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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B12D72 it is the complementary color #4ED28D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B12D72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B12D72 shade: #B62D6D, #C73F80, #D85193, #E963A6 and #FA75B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B12D72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B12D72 shade: #B12D72, #A01B5F, #8F094C, #7E0039 and #6D0026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B12D72 shade: #B22E73, #B22E4F and #B22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B12D72 shade: #B22E73, #B22E97, #AA2EB2, #862EB2 and #632EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B12D72 shade matches the following richer shades: #B22E73, #C51C74 and #D70A75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B12D72 shade: #B22E73, #A04072, #8E5272, #7C6471 and #6A7770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B12D72 shade: #AA2EB2, #B22E98, #B22E75, #B22E51 and #B22E2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B12D72 shade: #711D49, #92265E, #B22E73, #CD3D88 and #D55E9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B12D72 shade: #B12D72, #B2862E and #2EAAB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B12D72 shade: #B12D72, #75B22E and #2E75B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B12D72 shade: #B12D72, #B2862E, #2EB26C and #2E5AB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B12D72 shade: #B12D72, #B2AE2E, #2EB26C and #2E32B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 36 / 31

HEX #B12D72

RGB 177 45 114

HSL 328.64, 0.59%, 0.44%

LAB 41.91, 57.9, -8.18

 

Complementary color

CMYK 63 / 0 / 33 / 18

HEX #4ED28D

RGB 78 210 141

HSL 148.64, 0.59%, 0.56%

LAB 75.85, -51.73, 23.81

 

CMYK 0 / 75 / 40 / 29

HEX #B62D6D

RGB 182 45 109

HSL 331.97, 0.6%, 0.45%

LAB 42.65, 58.72, -3.87

 

CMYK 0 / 68 / 36 / 22

HEX #C73F80

RGB 199 63 128

HSL 331.32, 0.55%, 0.51%

LAB 48.58, 59.12, -6.39

 

CMYK 0 / 63 / 32 / 15

HEX #D85193

RGB 216 81 147

HSL 330.67, 0.63%, 0.58%

LAB 54.65, 59.01, -8.39

 

CMYK 0 / 58 / 29 / 9

HEX #E963A6

RGB 233 99 166

HSL 330, 0.75%, 0.65%

LAB 60.78, 58.59, -10.02

 

CMYK 0 / 53 / 26 / 2

HEX #FA75B9

RGB 250 117 185

HSL 329.32, 0.93%, 0.72%

LAB 66.94, 58.01, -11.39

 

CMYK 0 / 75 / 36 / 31

HEX #B12D72

RGB 177 45 114

HSL 328.64, 0.59%, 0.44%

LAB 41.91, 57.9, -8.18

 

CMYK 0 / 83 / 41 / 37

HEX #A01B5F

RGB 160 27 95

HSL 329.32, 0.71%, 0.37%

LAB 36.14, 56.7, -5.14

 

CMYK 0 / 94 / 47 / 44

HEX #8F094C

RGB 143 9 76

HSL 330, 0.88%, 0.3%

LAB 30.78, 54.2, -1.09

 

CMYK 0 / 100 / 55 / 51

HEX #7E0039

RGB 126 0 57

HSL 332.86, 1%, 0.25%

LAB 25.95, 49.92, 4.27

 

CMYK 0 / 100 / 65 / 57

HEX #6D0026

RGB 109 0 38

HSL 339.08, 1%, 0.21%

LAB 21.55, 44.26, 10.78

 

CMYK 0 / 74 / 35 / 30

HEX #B22E73

RGB 178 46 115

HSL 328.64, 0.59%, 0.44%

LAB 42.24, 57.95, -8.28

 

CMYK 0 / 74 / 56 / 30

HEX #B22E4F

RGB 178 46 79

HSL 345, 0.59%, 0.44%

LAB 41.19, 54.55, 12.74

 

