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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1FCCACE it is the complementary color #4E0335CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1FCCACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1FCCACE shade: #B6FCC5CE, #C7FFD8CE, #D8FFEBCE, #E9FFFECE and #FAFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1FCCACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1FCCACE shade: #B1FCCACE, #A0EAB7CE, #8FD8A4CE, #7EC691CE and #6DB47ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1FCCACE shade: #B0FCCA, #B0FCB5, #C0FCB0, #D4FCB0 and #E9FCB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1FCCACE shade: #B0FCCA, #B0FCDE, #B0FCF2, #B0F1FC and #B0DDFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1FCCACE shade matches the following richer shades: #B0FCCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1FCCACE shade: #B0FCCA, #B7F6CC, #BDEFCE, #C4E8D0 and #CBE2D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1FCCACE shade: #BFFCB0, #B0FCB5, #B0FCCA, #B0FCDE and #B0FCF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1FCCACE shade: #61F994, #88FBAF, #B0FCCA, #D8FEE5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1FCCACE shade: #B1FCCA, #B0D4FC and #FCB0B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1FCCACE shade: #B1FCCA, #CAB0FC and #FCCAB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1FCCACE shade: #B1FCCA, #B0D4FC, #FCB0E3 and #FCD9B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1FCCACE shade: #B1FCCA, #B0BDFC, #FCB0E3 and #FCEFB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 16 / 1

HEX #B1FCCACE

RGBA 177 252 202 0.81

HSLA 140, 0.93%, 0.84%, 0.81

LABA 93.12, -32.99, 16.68, 0.81

 

Complementary color

CMYK 0 / 78 / 26 / 56

HEX #4E0335CE

RGBA 78 3 53 0.81

HSLA 320, 0.93%, 0.16%, 0.81

LABA 15.18, 36.83, -10.09, 0.81

 

CMYK 23 / 0 / 18 / 1

HEX #B6FCC5CE

RGBA 182 252 197 0.81

HSLA 132.86, 0.92%, 0.85%, 0.81

LABA 93.28, -32.36, 19.51, 0.81

 

CMYK 18 / 0 / 12 / 0

HEX #C7FFD8CE

RGBA 199 255 216 0.81

HSLA 138.21, 1%, 0.89%, 0.81

LABA 95.42, -25.09, 12.93, 0.81

 

CMYK 12 / 0 / 6 / 0

HEX #D8FFEBCE

RGBA 216 255 235 0.81

HSLA 149.23, 1%, 0.92%, 0.81

LABA 96.87, -16.24, 5.38, 0.81

 

CMYK 7 / 0 / 0 / 0

HEX #E9FFFECE

RGBA 233 255 254 0.81

HSLA 177.27, 1%, 0.96%, 0.81

LABA 98.43, -7.3, -1.97, 0.81

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFFCE

RGBA 250 255 255 0.81

HSLA 180, 1%, 0.99%, 0.81

LABA 99.64, -1.63, -0.58, 0.81

 

CMYK 24 / 0 / 16 / 1

HEX #B1FCCACE

RGBA 177 252 202 0.81

HSLA 140, 0.93%, 0.84%, 0.81

LABA 93.12, -32.99, 16.68, 0.81

 

CMYK 26 / 0 / 18 / 7

HEX #A0EAB7CE

RGBA 160 234 183 0.81

HSLA 138.65, 0.64%, 0.77%, 0.81

LABA 86.87, -33.24, 17.6, 0.81

 

CMYK 27 / 0 / 20 / 12

HEX #8FD8A4CE

RGBA 143 216 164 0.81

HSLA 137.26, 0.48%, 0.7%, 0.81

LABA 80.53, -33.5, 18.57, 0.81

 

CMYK 29 / 0 / 22 / 18

HEX #7EC691CE

RGBA 126 198 145 0.81

HSLA 135.83, 0.39%, 0.64%, 0.81

LABA 74.11, -33.77, 19.6, 0.81

 

