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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B189A0 it is the complementary color #4E765F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B189A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B189A0 shade: #B6899B, #C79BAE, #D8ADC1, #E9BFD4 and #FAD1E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B189A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B189A0 shade: #B189A0, #A0778D, #8F657A, #7E5367 and #6D4154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B189A0 shade: #B18BA1, #B18B97, #B18B8C and #B18B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B189A0 shade: #B18BA1, #B18BAB, #AD8BB1, #A38BB1 and #988BB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B189A0 shade matches the following richer shades: #B18BA1, #C17BA3, #D16BA6, #E15CA8 and #F04CAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B189A0 shade: #B18BA1, #A29A9F, #92AA9C, #82BA9A and #73C998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B189A0 shade: #AD8BB1, #B18BAC, #B18BA1, #B18B97 and #B18B8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B189A0 shade: #8C5D78, #A1728D, #B18BA1, #C2A3B5 and #D2BCC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B189A0 shade: #B189A0, #B1A38B and #8BB1B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B189A0 shade: #B189A0, #A1B18B and #8BA1B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B189A0 shade: #B189A0, #B1A38B, #8BB19B and #8B9AB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B189A0 shade: #B189A0, #B1AE8B, #8BB19B and #8B8EB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 10 / 31

HEX #B189A0

RGB 177 137 160

HSL 325.5, 0.2%, 0.62%

LAB 61.46, 19.03, -6.32

 

Complementary color

CMYK 34 / 0 / 19 / 54

HEX #4E765F

RGB 78 118 95

HSL 145.5, 0.2%, 0.38%

LAB 46.18, -19.4, 8.26

 

CMYK 0 / 25 / 15 / 29

HEX #B6899B

RGB 182 137 155

HSL 336, 0.24%, 0.63%

LAB 61.83, 20, -2.87

 

CMYK 0 / 22 / 13 / 22

HEX #C79BAE

RGB 199 155 174

HSL 334.09, 0.28%, 0.69%

LAB 68.49, 19.4, -3.57

 

CMYK 0 / 20 / 11 / 15

HEX #D8ADC1

RGB 216 173 193

HSL 332.09, 0.36%, 0.76%

LAB 75.04, 18.85, -4.22

 

CMYK 0 / 18 / 9 / 9

HEX #E9BFD4

RGB 233 191 212

HSL 330, 0.49%, 0.83%

LAB 81.48, 18.35, -4.85

 

CMYK 0 / 16 / 8 / 2

HEX #FAD1E7

RGB 250 209 231

HSL 327.8, 0.8%, 0.9%

LAB 87.82, 17.89, -5.44

 

CMYK 0 / 23 / 10 / 31

HEX #B189A0

RGB 177 137 160

HSL 325.5, 0.2%, 0.62%

LAB 61.46, 19.03, -6.32

 

CMYK 0 / 26 / 12 / 37

HEX #A0778D

RGB 160 119 141

HSL 327.8, 0.18%, 0.55%

LAB 54.65, 19.65, -5.67

 

CMYK 0 / 29 / 15 / 44

HEX #8F657A

RGB 143 101 122

HSL 330, 0.17%, 0.48%

LAB 47.69, 20.34, -4.97

 

CMYK 0 / 34 / 18 / 51

HEX #7E5367

RGB 126 83 103

HSL 332.09, 0.21%, 0.41%

LAB 40.58, 21.11, -4.18

 

CMYK 0 / 40 / 23 / 57

HEX #6D4154

RGB 109 65 84

HSL 334.09, 0.25%, 0.34%

LAB 33.29, 21.98, -3.26

 

CMYK 0 / 21 / 9 / 31

HEX #B18BA1

RGB 177 139 161

HSL 325.26, 0.2%, 0.62%

LAB 61.99, 18.08, -6.11

 

CMYK 0 / 21 / 15 / 31

HEX #B18B97

RGB 177 139 151

HSL 341.05, 0.2%, 0.62%

LAB 61.69, 16.35, -0.85

 

CMYK 0 / 21 / 21 / 31

HEX #B18B8C

RGB 177 139 140

HSL 358.42, 0.2%, 0.62%

LAB 61.4, 14.57, 4.99

 

