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Color name
HEX #B14F29

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B14F29 it is the complementary color #4EB0D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B14F29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B14F29 shade: #B64F24, #C76137, #D8734A, #E9855D and #FA9770

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B14F29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B14F29 shade: #B14F29, #A03D16, #8F2B03, #7E1900 and #6D0700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B14F29 shade: #B2502A, #B22B2A and #B22A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B14F29 shade: #B2502A, #B2742A, #B2992A, #A6B22A and #81B22A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B14F29 shade matches the following richer shades: #B2502A, #C34818 and #D54006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B14F29 shade: #B2502A, #A0573B, #8E5F4D, #7C675F and #6B6F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B14F29 shade: #B22A4E, #B22A2A, #B24E2A, #B2722A and #B2962A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B14F29 shade: #6F321A, #904122, #B2502A, #D06035 and #D77A56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B14F29 shade: #B14F29, #72B22A and #2A3CB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B14F29 shade: #B14F29, #2AB24E and #4E2AB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B14F29 shade: #B14F29, #72B22A, #2A8DB2 and #692AB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B14F29 shade: #B14F29, #49B22A, #2A8DB2 and #922AB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 77 / 31

HEX #B14F29

RGB 177 79 41

HSL 16.76, 0.62%, 0.43%

LAB 45.77, 37.59, 40.64

 

Complementary color

CMYK 64 / 18 / 0 / 16

HEX #4EB0D6

RGB 78 176 214

HSL 196.76, 0.62%, 0.57%

LAB 67.67, -17.19, -27.73

 

CMYK 0 / 57 / 80 / 29

HEX #B64F24

RGB 182 79 36

HSL 17.67, 0.67%, 0.43%

LAB 46.53, 39.34, 44.15

 

CMYK 0 / 51 / 72 / 22

HEX #C76137

RGB 199 97 55

HSL 17.5, 0.57%, 0.5%

LAB 52.91, 37.69, 42.05

 

CMYK 0 / 47 / 66 / 15

HEX #D8734A

RGB 216 115 74

HSL 17.32, 0.65%, 0.57%

LAB 59.3, 36.13, 39.96

 

CMYK 0 / 43 / 60 / 9

HEX #E9855D

RGB 233 133 93

HSL 17.14, 0.76%, 0.64%

LAB 65.66, 34.7, 38.03

 

CMYK 0 / 40 / 55 / 2

HEX #FA9770

RGB 250 151 112

HSL 16.96, 0.93%, 0.71%

LAB 71.98, 33.4, 36.25

 

CMYK 0 / 55 / 77 / 31

HEX #B14F29

RGB 177 79 41

HSL 16.76, 0.62%, 0.43%

LAB 45.77, 37.59, 40.64

 

CMYK 0 / 62 / 86 / 37

HEX #A03D16

RGB 160 61 22

HSL 16.96, 0.76%, 0.36%

LAB 39.36, 39.24, 42.7

 

CMYK 0 / 70 / 98 / 44

HEX #8F2B03

RGB 143 43 3

HSL 17.14, 0.96%, 0.29%

LAB 33.08, 40.72, 44.09

 

CMYK 0 / 80 / 100 / 51

HEX #7E1900

RGB 126 25 0

HSL 11.9, 1%, 0.25%

LAB 27.1, 41.69, 39.31

 

CMYK 0 / 94 / 100 / 57

HEX #6D0700

RGB 109 7 0

HSL 3.85, 1%, 0.21%

LAB 21.59, 41.2, 32.64

 

CMYK 0 / 55 / 76 / 30

HEX #B2502A

RGB 178 80 42

HSL 16.76, 0.62%, 0.43%

LAB 46.14, 37.51, 40.56

 

CMYK 0 / 76 / 76 / 30

HEX #B22B2A

RGB 178 43 42

HSL 0.44, 0.62%, 0.43%

LAB 40.18, 53.45, 34.21

 

CMYK 0 / 76 / 76 / 30

HEX #B22A2A

RGB 178 42 42

HSL 0, 0.62%, 0.43%

LAB 40.06, 53.78, 34.08

 

CMYK 0 / 55 / 76 / 30

HEX #B2502A

RGB 178 80 42

HSL 16.76, 0.62%, 0.43%

LAB 46.14, 37.51, 40.56

 

CMYK 0 / 35 / 76 / 30

HEX #B2742A

RGB 178 116 42

HSL 32.65, 0.62%, 0.43%

LAB 54.16, 18.06, 48.67

 

CMYK 0 / 14 / 76 / 30

HEX #B2992A

RGB 178 153 42

HSL 48.97, 0.62%, 0.43%

LAB 63.68, -2.39, 57.82

 

CMYK 7 / 0 / 76 / 30

HEX #A6B22A

RGB 166 178 42

HSL 65.29, 0.62%, 0.43%

LAB 69.55, -20.69, 62.89

 

CMYK 28 / 0 / 76 / 30

HEX #81B22A

RGB 129 178 42

HSL 81.62, 0.62%, 0.43%

LAB 67.03, -35.88, 59.63

 

CMYK 0 / 55 / 76 / 30

HEX #B2502A

RGB 178 80 42

HSL 16.76, 0.62%, 0.43%

LAB 46.14, 37.51, 40.56

 

CMYK 0 / 63 / 88 / 24

HEX #C34818

RGB 195 72 24

HSL 16.84, 0.78%, 0.43%

LAB 47.37, 47.16, 50.98

 

CMYK 0 / 70 / 97 / 16

HEX #D54006

RGB 213 64 6

HSL 16.81, 0.95%, 0.43%

LAB 49.28, 56.39, 59.19

 

