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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1658D it is the complementary color #4E9A72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1658D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1658D shade: #B66588, #C7779B, #D889AE, #E99BC1 and #FAADD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1658D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1658D shade: #B1658D, #A0537A, #8F4167, #7E2F54 and #6D1D41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1658D shade: #B2668E, #B2667A and #B26666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1658D shade: #B2668E, #B266A3, #AD66B2, #9966B2 and #8466B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1658D shade matches the following richer shades: #B2668E, #C5548F, #D74190, #EA2F91 and #FC1C92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1658D shade: #B2668E, #A0798D, #8D8C8C, #7A9E8B and #68B18A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1658D shade: #AD66B2, #B266A3, #B2668F, #B2667B and #B26666

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1658D shade: #844265, #9F507A, #B2668E, #C082A3 and #CE9DB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1658D shade: #B1658D, #B29966 and #66ADB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1658D shade: #B1658D, #8FB266 and #668FB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1658D shade: #B1658D, #B29966, #66B28A and #6680B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1658D shade: #B1658D, #B2B066, #66B28A and #6669B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 20 / 31

HEX #B1658D

RGB 177 101 141

HSL 328.42, 0.33%, 0.55%

LAB 52.48, 35.88, -8.68

 

Complementary color

CMYK 49 / 0 / 26 / 40

HEX #4E9A72

RGB 78 154 114

HSL 148.42, 0.33%, 0.45%

LAB 57.99, -33.19, 13.89

 

CMYK 0 / 45 / 25 / 29

HEX #B66588

RGB 182 101 136

HSL 334.07, 0.36%, 0.55%

LAB 52.98, 36.89, -4.91

 

CMYK 0 / 40 / 22 / 22

HEX #C7779B

RGB 199 119 155

HSL 333, 0.42%, 0.62%

LAB 59.62, 36.04, -5.91

 

CMYK 0 / 37 / 19 / 15

HEX #D889AE

RGB 216 137 174

HSL 331.9, 0.5%, 0.69%

LAB 66.17, 35.23, -6.79

 

CMYK 0 / 33 / 17 / 9

HEX #E99BC1

RGB 233 155 193

HSL 330.77, 0.64%, 0.76%

LAB 72.64, 34.47, -7.58

 

CMYK 0 / 31 / 15 / 2

HEX #FAADD4

RGB 250 173 212

HSL 329.61, 0.89%, 0.83%

LAB 79.02, 33.75, -8.29

 

CMYK 0 / 43 / 20 / 31

HEX #B1658D

RGB 177 101 141

HSL 328.42, 0.33%, 0.55%

LAB 52.48, 35.88, -8.68

 

CMYK 0 / 48 / 24 / 37

HEX #A0537A

RGB 160 83 122

HSL 329.61, 0.32%, 0.48%

LAB 45.72, 36.72, -7.66

 

CMYK 0 / 55 / 28 / 44

HEX #8F4167

RGB 143 65 103

HSL 330.77, 0.38%, 0.41%

LAB 38.9, 37.52, -6.42

 

CMYK 0 / 63 / 33 / 51

HEX #7E2F54

RGB 126 47 84

HSL 331.9, 0.46%, 0.34%

LAB 32.05, 38.16, -4.81

 

CMYK 0 / 73 / 40 / 57

HEX #6D1D41

RGB 109 29 65

HSL 333, 0.58%, 0.27%

LAB 25.3, 38.35, -2.58

 

CMYK 0 / 43 / 20 / 30

HEX #B2668E

RGB 178 102 142

HSL 328.42, 0.33%, 0.55%

LAB 52.86, 35.85, -8.69

 

CMYK 0 / 43 / 31 / 30

HEX #B2667A

RGB 178 102 122

HSL 344.21, 0.33%, 0.55%

LAB 52.26, 32.94, 2.24

 

CMYK 0 / 43 / 43 / 30

HEX #B26666

RGB 178 102 102

HSL 0, 0.33%, 0.55%

LAB 51.75, 30.48, 13.36

 

