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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1CCDA it is the complementary color #4E3325. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1CCDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1CCDA shade: #B6CCD5, #C7DEE8, #D8F0FB, #E9FFFF and #FAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1CCDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1CCDA shade: #B1CCDA, #A0BAC7, #8FA8B4, #7E96A1 and #6D848E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1CCDA shade: #AFCBD9, #AFC0D9, #AFB4D9, #B6AFD9 and #C1AFD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1CCDA shade: #AFCBD9, #AFC0D9, #AFB4D9 and #AFAFD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1CCDA shade matches the following richer shades: #AFCBD9, #A6CEE3, #9CD1EC and #93D4F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1CCDA shade: #AFCBD9, #B9C8D0, #C2C5C6, #CCC2BD and #D5BFB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1CCDA shade: #AFD9D1, #AFD7D9, #AFCBD9, #AFC0D9 and #AFB5D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1CCDA shade: #77A6BF, #93B9CC, #AFCBD9, #CBDDE7 and #E7F0F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1CCDA shade: #B1CCDA, #C6AFD9 and #D9D7AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1CCDA shade: #B1CCDA, #D9AFCB and #CBD9AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1CCDA shade: #B1CCDA, #C6AFD9, #D9BDAF and #C3D9AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1CCDA shade: #B1CCDA, #D2AFD9, #D9BDAF and #B6D9AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 6 / 0 / 15

HEX #B1CCDA

RGB 177 204 218

HSL 200.49, 0.36%, 0.77%

LAB 80.51, -6.07, -9.98

 

Complementary color

CMYK 0 / 35 / 53 / 69

HEX #4E3325

RGB 78 51 37

HSL 20.49, 0.36%, 0.23%

LAB 24.07, 10.29, 13.79

 

CMYK 15 / 4 / 0 / 16

HEX #B6CCD5

RGB 182 204 213

HSL 197.42, 0.27%, 0.77%

LAB 80.7, -5.55, -6.98

 

CMYK 14 / 4 / 0 / 9

HEX #C7DEE8

RGB 199 222 232

HSL 198.18, 0.42%, 0.85%

LAB 87.1, -5.61, -7.48

 

CMYK 14 / 4 / 0 / 2

HEX #D8F0FB

RGB 216 240 251

HSL 198.86, 0.81%, 0.92%

LAB 93.4, -5.66, -7.97

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 19 / 6 / 0 / 15

HEX #B1CCDA

RGB 177 204 218

HSL 200.49, 0.36%, 0.77%

LAB 80.51, -6.07, -9.98

 

CMYK 20 / 7 / 0 / 22

HEX #A0BAC7

RGB 160 186 199

HSL 200, 0.26%, 0.7%

LAB 74.01, -6.02, -9.52

 

CMYK 21 / 7 / 0 / 29

HEX #8FA8B4

RGB 143 168 180

HSL 199.46, 0.2%, 0.63%

LAB 67.38, -5.98, -9.06

 

CMYK 22 / 7 / 0 / 37

HEX #7E96A1

RGB 126 150 161

HSL 198.86, 0.16%, 0.56%

LAB 60.62, -5.94, -8.6

 

CMYK 23 / 7 / 0 / 44

HEX #6D848E

RGB 109 132 142

HSL 198.18, 0.13%, 0.49%

LAB 53.71, -5.9, -8.12

 

CMYK 19 / 6 / 0 / 15

HEX #AFCBD9

RGB 175 203 217

HSL 200, 0.36%, 0.77%

LAB 80.09, -6.39, -10.09

 

CMYK 19 / 12 / 0 / 15

HEX #AFC0D9

RGB 175 192 217

HSL 215.71, 0.36%, 0.77%

LAB 77.17, -0.55, -14.45

 

CMYK 19 / 17 / 0 / 15

HEX #AFB4D9

RGB 175 180 217

HSL 232.86, 0.36%, 0.77%

LAB 74.04, 5.95, -19.18

 

