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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1CF38 it is the complementary color #4E30C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1CF38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1CF38 shade: #B6CF33, #C7E146, #D8F359, #E9FF6C and #FAFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1CF38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1CF38 shade: #B1CF38, #A0BD25, #8FAB12, #7E9900 and #6D8700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1CF38 shade: #B2CF3A, #CFC53A, #CF9C3A, #CF743A and #CF4C3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1CF38 shade: #B2CF3A, #89CF3A, #61CF3A, #3ACF3B and #3ACF63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1CF38 shade matches the following richer shades: #B2CF3A, #BEE326 and #C9F712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1CF38 shade: #B2CF3A, #A6BB4E, #9AA862, #8E9475 and #828089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1CF38 shade: #CF9B3A, #CFC33A, #B4CF3A, #8CCF3A and #64CF3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1CF38 shade: #7D9324, #99B42C, #B2CF3A, #BFD75B and #CCDF7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1CF38 shade: #B1CF38, #3ACF73 and #AF3ACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1CF38 shade: #B1CF38, #3AB4CF and #CF3AB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1CF38 shade: #B1CF38, #3ACF73, #553ACF and #CF3A96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1CF38 shade: #B1CF38, #3ACFA0, #553ACF and #CF3A69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 73 / 19

HEX #B1CF38

RGB 177 207 56

HSL 71.92, 0.61%, 0.52%

LAB 78.61, -29.53, 67.12

 

Complementary color

CMYK 61 / 76 / 0 / 22

HEX #4E30C7

RGB 78 48 199

HSL 251.92, 0.61%, 0.48%

LAB 33.68, 53.06, -73.41

 

CMYK 12 / 0 / 75 / 19

HEX #B6CF33

RGB 182 207 51

HSL 69.62, 0.62%, 0.51%

LAB 78.93, -27.74, 69.17

 

CMYK 12 / 0 / 69 / 12

HEX #C7E146

RGB 199 225 70

HSL 70.06, 0.72%, 0.58%

LAB 85.22, -28.44, 69.2

 

CMYK 11 / 0 / 63 / 5

HEX #D8F359

RGB 216 243 89

HSL 70.52, 0.87%, 0.65%

LAB 91.42, -29, 68.74

 

CMYK 9 / 0 / 58 / 0

HEX #E9FF6C

RGB 233 255 108

HSL 68.98, 1%, 0.71%

LAB 95.97, -26.67, 66.25

 

CMYK 2 / 0 / 50 / 0

HEX #FAFF7F

RGB 250 255 127

HSL 62.34, 1%, 0.75%

LAB 97.38, -18.57, 59.88

 

CMYK 14 / 0 / 73 / 19

HEX #B1CF38

RGB 177 207 56

HSL 71.92, 0.61%, 0.52%

LAB 78.61, -29.53, 67.12

 

CMYK 15 / 0 / 80 / 26

HEX #A0BD25

RGB 160 189 37

HSL 71.45, 0.67%, 0.44%

LAB 72.23, -28.78, 66.63

 

CMYK 16 / 0 / 89 / 33

HEX #8FAB12

RGB 143 171 18

HSL 70.98, 0.81%, 0.37%

LAB 65.76, -27.82, 65.02

 

CMYK 18 / 0 / 100 / 40

HEX #7E9900

RGB 126 153 0

HSL 70.59, 1%, 0.3%

LAB 59.18, -26.66, 62.04

 

CMYK 19 / 0 / 100 / 47

HEX #6D8700

RGB 109 135 0

HSL 71.56, 1%, 0.26%

LAB 52.49, -25.17, 56.47

 

CMYK 14 / 0 / 72 / 19

HEX #B2CF3A

RGB 178 207 58

HSL 71.68, 0.61%, 0.52%

LAB 78.69, -29.03, 66.53

 

CMYK 0 / 5 / 72 / 19

HEX #CFC53A

RGB 207 197 58

HSL 55.97, 0.61%, 0.52%

LAB 78.17, -12.04, 66.79

 