CMYK 32 / 0 / 24 / 24

HEX #6DB47ECE

RGBA 109 180 126 0.81

HSLA 134.37, 0.32%, 0.57%, 0.81

LABA 67.58, -34.04, 20.71, 0.81

 

CMYK 30 / 0 / 20 / 1

HEX #B0FCCA

RGB 176 252 202

HSL 140.53, 0.93%, 0.84%

LAB 93.06, -33.29, 16.6

 

CMYK 30 / 0 / 28 / 1

HEX #B0FCB5

RGB 176 252 181

HSL 123.95, 0.93%, 0.84%

LAB 92.66, -36.93, 26.76

 

CMYK 24 / 0 / 30 / 1

HEX #C0FCB0

RGB 192 252 176

HSL 107.37, 0.93%, 0.84%

LAB 93.43, -32.58, 30.48

 

CMYK 16 / 0 / 30 / 1

HEX #D4FCB0

RGB 212 252 176

HSL 91.58, 0.93%, 0.84%

LAB 94.63, -25.77, 32.3

 

CMYK 8 / 0 / 30 / 1

HEX #E9FCB0

RGB 233 252 176

HSL 75, 0.93%, 0.84%

LAB 96.03, -18.29, 34.41

 

CMYK 30 / 0 / 20 / 1

HEX #B0FCCA

RGB 176 252 202

HSL 140.53, 0.93%, 0.84%

LAB 93.06, -33.29, 16.6

 

CMYK 30 / 0 / 12 / 1

HEX #B0FCDE

RGB 176 252 222

HSL 156.32, 0.93%, 0.84%

LAB 93.5, -29.46, 6.93

 

CMYK 30 / 0 / 4 / 1

HEX #B0FCF2

RGB 176 252 242

HSL 172.11, 0.93%, 0.84%

LAB 94, -25.31, -2.69

 

CMYK 30 / 4 / 0 / 1

HEX #B0F1FC

RGB 176 241 252

HSL 188.68, 0.93%, 0.84%

LAB 91.31, -17.71, -11.85

 

CMYK 30 / 12 / 0 / 1

HEX #B0DDFC

RGB 176 221 252

HSL 204.47, 0.93%, 0.84%

LAB 85.99, -7.55, -19.83

 

CMYK 30 / 0 / 20 / 1

HEX #B0FCCA

RGB 176 252 202

HSL 140.53, 0.93%, 0.84%

LAB 93.06, -33.29, 16.6

 

CMYK 30 / 0 / 20 / 1

HEX #B0FCCA

RGB 176 252 202

HSL 140.53, 0.93%, 0.84%

LAB 93.06, -33.29, 16.6

 

CMYK 26 / 0 / 17 / 4

HEX #B7F6CC

RGB 183 246 204

HSL 140, 0.78%, 0.84%

LAB 91.84, -27.98, 13.89

 

CMYK 21 / 0 / 14 / 6

HEX #BDEFCE

RGB 189 239 206

HSL 140.4, 0.61%, 0.84%

LAB 90.33, -22.36, 10.76

 

CMYK 16 / 0 / 10 / 9

HEX #C4E8D0

RGB 196 232 208

HSL 140, 0.44%, 0.84%

LAB 88.92, -16.29, 7.77

 

CMYK 10 / 0 / 7 / 11

HEX #CBE2D2

RGB 203 226 210

HSL 138.26, 0.28%, 0.84%

LAB 87.84, -10.6, 5.22

 

CMYK 24 / 0 / 30 / 1

HEX #BFFCB0

RGB 191 252 176

HSL 108.16, 0.93%, 0.84%

LAB 93.38, -32.91, 30.39

 

CMYK 30 / 0 / 28 / 1

HEX #B0FCB5

RGB 176 252 181

HSL 123.95, 0.93%, 0.84%

LAB 92.66, -36.93, 26.76

 

CMYK 30 / 0 / 20 / 1

HEX #B0FCCA

RGB 176 252 202

HSL 140.53, 0.93%, 0.84%

LAB 93.06, -33.29, 16.6

 

