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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1D55B it is the complementary color #4E2AA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1D55B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1D55B shade: #B6D556, #C7E769, #D8F97C, #E9FF8F and #FAFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1D55B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1D55B shade: #B1D55B, #A0C348, #8FB135, #7E9F22 and #6D8D0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1D55B shade: #B2D55D, #D2D55D, #D5B85D, #D5975D and #D5775D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1D55B shade: #B2D55D, #91D55D, #71D55D, #5DD569 and #5DD58A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1D55B shade matches the following richer shades: #B2D55D, #B8E64C and #BFF63C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1D55B shade: #B2D55D, #ABC56D, #A4B47E, #9DA48E and #97939F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1D55B shade: #D5B75D, #D3D55D, #B3D55D, #93D55D and #73D55D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1D55B shade: #8BB22E, #A2CD3C, #B2D55D, #C1DE7E and #D1E69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1D55B shade: #B1D55B, #5DD597 and #C75DD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1D55B shade: #B1D55B, #5DB3D5 and #D55DB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1D55B shade: #B1D55B, #5DD597, #7F5DD5 and #D55D9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1D55B shade: #B1D55B, #5DD5BB, #7F5DD5 and #D55D77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 57 / 16

HEX #B1D55B

RGB 177 213 91

HSL 77.7, 0.59%, 0.6%

LAB 80.57, -29.99, 55.28

 

Complementary color

CMYK 52 / 74 / 0 / 36

HEX #4E2AA4

RGB 78 42 164

HSL 257.7, 0.59%, 0.4%

LAB 29.3, 45.94, -59.82

 

CMYK 15 / 0 / 60 / 16

HEX #B6D556

RGB 182 213 86

HSL 74.65, 0.6%, 0.59%

LAB 80.85, -28.45, 57.88

 

CMYK 14 / 0 / 55 / 9

HEX #C7E769

RGB 199 231 105

HSL 75.24, 0.72%, 0.66%

LAB 87.15, -28.77, 56.94

 

CMYK 13 / 0 / 50 / 2

HEX #D8F97C

RGB 216 249 124

HSL 75.84, 0.91%, 0.73%

LAB 93.37, -29.02, 55.9

 

CMYK 9 / 0 / 44 / 0

HEX #E9FF8F

RGB 233 255 143

HSL 71.79, 1%, 0.78%

LAB 96.34, -23.58, 50.93

 

CMYK 2 / 0 / 36 / 0

HEX #FAFFA2

RGB 250 255 162

HSL 63.23, 1%, 0.82%

LAB 97.81, -15.16, 43.9

 

CMYK 17 / 0 / 57 / 16

HEX #B1D55B

RGB 177 213 91

HSL 77.7, 0.59%, 0.6%

LAB 80.57, -29.99, 55.28

 

CMYK 18 / 0 / 63 / 24

HEX #A0C348

RGB 160 195 72

HSL 77.07, 0.51%, 0.52%

LAB 74.17, -29.67, 56.13

 

CMYK 19 / 0 / 70 / 31

HEX #8FB135

RGB 143 177 53

HSL 76.45, 0.54%, 0.45%

LAB 67.68, -29.22, 56.66

 

CMYK 21 / 0 / 79 / 38

HEX #7E9F22

RGB 126 159 34

HSL 75.84, 0.65%, 0.38%

LAB 61.09, -28.61, 56.57

 

CMYK 23 / 0 / 89 / 45

HEX #6D8D0F

RGB 109 141 15

HSL 75.24, 0.81%, 0.31%

LAB 54.38, -27.76, 55.28

 

CMYK 16 / 0 / 56 / 16

HEX #B2D55D

RGB 178 213 93

HSL 77.5, 0.59%, 0.6%

LAB 80.65, -29.43, 54.5

 

CMYK 1 / 0 / 56 / 16

HEX #D2D55D

RGB 210 213 93

HSL 61.5, 0.59%, 0.6%

LAB 82.96, -16.69, 57.73

 