CMYK 0 / 25 / 72 / 19

HEX #CF9C3A

RGB 207 156 58

HSL 39.46, 0.61%, 0.52%

LAB 67.54, 9.51, 56.3

 

CMYK 0 / 44 / 72 / 19

HEX #CF743A

RGB 207 116 58

HSL 23.36, 0.61%, 0.52%

LAB 58.1, 31.12, 46.47

 

CMYK 0 / 63 / 72 / 19

HEX #CF4C3A

RGB 207 76 58

HSL 7.25, 0.61%, 0.52%

LAB 50.38, 50.79, 37.98

 

CMYK 14 / 0 / 72 / 19

HEX #B2CF3A

RGB 178 207 58

HSL 71.68, 0.61%, 0.52%

LAB 78.69, -29.03, 66.53

 

CMYK 34 / 0 / 72 / 19

HEX #89CF3A

RGB 137 207 58

HSL 88.19, 0.61%, 0.52%

LAB 76.22, -44.7, 63.27

 

CMYK 53 / 0 / 72 / 19

HEX #61CF3A

RGB 97 207 58

HSL 104.3, 0.61%, 0.52%

LAB 74.49, -57.33, 60.96

 

CMYK 72 / 0 / 71 / 19

HEX #3ACF3B

RGB 58 207 59

HSL 120.4, 0.61%, 0.52%

LAB 73.44, -65.82, 59.19

 

CMYK 72 / 0 / 52 / 19

HEX #3ACF63

RGB 58 207 99

HSL 136.51, 0.61%, 0.52%

LAB 73.82, -61.3, 42.36

 

CMYK 14 / 0 / 72 / 19

HEX #B2CF3A

RGB 178 207 58

HSL 71.68, 0.61%, 0.52%

LAB 78.69, -29.03, 66.53

 

CMYK 16 / 0 / 83 / 11

HEX #BEE326

RGB 190 227 38

HSL 71.75, 0.77%, 0.52%

LAB 85.01, -34.32, 78.28

 

CMYK 19 / 0 / 93 / 3

HEX #C9F712

RGB 201 247 18

HSL 72.05, 0.93%, 0.52%

LAB 91.23, -39.41, 86.93

 

CMYK 14 / 0 / 72 / 19

HEX #B2CF3A

RGB 178 207 58

HSL 71.68, 0.61%, 0.52%

LAB 78.69, -29.03, 66.53

 

CMYK 11 / 0 / 58 / 27

HEX #A6BB4E

RGB 166 187 78

HSL 71.56, 0.44%, 0.52%

LAB 72.36, -22.92, 51.64

 

CMYK 8 / 0 / 42 / 34

HEX #9AA862

RGB 154 168 98

HSL 72, 0.29%, 0.52%

LAB 66.33, -16.23, 34.47

 

CMYK 4 / 0 / 21 / 42

HEX #8E9475

RGB 142 148 117

HSL 71.61, 0.13%, 0.52%

LAB 60.08, -7.77, 15.7

 

CMYK 5 / 7 / 0 / 46

HEX #828089

RGB 130 128 137

HSL 253.33, 0.04%, 0.52%

LAB 54.02, 2.57, -4.59

 

CMYK 0 / 25 / 72 / 19

HEX #CF9B3A

RGB 207 155 58

HSL 39.06, 0.61%, 0.52%

LAB 67.29, 10.05, 56.05

 

CMYK 0 / 6 / 72 / 19

HEX #CFC33A

RGB 207 195 58

HSL 55.17, 0.61%, 0.52%

LAB 77.64, -11.02, 66.28

 

CMYK 13 / 0 / 72 / 19

HEX #B4CF3A

RGB 180 207 58

HSL 70.87, 0.61%, 0.52%

LAB 78.83, -28.22, 66.71

 

CMYK 32 / 0 / 72 / 19

HEX #8CCF3A

RGB 140 207 58

HSL 86.98, 0.61%, 0.52%

LAB 76.38, -43.63, 63.48

 