CMYK 16 / 19 / 0 / 15

HEX #B6AFD9

RGB 182 175 217

HSL 250, 0.36%, 0.77%

LAB 73.29, 10.9, -20.26

 

CMYK 11 / 19 / 0 / 15

HEX #C1AFD9

RGB 193 175 217

HSL 265.71, 0.36%, 0.77%

LAB 74.19, 14.45, -18.81

 

CMYK 19 / 6 / 0 / 15

HEX #AFCBD9

RGB 175 203 217

HSL 200, 0.36%, 0.77%

LAB 80.09, -6.39, -10.09

 

CMYK 19 / 12 / 0 / 15

HEX #AFC0D9

RGB 175 192 217

HSL 215.71, 0.36%, 0.77%

LAB 77.17, -0.55, -14.45

 

CMYK 19 / 17 / 0 / 15

HEX #AFB4D9

RGB 175 180 217

HSL 232.86, 0.36%, 0.77%

LAB 74.04, 5.95, -19.18

 

CMYK 19 / 19 / 0 / 15

HEX #AFAFD9

RGB 175 175 217

HSL 240, 0.36%, 0.77%

LAB 72.75, 8.69, -21.14

 

CMYK 19 / 6 / 0 / 15

HEX #AFCBD9

RGB 175 203 217

HSL 200, 0.36%, 0.77%

LAB 80.09, -6.39, -10.09

 

CMYK 27 / 9 / 0 / 11

HEX #A6CEE3

RGB 166 206 227

HSL 200.66, 0.52%, 0.77%

LAB 80.63, -8.44, -14.7

 

CMYK 34 / 11 / 0 / 7

HEX #9CD1EC

RGB 156 209 236

HSL 200.25, 0.68%, 0.77%

LAB 81.14, -10.69, -18.79

 

CMYK 40 / 14 / 0 / 4

HEX #93D4F6

RGB 147 212 246

HSL 200.61, 0.85%, 0.77%

LAB 81.81, -12.09, -23.15

 

CMYK 19 / 6 / 0 / 15

HEX #AFCBD9

RGB 175 203 217

HSL 200, 0.36%, 0.77%

LAB 80.09, -6.39, -10.09

 

CMYK 11 / 4 / 0 / 18

HEX #B9C8D0

RGB 185 200 208

HSL 200.87, 0.2%, 0.77%

LAB 79.71, -3.5, -5.74

 

CMYK 2 / 1 / 0 / 22

HEX #C2C5C6

RGB 194 197 198

HSL 195, 0.03%, 0.77%

LAB 79.32, -0.84, -0.87

 

CMYK 0 / 5 / 7 / 20

HEX #CCC2BD

RGB 204 194 189

HSL 20, 0.13%, 0.77%

LAB 79.1, 2.63, 3.75

 

CMYK 0 / 10 / 15 / 16

HEX #D5BFB4

RGB 213 191 180

HSL 20, 0.28%, 0.77%

LAB 78.87, 5.98, 8.37

 

CMYK 19 / 0 / 4 / 15

HEX #AFD9D1

RGB 175 217 209

HSL 168.57, 0.36%, 0.77%

LAB 83.62, -15.29, -0.61

 

CMYK 19 / 1 / 0 / 15

HEX #AFD7D9

RGB 175 215 217

HSL 182.86, 0.36%, 0.77%

LAB 83.3, -12.61, -5.33

 

CMYK 19 / 6 / 0 / 15

HEX #AFCBD9

RGB 175 203 217

HSL 200, 0.36%, 0.77%

LAB 80.09, -6.39, -10.09

 

CMYK 19 / 12 / 0 / 15

HEX #AFC0D9

RGB 175 192 217

HSL 215.71, 0.36%, 0.77%

LAB 77.17, -0.55, -14.45

 

CMYK 19 / 17 / 0 / 15

HEX #AFB5D9

RGB 175 181 217

HSL 231.43, 0.36%, 0.77%

LAB 74.3, 5.4, -18.79

 