CMYK 0 / 21 / 21 / 31

HEX #B18B8B

RGB 177 139 139

HSL 0, 0.2%, 0.62%

LAB 61.37, 14.41, 5.52

 

CMYK 0 / 21 / 9 / 31

HEX #B18BA1

RGB 177 139 161

HSL 325.26, 0.2%, 0.62%

LAB 61.99, 18.08, -6.11

 

CMYK 0 / 21 / 3 / 31

HEX #B18BAB

RGB 177 139 171

HSL 309.47, 0.2%, 0.62%

LAB 62.3, 19.91, -11.32

 

CMYK 2 / 21 / 0 / 31

HEX #AD8BB1

RGB 173 139 177

HSL 293.68, 0.2%, 0.62%

LAB 62.1, 19.68, -15.05

 

CMYK 8 / 21 / 0 / 31

HEX #A38BB1

RGB 163 139 177

HSL 277.89, 0.2%, 0.62%

LAB 61.16, 16.25, -16.58

 

CMYK 14 / 21 / 0 / 31

HEX #988BB1

RGB 152 139 177

HSL 260.53, 0.2%, 0.62%

LAB 60.17, 12.55, -18.16

 

CMYK 0 / 21 / 9 / 31

HEX #B18BA1

RGB 177 139 161

HSL 325.26, 0.2%, 0.62%

LAB 61.99, 18.08, -6.11

 

CMYK 0 / 36 / 16 / 24

HEX #C17BA3

RGB 193 123 163

HSL 325.71, 0.36%, 0.62%

LAB 60.02, 33.03, -9.99

 

CMYK 0 / 49 / 21 / 18

HEX #D16BA6

RGB 209 107 166

HSL 325.29, 0.53%, 0.62%

LAB 58.81, 47.28, -13.33

 

CMYK 0 / 59 / 25 / 12

HEX #E15CA8

RGB 225 92 168

HSL 325.71, 0.69%, 0.62%

LAB 58.5, 59.56, -14.73

 

CMYK 0 / 68 / 29 / 6

HEX #F04CAA

RGB 240 76 170

HSL 325.61, 0.85%, 0.62%

LAB 58.6, 70.38, -15.51

 

CMYK 0 / 21 / 9 / 31

HEX #B18BA1

RGB 177 139 161

HSL 325.26, 0.2%, 0.62%

LAB 61.99, 18.08, -6.11

 

CMYK 0 / 5 / 2 / 36

HEX #A29A9F

RGB 162 154 159

HSL 322.5, 0.04%, 0.62%

LAB 64.4, 3.85, -1.58

 

CMYK 14 / 0 / 8 / 33

HEX #92AA9C

RGB 146 170 156

HSL 145, 0.12%, 0.62%

LAB 67.47, -11.13, 4.42

 

CMYK 30 / 0 / 17 / 27

HEX #82BA9A

RGB 130 186 154

HSL 145.71, 0.29%, 0.62%

LAB 71.01, -25.04, 10.45

 

CMYK 43 / 0 / 24 / 21

HEX #73C998

RGB 115 201 152

HSL 145.81, 0.44%, 0.62%

LAB 74.63, -37, 16.51

 

CMYK 2 / 21 / 0 / 31

HEX #AD8BB1

RGB 173 139 177

HSL 293.68, 0.2%, 0.62%

LAB 62.1, 19.68, -15.05

 

CMYK 0 / 21 / 3 / 31

HEX #B18BAC

RGB 177 139 172

HSL 307.89, 0.2%, 0.62%

LAB 62.33, 20.1, -11.84

 

CMYK 0 / 21 / 9 / 31

HEX #B18BA1

RGB 177 139 161

HSL 325.26, 0.2%, 0.62%

LAB 61.99, 18.08, -6.11

 

CMYK 0 / 21 / 15 / 31

HEX #B18B97

RGB 177 139 151

HSL 341.05, 0.2%, 0.62%

LAB 61.69, 16.35, -0.85

 

