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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B15006 it is the complementary color #4EAFF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B15006. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B15006 shade: #B65001, #C76214, #D87427, #E9863A and #FA984D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B15006. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B15006 shade: #B15006, #A03E00, #8F2C00, #7E1A00 and #6D0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B15006 shade: #B15006, #B12206 and #B10606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B15006 shade: #B15006, #B17E06, #B1AC06, #88B106 and #5AB106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B15006 shade matches the following richer shades: #B15006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B15006 shade: #B15006, #A25215, #935424, #855633 and #765842

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B15006 shade: #B1061A, #B12006, #B14E06, #B17B06 and #B1A906

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B15006 shade: #622C04, #893E05, #B15006, #D96208 and #F67614

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B15006 shade: #B15006, #48B106 and #0906B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B15006 shade: #B15006, #06B14E and #4E06B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B15006 shade: #B15006, #48B106, #066AB1 and #7006B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B15006 shade: #B15006, #15B106, #066AB1 and #A306B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

Complementary color

CMYK 69 / 30 / 0 / 2

HEX #4EAFF9

RGB 78 175 249

HSL 205.96, 0.93%, 0.64%

LAB 68.84, -5.36, -45.04

 

CMYK 0 / 56 / 99 / 29

HEX #B65001

RGB 182 80 1

HSL 26.19, 0.99%, 0.36%

LAB 46.56, 38.12, 56.09

 

CMYK 0 / 51 / 90 / 22

HEX #C76214

RGB 199 98 20

HSL 26.15, 0.82%, 0.43%

LAB 52.87, 36.02, 56.87

 

CMYK 0 / 46 / 82 / 15

HEX #D87427

RGB 216 116 39

HSL 26.1, 0.69%, 0.5%

LAB 59.19, 34.04, 56.45

 

CMYK 0 / 42 / 75 / 9

HEX #E9863A

RGB 233 134 58

HSL 26.06, 0.8%, 0.57%

LAB 65.5, 32.23, 55.25

 

CMYK 0 / 39 / 69 / 2

HEX #FA984D

RGB 250 152 77

HSL 26.01, 0.95%, 0.64%

LAB 71.77, 30.6, 53.76

 

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

CMYK 0 / 61 / 100 / 37

HEX #A03E00

RGB 160 62 0

HSL 23.25, 1%, 0.31%

LAB 39.44, 38.36, 50.44

 

CMYK 0 / 69 / 100 / 44

HEX #8F2C00

RGB 143 44 0

HSL 18.46, 1%, 0.28%

LAB 33.22, 40.24, 45.41

 

CMYK 0 / 79 / 100 / 51

HEX #7E1A00

RGB 126 26 0

HSL 12.38, 1%, 0.25%

LAB 27.23, 41.35, 39.42

 

CMYK 0 / 93 / 100 / 57

HEX #6D0800

RGB 109 8 0

HSL 4.4, 1%, 0.21%

LAB 21.67, 40.97, 32.73

 

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

CMYK 0 / 81 / 97 / 31

HEX #B12206

RGB 177 34 6

HSL 9.82, 0.93%, 0.36%

LAB 38.73, 55.08, 49.71

 

CMYK 0 / 97 / 97 / 31

HEX #B10606

RGB 177 6 6

HSL 0, 0.93%, 0.36%

LAB 36.91, 60.28, 48.75

 

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

CMYK 0 / 29 / 97 / 31

HEX #B17E06

RGB 177 126 6

HSL 42.11, 0.93%, 0.36%

LAB 56.37, 11.07, 61.13

 

CMYK 0 / 3 / 97 / 31

HEX #B1AC06

RGB 177 172 6

HSL 58.25, 0.93%, 0.36%

LAB 68.65, -13.76, 70.11

 

CMYK 23 / 0 / 97 / 31

HEX #88B106

RGB 136 177 6

HSL 74.39, 0.93%, 0.36%

LAB 67.05, -33.76, 67.55

 

CMYK 49 / 0 / 97 / 31

HEX #5AB106

RGB 90 177 6

HSL 90.53, 0.93%, 0.36%

LAB 64.67, -50.46, 64.66

 

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

CMYK 0 / 49 / 87 / 36

HEX #A25215

RGB 162 82 21

HSL 25.96, 0.77%, 0.36%

LAB 43.9, 29.22, 47.08

 

CMYK 0 / 43 / 76 / 42

HEX #935424

RGB 147 84 36

HSL 25.95, 0.61%, 0.36%

LAB 42.26, 22.16, 38.12

 

