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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B19FD8 it is the complementary color #4E6027. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B19FD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B19FD8 shade: #B69FD3, #C7B1E6, #D8C3F9, #E9D5FF and #FAE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B19FD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B19FD8 shade: #B19FD8, #A08DC5, #8F7BB2, #7E699F and #6D578C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B19FD8 shade: #B2A1D9, #C1A1D9, #D0A1D9, #D9A1D2 and #D9A1C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B19FD8 shade: #B2A1D9, #A3A1D9 and #A1A1D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B19FD8 shade matches the following richer shades: #B2A1D9, #AE96E3, #AB8BEE and #A781F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B19FD8 shade: #B2A1D9, #B6ACCE, #BAB6C3, #BEC1B8 and #C2CCAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B19FD8 shade: #A1AED9, #A3A1D9, #B2A1D9, #C0A1D9 and #CFA1D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B19FD8 shade: #8366C1, #9B84CD, #B2A1D9, #CABEE5 and #E2DBF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B19FD8 shade: #B19FD8, #D9A1BD and #A6D9A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B19FD8 shade: #B19FD8, #D9B2A1 and #A1D9B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B19FD8 shade: #B19FD8, #D9A1BD, #C8D9A1 and #A1D9BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B19FD8 shade: #B19FD8, #D9A1AC, #C8D9A1 and #A1D9CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 26 / 0 / 15

HEX #B19FD8

RGB 177 159 216

HSL 258.95, 0.42%, 0.74%

LAB 68.82, 17.99, -26.57

 

Complementary color

CMYK 19 / 0 / 59 / 62

HEX #4E6027

RGB 78 96 39

HSL 78.95, 0.42%, 0.26%

LAB 38.08, -16.83, 29.83

 

CMYK 14 / 25 / 0 / 17

HEX #B69FD3

RGB 182 159 211

HSL 266.54, 0.37%, 0.73%

LAB 69.07, 18.47, -23.4

 

CMYK 13 / 23 / 0 / 10

HEX #C7B1E6

RGB 199 177 230

HSL 264.91, 0.51%, 0.8%

LAB 75.64, 18, -23.64

 

CMYK 13 / 22 / 0 / 2

HEX #D8C3F9

RGB 216 195 249

HSL 263.33, 0.82%, 0.87%

LAB 82.09, 17.55, -23.89

 

CMYK 9 / 16 / 0 / 0

HEX #E9D5FF

RGB 233 213 255

HSL 268.57, 1%, 0.92%

LAB 88.03, 14.54, -17.95

 

CMYK 2 / 9 / 0 / 0

HEX #FAE7FF

RGB 250 231 255

HSL 287.5, 1%, 0.95%

LAB 93.75, 10.63, -9.25

 

CMYK 18 / 26 / 0 / 15

HEX #B19FD8

RGB 177 159 216

HSL 258.95, 0.42%, 0.74%

LAB 68.82, 17.99, -26.57

 

CMYK 19 / 28 / 0 / 23

HEX #A08DC5

RGB 160 141 197

HSL 260.36, 0.33%, 0.66%

LAB 62.13, 18.52, -26.41

 

CMYK 20 / 31 / 0 / 30

HEX #8F7BB2

RGB 143 123 178

HSL 261.82, 0.26%, 0.59%

LAB 55.3, 19.1, -26.28

 

CMYK 21 / 34 / 0 / 38

HEX #7E699F

RGB 126 105 159

HSL 263.33, 0.22%, 0.52%

LAB 48.31, 19.76, -26.17

 

CMYK 22 / 38 / 0 / 45

HEX #6D578C

RGB 109 87 140

HSL 264.91, 0.23%, 0.45%

LAB 41.15, 20.49, -26.11

 

CMYK 18 / 26 / 0 / 15

HEX #B2A1D9

RGB 178 161 217

HSL 258.21, 0.42%, 0.74%

LAB 69.44, 17.41, -26.16

 

