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Color name
HEX #B1D627

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1D627 it is the complementary color #4E29D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1D627. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1D627 shade: #B6D622, #C7E835, #D8FA48, #E9FF5B and #FAFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1D627. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1D627 shade: #B1D627, #A0C414, #8FB201, #7EA000 and #6D8E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1D627 shade: #B2D728, #D7CD28, #D79E28, #D76E28 and #D73F28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1D627 shade: #B2D728, #83D728, #53D728, #28D72B and #28D75B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1D627 shade matches the following richer shades: #B2D728 and #BEEC13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1D627 shade: #B2D728, #A6C33C, #9AAE51, #8F9A65 and #83857A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1D627 shade: #D79D28, #D7CC28, #B4D728, #85D728 and #56D728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1D627 shade: #79921B, #95B521, #B2D728, #BFDE4A and #CBE46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1D627 shade: #B1D627, #28D76E and #B428D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1D627 shade: #B1D627, #28B4D7 and #D728B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1D627 shade: #B1D627, #28D76E, #4B28D7 and #D72891

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1D627 shade: #B1D627, #28D7A3, #4B28D7 and #D7285C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 82 / 16

HEX #B1D627

RGB 177 214 39

HSL 72.69, 0.69%, 0.5%

LAB 80.51, -33.51, 73.84

 

Complementary color

CMYK 64 / 81 / 0 / 15

HEX #4E29D8

RGB 78 41 216

HSL 252.69, 0.69%, 0.5%

LAB 34.32, 61.06, -82.23

 

CMYK 15 / 0 / 84 / 16

HEX #B6D622

RGB 182 214 34

HSL 70.67, 0.73%, 0.49%

LAB 80.82, -31.65, 75.4

 

CMYK 14 / 0 / 77 / 9

HEX #C7E835

RGB 199 232 53

HSL 71.06, 0.8%, 0.56%

LAB 87.05, -32.51, 76.48

 

CMYK 14 / 0 / 71 / 2

HEX #D8FA48

RGB 216 250 72

HSL 71.46, 0.95%, 0.63%

LAB 93.21, -33.21, 76.76

 

CMYK 9 / 0 / 64 / 0

HEX #E9FF5B

RGB 233 255 91

HSL 68.05, 1%, 0.68%

LAB 95.83, -27.82, 72.95

 

CMYK 2 / 0 / 57 / 0

HEX #FAFF6E

RGB 250 255 110

HSL 62.07, 1%, 0.72%

LAB 97.22, -19.88, 67.13

 

CMYK 17 / 0 / 82 / 16

HEX #B1D627

RGB 177 214 39

HSL 72.69, 0.69%, 0.5%

LAB 80.51, -33.51, 73.84

 

CMYK 18 / 0 / 90 / 23

HEX #A0C414

RGB 160 196 20

HSL 72.27, 0.81%, 0.42%

LAB 74.19, -32.56, 72.01

 

CMYK 20 / 0 / 99 / 30

HEX #8FB201

RGB 143 178 1

HSL 71.86, 0.99%, 0.35%

LAB 67.79, -31.44, 68.92

 

CMYK 21 / 0 / 100 / 37

HEX #7EA000

RGB 126 160 0

HSL 72.75, 1%, 0.31%

LAB 61.29, -30.03, 63.63

 

CMYK 23 / 0 / 100 / 44

HEX #6D8E00

RGB 109 142 0

HSL 73.94, 1%, 0.28%

LAB 54.66, -28.59, 58.11

 

CMYK 17 / 0 / 81 / 16

HEX #B2D728

RGB 178 215 40

HSL 72.69, 0.69%, 0.5%

LAB 80.86, -33.54, 73.92

 

CMYK 0 / 5 / 81 / 16

HEX #D7CD28

RGB 215 205 40

HSL 56.57, 0.69%, 0.5%

LAB 80.88, -13.34, 75.02

 

