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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1FC5E it is the complementary color #4E03A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1FC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1FC5E shade: #B6FC59, #C7FF6C, #D8FF7F, #E9FF92 and #FAFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1FC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1FC5E shade: #B1FC5E, #A0EA4B, #8FD838, #7EC625 and #6DB412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1FC5E shade: #B1FC5F, #DCFC5F, #FCF25F, #FCC75F and #FC9D5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1FC5E shade: #B1FC5F, #87FC5F, #5FFC61, #5FFC8C and #5FFCB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1FC5E shade matches the following richer shades: #B1FC5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1FC5E shade: #B1FC5F, #B1EF6C, #B0E179, #AFD487 and #AFC794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1FC5E shade: #FCF15F, #DCFC5F, #B3FC5F, #89FC5F and #5FFC5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1FC5E shade: #8AFA0E, #9EFB37, #B1FC5F, #C5FD87 and #D9FDB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1FC5E shade: #B1FC5E, #5FFCC8 and #FC5FF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1FC5E shade: #B1FC5E, #5FB3FC and #FC5FB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1FC5E shade: #B1FC5E, #5FFCC8, #A85FFC and #FC5F93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1FC5E shade: #B1FC5E, #5FFCF7, #A85FFC and #FC5F64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 63 / 1

HEX #B1FC5E

RGB 177 252 94

HSL 88.48, 0.96%, 0.68%

LAB 91.58, -47.16, 66.22

 

Complementary color

CMYK 52 / 98 / 0 / 37

HEX #4E03A1

RGB 78 3 161

HSL 268.48, 0.96%, 0.32%

LAB 24.51, 58.31, -65.89

 

CMYK 28 / 0 / 65 / 1

HEX #B6FC59

RGB 182 252 89

HSL 85.77, 0.96%, 0.67%

LAB 91.81, -45.78, 68.52

 

CMYK 22 / 0 / 58 / 0

HEX #C7FF6C

RGB 199 255 108

HSL 82.86, 1%, 0.71%

LAB 93.77, -39.48, 63.19

 

CMYK 15 / 0 / 50 / 0

HEX #D8FF7F

RGB 216 255 127

HSL 78.28, 1%, 0.75%

LAB 95.01, -31.51, 56.5

 

CMYK 9 / 0 / 43 / 0

HEX #E9FF92

RGB 233 255 146

HSL 72.11, 1%, 0.79%

LAB 96.38, -23.26, 49.55

 

CMYK 2 / 0 / 35 / 0

HEX #FAFFA5

RGB 250 255 165

HSL 63.33, 1%, 0.82%

LAB 97.86, -14.82, 42.49

 

CMYK 30 / 0 / 63 / 1

HEX #B1FC5E

RGB 177 252 94

HSL 88.48, 0.96%, 0.68%

LAB 91.58, -47.16, 66.22

 

CMYK 32 / 0 / 68 / 8

HEX #A0EA4B

RGB 160 234 75

HSL 87.92, 0.79%, 0.61%

LAB 85.42, -46.89, 66.8

 

CMYK 34 / 0 / 74 / 15

HEX #8FD838

RGB 143 216 56

HSL 87.38, 0.67%, 0.53%

LAB 79.18, -46.49, 66.96

 

CMYK 36 / 0 / 81 / 22

HEX #7EC625

RGB 126 198 37

HSL 86.83, 0.69%, 0.46%

LAB 72.86, -45.92, 66.44

 

CMYK 39 / 0 / 90 / 29

HEX #6DB412

RGB 109 180 18

HSL 86.3, 0.82%, 0.39%

LAB 66.47, -45.1, 64.79

 

CMYK 30 / 0 / 62 / 1

HEX #B1FC5F

RGB 177 252 95

HSL 88.66, 0.96%, 0.68%

LAB 91.59, -47.09, 65.83

 

