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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1326F it is the complementary color #4ECD90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1326F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1326F shade: #B6326A, #C7447D, #D85690, #E968A3 and #FA7AB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1326F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1326F shade: #B1326F, #A0205C, #8F0E49, #7E0036 and #6D0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1326F shade: #B33270, #B3324E and #B33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1326F shade: #B33270, #B33293, #B032B3, #8E32B3 and #6B32B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1326F shade matches the following richer shades: #B33270, #C6206F and #D80D6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1326F shade: #B33270, #A04571, #8E5872, #7B6A72 and #697D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1326F shade: #B132B3, #B33293, #B33271, #B3324E and #B33932

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1326F shade: #732048, #93295C, #B33270, #CA4485 and #D3659A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1326F shade: #B1326F, #B38F32 and #32A4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1326F shade: #B1326F, #71B332 and #3271B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1326F shade: #B1326F, #B38F32, #32B375 and #3257B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1326F shade: #B1326F, #B1B332, #32B375 and #3532B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 37 / 31

HEX #B1326F

RGB 177 50 111

HSL 331.18, 0.56%, 0.45%

LAB 42.42, 55.82, -5.55

 

Complementary color

CMYK 62 / 0 / 30 / 20

HEX #4ECD90

RGB 78 205 144

HSL 151.18, 0.56%, 0.55%

LAB 74.38, -49.1, 20.23

 

CMYK 0 / 73 / 42 / 29

HEX #B6326A

RGB 182 50 106

HSL 334.55, 0.57%, 0.45%

LAB 43.16, 56.72, -1.25

 

CMYK 0 / 66 / 37 / 22

HEX #C7447D

RGB 199 68 125

HSL 333.89, 0.54%, 0.52%

LAB 49.2, 56.81, -3.66

 

CMYK 0 / 60 / 33 / 15

HEX #D85690

RGB 216 86 144

HSL 333.23, 0.63%, 0.59%

LAB 55.35, 56.5, -5.58

 

CMYK 0 / 55 / 30 / 9

HEX #E968A3

RGB 233 104 163

HSL 332.56, 0.75%, 0.66%

LAB 61.54, 55.95, -7.16

 

CMYK 0 / 51 / 27 / 2

HEX #FA7AB6

RGB 250 122 182

HSL 331.88, 0.93%, 0.73%

LAB 67.74, 55.27, -8.5

 

CMYK 0 / 72 / 37 / 31

HEX #B1326F

RGB 177 50 111

HSL 331.18, 0.56%, 0.45%

LAB 42.42, 55.82, -5.55

 

CMYK 0 / 80 / 43 / 37

HEX #A0205C

RGB 160 32 92

HSL 331.88, 0.67%, 0.38%

LAB 36.52, 55.05, -2.67

 

CMYK 0 / 90 / 49 / 44

HEX #8F0E49

RGB 143 14 73

HSL 332.56, 0.82%, 0.31%

LAB 30.96, 53.12, 1.17

 

CMYK 0 / 100 / 57 / 51

HEX #7E0036

RGB 126 0 54

HSL 334.29, 1%, 0.25%

LAB 25.87, 49.69, 6.21

 

CMYK 0 / 100 / 68 / 57

HEX #6D0023

RGB 109 0 35

HSL 340.73, 1%, 0.21%

LAB 21.48, 44.07, 12.81

 

CMYK 0 / 72 / 37 / 30

HEX #B33270

RGB 179 50 112

HSL 331.16, 0.56%, 0.45%

LAB 42.82, 56.5, -5.55

 

CMYK 0 / 72 / 56 / 30

HEX #B3324E

RGB 179 50 78

HSL 346.98, 0.56%, 0.45%

LAB 41.87, 53.35, 14.32

 

CMYK 0 / 72 / 72 / 30

HEX #B33232

RGB 179 50 50

HSL 0, 0.56%, 0.45%

LAB 41.37, 51.64, 30.9

 

CMYK 0 / 72 / 37 / 30

HEX #B33270

RGB 179 50 112

HSL 331.16, 0.56%, 0.45%

LAB 42.82, 56.5, -5.55

 

CMYK 0 / 72 / 18 / 30

HEX #B33293

RGB 179 50 147

HSL 314.88, 0.56%, 0.45%

LAB 44.19, 60.9, -24.88

 

CMYK 2 / 72 / 0 / 30

HEX #B032B3

RGB 176 50 179

HSL 298.6, 0.56%, 0.45%

LAB 45.31, 65.14, -42.23

 

CMYK 21 / 72 / 0 / 30

HEX #8E32B3

RGB 142 50 179

HSL 282.79, 0.56%, 0.45%

LAB 40.06, 57.89, -50.93

 

CMYK 40 / 72 / 0 / 30

HEX #6B32B3

RGB 107 50 179

HSL 266.51, 0.56%, 0.45%

LAB 35.32, 51.01, -58.82

 

CMYK 0 / 72 / 37 / 30

HEX #B33270

RGB 179 50 112

HSL 331.16, 0.56%, 0.45%

LAB 42.82, 56.5, -5.55

 

CMYK 0 / 84 / 44 / 22

HEX #C6206F

RGB 198 32 111

HSL 331.45, 0.72%, 0.45%

LAB 44.5, 66.59, -2.04

 

CMYK 0 / 94 / 49 / 15

HEX #D80D6F

RGB 216 13 111

HSL 331.03, 0.89%, 0.45%

LAB 47.02, 73.76, 2.06

 

CMYK 0 / 72 / 37 / 30

HEX #B33270

RGB 179 50 112

HSL 331.16, 0.56%, 0.45%

LAB 42.82, 56.5, -5.55

 