CMYK 30 / 0 / 12 / 1

HEX #B0FCDE

RGB 176 252 222

HSL 156.32, 0.93%, 0.84%

LAB 93.5, -29.46, 6.93

 

CMYK 30 / 0 / 4 / 1

HEX #B0FCF2

RGB 176 252 242

HSL 172.11, 0.93%, 0.84%

LAB 94, -25.31, -2.69

 

CMYK 61 / 0 / 41 / 2

HEX #61F994

RGB 97 249 148

HSL 140.13, 0.93%, 0.68%

LAB 88.18, -61.8, 36.77

 

CMYK 46 / 0 / 30 / 2

HEX #88FBAF

RGB 136 251 175

HSL 140.35, 0.93%, 0.76%

LAB 90.47, -48.97, 26.52

 

CMYK 30 / 0 / 20 / 1

HEX #B0FCCA

RGB 176 252 202

HSL 140.53, 0.93%, 0.84%

LAB 93.06, -33.29, 16.6

 

CMYK 15 / 0 / 10 / 0

HEX #D8FEE5

RGB 216 254 229

HSL 140.53, 0.95%, 0.92%

LAB 96.47, -16.85, 7.89

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 30 / 0 / 20 / 1

HEX #B1FCCA

RGB 177 252 202

HSL 140, 0.93%, 0.84%

LAB 93.12, -32.99, 16.68

 

CMYK 30 / 16 / 0 / 1

HEX #B0D4FC

RGB 176 212 252

HSL 211.58, 0.93%, 0.84%

LAB 83.62, -2.85, -23.42

 

CMYK 0 / 30 / 28 / 1

HEX #FCB0B5

RGB 252 176 181

HSL 356.05, 0.93%, 0.84%

LAB 79.09, 28.4, 8.65

 

CMYK 30 / 0 / 20 / 1

HEX #B1FCCA

RGB 177 252 202

HSL 140, 0.93%, 0.84%

LAB 93.12, -32.99, 16.68

 

CMYK 20 / 30 / 0 / 1

HEX #CAB0FC

RGB 202 176 252

HSL 260.53, 0.93%, 0.84%

LAB 76.46, 24.24, -34.24

 

CMYK 0 / 20 / 30 / 1

HEX #FCCAB0

RGB 252 202 176

HSL 20.53, 0.93%, 0.84%

LAB 85.03, 14.11, 19.7

 

CMYK 30 / 0 / 20 / 1

HEX #B1FCCA

RGB 177 252 202

HSL 140, 0.93%, 0.84%

LAB 93.12, -32.99, 16.68

 

CMYK 30 / 16 / 0 / 1

HEX #B0D4FC

RGB 176 212 252

HSL 211.58, 0.93%, 0.84%

LAB 83.62, -2.85, -23.42

 

CMYK 0 / 30 / 10 / 1

HEX #FCB0E3

RGB 252 176 227

HSL 319.74, 0.93%, 0.84%

LAB 80.34, 35.26, -14.41

 

CMYK 0 / 14 / 30 / 1

HEX #FCD9B0

RGB 252 217 176

HSL 32.37, 0.93%, 0.84%

LAB 88.66, 6.32, 24.71

 

CMYK 30 / 0 / 20 / 1

HEX #B1FCCA

RGB 177 252 202

HSL 140, 0.93%, 0.84%

LAB 93.12, -32.99, 16.68

 

CMYK 30 / 25 / 0 / 1

HEX #B0BDFC

RGB 176 189 252

HSL 229.74, 0.93%, 0.84%

LAB 77.67, 9.53, -32.54

 

CMYK 0 / 30 / 10 / 1

HEX #FCB0E3

RGB 252 176 227

HSL 319.74, 0.93%, 0.84%

LAB 80.34, 35.26, -14.41

 

CMYK 0 / 5 / 30 / 1

HEX #FCEFB0

RGB 252 239 176

HSL 49.74, 0.93%, 0.84%

LAB 94.13, -4.87, 32.12

 

Description

Color code: HEX #B1FCCACE | qconv.com Color code: HEX #B1FCCACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 252 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 252 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 16 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 16% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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