CMYK 13 / 0 / 62 / 1

HEX #DCFC5F

RGB 220 252 95

HSL 72.23, 0.96%, 0.68%

LAB 94.17, -31.23, 69.36

 

CMYK 0 / 4 / 62 / 1

HEX #FCF25F

RGB 252 242 95

HSL 56.18, 0.96%, 0.68%

LAB 93.89, -13.78, 69.78

 

CMYK 0 / 21 / 62 / 1

HEX #FCC75F

RGB 252 199 95

HSL 39.75, 0.96%, 0.68%

LAB 83.11, 7.91, 58.02

 

CMYK 0 / 38 / 62 / 1

HEX #FC9D5F

RGB 252 157 95

HSL 23.69, 0.96%, 0.68%

LAB 73.31, 29.85, 46.76

 

CMYK 30 / 0 / 62 / 1

HEX #B1FC5F

RGB 177 252 95

HSL 88.66, 0.96%, 0.68%

LAB 91.59, -47.09, 65.83

 

CMYK 46 / 0 / 62 / 1

HEX #87FC5F

RGB 135 252 95

HSL 104.71, 0.96%, 0.68%

LAB 89.67, -60.47, 63.17

 

CMYK 62 / 0 / 62 / 1

HEX #5FFC61

RGB 95 252 97

HSL 120.76, 0.96%, 0.68%

LAB 88.41, -70.14, 60.58

 

CMYK 62 / 0 / 44 / 1

HEX #5FFC8C

RGB 95 252 140

HSL 137.2, 0.96%, 0.68%

LAB 88.9, -64.58, 41.61

 

CMYK 62 / 0 / 28 / 1

HEX #5FFCB6

RGB 95 252 182

HSL 153.25, 0.96%, 0.68%

LAB 89.59, -57.05, 21.55

 

CMYK 30 / 0 / 62 / 1

HEX #B1FC5F

RGB 177 252 95

HSL 88.66, 0.96%, 0.68%

LAB 91.59, -47.09, 65.83

 

CMYK 30 / 0 / 62 / 1

HEX #B1FC5F

RGB 177 252 95

HSL 88.66, 0.96%, 0.68%

LAB 91.59, -47.09, 65.83

 

CMYK 26 / 0 / 55 / 6

HEX #B1EF6C

RGB 177 239 108

HSL 88.4, 0.8%, 0.68%

LAB 88.05, -40.31, 56.29

 

CMYK 22 / 0 / 46 / 12

HEX #B0E179

RGB 176 225 121

HSL 88.27, 0.63%, 0.68%

LAB 84.21, -32.97, 45.6

 

CMYK 17 / 0 / 36 / 17

HEX #AFD487

RGB 175 212 135

HSL 88.83, 0.47%, 0.68%

LAB 80.71, -25.45, 34.18

 

CMYK 12 / 0 / 26 / 22

HEX #AFC794

RGB 175 199 148

HSL 88.24, 0.31%, 0.68%

LAB 77.34, -17.16, 22.91

 

CMYK 0 / 4 / 62 / 1

HEX #FCF15F

RGB 252 241 95

HSL 55.8, 0.96%, 0.68%

LAB 93.64, -13.3, 69.51

 

CMYK 13 / 0 / 62 / 1

HEX #DCFC5F

RGB 220 252 95

HSL 72.23, 0.96%, 0.68%

LAB 94.17, -31.23, 69.36

 

CMYK 29 / 0 / 62 / 1

HEX #B3FC5F

RGB 179 252 95

HSL 87.9, 0.96%, 0.68%

LAB 91.7, -46.39, 65.97

 

CMYK 46 / 0 / 62 / 1

HEX #89FC5F

RGB 137 252 95

HSL 103.95, 0.96%, 0.68%

LAB 89.75, -59.89, 63.28

 

CMYK 62 / 0 / 62 / 1

HEX #5FFC5F

RGB 95 252 95

HSL 120, 0.96%, 0.68%

LAB 88.39, -70.35, 61.39

 

