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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B15768 it is the complementary color #4EA897. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B15768. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B15768 shade: #B65763, #C76976, #D87B89, #E98D9C and #FA9FAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B15768. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B15768 shade: #B15768, #A04555, #8F3342, #7E212F and #6D0F1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B15768 shade: #B25768 and #B25757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B15768 shade: #B25768, #B25781, #B25799, #B257B2 and #9A57B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B15768 shade matches the following richer shades: #B25768, #C6445C, #D93050 and #ED1C43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B15768 shade: #B25768, #9E6B75, #8A7F81, #76938D and #63A79A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B15768 shade: #B2579A, #B25782, #B25769, #B25D57 and #B27657

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B15768 shade: #7D3A46, #994756, #B25768, #BF7482 and #CC909B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B15768 shade: #B15768, #B2B257 and #578EB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B15768 shade: #B15768, #69B257 and #5769B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B15768 shade: #B15768, #B2B257, #57B2A0 and #5757B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B15768 shade: #B15768, #97B257, #57B2A0 and #7257B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 41 / 31

HEX #B15768

RGB 177 87 104

HSL 348.67, 0.37%, 0.52%

LAB 48.46, 38.33, 7.53

 

Complementary color

CMYK 54 / 0 / 10 / 34

HEX #4EA897

RGB 78 168 151

HSL 168.67, 0.37%, 0.48%

LAB 63.23, -31.14, 0.61

 

CMYK 0 / 52 / 46 / 29

HEX #B65763

RGB 182 87 99

HSL 352.42, 0.39%, 0.53%

LAB 49.08, 39.62, 11.51

 

CMYK 0 / 47 / 41 / 22

HEX #C76976

RGB 199 105 118

HSL 351.7, 0.46%, 0.6%

LAB 55.64, 38.6, 9.81

 

CMYK 0 / 43 / 37 / 15

HEX #D87B89

RGB 216 123 137

HSL 350.97, 0.54%, 0.66%

LAB 62.14, 37.61, 8.36

 

CMYK 0 / 39 / 33 / 9

HEX #E98D9C

RGB 233 141 156

HSL 350.22, 0.68%, 0.73%

LAB 68.59, 36.67, 7.1

 

CMYK 0 / 36 / 30 / 2

HEX #FA9FAF

RGB 250 159 175

HSL 349.45, 0.9%, 0.8%

LAB 74.96, 35.8, 5.97

 

CMYK 0 / 51 / 41 / 31

HEX #B15768

RGB 177 87 104

HSL 348.67, 0.37%, 0.52%

LAB 48.46, 38.33, 7.53

 

CMYK 0 / 57 / 47 / 37

HEX #A04555

RGB 160 69 85

HSL 349.45, 0.4%, 0.45%

LAB 41.82, 39.3, 9.39

 

CMYK 0 / 64 / 54 / 44

HEX #8F3342

RGB 143 51 66

HSL 350.22, 0.47%, 0.38%

LAB 35.2, 40.14, 11.74

 

CMYK 0 / 74 / 63 / 51

HEX #7E212F

RGB 126 33 47

HSL 350.97, 0.58%, 0.31%

LAB 28.72, 40.6, 14.83

 

CMYK 0 / 86 / 74 / 57

HEX #6D0F1C

RGB 109 15 28

HSL 351.7, 0.76%, 0.24%

LAB 22.57, 40.15, 19.03

 

CMYK 0 / 51 / 42 / 30

HEX #B25768

RGB 178 87 104

HSL 348.79, 0.37%, 0.52%

LAB 48.61, 38.7, 7.76

 

CMYK 0 / 51 / 51 / 30

HEX #B25757

RGB 178 87 87

HSL 0, 0.37%, 0.52%

LAB 48.22, 36.95, 17.43

 

CMYK 0 / 51 / 42 / 30

HEX #B25768

RGB 178 87 104

HSL 348.79, 0.37%, 0.52%

LAB 48.61, 38.7, 7.76

 

CMYK 0 / 51 / 28 / 30

HEX #B25781

RGB 178 87 129

HSL 332.31, 0.37%, 0.52%

LAB 49.33, 41.84, -6.23

 

CMYK 0 / 51 / 14 / 30

HEX #B25799

RGB 178 87 153

HSL 316.48, 0.37%, 0.52%

LAB 50.19, 45.46, -19.22

 

CMYK 0 / 51 / 0 / 30

HEX #B257B2

RGB 178 87 178

HSL 300, 0.37%, 0.52%

LAB 51.26, 49.77, -32.24

 

CMYK 13 / 51 / 0 / 30

HEX #9A57B2

RGB 154 87 178

HSL 284.18, 0.37%, 0.52%

LAB 48.13, 42.93, -37.37

 

CMYK 0 / 51 / 42 / 30

HEX #B25768

RGB 178 87 104

HSL 348.79, 0.37%, 0.52%

LAB 48.61, 38.7, 7.76

 

CMYK 0 / 66 / 54 / 22

HEX #C6445C

RGB 198 68 92

HSL 348.92, 0.53%, 0.52%

LAB 48.15, 53.34, 14.84

 

CMYK 0 / 78 / 63 / 15

HEX #D93050

RGB 217 48 80

HSL 348.64, 0.69%, 0.52%

LAB 48.82, 65.24, 23.62

 

CMYK 0 / 88 / 72 / 7

HEX #ED1C43

RGB 237 28 67

HSL 348.8, 0.85%, 0.52%

LAB 50.97, 74.29, 34.93

 

CMYK 0 / 51 / 42 / 30

HEX #B25768

RGB 178 87 104

HSL 348.79, 0.37%, 0.52%

LAB 48.61, 38.7, 7.76

 

