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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1869B it is the complementary color #4E7964. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1869B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1869B shade: #B68696, #C798A9, #D8AABC, #E9BCCF and #FACEE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1869B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1869B shade: #B1869B, #A07488, #8F6275, #7E5062 and #6D3E4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1869B shade: #B1869B, #B1868F and #B18686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1869B shade: #B1869B, #B186A7, #B086B1, #A486B1 and #9986B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1869B shade matches the following richer shades: #B1869B, #C2769B, #D2659A, #E2559A and #F2459A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1869B shade: #B1869B, #A1969B, #91A69C, #81B69C and #71C69D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1869B shade: #B086B1, #B186A7, #B1869C, #B18690 and #B18786

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1869B shade: #8B5972, #A16D86, #B1869B, #C29FB0 and #D2B8C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1869B shade: #B1869B, #B1A486 and #86ADB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1869B shade: #B1869B, #9CB186 and #869CB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1869B shade: #B1869B, #B1A486, #86B19C and #8693B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1869B shade: #B1869B, #B1B186, #86B19C and #8686B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

Complementary color

CMYK 36 / 0 / 17 / 53

HEX #4E7964

RGB 78 121 100

HSL 150.7, 0.22%, 0.39%

LAB 47.25, -19.88, 6.84

 

CMYK 0 / 26 / 18 / 29

HEX #B68696

RGB 182 134 150

HSL 340, 0.25%, 0.62%

LAB 60.96, 20.86, -1.3

 

CMYK 0 / 24 / 15 / 22

HEX #C798A9

RGB 199 152 169

HSL 338.3, 0.3%, 0.69%

LAB 67.62, 20.22, -2.05

 

CMYK 0 / 21 / 13 / 15

HEX #D8AABC

RGB 216 170 188

HSL 336.52, 0.37%, 0.76%

LAB 74.18, 19.65, -2.75

 

CMYK 0 / 19 / 11 / 9

HEX #E9BCCF

RGB 233 188 207

HSL 334.67, 0.51%, 0.83%

LAB 80.62, 19.12, -3.41

 

CMYK 0 / 18 / 10 / 2

HEX #FACEE2

RGB 250 206 226

HSL 332.73, 0.81%, 0.89%

LAB 86.98, 18.63, -4.04

 

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

CMYK 0 / 28 / 15 / 37

HEX #A07488

RGB 160 116 136

HSL 332.73, 0.19%, 0.54%

LAB 53.75, 20.5, -4.07

 

CMYK 0 / 31 / 18 / 44

HEX #8F6275

RGB 143 98 117

HSL 334.67, 0.19%, 0.47%

LAB 46.79, 21.23, -3.3

 

CMYK 0 / 37 / 22 / 51

HEX #7E5062

RGB 126 80 98

HSL 336.52, 0.22%, 0.4%

LAB 39.67, 22.05, -2.41

 

CMYK 0 / 43 / 28 / 57

HEX #6D3E4F

RGB 109 62 79

HSL 338.3, 0.27%, 0.34%

LAB 32.39, 22.96, -1.37

 

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

CMYK 0 / 24 / 19 / 31

HEX #B1868F

RGB 177 134 143

HSL 347.44, 0.22%, 0.61%

LAB 60.23, 17.85, 1.58

 

CMYK 0 / 24 / 24 / 31

HEX #B18686

RGB 177 134 134

HSL 0, 0.22%, 0.61%

LAB 60, 16.46, 6.39

 

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

CMYK 0 / 24 / 6 / 31

HEX #B186A7

RGB 177 134 167

HSL 313.95, 0.22%, 0.61%

LAB 60.95, 21.98, -11.07

 

CMYK 1 / 24 / 0 / 31

HEX #B086B1

RGB 176 134 177

HSL 298.6, 0.22%, 0.61%

LAB 61.18, 23.53, -16.42

 

CMYK 7 / 24 / 0 / 31

HEX #A486B1

RGB 164 134 177

HSL 281.86, 0.22%, 0.61%

LAB 59.99, 19.44, -18.33

 

CMYK 14 / 24 / 0 / 31

HEX #9986B1

RGB 153 134 177

HSL 266.51, 0.22%, 0.61%

LAB 58.97, 15.75, -19.99

 

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

CMYK 0 / 39 / 20 / 24

HEX #C2769B

RGB 194 118 155

HSL 330.79, 0.38%, 0.61%

LAB 58.78, 34.82, -7.22

 

CMYK 0 / 52 / 27 / 18

HEX #D2659A

RGB 210 101 154

HSL 330.83, 0.55%, 0.61%

LAB 57.41, 48.88, -8.47

 

CMYK 0 / 62 / 32 / 11

HEX #E2559A

RGB 226 85 154

HSL 330.64, 0.71%, 0.61%

LAB 57.07, 61.1, -8.71

 

CMYK 0 / 71 / 36 / 5

HEX #F2459A

RGB 242 69 154

HSL 330.52, 0.87%, 0.61%

LAB 57.53, 71.55, -7.76

 