CMYK 11 / 26 / 0 / 15

HEX #C1A1D9

RGB 193 161 217

HSL 274.29, 0.42%, 0.74%

LAB 70.76, 22.16, -24.04

 

CMYK 4 / 26 / 0 / 15

HEX #D0A1D9

RGB 208 161 217

HSL 290.36, 0.42%, 0.74%

LAB 72.17, 27.01, -21.76

 

CMYK 0 / 26 / 3 / 15

HEX #D9A1D2

RGB 217 161 210

HSL 307.5, 0.42%, 0.74%

LAB 72.82, 28.67, -16.84

 

CMYK 0 / 26 / 10 / 15

HEX #D9A1C3

RGB 217 161 195

HSL 323.57, 0.42%, 0.74%

LAB 72.35, 26.04, -9.29

 

CMYK 18 / 26 / 0 / 15

HEX #B2A1D9

RGB 178 161 217

HSL 258.21, 0.42%, 0.74%

LAB 69.44, 17.41, -26.16

 

CMYK 25 / 26 / 0 / 15

HEX #A3A1D9

RGB 163 161 217

HSL 242.14, 0.42%, 0.74%

LAB 68.23, 12.79, -28.13

 

CMYK 26 / 26 / 0 / 15

HEX #A1A1D9

RGB 161 161 217

HSL 240, 0.42%, 0.74%

LAB 68.08, 12.19, -28.38

 

CMYK 18 / 26 / 0 / 15

HEX #B2A1D9

RGB 178 161 217

HSL 258.21, 0.42%, 0.74%

LAB 69.44, 17.41, -26.16

 

CMYK 23 / 34 / 0 / 11

HEX #AE96E3

RGB 174 150 227

HSL 258.7, 0.58%, 0.74%

LAB 66.79, 24.66, -35.8

 

CMYK 28 / 42 / 0 / 7

HEX #AB8BEE

RGB 171 139 238

HSL 259.39, 0.74%, 0.74%

LAB 64.4, 32.65, -45.63

 

CMYK 33 / 48 / 0 / 2

HEX #A781F9

RGB 167 129 249

HSL 259, 0.91%, 0.74%

LAB 62.3, 39.94, -55.03

 

CMYK 18 / 26 / 0 / 15

HEX #B2A1D9

RGB 178 161 217

HSL 258.21, 0.42%, 0.74%

LAB 69.44, 17.41, -26.16

 

CMYK 12 / 17 / 0 / 19

HEX #B6ACCE

RGB 182 172 206

HSL 257.65, 0.26%, 0.74%

LAB 72.17, 10.2, -15.95

 

CMYK 5 / 7 / 0 / 24

HEX #BAB6C3

RGB 186 182 195

HSL 258.46, 0.1%, 0.74%

LAB 74.72, 3.87, -6.08

 

CMYK 2 / 0 / 5 / 24

HEX #BEC1B8

RGB 190 193 184

HSL 80, 0.07%, 0.74%

LAB 77.61, -2.68, 4.15

 

CMYK 5 / 0 / 15 / 20

HEX #C2CCAE

RGB 194 204 174

HSL 80, 0.23%, 0.74%

LAB 80.58, -8.71, 13.8

 

CMYK 26 / 20 / 0 / 15

HEX #A1AED9

RGB 161 174 217

HSL 226.07, 0.42%, 0.74%

LAB 71.46, 4.94, -23.2

 

CMYK 25 / 26 / 0 / 15

HEX #A3A1D9

RGB 163 161 217

HSL 242.14, 0.42%, 0.74%

LAB 68.23, 12.79, -28.13

 

CMYK 18 / 26 / 0 / 15

HEX #B2A1D9

RGB 178 161 217

HSL 258.21, 0.42%, 0.74%

LAB 69.44, 17.41, -26.16

 

CMYK 12 / 26 / 0 / 15

HEX #C0A1D9

RGB 192 161 217

HSL 273.21, 0.42%, 0.74%

LAB 70.67, 21.84, -24.18

 

CMYK 5 / 26 / 0 / 15

HEX #CFA1D9

RGB 207 161 217

HSL 289.29, 0.42%, 0.74%

LAB 72.07, 26.69, -21.91

 

