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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1FD5A it is the complementary color #4E02A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1FD5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1FD5A shade: #B6FD55, #C7FF68, #D8FF7B, #E9FF8E and #FAFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1FD5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1FD5A shade: #B1FD5A, #A0EB47, #8FD934, #7EC721 and #6DB50E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1FD5A shade: #B0FD58, #DDFD58, #FDF158, #FDC558 and #FD9858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1FD5A shade: #B0FD58, #84FD58, #58FD59, #58FD86 and #58FDB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1FD5A shade matches the following richer shades: #B0FD58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1FD5A shade: #B0FD58, #AFF066, #AFE274, #AED481 and #ADC78F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1FD5A shade: #FDF058, #DFFD58, #B3FD58, #87FD58 and #5BFD58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1FD5A shade: #8AFC07, #9DFD30, #B0FD58, #C4FE81 and #D7FEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1FD5A shade: #B1FD5A, #58FDC4 and #FD58F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1FD5A shade: #B1FD5A, #58B3FD and #FD58B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1FD5A shade: #B1FD5A, #58FDC4, #A358FD and #FD5892

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1FD5A shade: #B1FD5A, #58FDF5, #A358FD and #FD5861

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 64 / 1

HEX #B1FD5A

RGB 177 253 90

HSL 87.98, 0.98%, 0.67%

LAB 91.84, -47.89, 68.08

 

Complementary color

CMYK 53 / 99 / 0 / 35

HEX #4E02A5

RGB 78 2 165

HSL 267.98, 0.98%, 0.33%

LAB 24.89, 59.44, -67.69

 

CMYK 28 / 0 / 66 / 1

HEX #B6FD55

RGB 182 253 85

HSL 85.36, 0.98%, 0.66%

LAB 92.07, -46.49, 70.32

 

CMYK 22 / 0 / 59 / 0

HEX #C7FF68

RGB 199 255 104

HSL 82.25, 1%, 0.7%

LAB 93.74, -39.81, 64.84

 

CMYK 15 / 0 / 52 / 0

HEX #D8FF7B

RGB 216 255 123

HSL 77.73, 1%, 0.74%

LAB 94.97, -31.89, 58.26

 

CMYK 9 / 0 / 44 / 0

HEX #E9FF8E

RGB 233 255 142

HSL 71.68, 1%, 0.78%

LAB 96.33, -23.68, 51.38

 

CMYK 2 / 0 / 37 / 0

HEX #FAFFA1

RGB 250 255 161

HSL 63.19, 1%, 0.82%

LAB 97.8, -15.27, 44.37

 

CMYK 30 / 0 / 64 / 1

HEX #B1FD5A

RGB 177 253 90

HSL 87.98, 0.98%, 0.67%

LAB 91.84, -47.89, 68.08

 

CMYK 32 / 0 / 70 / 8

HEX #A0EB47

RGB 160 235 71

HSL 87.44, 0.8%, 0.6%

LAB 85.68, -47.58, 68.53

 

CMYK 34 / 0 / 76 / 15

HEX #8FD934

RGB 143 217 52

HSL 86.91, 0.68%, 0.53%

LAB 79.45, -47.13, 68.51

 

CMYK 37 / 0 / 83 / 22

HEX #7EC721

RGB 126 199 33

HSL 86.39, 0.72%, 0.45%

LAB 73.15, -46.49, 67.71

 

CMYK 40 / 0 / 92 / 29

HEX #6DB50E

RGB 109 181 14

HSL 85.87, 0.86%, 0.38%

LAB 66.77, -45.61, 65.68

 

CMYK 30 / 0 / 65 / 1

HEX #B0FD58

RGB 176 253 88

HSL 88, 0.98%, 0.67%

LAB 91.77, -48.39, 68.76

 

CMYK 13 / 0 / 65 / 1

HEX #DDFD58

RGB 221 253 88

HSL 71.64, 0.98%, 0.67%

LAB 94.45, -31.75, 72.4

 

CMYK 0 / 5 / 65 / 1

HEX #FDF158

RGB 253 241 88

HSL 55.64, 0.98%, 0.67%

LAB 93.67, -13.3, 72.33

 

CMYK 0 / 22 / 65 / 1

HEX #FDC558

RGB 253 197 88

HSL 39.64, 0.98%, 0.67%

LAB 82.66, 8.93, 60.69

 

CMYK 0 / 40 / 65 / 1

HEX #FD9858

RGB 253 152 88

HSL 23.27, 0.98%, 0.67%

LAB 72.26, 32.41, 49.07

 

CMYK 30 / 0 / 65 / 1

HEX #B0FD58

RGB 176 253 88

HSL 88, 0.98%, 0.67%

LAB 91.77, -48.39, 68.76

 

CMYK 48 / 0 / 65 / 1

HEX #84FD58

RGB 132 253 88

HSL 104, 0.98%, 0.67%

LAB 89.79, -62.31, 66.07

 

CMYK 65 / 0 / 65 / 1

HEX #58FD59

RGB 88 253 89

HSL 120.36, 0.98%, 0.67%

LAB 88.47, -72.65, 63.85

 

CMYK 65 / 0 / 47 / 1

HEX #58FD86

RGB 88 253 134

HSL 136.73, 0.98%, 0.67%

LAB 88.94, -67.17, 44.52

 

CMYK 65 / 0 / 30 / 1

HEX #58FDB2

RGB 88 253 178

HSL 152.73, 0.98%, 0.67%

LAB 89.65, -59.46, 23.63

 

CMYK 30 / 0 / 65 / 1

HEX #B0FD58

RGB 176 253 88

HSL 88, 0.98%, 0.67%

LAB 91.77, -48.39, 68.76

 