CMYK 45 / 0 / 94 / 2

HEX #8AFA0E

RGB 138 250 14

HSL 88.47, 0.96%, 0.52%

LAB 88.83, -62.89, 84.05

 

CMYK 37 / 0 / 78 / 2

HEX #9EFB37

RGB 158 251 55

HSL 88.47, 0.96%, 0.6%

LAB 90.11, -55.67, 77.87

 

CMYK 30 / 0 / 62 / 1

HEX #B1FC5F

RGB 177 252 95

HSL 88.66, 0.96%, 0.68%

LAB 91.59, -47.09, 65.83

 

CMYK 22 / 0 / 47 / 1

HEX #C5FD87

RGB 197 253 135

HSL 88.47, 0.97%, 0.76%

LAB 93.39, -36.68, 50.55

 

CMYK 14 / 0 / 30 / 1

HEX #D9FDB0

RGB 217 253 176

HSL 88.05, 0.95%, 0.84%

LAB 95.22, -24.49, 33.14

 

CMYK 30 / 0 / 63 / 1

HEX #B1FC5E

RGB 177 252 94

HSL 88.48, 0.96%, 0.68%

LAB 91.58, -47.16, 66.22

 

CMYK 62 / 0 / 21 / 1

HEX #5FFCC8

RGB 95 252 200

HSL 160.13, 0.96%, 0.68%

LAB 89.96, -53.23, 12.82

 

CMYK 0 / 62 / 4 / 1

HEX #FC5FF1

RGB 252 95 241

HSL 304.2, 0.96%, 0.68%

LAB 65.93, 76.05, -44.23

 

CMYK 30 / 0 / 63 / 1

HEX #B1FC5E

RGB 177 252 94

HSL 88.48, 0.96%, 0.68%

LAB 91.58, -47.16, 66.22

 

CMYK 62 / 29 / 0 / 1

HEX #5FB3FC

RGB 95 179 252

HSL 207.9, 0.96%, 0.68%

LAB 70.66, -3.89, -43.76

 

CMYK 0 / 62 / 29 / 1

HEX #FC5FB3

RGB 252 95 179

HSL 327.9, 0.96%, 0.68%

LAB 63.45, 67.44, -13.18

 

CMYK 30 / 0 / 63 / 1

HEX #B1FC5E

RGB 177 252 94

HSL 88.48, 0.96%, 0.68%

LAB 91.58, -47.16, 66.22

 

CMYK 62 / 0 / 21 / 1

HEX #5FFCC8

RGB 95 252 200

HSL 160.13, 0.96%, 0.68%

LAB 89.96, -53.23, 12.82

 

CMYK 33 / 62 / 0 / 1

HEX #A85FFC

RGB 168 95 252

HSL 267.9, 0.96%, 0.68%

LAB 55.62, 59.02, -67.39

 

CMYK 0 / 62 / 42 / 1

HEX #FC5F93

RGB 252 95 147

HSL 340.13, 0.96%, 0.68%

LAB 62.5, 63.94, 3.8

 

CMYK 30 / 0 / 63 / 1

HEX #B1FC5E

RGB 177 252 94

HSL 88.48, 0.96%, 0.68%

LAB 91.58, -47.16, 66.22

 

CMYK 62 / 0 / 2 / 1

HEX #5FFCF7

RGB 95 252 247

HSL 178.09, 0.96%, 0.68%

LAB 91.13, -41.81, -9.85

 

CMYK 33 / 62 / 0 / 1

HEX #A85FFC

RGB 168 95 252

HSL 267.9, 0.96%, 0.68%

LAB 55.62, 59.02, -67.39

 

CMYK 0 / 62 / 60 / 1

HEX #FC5F64

RGB 252 95 100

HSL 358.09, 0.96%, 0.68%

LAB 61.48, 60.12, 29.48

 

Description

Color code: HEX #B1FC5E | qconv.com Color code: HEX #B1FC5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 252 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 252 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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