CMYK 32 / 47 / 0 / 24

HEX #8366C1

RGB 131 102 193

HSL 259.12, 0.42%, 0.58%

LAB 49.71, 31.63, -43.74

 

CMYK 24 / 36 / 0 / 20

HEX #9B84CD

RGB 155 132 205

HSL 258.9, 0.42%, 0.66%

LAB 59.78, 24.03, -34.59

 

CMYK 18 / 26 / 0 / 15

HEX #B2A1D9

RGB 178 161 217

HSL 258.21, 0.42%, 0.74%

LAB 69.44, 17.41, -26.16

 

CMYK 12 / 17 / 0 / 10

HEX #CABEE5

RGB 202 190 229

HSL 258.46, 0.43%, 0.82%

LAB 79.06, 11.67, -17.87

 

CMYK 6 / 9 / 0 / 6

HEX #E2DBF0

RGB 226 219 240

HSL 260, 0.41%, 0.9%

LAB 88.51, 6.23, -9.4

 

CMYK 18 / 26 / 0 / 15

HEX #B19FD8

RGB 177 159 216

HSL 258.95, 0.42%, 0.74%

LAB 68.82, 17.99, -26.57

 

CMYK 0 / 26 / 13 / 15

HEX #D9A1BD

RGB 217 161 189

HSL 330, 0.42%, 0.74%

LAB 72.17, 25.04, -6.25

 

CMYK 24 / 0 / 26 / 15

HEX #A6D9A1

RGB 166 217 161

HSL 114.64, 0.42%, 0.74%

LAB 82, -27.12, 22.37

 

CMYK 18 / 26 / 0 / 15

HEX #B19FD8

RGB 177 159 216

HSL 258.95, 0.42%, 0.74%

LAB 68.82, 17.99, -26.57

 

CMYK 0 / 18 / 26 / 15

HEX #D9B2A1

RGB 217 178 161

HSL 18.21, 0.42%, 0.74%

LAB 75.55, 11.59, 13.99

 

CMYK 26 / 0 / 18 / 15

HEX #A1D9B2

RGB 161 217 178

HSL 138.21, 0.42%, 0.74%

LAB 82.06, -25.78, 13.48

 

CMYK 18 / 26 / 0 / 15

HEX #B19FD8

RGB 177 159 216

HSL 258.95, 0.42%, 0.74%

LAB 68.82, 17.99, -26.57

 

CMYK 0 / 26 / 13 / 15

HEX #D9A1BD

RGB 217 161 189

HSL 330, 0.42%, 0.74%

LAB 72.17, 25.04, -6.25

 

CMYK 8 / 0 / 26 / 15

HEX #C8D9A1

RGB 200 217 161

HSL 78.21, 0.42%, 0.74%

LAB 84.21, -15.14, 25.75

 

CMYK 26 / 0 / 13 / 15

HEX #A1D9BD

RGB 161 217 189

HSL 150, 0.42%, 0.74%

LAB 82.31, -23.67, 8.01

 

CMYK 18 / 26 / 0 / 15

HEX #B19FD8

RGB 177 159 216

HSL 258.95, 0.42%, 0.74%

LAB 68.82, 17.99, -26.57

 

CMYK 0 / 26 / 21 / 15

HEX #D9A1AC

RGB 217 161 172

HSL 348.21, 0.42%, 0.74%

LAB 71.7, 22.36, 2.46

 

CMYK 8 / 0 / 26 / 15

HEX #C8D9A1

RGB 200 217 161

HSL 78.21, 0.42%, 0.74%

LAB 84.21, -15.14, 25.75

 

CMYK 26 / 0 / 6 / 15

HEX #A1D9CD

RGB 161 217 205

HSL 167.14, 0.42%, 0.74%

LAB 82.71, -20.41, 0.08

 

Description

Color code: HEX #B19FD8 | qconv.com Color code: HEX #B19FD8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 159 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 159 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 26 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 26% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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