CMYK 0 / 43 / 20 / 30

HEX #B2668E

RGB 178 102 142

HSL 328.42, 0.33%, 0.55%

LAB 52.86, 35.85, -8.69

 

CMYK 0 / 43 / 8 / 30

HEX #B266A3

RGB 178 102 163

HSL 311.84, 0.33%, 0.55%

LAB 53.61, 39.32, -19.86

 

CMYK 3 / 43 / 0 / 30

HEX #AD66B2

RGB 173 102 178

HSL 296.05, 0.33%, 0.55%

LAB 53.6, 40.51, -28.65

 

CMYK 14 / 43 / 0 / 30

HEX #9966B2

RGB 153 102 178

HSL 280.26, 0.33%, 0.55%

LAB 51.25, 34.37, -32.48

 

CMYK 26 / 43 / 0 / 30

HEX #8466B2

RGB 132 102 178

HSL 263.68, 0.33%, 0.55%

LAB 49.04, 28.07, -36.12

 

CMYK 0 / 43 / 20 / 30

HEX #B2668E

RGB 178 102 142

HSL 328.42, 0.33%, 0.55%

LAB 52.86, 35.85, -8.69

 

CMYK 0 / 57 / 27 / 23

HEX #C5548F

RGB 197 84 143

HSL 328.67, 0.49%, 0.55%

LAB 52.06, 51.4, -10.21

 

CMYK 0 / 70 / 33 / 16

HEX #D74190

RGB 215 65 144

HSL 328.4, 0.65%, 0.55%

LAB 52.11, 64.63, -10.43

 

CMYK 0 / 80 / 38 / 8

HEX #EA2F91

RGB 234 47 145

HSL 328.56, 0.82%, 0.55%

LAB 53.57, 75.02, -8.5

 

CMYK 0 / 89 / 42 / 1

HEX #FC1C92

RGB 252 28 146

HSL 328.39, 0.97%, 0.55%

LAB 55.69, 82.85, -5.58

 

CMYK 0 / 43 / 20 / 30

HEX #B2668E

RGB 178 102 142

HSL 328.42, 0.33%, 0.55%

LAB 52.86, 35.85, -8.69

 

CMYK 0 / 24 / 12 / 37

HEX #A0798D

RGB 160 121 141

HSL 329.23, 0.17%, 0.55%

LAB 55.15, 18.5, -4.93

 

CMYK 0 / 1 / 1 / 45

HEX #8D8C8C

RGB 141 140 140

HSL 0, 0%, 0.55%

LAB 58.33, 0.37, 0.12

 

CMYK 23 / 0 / 12 / 38

HEX #7A9E8B

RGB 122 158 139

HSL 148.33, 0.16%, 0.55%

LAB 62.05, -16.41, 5.89

 

CMYK 41 / 0 / 22 / 31

HEX #68B18A

RGB 104 177 138

HSL 147.95, 0.32%, 0.55%

LAB 66.69, -31.77, 12.91

 

CMYK 3 / 43 / 0 / 30

HEX #AD66B2

RGB 173 102 178

HSL 296.05, 0.33%, 0.55%

LAB 53.6, 40.51, -28.65

 

CMYK 0 / 43 / 8 / 30

HEX #B266A3

RGB 178 102 163

HSL 311.84, 0.33%, 0.55%

LAB 53.61, 39.32, -19.86

 

CMYK 0 / 43 / 20 / 30

HEX #B2668F

RGB 178 102 143

HSL 327.63, 0.33%, 0.55%

LAB 52.9, 36, -9.23

 

CMYK 0 / 43 / 31 / 30

HEX #B2667B

RGB 178 102 123

HSL 343.42, 0.33%, 0.55%

LAB 52.28, 33.08, 1.69

 

CMYK 0 / 43 / 43 / 30

HEX #B26666

RGB 178 102 102

HSL 0, 0.33%, 0.55%

LAB 51.75, 30.48, 13.36

 