CMYK 0 / 14 / 56 / 16

HEX #D5B85D

RGB 213 184 93

HSL 45.5, 0.59%, 0.6%

LAB 75.59, -0.63, 49.37

 

CMYK 0 / 29 / 56 / 16

HEX #D5975D

RGB 213 151 93

HSL 29, 0.59%, 0.6%

LAB 67.33, 17.02, 39.52

 

CMYK 0 / 44 / 56 / 16

HEX #D5775D

RGB 213 119 93

HSL 13, 0.59%, 0.6%

LAB 60.01, 34.2, 30.37

 

CMYK 16 / 0 / 56 / 16

HEX #B2D55D

RGB 178 213 93

HSL 77.5, 0.59%, 0.6%

LAB 80.65, -29.43, 54.5

 

CMYK 32 / 0 / 56 / 16

HEX #91D55D

RGB 145 213 93

HSL 94, 0.59%, 0.6%

LAB 78.69, -41.61, 51.73

 

CMYK 47 / 0 / 56 / 16

HEX #71D55D

RGB 113 213 93

HSL 110, 0.59%, 0.6%

LAB 77.21, -51.86, 49.63

 

CMYK 56 / 0 / 51 / 16

HEX #5DD569

RGB 93 213 105

HSL 126, 0.59%, 0.6%

LAB 76.64, -55.66, 43.13

 

CMYK 56 / 0 / 35 / 16

HEX #5DD58A

RGB 93 213 138

HSL 142.5, 0.59%, 0.6%

LAB 77.13, -50.38, 27.19

 

CMYK 16 / 0 / 56 / 16

HEX #B2D55D

RGB 178 213 93

HSL 77.5, 0.59%, 0.6%

LAB 80.65, -29.43, 54.5

 

CMYK 20 / 0 / 67 / 10

HEX #B8E64C

RGB 184 230 76

HSL 77.92, 0.75%, 0.6%

LAB 85.66, -36.26, 67.1

 

CMYK 22 / 0 / 76 / 4

HEX #BFF63C

RGB 191 246 60

HSL 77.74, 0.91%, 0.6%

LAB 90.47, -41.6, 77.4

 

CMYK 16 / 0 / 56 / 16

HEX #B2D55D

RGB 178 213 93

HSL 77.5, 0.59%, 0.6%

LAB 80.65, -29.43, 54.5

 

CMYK 13 / 0 / 45 / 23

HEX #ABC56D

RGB 171 197 109

HSL 77.73, 0.43%, 0.6%

LAB 75.88, -22.85, 41.1

 

CMYK 9 / 0 / 30 / 29

HEX #A4B47E

RGB 164 180 126

HSL 77.78, 0.26%, 0.6%

LAB 70.9, -14.83, 25.77

 

CMYK 4 / 0 / 13 / 36

HEX #9DA48E

RGB 157 164 142

HSL 79.09, 0.11%, 0.6%

LAB 66.27, -6.54, 10.57

 

CMYK 5 / 8 / 0 / 38

HEX #97939F

RGB 151 147 159

HSL 260, 0.06%, 0.6%

LAB 61.61, 3.83, -5.79

 

CMYK 0 / 14 / 56 / 16

HEX #D5B75D

RGB 213 183 93

HSL 45, 0.59%, 0.6%

LAB 75.33, -0.1, 49.07

 

CMYK 1 / 0 / 56 / 16

HEX #D3D55D

RGB 211 213 93

HSL 61, 0.59%, 0.6%

LAB 83.03, -16.28, 57.84

 

CMYK 16 / 0 / 56 / 16

HEX #B3D55D

RGB 179 213 93

HSL 77, 0.59%, 0.6%

LAB 80.72, -29.04, 54.59

 

CMYK 31 / 0 / 56 / 16

HEX #93D55D

RGB 147 213 93

HSL 93, 0.59%, 0.6%

LAB 78.8, -40.92, 51.88

 