CMYK 0 / 35 / 62 / 48

HEX #855633

RGB 133 86 51

HSL 25.61, 0.45%, 0.36%

LAB 41.03, 15.7, 28.12

 

CMYK 0 / 25 / 44 / 54

HEX #765842

RGB 118 88 66

HSL 25.38, 0.28%, 0.36%

LAB 39.96, 9.26, 17.55

 

CMYK 0 / 97 / 85 / 31

HEX #B1061A

RGB 177 6 26

HSL 352.98, 0.93%, 0.36%

LAB 37.03, 60.59, 39.99

 

CMYK 0 / 82 / 97 / 31

HEX #B12006

RGB 177 32 6

HSL 9.12, 0.93%, 0.36%

LAB 38.54, 55.62, 49.6

 

CMYK 0 / 56 / 97 / 31

HEX #B14E06

RGB 177 78 6

HSL 25.26, 0.93%, 0.36%

LAB 45.37, 37.2, 53.67

 

CMYK 0 / 31 / 97 / 31

HEX #B17B06

RGB 177 123 6

HSL 41.05, 0.93%, 0.36%

LAB 55.61, 12.75, 60.59

 

CMYK 0 / 5 / 97 / 31

HEX #B1A906

RGB 177 169 6

HSL 57.19, 0.93%, 0.36%

LAB 67.83, -12.21, 69.49

 

CMYK 0 / 55 / 96 / 62

HEX #622C04

RGB 98 44 4

HSL 25.53, 0.92%, 0.2%

LAB 24.97, 22.03, 33.74

 

CMYK 0 / 55 / 96 / 46

HEX #893E05

RGB 137 62 5

HSL 25.91, 0.93%, 0.28%

LAB 35.55, 29.11, 44.35

 

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

CMYK 0 / 55 / 96 / 15

HEX #D96208

RGB 217 98 8

HSL 25.84, 0.93%, 0.44%

LAB 55.59, 42.95, 62.85

 

CMYK 0 / 52 / 92 / 4

HEX #F67614

RGB 246 118 20

HSL 26.02, 0.93%, 0.52%

LAB 63.84, 44.45, 67.98

 

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

CMYK 59 / 0 / 97 / 31

HEX #48B106

RGB 72 177 6

HSL 96.84, 0.93%, 0.36%

LAB 64.03, -55.56, 63.87

 

CMYK 95 / 97 / 0 / 31

HEX #0906B1

RGB 9 6 177

HSL 241.05, 0.93%, 0.36%

LAB 21.44, 58.77, -80.82

 

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

CMYK 97 / 0 / 56 / 31

HEX #06B14E

RGB 6 177 78

HSL 145.26, 0.93%, 0.36%

LAB 63.37, -59.45, 39.68

 

CMYK 56 / 97 / 0 / 31

HEX #4E06B1

RGB 78 6 177

HSL 265.26, 0.93%, 0.36%

LAB 26.52, 61.45, -72.23

 

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

CMYK 59 / 0 / 97 / 31

HEX #48B106

RGB 72 177 6

HSL 96.84, 0.93%, 0.36%

LAB 64.03, -55.56, 63.87

 

CMYK 97 / 40 / 0 / 31

HEX #066AB1

RGB 6 106 177

HSL 204.91, 0.93%, 0.36%

LAB 43.54, 2.07, -44.66

 

CMYK 37 / 97 / 0 / 31

HEX #7006B1

RGB 112 6 177

HSL 277.19, 0.93%, 0.36%

LAB 31.23, 64.71, -64.3

 

CMYK 0 / 55 / 97 / 31

HEX #B15006

RGB 177 80 6

HSL 25.96, 0.93%, 0.36%

LAB 45.77, 36.19, 53.92

 

CMYK 88 / 0 / 97 / 31

HEX #15B106

RGB 21 177 6

HSL 114.74, 0.93%, 0.36%

LAB 63.02, -64.18, 62.64

 

CMYK 97 / 40 / 0 / 31

HEX #066AB1

RGB 6 106 177

HSL 204.91, 0.93%, 0.36%

LAB 43.54, 2.07, -44.66

 

CMYK 8 / 97 / 0 / 31

HEX #A306B1

RGB 163 6 177

HSL 295.09, 0.93%, 0.36%

LAB 39.73, 71.82, -50.09

 

Description

Color code: HEX #B15006 | qconv.com Color code: HEX #B15006 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 80 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 80 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 97 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 97% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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