -30.7

 

CMYK 0 / 67 / 16 / 2

HEX #FB52D3

RGB 251 82 211

HSL 314.2, 0.95%, 0.65%

LAB 62.72, 76.25, -32.5

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

CMYK 0 / 100 / 25 / 37

HEX #A10079

RGB 161 0 121

HSL 314.91, 1%, 0.32%

LAB 35.9, 64.21, -22

 

CMYK 0 / 100 / 29 / 44

HEX #900066

RGB 144 0 102

HSL 317.5, 1%, 0.28%

LAB 31.55, 58.46, -16.92

 

CMYK 0 / 100 / 35 / 50

HEX #7F0053

RGB 127 0 83

HSL 320.79, 1%, 0.25%

LAB 27.12, 52.62, -11.57

 

CMYK 0 / 100 / 42 / 57

HEX #6E0040

RGB 110 0 64

HSL 325.09, 1%, 0.22%

LAB 22.6, 46.69, -5.89

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

CMYK 0 / 94 / 47 / 30

HEX #B20A5F

RGB 178 10 95

HSL 329.64, 0.89%, 0.37%

LAB 38.74, 64.07, -0.9

 

CMYK 0 / 94 / 72 / 30

HEX #B20A32

RGB 178 10 50

HSL 345.71, 0.89%, 0.37%

LAB 37.68, 61.18, 26.48

 

CMYK 0 / 94 / 94 / 30

HEX #B20A0A

RGB 178 10 10

HSL 0, 0.89%, 0.37%

LAB 37.31, 60.12, 47.6

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

CMYK 4 / 94 / 0 / 30

HEX #AB0AB2

RGB 171 10 178

HSL 297.5, 0.89%, 0.37%

LAB 41.36, 72.87, -48

 

CMYK 29 / 94 / 0 / 30

HEX #7E0AB2

RGB 126 10 178

HSL 281.43, 0.89%, 0.37%

LAB 33.7, 66.07, -60.76

 

CMYK 55 / 94 / 0 / 30

HEX #500AB2

RGB 80 10 178

HSL 265, 0.89%, 0.37%

LAB 27.12, 61.09, -71.83

 

CMYK 80 / 94 / 0 / 30

HEX #230AB2

RGB 35 10 178

HSL 248.93, 0.89%, 0.37%

LAB 22.96, 58.58, -78.86

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

CMYK 0 / 84 / 19 / 36

HEX #A31A84

RGB 163 26 132

HSL 313.58, 0.72%, 0.37%

LAB 38.18, 62.04, -25.28

 

CMYK 0 / 72 / 16 / 42

HEX #94297C

RGB 148 41 124

HSL 313.46, 0.57%, 0.37%

LAB 36.63, 52.9, -22.94

 

CMYK 0 / 58 / 14 / 48

HEX #853873

RGB 133 56 115

HSL 314.03, 0.41%, 0.37%

LAB 36.09, 40.69, -18.35

 

CMYK 0 / 39 / 9 / 54

HEX #75476B

RGB 117 71 107

HSL 313.04, 0.24%, 0.37%

LAB 36.65, 25.58, -12.68

 

CMYK 30 / 94 / 0 / 30

HEX #7D0AB2

RGB 125 10 178

HSL 281.07, 0.89%, 0.37%

LAB 33.54, 65.94, -61.03

 

CMYK 4 / 94 / 0 / 30

HEX #AA0AB2

RGB 170 10 178

HSL 297.14, 0.89%, 0.37%

LAB 41.18, 72.7, -48.29

 

CMYK 0 / 94 / 20 / 30

HEX #B20A8E

RGB 178 10 142

HSL 312.86, 0.89%, 0.37%

LAB 40.63, 69.06, -27.4

 

CMYK 0 / 94 / 46 / 30

HEX #B20A61

RGB 178 10 97

HSL 328.93, 0.89%, 0.37%

LAB 38.8, 64.25, -2.08

 

CMYK 0 / 94 / 71 / 30

HEX #B20A34

RGB 178 10 52

HSL 345, 0.89%, 0.37%

LAB 37.72, 61.27, 25.26

 

CMYK 0 / 94 / 21 / 61

HEX #64064F

RGB 100 6 79

HSL 313.4, 0.89%, 0.21%

LAB 21.59, 44.83, -17.89

 

CMYK 0 / 94 / 21 / 45

HEX #8B086E

RGB 139 8 110

HSL 313.28, 0.89%, 0.29%

LAB 31.32, 57.22, -22.5

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

CMYK 0 / 94 / 21 / 15

HEX #D90DAB

RGB 217 13 171

HSL 313.53, 0.89%, 0.45%

LAB 49.47, 79.93, -30.47

 

CMYK 0 / 88 / 20 / 5

HEX #F21DC2

RGB 242 29 194

HSL 313.52, 0.89%, 0.53%

LAB 55.74, 85.6, -33.78

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

CMYK 0 / 55 / 94 / 30

HEX #B2500A

RGB 178 80 10

HSL 25, 0.89%, 0.37%

LAB 45.94, 36.64, 53.12

 

CMYK 94 / 0 / 17 / 30

HEX #0AB294

RGB 10 178 148

HSL 169.29, 0.89%, 0.37%

LAB 65, -44.99, 4.69

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

CMYK 20 / 0 / 94 / 30

HEX #8EB20A

RGB 142 178 10

HSL 72.86, 0.89%, 0.37%

LAB 67.73, -31.71, 67.77

 

CMYK 94 / 20 / 0 / 30

HEX #0A8EB2

RGB 10 142 178

HSL 192.86, 0.89%, 0.37%

LAB 54.68, -18.42, -27.71

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

CMYK 0 / 55 / 94 / 30

HEX #B2500A

RGB 178 80 10

HSL 25, 0.89%, 0.37%

LAB 45.94, 36.64, 53.12

 

CMYK 94 / 0 / 74 / 30

HEX #0AB22F

RGB 10 178 47

HSL 133.21, 0.89%, 0.37%

LAB 63.43, -63.13, 53.14

 

CMYK 94 / 39 / 0 / 30

HEX #0A6CB2

RGB 10 108 178

HSL 205, 0.89%, 0.37%

LAB 44.24, 1.38, -44.13

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8C

RGB 178 10 140

HSL 313.57, 0.89%, 0.37%

LAB 40.53, 68.81, -26.33

 

CMYK 0 / 26 / 94 / 30

HEX #B2830A

RGB 178 131 10

HSL 43.21, 0.89%, 0.37%

LAB 57.77, 8.8, 61.53

 

CMYK 94 / 0 / 74 / 30

HEX #0AB22F

RGB 10 178 47

HSL 133.21, 0.89%, 0.37%

LAB 63.43, -63.13, 53.14

 

CMYK 94 / 67 / 0 / 30

HEX #0A3AB2

RGB 10 58 178

HSL 222.86, 0.89%, 0.37%

LAB 30.17, 34.44, -66.93

 

Description

Color code: HEX #B20A8C | qconv.com Color code: HEX #B20A8C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 10 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 10 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 21 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 21% 30% C M Y K

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