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

CMYK 0 / 7 / 4 / 37

HEX #A1969B

RGB 161 150 155

HSL 332.73, 0.06%, 0.61%

LAB 63.14, 4.97, -1.18

 

CMYK 13 / 0 / 6 / 35

HEX #91A69C

RGB 145 166 156

HSL 151.43, 0.11%, 0.61%

LAB 66.28, -9.34, 2.69

 

CMYK 29 / 0 / 14 / 29

HEX #81B69C

RGB 129 182 156

HSL 150.57, 0.27%, 0.61%

LAB 69.84, -22.96, 7.69

 

CMYK 43 / 0 / 21 / 22

HEX #71C69D

RGB 113 198 157

HSL 151.06, 0.43%, 0.61%

LAB 73.76, -35.16, 12.61

 

CMYK 1 / 24 / 0 / 31

HEX #B086B1

RGB 176 134 177

HSL 298.6, 0.22%, 0.61%

LAB 61.18, 23.53, -16.42

 

CMYK 0 / 24 / 6 / 31

HEX #B186A7

RGB 177 134 167

HSL 313.95, 0.22%, 0.61%

LAB 60.95, 21.98, -11.07

 

CMYK 0 / 24 / 12 / 31

HEX #B1869C

RGB 177 134 156

HSL 329.3, 0.22%, 0.61%

LAB 60.6, 20.02, -5.31

 

CMYK 0 / 24 / 19 / 31

HEX #B18690

RGB 177 134 144

HSL 346.05, 0.22%, 0.61%

LAB 60.26, 18.01, 1.05

 

CMYK 0 / 24 / 24 / 31

HEX #B18786

RGB 177 135 134

HSL 1.4, 0.22%, 0.61%

LAB 60.25, 15.9, 6.75

 

CMYK 0 / 36 / 18 / 45

HEX #8B5972

RGB 139 89 114

HSL 330, 0.22%, 0.45%

LAB 44.02, 24.44, -5.64

 

CMYK 0 / 32 / 17 / 37

HEX #A16D86

RGB 161 109 134

HSL 331.15, 0.22%, 0.53%

LAB 52.1, 24.53, -5.33

 

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

CMYK 0 / 18 / 9 / 24

HEX #C29FB0

RGB 194 159 176

HSL 330.86, 0.22%, 0.69%

LAB 69.04, 15.74, -3.93

 

CMYK 0 / 12 / 6 / 18

HEX #D2B8C5

RGB 210 184 197

HSL 330, 0.22%, 0.77%

LAB 77.29, 11.49, -3.15

 

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

CMYK 0 / 7 / 24 / 31

HEX #B1A486

RGB 177 164 134

HSL 41.86, 0.22%, 0.61%

LAB 67.74, -0.15, 17.3

 

CMYK 24 / 2 / 0 / 31

HEX #86ADB1

RGB 134 173 177

HSL 185.58, 0.22%, 0.61%

LAB 68.12, -12.18, -6.37

 

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

CMYK 12 / 0 / 24 / 31

HEX #9CB186

RGB 156 177 134

HSL 89.3, 0.22%, 0.61%

LAB 69.64, -15.11, 19.65

 

CMYK 24 / 12 / 0 / 31

HEX #869CB1

RGB 134 156 177

HSL 209.3, 0.22%, 0.61%

LAB 63.36, -2.94, -13.48

 

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

CMYK 0 / 7 / 24 / 31

HEX #B1A486

RGB 177 164 134

HSL 41.86, 0.22%, 0.61%

LAB 67.74, -0.15, 17.3

 

CMYK 24 / 0 / 12 / 31

HEX #86B19C

RGB 134 177 156

HSL 150.7, 0.22%, 0.61%

LAB 68.69, -18.82, 6.07

 

CMYK 24 / 17 / 0 / 31

HEX #8693B1

RGB 134 147 177

HSL 221.86, 0.22%, 0.61%

LAB 60.88, 2.11, -17.22

 

CMYK 0 / 24 / 12 / 31

HEX #B1869B

RGB 177 134 155

HSL 330.7, 0.22%, 0.61%

LAB 60.57, 19.84, -4.78

 

CMYK 0 / 0 / 24 / 31

HEX #B1B186

RGB 177 177 134

HSL 60, 0.22%, 0.61%

LAB 71.22, -7.11, 22.08

 

CMYK 24 / 0 / 12 / 31

HEX #86B19C

RGB 134 177 156

HSL 150.7, 0.22%, 0.61%

LAB 68.69, -18.82, 6.07

 

CMYK 24 / 24 / 0 / 31

HEX #8686B1

RGB 134 134 177

HSL 240, 0.22%, 0.61%

LAB 57.36, 9.58, -22.59

 

Description

Color code: HEX #B1869B | qconv.com Color code: HEX #B1869B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 134 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 134 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 12 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 12% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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