CMYK 0 / 21 / 20 / 31

HEX #B18B8D

RGB 177 139 141

HSL 356.84, 0.2%, 0.62%

LAB 61.43, 14.73, 4.45

 

CMYK 0 / 34 / 14 / 45

HEX #8C5D78

RGB 140 93 120

HSL 325.53, 0.2%, 0.46%

LAB 45.3, 23.53, -7.35

 

CMYK 0 / 29 / 12 / 37

HEX #A1728D

RGB 161 114 141

HSL 325.53, 0.2%, 0.54%

LAB 53.53, 22.88, -7.32

 

CMYK 0 / 21 / 9 / 31

HEX #B18BA1

RGB 177 139 161

HSL 325.26, 0.2%, 0.62%

LAB 61.99, 18.08, -6.11

 

CMYK 0 / 16 / 7 / 24

HEX #C2A3B5

RGB 194 163 181

HSL 325.16, 0.2%, 0.7%

LAB 70.18, 14.42, -5.03

 

CMYK 0 / 10 / 4 / 18

HEX #D2BCC9

RGB 210 188 201

HSL 324.55, 0.2%, 0.78%

LAB 78.39, 10.05, -3.69

 

CMYK 0 / 23 / 10 / 31

HEX #B189A0

RGB 177 137 160

HSL 325.5, 0.2%, 0.62%

LAB 61.46, 19.03, -6.32

 

CMYK 0 / 8 / 21 / 31

HEX #B1A38B

RGB 177 163 139

HSL 37.89, 0.2%, 0.62%

LAB 67.58, 1.13, 14.32

 

CMYK 21 / 0 / 0 / 31

HEX #8BB1B1

RGB 139 177 177

HSL 180, 0.2%, 0.62%

LAB 69.55, -12.74, -4.22

 

CMYK 0 / 23 / 10 / 31

HEX #B189A0

RGB 177 137 160

HSL 325.5, 0.2%, 0.62%

LAB 61.46, 19.03, -6.32

 

CMYK 9 / 0 / 21 / 31

HEX #A1B18B

RGB 161 177 139

HSL 85.26, 0.2%, 0.62%

LAB 70.1, -12.45, 17.62

 

CMYK 21 / 9 / 0 / 31

HEX #8BA1B1

RGB 139 161 177

HSL 205.26, 0.2%, 0.62%

LAB 65.08, -4.12, -10.85

 

CMYK 0 / 23 / 10 / 31

HEX #B189A0

RGB 177 137 160

HSL 325.5, 0.2%, 0.62%

LAB 61.46, 19.03, -6.32

 

CMYK 0 / 8 / 21 / 31

HEX #B1A38B

RGB 177 163 139

HSL 37.89, 0.2%, 0.62%

LAB 67.58, 1.13, 14.32

 

CMYK 21 / 0 / 12 / 31

HEX #8BB19B

RGB 139 177 155

HSL 145.26, 0.2%, 0.62%

LAB 68.97, -17.37, 7.06

 

CMYK 21 / 13 / 0 / 31

HEX #8B9AB1

RGB 139 154 177

HSL 216.32, 0.2%, 0.62%

LAB 63.16, -0.23, -13.75

 

CMYK 0 / 23 / 10 / 31

HEX #B189A0

RGB 177 137 160

HSL 325.5, 0.2%, 0.62%

LAB 61.46, 19.03, -6.32

 

CMYK 0 / 2 / 21 / 31

HEX #B1AE8B

RGB 177 174 139

HSL 55.26, 0.2%, 0.62%

LAB 70.51, -4.79, 18.39

 

CMYK 21 / 0 / 12 / 31

HEX #8BB19B

RGB 139 177 155

HSL 145.26, 0.2%, 0.62%

LAB 68.97, -17.37, 7.06

 

CMYK 21 / 20 / 0 / 31

HEX #8B8EB1

RGB 139 142 177

HSL 235.26, 0.2%, 0.62%

LAB 59.9, 6.56, -18.68

 

Description

Color code: HEX #B189A0 | qconv.com Color code: HEX #B189A0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 137 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 137 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 10 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 10% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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