CMYK 0 / 55 / 76 / 30

HEX #B2502A

RGB 178 80 42

HSL 16.76, 0.62%, 0.43%

LAB 46.14, 37.51, 40.56

 

CMYK 0 / 46 / 63 / 37

HEX #A0573B

RGB 160 87 59

HSL 16.63, 0.46%, 0.43%

LAB 45.09, 27.46, 29.34

 

CMYK 0 / 33 / 46 / 44

HEX #8E5F4D

RGB 142 95 77

HSL 16.62, 0.3%, 0.43%

LAB 44.9, 16.91, 18.07

 

CMYK 0 / 17 / 23 / 51

HEX #7C675F

RGB 124 103 95

HSL 16.55, 0.13%, 0.43%

LAB 45.38, 7.01, 7.63

 

CMYK 5 / 2 / 0 / 56

HEX #6B6F71

RGB 107 111 113

HSL 200, 0.03%, 0.43%

LAB 46.56, -1.1, -1.65

 

CMYK 0 / 76 / 56 / 30

HEX #B22A4E

RGB 178 42 78

HSL 344.12, 0.62%, 0.43%

LAB 40.69, 55.81, 12.68

 

CMYK 0 / 76 / 76 / 30

HEX #B22A2A

RGB 178 42 42

HSL 0, 0.62%, 0.43%

LAB 40.06, 53.78, 34.08

 

CMYK 0 / 56 / 76 / 30

HEX #B24E2A

RGB 178 78 42

HSL 15.88, 0.62%, 0.43%

LAB 45.74, 38.52, 40.15

 

CMYK 0 / 36 / 76 / 30

HEX #B2722A

RGB 178 114 42

HSL 31.76, 0.62%, 0.43%

LAB 53.67, 19.17, 48.19

 

CMYK 0 / 16 / 76 / 30

HEX #B2962A

RGB 178 150 42

HSL 47.65, 0.62%, 0.43%

LAB 62.88, -0.77, 57.06

 

CMYK 0 / 55 / 77 / 56

HEX #6F321A

RGB 111 50 26

HSL 16.94, 0.62%, 0.27%

LAB 28.73, 25.22, 27.45

 

CMYK 0 / 55 / 76 / 44

HEX #904122

RGB 144 65 34

HSL 16.91, 0.62%, 0.35%

LAB 37.53, 31.31, 34.05

 

CMYK 0 / 55 / 76 / 30

HEX #B2502A

RGB 178 80 42

HSL 16.76, 0.62%, 0.43%

LAB 46.14, 37.51, 40.56

 

CMYK 0 / 54 / 75 / 18

HEX #D06035

RGB 208 96 53

HSL 16.65, 0.62%, 0.51%

LAB 54.06, 41.58, 44.71

 

CMYK 0 / 43 / 60 / 16

HEX #D77A56

RGB 215 122 86

HSL 16.74, 0.62%, 0.59%

LAB 60.82, 32.87, 35.3

 

CMYK 0 / 55 / 77 / 31

HEX #B14F29

RGB 177 79 41

HSL 16.76, 0.62%, 0.43%

LAB 45.77, 37.59, 40.64

 

CMYK 36 / 0 / 76 / 30

HEX #72B22A

RGB 114 178 42

HSL 88.24, 0.62%, 0.43%

LAB 66.2, -41.49, 58.55

 

CMYK 76 / 66 / 0 / 30

HEX #2A3CB2

RGB 42 60 178

HSL 232.06, 0.62%, 0.43%

LAB 31.67, 35.26, -64.44

 

CMYK 0 / 55 / 77 / 31

HEX #B14F29

RGB 177 79 41

HSL 16.76, 0.62%, 0.43%

LAB 45.77, 37.59, 40.64

 

CMYK 76 / 0 / 56 / 30

HEX #2AB24E

RGB 42 178 78

HSL 135.88, 0.62%, 0.43%

LAB 64.07, -56.66, 40.6

 

CMYK 56 / 76 / 0 / 30

HEX #4E2AB2

RGB 78 42 178

HSL 255.88, 0.62%, 0.43%

LAB 30.62, 49.94, -66.06

 

CMYK 0 / 55 / 77 / 31

HEX #B14F29

RGB 177 79 41

HSL 16.76, 0.62%, 0.43%

LAB 45.77, 37.59, 40.64

 

CMYK 36 / 0 / 76 / 30

HEX #72B22A

RGB 114 178 42

HSL 88.24, 0.62%, 0.43%

LAB 66.2, -41.49, 58.55

 

CMYK 76 / 21 / 0 / 30

HEX #2A8DB2

RGB 42 141 178

HSL 196.32, 0.62%, 0.43%

LAB 54.82, -15.41, -27.46

 

CMYK 41 / 76 / 0 / 30

HEX #692AB2

RGB 105 42 178

HSL 267.79, 0.62%, 0.43%

LAB 33.72, 54.02, -60.86

 

CMYK 0 / 55 / 77 / 31

HEX #B14F29

RGB 177 79 41

HSL 16.76, 0.62%, 0.43%

LAB 45.77, 37.59, 40.64

 

CMYK 59 / 0 / 76 / 30

HEX #49B22A

RGB 73 178 42

HSL 106.32, 0.62%, 0.43%

LAB 64.5, -54.2, 56.32

 

CMYK 76 / 21 / 0 / 30

HEX #2A8DB2

RGB 42 141 178

HSL 196.32, 0.62%, 0.43%

LAB 54.82, -15.41, -27.46

 

CMYK 18 / 76 / 0 / 30

HEX #922AB2

RGB 146 42 178

HSL 285.88, 0.62%, 0.43%

LAB 39.55, 61.48, -51.13

 

Description

Color code: HEX #B14F29 | qconv.com Color code: HEX #B14F29 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 79 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 79 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 77 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 77% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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