CMYK 0 / 57 / 29 / 37

HEX #A04571

RGB 160 69 113

HSL 330.99, 0.4%, 0.45%

LAB 42.65, 42.65, -6.76

 

CMYK 0 / 38 / 20 / 44

HEX #8E5872

RGB 142 88 114

HSL 331.11, 0.23%, 0.45%

LAB 44.15, 26.15, -5.4

 

CMYK 0 / 14 / 7 / 52

HEX #7B6A72

RGB 123 106 114

HSL 331.76, 0.07%, 0.45%

LAB 46.62, 8.2, -1.99

 

CMYK 16 / 0 / 8 / 51

HEX #697D73

RGB 105 125 115

HSL 150, 0.09%, 0.45%

LAB 50.58, -9.45, 3.01

 

CMYK 1 / 72 / 0 / 30

HEX #B132B3

RGB 177 50 179

HSL 299.07, 0.56%, 0.45%

LAB 45.47, 65.36, -41.96

 

CMYK 0 / 72 / 18 / 30

HEX #B33293

RGB 179 50 147

HSL 314.88, 0.56%, 0.45%

LAB 44.19, 60.9, -24.88

 

CMYK 0 / 72 / 37 / 30

HEX #B33271

RGB 179 50 113

HSL 330.7, 0.56%, 0.45%

LAB 42.85, 56.61, -6.12

 

CMYK 0 / 72 / 56 / 30

HEX #B3324E

RGB 179 50 78

HSL 346.98, 0.56%, 0.45%

LAB 41.87, 53.35, 14.32

 

CMYK 0 / 68 / 72 / 30

HEX #B33932

RGB 179 57 50

HSL 3.26, 0.56%, 0.45%

LAB 42.37, 48.89, 32.06

 

CMYK 0 / 72 / 37 / 55

HEX #732048

RGB 115 32 72

HSL 331.08, 0.56%, 0.29%

LAB 27.15, 39.85, -4.42

 

CMYK 0 / 72 / 37 / 42

HEX #93295C

RGB 147 41 92

HSL 331.13, 0.56%, 0.37%

LAB 35.13, 48.36, -5

 

CMYK 0 / 72 / 37 / 30

HEX #B33270

RGB 179 50 112

HSL 331.16, 0.56%, 0.45%

LAB 42.82, 56.5, -5.55

 

CMYK 0 / 66 / 34 / 21

HEX #CA4485

RGB 202 68 133

HSL 330.9, 0.56%, 0.53%

LAB 49.96, 58.6, -7.3

 

CMYK 0 / 52 / 27 / 17

HEX #D3659A

RGB 211 101 154

HSL 331.09, 0.56%, 0.61%

LAB 57.55, 49.21, -8.24

 

CMYK 0 / 72 / 37 / 31

HEX #B1326F

RGB 177 50 111

HSL 331.18, 0.56%, 0.45%

LAB 42.42, 55.82, -5.55

 

CMYK 0 / 20 / 72 / 30

HEX #B38F32

RGB 179 143 50

HSL 43.26, 0.56%, 0.45%

LAB 61.18, 3.87, 52.29

 

CMYK 72 / 8 / 0 / 30

HEX #32A4B3

RGB 50 164 179

HSL 186.98, 0.56%, 0.45%

LAB 62.07, -26.16, -16.91

 

CMYK 0 / 72 / 37 / 31

HEX #B1326F

RGB 177 50 111

HSL 331.18, 0.56%, 0.45%

LAB 42.42, 55.82, -5.55

 

CMYK 37 / 0 / 72 / 30

HEX #71B332

RGB 113 179 50

HSL 90.7, 0.56%, 0.45%

LAB 66.51, -41.78, 56.03

 

CMYK 72 / 37 / 0 / 30

HEX #3271B3

RGB 50 113 179

HSL 210.7, 0.56%, 0.45%

LAB 46.64, 2.35, -40.85

 

CMYK 0 / 72 / 37 / 31

HEX #B1326F

RGB 177 50 111

HSL 331.18, 0.56%, 0.45%

LAB 42.42, 55.82, -5.55

 

CMYK 0 / 20 / 72 / 30

HEX #B38F32

RGB 179 143 50

HSL 43.26, 0.56%, 0.45%

LAB 61.18, 3.87, 52.29

 

CMYK 72 / 0 / 35 / 30

HEX #32B375

RGB 50 179 117

HSL 151.16, 0.56%, 0.45%

LAB 65.12, -49.1, 21.9

 

CMYK 72 / 51 / 0 / 30

HEX #3257B3

RGB 50 87 179

HSL 222.79, 0.56%, 0.45%

LAB 39.15, 18.95, -52.82

 

CMYK 0 / 72 / 37 / 31

HEX #B1326F

RGB 177 50 111

HSL 331.18, 0.56%, 0.45%

LAB 42.42, 55.82, -5.55

 

CMYK 1 / 0 / 72 / 30

HEX #B1B332

RGB 177 179 50

HSL 60.93, 0.56%, 0.45%

LAB 70.74, -16.11, 61.63

 

CMYK 72 / 0 / 35 / 30

HEX #32B375

RGB 50 179 117

HSL 151.16, 0.56%, 0.45%

LAB 65.12, -49.1, 21.9

 

CMYK 70 / 72 / 0 / 30

HEX #3532B3

RGB 53 50 179

HSL 241.4, 0.56%, 0.45%

LAB 30.14, 42.89, -67.52

 

Description

Color code: HEX #B1326F | qconv.com Color code: HEX #B1326F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 50 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 50 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 37 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 37% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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