CMYK 0 / 27 / 81 / 16

HEX #D79E28

RGB 215 158 40

HSL 40.46, 0.69%, 0.5%

LAB 68.79, 11.19, 64.56

 

CMYK 0 / 49 / 81 / 16

HEX #D76E28

RGB 215 110 40

HSL 24, 0.69%, 0.5%

LAB 57.8, 36.77, 54.74

 

CMYK 0 / 71 / 81 / 16

HEX #D73F28

RGB 215 63 40

HSL 7.89, 0.69%, 0.5%

LAB 49.68, 58.01, 47.2

 

CMYK 17 / 0 / 81 / 16

HEX #B2D728

RGB 178 215 40

HSL 72.69, 0.69%, 0.5%

LAB 80.86, -33.54, 73.92

 

CMYK 39 / 0 / 81 / 16

HEX #83D728

RGB 131 215 40

HSL 88.8, 0.69%, 0.5%

LAB 78.22, -51.02, 70.57

 

CMYK 61 / 0 / 81 / 16

HEX #53D728

RGB 83 215 40

HSL 105.26, 0.69%, 0.5%

LAB 76.43, -64.73, 68.28

 

CMYK 81 / 0 / 80 / 16

HEX #28D72B

RGB 40 215 43

HSL 121.03, 0.69%, 0.5%

LAB 75.59, -71.84, 66.39

 

CMYK 81 / 0 / 58 / 16

HEX #28D75B

RGB 40 215 91

HSL 137.49, 0.69%, 0.5%

LAB 75.95, -67.4, 48.6

 

CMYK 17 / 0 / 81 / 16

HEX #B2D728

RGB 178 215 40

HSL 72.69, 0.69%, 0.5%

LAB 80.86, -33.54, 73.92

 

CMYK 19 / 0 / 92 / 7

HEX #BEEC13

RGB 190 236 19

HSL 72.72, 0.85%, 0.5%

LAB 87.48, -38.8, 83.57

 

CMYK 17 / 0 / 81 / 16

HEX #B2D728

RGB 178 215 40

HSL 72.69, 0.69%, 0.5%

LAB 80.86, -33.54, 73.92

 

CMYK 15 / 0 / 69 / 24

HEX #A6C33C

RGB 166 195 60

HSL 72.89, 0.53%, 0.5%

LAB 74.49, -28.07, 61.37

 

CMYK 11 / 0 / 53 / 32

HEX #9AAE51

RGB 154 174 81

HSL 72.9, 0.36%, 0.5%

LAB 67.83, -21.08, 44.82

 

CMYK 7 / 0 / 34 / 40

HEX #8F9A65

RGB 143 154 101

HSL 72.45, 0.21%, 0.5%

LAB 61.56, -12.96, 26.56

 

CMYK 2 / 0 / 8 / 48

HEX #83857A

RGB 131 133 122

HSL 70.91, 0.04%, 0.5%

LAB 55.08, -2.85, 5.67

 

CMYK 0 / 27 / 81 / 16

HEX #D79D28

RGB 215 157 40

HSL 40.11, 0.69%, 0.5%

LAB 68.54, 11.73, 64.34

 

CMYK 0 / 5 / 81 / 16

HEX #D7CC28

RGB 215 204 40

HSL 56.23, 0.69%, 0.5%

LAB 80.62, -12.84, 74.8

 

CMYK 16 / 0 / 81 / 16

HEX #B4D728

RGB 180 215 40

HSL 72, 0.69%, 0.5%

LAB 80.99, -32.73, 74.09

 

CMYK 38 / 0 / 81 / 16

HEX #85D728

RGB 133 215 40

HSL 88.11, 0.69%, 0.5%

LAB 78.31, -50.34, 70.69

 

CMYK 60 / 0 / 81 / 16

HEX #56D728

RGB 86 215 40

HSL 104.23, 0.69%, 0.5%

LAB 76.52, -64.03, 68.39

 