CMYK 0 / 32 / 26 / 38

HEX #9E6B75

RGB 158 107 117

HSL 348.24, 0.21%, 0.52%

LAB 50.77, 21.83, 2.73

HEX #9E6B75

CMYK 0 / 8 / 7 / 46

HEX #8A7F81

RGB 138 127 129

HSL 349.09, 0.04%, 0.52%

LAB 54.2, 4.55, 0.42

HEX #8A7F81

CMYK 20 / 0 / 4 / 42

HEX #76938D

RGB 118 147 141

HSL 167.59, 0.12%, 0.52%

LAB 58.64, -11.46, -0.2

HEX #76938D

CMYK 41 / 0 / 8 / 35

HEX #63A79A

RGB 99 167 154

HSL 168.53, 0.28%, 0.52%

LAB 63.85, -24.71, -0.05

HEX #63A79A

CMYK 0 / 51 / 13 / 30

HEX #B2579A

RGB 178 87 154

HSL 315.82, 0.37%, 0.52%

LAB 50.23, 45.62, -19.75

 

CMYK 0 / 51 / 27 / 30

HEX #B25782

RGB 178 87 130

HSL 331.65, 0.37%, 0.52%

LAB 49.37, 41.98, -6.78

 

CMYK 0 / 51 / 41 / 30

HEX #B25769

RGB 178 87 105

HSL 348.13, 0.37%, 0.52%

LAB 48.64, 38.81, 7.19

 

CMYK 0 / 48 / 51 / 30

HEX #B25D57

RGB 178 93 87

HSL 3.96, 0.37%, 0.52%

LAB 49.47, 33.79, 19.11

 

CMYK 0 / 34 / 51 / 30

HEX #B27657

RGB 178 118 87

HSL 20.44, 0.37%, 0.52%

LAB 55.19, 20.05, 26.64

 

CMYK 0 / 54 / 44 / 51

HEX #7D3A46

RGB 125 58 70

HSL 349.25, 0.37%, 0.36%

LAB 33.62, 30.33, 6.51

 

CMYK 0 / 54 / 44 / 40

HEX #994756

RGB 153 71 86

HSL 349.02, 0.37%, 0.44%

LAB 41.14, 35.82, 7.65

 

CMYK 0 / 51 / 42 / 30

HEX #B25768

RGB 178 87 104

HSL 348.79, 0.37%, 0.52%

LAB 48.61, 38.7, 7.76

 

CMYK 0 / 39 / 32 / 25

HEX #BF7482

RGB 191 116 130

HSL 348.8, 0.37%, 0.6%

LAB 57.25, 31.24, 4.97

 

CMYK 0 / 29 / 24 / 20

HEX #CC909B

RGB 204 144 155

HSL 349, 0.37%, 0.68%

LAB 65.87, 24.28, 3.31

 

CMYK 0 / 51 / 41 / 31

HEX #B15768

RGB 177 87 104

HSL 348.67, 0.37%, 0.52%

LAB 48.46, 38.33, 7.53

 

CMYK 0 / 0 / 51 / 30

HEX #B2B257

RGB 178 178 87

HSL 60, 0.37%, 0.52%

LAB 70.87, -12.66, 45.96

 

CMYK 51 / 20 / 0 / 30

HEX #578EB2

RGB 87 142 178

HSL 203.74, 0.37%, 0.52%

LAB 56.67, -7.93, -24.48

 

CMYK 0 / 51 / 41 / 31

HEX #B15768

RGB 177 87 104

HSL 348.67, 0.37%, 0.52%

LAB 48.46, 38.33, 7.53

 

CMYK 41 / 0 / 51 / 30

HEX #69B257

RGB 105 178 87

HSL 108.13, 0.37%, 0.52%

LAB 66.16, -40.47, 39.2

 

CMYK 51 / 41 / 0 / 30

HEX #5769B2

RGB 87 105 178

HSL 228.13, 0.37%, 0.52%

LAB 46.1, 14.13, -41

 

CMYK 0 / 51 / 41 / 31

HEX #B15768

RGB 177 87 104

HSL 348.67, 0.37%, 0.52%

LAB 48.46, 38.33, 7.53

 

CMYK 0 / 0 / 51 / 30

HEX #B2B257

RGB 178 178 87

HSL 60, 0.37%, 0.52%

LAB 70.87, -12.66, 45.96

 

CMYK 51 / 0 / 10 / 30

HEX #57B2A0

RGB 87 178 160

HSL 168.13, 0.37%, 0.52%

LAB 66.83, -31.63, 0.89

 

CMYK 51 / 51 / 0 / 30

HEX #5757B2

RGB 87 87 178

HSL 240, 0.37%, 0.52%

LAB 41.31, 25.42, -48.65

 

CMYK 0 / 51 / 41 / 31

HEX #B15768

RGB 177 87 104

HSL 348.67, 0.37%, 0.52%

LAB 48.46, 38.33, 7.53

 

CMYK 15 / 0 / 51 / 30

HEX #97B257

RGB 151 178 87

HSL 77.8, 0.37%, 0.52%

LAB 68.83, -23.69, 43.05

 

CMYK 51 / 0 / 10 / 30

HEX #57B2A0

RGB 87 178 160

HSL 168.13, 0.37%, 0.52%

LAB 66.83, -31.63, 0.89

 

CMYK 36 / 51 / 0 / 30

HEX #7257B2

RGB 114 87 178

HSL 257.8, 0.37%, 0.52%

LAB 43.67, 31.98, -44.74

 

Description

Color code: HEX #B15768 | qconv.com Color code: HEX #B15768 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 87 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 87 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 41 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 41% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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