CMYK 38 / 13 / 0 / 25

HEX #77A6BF

RGB 119 166 191

HSL 200.83, 0.36%, 0.61%

LAB 65.71, -9.35, -17.83

 

CMYK 28 / 9 / 0 / 20

HEX #93B9CC

RGB 147 185 204

HSL 200, 0.36%, 0.69%

LAB 73.06, -8.32, -13.75

 

CMYK 19 / 6 / 0 / 15

HEX #AFCBD9

RGB 175 203 217

HSL 200, 0.36%, 0.77%

LAB 80.09, -6.39, -10.09

 

CMYK 12 / 4 / 0 / 9

HEX #CBDDE7

RGB 203 221 231

HSL 201.43, 0.37%, 0.85%

LAB 87.08, -4.02, -6.95

 

CMYK 5 / 2 / 0 / 4

HEX #E7F0F4

RGB 231 240 244

HSL 198.46, 0.37%, 0.93%

LAB 94.24, -2.23, -2.97

 

CMYK 19 / 6 / 0 / 15

HEX #B1CCDA

RGB 177 204 218

HSL 200.49, 0.36%, 0.77%

LAB 80.51, -6.07, -9.98

 

CMYK 9 / 19 / 0 / 15

HEX #C6AFD9

RGB 198 175 217

HSL 272.86, 0.36%, 0.77%

LAB 74.62, 16.08, -18.12

 

CMYK 0 / 1 / 19 / 15

HEX #D9D7AF

RGB 217 215 175

HSL 57.14, 0.36%, 0.77%

LAB 85.22, -5.84, 20.03

 

CMYK 19 / 6 / 0 / 15

HEX #B1CCDA

RGB 177 204 218

HSL 200.49, 0.36%, 0.77%

LAB 80.51, -6.07, -9.98

 

CMYK 0 / 19 / 6 / 15

HEX #D9AFCB

RGB 217 175 203

HSL 320, 0.36%, 0.77%

LAB 75.9, 19.84, -8.4

 

CMYK 6 / 0 / 19 / 15

HEX #CBD9AF

RGB 203 217 175

HSL 80, 0.36%, 0.77%

LAB 84.7, -11.96, 19.14

 

CMYK 19 / 6 / 0 / 15

HEX #B1CCDA

RGB 177 204 218

HSL 200.49, 0.36%, 0.77%

LAB 80.51, -6.07, -9.98

 

CMYK 9 / 19 / 0 / 15

HEX #C6AFD9

RGB 198 175 217

HSL 272.86, 0.36%, 0.77%

LAB 74.62, 16.08, -18.12

 

CMYK 0 / 13 / 19 / 15

HEX #D9BDAF

RGB 217 189 175

HSL 20, 0.36%, 0.77%

LAB 78.6, 7.75, 10.73

 

CMYK 10 / 0 / 19 / 15

HEX #C3D9AF

RGB 195 217 175

HSL 91.43, 0.36%, 0.77%

LAB 84.13, -14.81, 18.27

 

CMYK 19 / 6 / 0 / 15

HEX #B1CCDA

RGB 177 204 218

HSL 200.49, 0.36%, 0.77%

LAB 80.51, -6.07, -9.98

 

CMYK 3 / 19 / 0 / 15

HEX #D2AFD9

RGB 210 175 217

HSL 290, 0.36%, 0.77%

LAB 75.68, 20.04, -16.42

 

CMYK 0 / 13 / 19 / 15

HEX #D9BDAF

RGB 217 189 175

HSL 20, 0.36%, 0.77%

LAB 78.6, 7.75, 10.73

 

CMYK 16 / 0 / 19 / 15

HEX #B6D9AF

RGB 182 217 175

HSL 110, 0.36%, 0.77%

LAB 83.27, -19.35, 16.93

 

Description

Color code: HEX #B1CCDA | qconv.com Color code: HEX #B1CCDA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 204 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 204 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 6 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 6% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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