CMYK 17 / 0 / 82 / 43

HEX #79921B

RGB 121 146 27

HSL 72.61, 0.69%, 0.34%

LAB 56.78, -24.68, 54.66

 

CMYK 18 / 0 / 82 / 29

HEX #95B521

RGB 149 181 33

HSL 72.97, 0.69%, 0.42%

LAB 69.15, -29.66, 64.7

 

CMYK 17 / 0 / 81 / 16

HEX #B2D728

RGB 178 215 40

HSL 72.69, 0.69%, 0.5%

LAB 80.86, -33.54, 73.92

 

CMYK 14 / 0 / 67 / 13

HEX #BFDE4A

RGB 191 222 74

HSL 72.57, 0.69%, 0.58%

LAB 83.87, -29.98, 66.16

 

CMYK 11 / 0 / 52 / 11

HEX #CBE46D

RGB 203 228 109

HSL 72.61, 0.69%, 0.66%

LAB 86.65, -25.45, 54.61

 

CMYK 17 / 0 / 82 / 16

HEX #B1D627

RGB 177 214 39

HSL 72.69, 0.69%, 0.5%

LAB 80.51, -33.51, 73.84

 

CMYK 81 / 0 / 49 / 16

HEX #28D76E

RGB 40 215 110

HSL 144, 0.69%, 0.5%

LAB 76.18, -64.67, 39.88

 

CMYK 16 / 81 / 0 / 16

HEX #B428D7

RGB 180 40 215

HSL 288, 0.69%, 0.5%

LAB 47.14, 75.12, -60.16

 

CMYK 17 / 0 / 82 / 16

HEX #B1D627

RGB 177 214 39

HSL 72.69, 0.69%, 0.5%

LAB 80.51, -33.51, 73.84

 

CMYK 81 / 16 / 0 / 16

HEX #28B4D7

RGB 40 180 215

HSL 192, 0.69%, 0.5%

LAB 68.02, -23.77, -27.81

 

CMYK 0 / 81 / 16 / 16

HEX #D728B4

RGB 215 40 180

HSL 312, 0.69%, 0.5%

LAB 50.99, 76.4, -33.42

 

CMYK 17 / 0 / 82 / 16

HEX #B1D627

RGB 177 214 39

HSL 72.69, 0.69%, 0.5%

LAB 80.51, -33.51, 73.84

 

CMYK 81 / 0 / 49 / 16

HEX #28D76E

RGB 40 215 110

HSL 144, 0.69%, 0.5%

LAB 76.18, -64.67, 39.88

 

CMYK 65 / 81 / 0 / 16

HEX #4B28D7

RGB 75 40 215

HSL 252, 0.69%, 0.5%

LAB 33.82, 60.93, -82.5

 

CMYK 0 / 81 / 33 / 16

HEX #D72891

RGB 215 40 145

HSL 324, 0.69%, 0.5%

LAB 49.51, 72.21, -14.96

 

CMYK 17 / 0 / 82 / 16

HEX #B1D627

RGB 177 214 39

HSL 72.69, 0.69%, 0.5%

LAB 80.51, -33.51, 73.84

 

CMYK 81 / 0 / 24 / 16

HEX #28D7A3

RGB 40 215 163

HSL 162.17, 0.69%, 0.5%

LAB 77.1, -54.23, 13.83

 

CMYK 65 / 81 / 0 / 16

HEX #4B28D7

RGB 75 40 215

HSL 252, 0.69%, 0.5%

LAB 33.82, 60.93, -82.5

 

CMYK 0 / 81 / 57 / 16

HEX #D7285C

RGB 215 40 92

HSL 342.17, 0.69%, 0.5%

LAB 47.93, 67.57, 15.04

 

Description

Color code: HEX #B1D627 | qconv.com Color code: HEX #B1D627 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 214 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 214 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 82 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 82% 16% C M Y K

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Provide designers and agencies with accurate color values.

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