CMYK 0 / 50 / 23 / 48

HEX #844265

RGB 132 66 101

HSL 328.18, 0.33%, 0.39%

LAB 37.37, 32.81, -7.62

 

CMYK 0 / 50 / 23 / 38

HEX #9F507A

RGB 159 80 122

HSL 328.1, 0.33%, 0.47%

LAB 44.96, 37.97, -8.82

 

CMYK 0 / 43 / 20 / 30

HEX #B2668E

RGB 178 102 142

HSL 328.42, 0.33%, 0.55%

LAB 52.86, 35.85, -8.69

 

CMYK 0 / 32 / 15 / 25

HEX #C082A3

RGB 192 130 163

HSL 328.06, 0.33%, 0.63%

LAB 61.5, 28.84, -7.8

 

CMYK 0 / 24 / 11 / 19

HEX #CE9DB7

RGB 206 157 183

HSL 328.16, 0.33%, 0.71%

LAB 69.93, 22.33, -6.36

 

CMYK 0 / 43 / 20 / 31

HEX #B1658D

RGB 177 101 141

HSL 328.42, 0.33%, 0.55%

LAB 52.48, 35.88, -8.68

 

CMYK 0 / 14 / 43 / 30

HEX #B29966

RGB 178 153 102

HSL 40.26, 0.33%, 0.55%

LAB 64.33, 2.14, 30.2

 

CMYK 43 / 3 / 0 / 30

HEX #66ADB2

RGB 102 173 178

HSL 183.95, 0.33%, 0.55%

LAB 66.46, -20.95, -9.56

 

CMYK 0 / 43 / 20 / 31

HEX #B1658D

RGB 177 101 141

HSL 328.42, 0.33%, 0.55%

LAB 52.48, 35.88, -8.68

 

CMYK 20 / 0 / 43 / 30

HEX #8FB266

RGB 143 178 102

HSL 87.63, 0.33%, 0.55%

LAB 68.49, -25.09, 34.97

 

CMYK 43 / 20 / 0 / 30

HEX #668FB2

RGB 102 143 178

HSL 207.63, 0.33%, 0.55%

LAB 57.74, -4.73, -22.77

 

CMYK 0 / 43 / 20 / 31

HEX #B1658D

RGB 177 101 141

HSL 328.42, 0.33%, 0.55%

LAB 52.48, 35.88, -8.68

 

CMYK 0 / 14 / 43 / 30

HEX #B29966

RGB 178 153 102

HSL 40.26, 0.33%, 0.55%

LAB 64.33, 2.14, 30.2

 

CMYK 43 / 0 / 22 / 30

HEX #66B28A

RGB 102 178 138

HSL 148.42, 0.33%, 0.55%

LAB 66.9, -32.81, 13.2

 

CMYK 43 / 28 / 0 / 30

HEX #6680B2

RGB 102 128 178

HSL 219.47, 0.33%, 0.55%

LAB 53.47, 3.96, -29.36

 

CMYK 0 / 43 / 20 / 31

HEX #B1658D

RGB 177 101 141

HSL 328.42, 0.33%, 0.55%

LAB 52.48, 35.88, -8.68

 

CMYK 0 / 1 / 43 / 30

HEX #B2B066

RGB 178 176 102

HSL 58.42, 0.33%, 0.55%

LAB 70.51, -10.17, 38.05

 

CMYK 43 / 0 / 22 / 30

HEX #66B28A

RGB 102 178 138

HSL 148.42, 0.33%, 0.55%

LAB 66.9, -32.81, 13.2

 

CMYK 43 / 41 / 0 / 30

HEX #6669B2

RGB 102 105 178

HSL 237.63, 0.33%, 0.55%

LAB 47.16, 17.87, -39.25

 

Description

Color code: HEX #B1658D | qconv.com Color code: HEX #B1658D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 101 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 101 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 20 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 20% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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