CMYK 52 / 0 / 72 / 19

HEX #64CF3A

RGB 100 207 58

HSL 103.09, 0.61%, 0.52%

LAB 74.6, -56.5, 61.1

 

CMYK 15 / 0 / 76 / 42

HEX #7D9324

RGB 125 147 36

HSL 71.89, 0.61%, 0.36%

LAB 57.42, -23.04, 52.43

 

CMYK 15 / 0 / 76 / 29

HEX #99B42C

RGB 153 180 44

HSL 71.91, 0.61%, 0.44%

LAB 69.18, -27.06, 61.56

 

CMYK 14 / 0 / 72 / 19

HEX #B2CF3A

RGB 178 207 58

HSL 71.68, 0.61%, 0.52%

LAB 78.69, -29.03, 66.53

 

CMYK 11 / 0 / 58 / 16

HEX #BFD75B

RGB 191 215 91

HSL 71.61, 0.61%, 0.6%

LAB 82.07, -25.46, 57.23

 

CMYK 9 / 0 / 44 / 13

HEX #CCDF7C

RGB 204 223 124

HSL 71.52, 0.61%, 0.68%

LAB 85.54, -21.19, 46.21

 

CMYK 14 / 0 / 73 / 19

HEX #B1CF38

RGB 177 207 56

HSL 71.92, 0.61%, 0.52%

LAB 78.61, -29.53, 67.12

 

CMYK 72 / 0 / 44 / 19

HEX #3ACF73

RGB 58 207 115

HSL 142.95, 0.61%, 0.52%

LAB 74.04, -58.79, 34.74

 

CMYK 15 / 72 / 0 / 19

HEX #AF3ACF

RGB 175 58 207

HSL 287.11, 0.61%, 0.52%

LAB 47.81, 67.1, -54.53

 

CMYK 14 / 0 / 73 / 19

HEX #B1CF38

RGB 177 207 56

HSL 71.92, 0.61%, 0.52%

LAB 78.61, -29.53, 67.12

 

CMYK 72 / 13 / 0 / 19

HEX #3AB4CF

RGB 58 180 207

HSL 190.87, 0.61%, 0.52%

LAB 68.06, -24.43, -23.33

 

CMYK 0 / 72 / 13 / 19

HEX #CF3AB4

RGB 207 58 180

HSL 310.87, 0.61%, 0.52%

LAB 51.37, 69.65, -32.93

 

CMYK 14 / 0 / 73 / 19

HEX #B1CF38

RGB 177 207 56

HSL 71.92, 0.61%, 0.52%

LAB 78.61, -29.53, 67.12

 

CMYK 72 / 0 / 44 / 19

HEX #3ACF73

RGB 58 207 115

HSL 142.95, 0.61%, 0.52%

LAB 74.04, -58.79, 34.74

 

CMYK 59 / 72 / 0 / 19

HEX #553ACF

RGB 85 58 207

HSL 250.87, 0.61%, 0.52%

LAB 36.86, 51.2, -72.82

 

CMYK 0 / 72 / 28 / 19

HEX #CF3A96

RGB 207 58 150

HSL 322.95, 0.61%, 0.52%

LAB 50.09, 65.67, -17.2

 

CMYK 14 / 0 / 73 / 19

HEX #B1CF38

RGB 177 207 56

HSL 71.92, 0.61%, 0.52%

LAB 78.61, -29.53, 67.12

 

CMYK 72 / 0 / 23 / 19

HEX #3ACFA0

RGB 58 207 160

HSL 161.07, 0.61%, 0.52%

LAB 74.86, -49.71, 12.32

 

CMYK 59 / 72 / 0 / 19

HEX #553ACF

RGB 85 58 207

HSL 250.87, 0.61%, 0.52%

LAB 36.86, 51.2, -72.82

 

CMYK 0 / 72 / 49 / 19

HEX #CF3A69

RGB 207 58 105

HSL 341.07, 0.61%, 0.52%

LAB 48.65, 60.99, 7.86

 

Description

Color code: HEX #B1CF38 | qconv.com Color code: HEX #B1CF38 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 207 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 207 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 73 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 73% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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