CMYK 30 / 0 / 65 / 1

HEX #B0FD58

RGB 176 253 88

HSL 88, 0.98%, 0.67%

LAB 91.77, -48.39, 68.76

 

CMYK 27 / 0 / 58 / 6

HEX #AFF066

RGB 175 240 102

HSL 88.26, 0.82%, 0.67%

LAB 88.16, -42.03, 59.03

 

CMYK 23 / 0 / 49 / 11

HEX #AFE274

RGB 175 226 116

HSL 87.82, 0.65%, 0.67%

LAB 84.36, -34.35, 48.18

 

CMYK 18 / 0 / 39 / 17

HEX #AED481

RGB 174 212 129

HSL 87.47, 0.49%, 0.67%

LAB 80.56, -26.6, 37.01

 

CMYK 13 / 0 / 28 / 22

HEX #ADC78F

RGB 173 199 143

HSL 87.86, 0.33%, 0.67%

LAB 77.11, -18.65, 25.22

 

CMYK 0 / 5 / 65 / 1

HEX #FDF058

RGB 253 240 88

HSL 55.27, 0.98%, 0.67%

LAB 93.41, -12.81, 72.07

 

CMYK 12 / 0 / 65 / 1

HEX #DFFD58

RGB 223 253 88

HSL 70.91, 0.98%, 0.67%

LAB 94.59, -30.97, 72.59

 

CMYK 29 / 0 / 65 / 1

HEX #B3FD58

RGB 179 253 88

HSL 86.91, 0.98%, 0.67%

LAB 91.93, -47.34, 68.98

 

CMYK 47 / 0 / 65 / 1

HEX #87FD58

RGB 135 253 88

HSL 102.91, 0.98%, 0.67%

LAB 89.91, -61.46, 66.22

 

CMYK 64 / 0 / 65 / 1

HEX #5BFD58

RGB 91 253 88

HSL 118.91, 0.98%, 0.67%

LAB 88.53, -72.17, 64.34

 

CMYK 45 / 0 / 97 / 1

HEX #8AFC07

RGB 138 252 7

HSL 87.92, 0.98%, 0.51%

LAB 89.41, -63.71, 85.07

 

CMYK 38 / 0 / 81 / 1

HEX #9DFD30

RGB 157 253 48

HSL 88.1, 0.98%, 0.59%

LAB 90.61, -57.08, 80.13

 

CMYK 30 / 0 / 65 / 1

HEX #B0FD58

RGB 176 253 88

HSL 88, 0.98%, 0.67%

LAB 91.77, -48.39, 68.76

 

CMYK 23 / 0 / 49 / 0

HEX #C4FE81

RGB 196 254 129

HSL 87.84, 0.98%, 0.75%

LAB 93.54, -38.13, 53.51

 

CMYK 15 / 0 / 33 / 0

HEX #D7FEAA

RGB 215 254 170

HSL 87.86, 0.98%, 0.83%

LAB 95.26, -26.48, 36.17

 

CMYK 30 / 0 / 64 / 1

HEX #B1FD5A

RGB 177 253 90

HSL 87.98, 0.98%, 0.67%

LAB 91.84, -47.89, 68.08

 

CMYK 65 / 0 / 23 / 1

HEX #58FDC4

RGB 88 253 196

HSL 159.27, 0.98%, 0.67%

LAB 90, -55.68, 14.91

 

CMYK 0 / 65 / 3 / 1

HEX #FD58F5

RGB 253 88 245

HSL 302.91, 0.98%, 0.67%

LAB 65.32, 79.53, -47.38

 

CMYK 30 / 0 / 64 / 1

HEX #B1FD5A

RGB 177 253 90

HSL 87.98, 0.98%, 0.67%

LAB 91.84, -47.89, 68.08

 

CMYK 65 / 29 / 0 / 1

HEX #58B3FD

RGB 88 179 253

HSL 206.91, 0.98%, 0.67%

LAB 70.46, -4.74, -44.64

 

CMYK 0 / 65 / 29 / 1

HEX #FD58B3

RGB 253 88 179

HSL 326.91, 0.98%, 0.67%

LAB 62.61, 70.47, -14.44

 

CMYK 30 / 0 / 64 / 1

HEX #B1FD5A

RGB 177 253 90

HSL 87.98, 0.98%, 0.67%

LAB 91.84, -47.89, 68.08

 

CMYK 65 / 0 / 23 / 1

HEX #58FDC4

RGB 88 253 196

HSL 159.27, 0.98%, 0.67%

LAB 90, -55.68, 14.91

 

CMYK 36 / 65 / 0 / 1

HEX #A358FD

RGB 163 88 253

HSL 267.27, 0.98%, 0.67%

LAB 53.88, 61.66, -70.79

 

CMYK 0 / 65 / 42 / 1

HEX #FD5892

RGB 253 88 146

HSL 338.91, 0.98%, 0.67%

LAB 61.6, 66.94, 3.1

 

CMYK 30 / 0 / 64 / 1

HEX #B1FD5A

RGB 177 253 90

HSL 87.98, 0.98%, 0.67%

LAB 91.84, -47.89, 68.08

 

CMYK 65 / 0 / 3 / 1

HEX #58FDF5

RGB 88 253 245

HSL 177.09, 0.98%, 0.67%

LAB 91.2, -43.81, -8.73

 

CMYK 36 / 65 / 0 / 1

HEX #A358FD

RGB 163 88 253

HSL 267.27, 0.98%, 0.67%

LAB 53.88, 61.66, -70.79

 

CMYK 0 / 65 / 62 / 1

HEX #FD5861

RGB 253 88 97

HSL 356.73, 0.98%, 0.67%

LAB 60.54, 63.1, 30.02

 

Description

Color code: HEX #B1FD5A | qconv.com Color code: HEX #B1FD5A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 253 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 253 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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