CMYK 46 / 0 / 56 / 16

HEX #73D55D

RGB 115 213 93

HSL 109, 0.59%, 0.6%

LAB 77.29, -51.28, 49.75

 

CMYK 22 / 0 / 74 / 30

HEX #8BB22E

RGB 139 178 46

HSL 77.73, 0.59%, 0.44%

LAB 67.67, -31.72, 59.11

 

CMYK 21 / 0 / 71 / 20

HEX #A2CD3C

RGB 162 205 60

HSL 77.79, 0.59%, 0.52%

LAB 77.08, -34.35, 63.89

 

CMYK 16 / 0 / 56 / 16

HEX #B2D55D

RGB 178 213 93

HSL 77.5, 0.59%, 0.6%

LAB 80.65, -29.43, 54.5

 

CMYK 13 / 0 / 43 / 13

HEX #C1DE7E

RGB 193 222 126

HSL 78.13, 0.59%, 0.68%

LAB 84.53, -24.69, 43.81

 

CMYK 9 / 0 / 31 / 10

HEX #D1E69E

RGB 209 230 158

HSL 77.5, 0.59%, 0.76%

LAB 88.26, -18.69, 32.85

 

CMYK 17 / 0 / 57 / 16

HEX #B1D55B

RGB 177 213 91

HSL 77.7, 0.59%, 0.6%

LAB 80.57, -29.99, 55.28

 

CMYK 56 / 0 / 29 / 16

HEX #5DD597

RGB 93 213 151

HSL 149, 0.59%, 0.6%

LAB 77.37, -47.89, 20.72

 

CMYK 7 / 56 / 0 / 16

HEX #C75DD5

RGB 199 93 213

HSL 293, 0.59%, 0.6%

LAB 56.86, 59.02, -43.35

 

CMYK 17 / 0 / 57 / 16

HEX #B1D55B

RGB 177 213 91

HSL 77.7, 0.59%, 0.6%

LAB 80.57, -29.99, 55.28

 

CMYK 56 / 16 / 0 / 16

HEX #5DB3D5

RGB 93 179 213

HSL 197, 0.59%, 0.6%

LAB 69.02, -16.31, -25.06

 

CMYK 0 / 56 / 16 / 16

HEX #D55DB3

RGB 213 93 179

HSL 317, 0.59%, 0.6%

LAB 57.3, 57.16, -23.08

 

CMYK 17 / 0 / 57 / 16

HEX #B1D55B

RGB 177 213 91

HSL 77.7, 0.59%, 0.6%

LAB 80.57, -29.99, 55.28

 

CMYK 56 / 0 / 29 / 16

HEX #5DD597

RGB 93 213 151

HSL 149, 0.59%, 0.6%

LAB 77.37, -47.89, 20.72

 

CMYK 40 / 56 / 0 / 16

HEX #7F5DD5

RGB 127 93 213

HSL 257, 0.59%, 0.6%

LAB 48.44, 41.21, -57.26

 

CMYK 0 / 56 / 27 / 16

HEX #D55D9B

RGB 213 93 155

HSL 329, 0.59%, 0.6%

LAB 56.43, 53.78, -10.47

 

CMYK 17 / 0 / 57 / 16

HEX #B1D55B

RGB 177 213 91

HSL 77.7, 0.59%, 0.6%

LAB 80.57, -29.99, 55.28

 

CMYK 56 / 0 / 12 / 16

HEX #5DD5BB

RGB 93 213 187

HSL 167, 0.59%, 0.6%

LAB 78.17, -39.92, 2.72

 

CMYK 40 / 56 / 0 / 16

HEX #7F5DD5

RGB 127 93 213

HSL 257, 0.59%, 0.6%

LAB 48.44, 41.21, -57.26

 

CMYK 0 / 56 / 44 / 16

HEX #D55D77

RGB 213 93 119

HSL 347, 0.59%, 0.6%

LAB 55.39, 49.6, 9.16

 

Description

Color code: HEX #B1D55B | qconv.com Color code: HEX #B1D55B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 213 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 213 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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