CMYK 0 / 74 / 74 / 30

HEX #B22E2E

RGB 178 46 46

HSL 0, 0.59%, 0.44%

LAB 40.6, 52.59, 32.33

 

CMYK 0 / 74 / 35 / 30

HEX #B22E73

RGB 178 46 115

HSL 328.64, 0.59%, 0.44%

LAB 42.24, 57.95, -8.28

 

CMYK 0 / 74 / 15 / 30

HEX #B22E97

RGB 178 46 151

HSL 312.27, 0.59%, 0.44%

LAB 43.73, 62.57, -28.02

 

CMYK 4 / 74 / 0 / 30

HEX #AA2EB2

RGB 170 46 178

HSL 296.36, 0.59%, 0.44%

LAB 43.82, 65.01, -44.07

 

CMYK 25 / 74 / 0 / 30

HEX #862EB2

RGB 134 46 178

HSL 280, 0.59%, 0.44%

LAB 38.26, 57.66, -53.29

 

CMYK 44 / 74 / 0 / 30

HEX #632EB2

RGB 99 46 178

HSL 264.09, 0.59%, 0.44%

LAB 33.61, 51.23, -61.07

 

CMYK 0 / 74 / 35 / 30

HEX #B22E73

RGB 178 46 115

HSL 328.64, 0.59%, 0.44%

LAB 42.24, 57.95, -8.28

 

CMYK 0 / 86 / 41 / 23

HEX #C51C74

RGB 197 28 116

HSL 328.76, 0.75%, 0.44%

LAB 44.18, 67.64, -5.64

 

CMYK 0 / 95 / 46 / 16

HEX #D70A75

RGB 215 10 117

HSL 328.68, 0.91%, 0.44%

LAB 46.91, 74.29, -1.82

 

CMYK 0 / 74 / 35 / 30

HEX #B22E73

RGB 178 46 115

HSL 328.64, 0.59%, 0.44%

LAB 42.24, 57.95, -8.28

 

CMYK 0 / 60 / 29 / 37

HEX #A04072

RGB 160 64 114

HSL 328.75, 0.43%, 0.44%

LAB 41.78, 45.2, -8.68

 

CMYK 0 / 42 / 20 / 44

HEX #8E5272

RGB 142 82 114

HSL 328, 0.27%, 0.44%

LAB 42.76, 29.58, -7.47

 

CMYK 0 / 19 / 9 / 51

HEX #7C6471

RGB 124 100 113

HSL 327.5, 0.11%, 0.44%

LAB 45.07, 11.98, -3.66

 

CMYK 11 / 0 / 6 / 53

HEX #6A7770

RGB 106 119 112

HSL 147.69, 0.06%, 0.44%

LAB 48.79, -6.32, 2.2

 

CMYK 4 / 74 / 0 / 30

HEX #AA2EB2

RGB 170 46 178

HSL 296.36, 0.59%, 0.44%

LAB 43.82, 65.01, -44.07

 

CMYK 0 / 74 / 15 / 30

HEX #B22E98

RGB 178 46 152

HSL 311.82, 0.59%, 0.44%

LAB 43.78, 62.71, -28.55

 

CMYK 0 / 74 / 34 / 30

HEX #B22E75

RGB 178 46 117

HSL 327.73, 0.59%, 0.44%

LAB 42.31, 58.17, -9.42

 

CMYK 0 / 74 / 54 / 30

HEX #B22E51

RGB 178 46 81

HSL 344.09, 0.59%, 0.44%

LAB 41.24, 54.71, 11.54

 

CMYK 0 / 74 / 74 / 30

HEX #B22E2E

RGB 178 46 46

HSL 0, 0.59%, 0.44%

LAB 40.6, 52.59, 32.33

 

CMYK 0 / 74 / 35 / 56

HEX #711D49

RGB 113 29 73

HSL 328.57, 0.59%, 0.28%

LAB 26.36, 40.58, -6.3

 

CMYK 0 / 74 / 36 / 43

HEX #92265E

RGB 146 38 94

HSL 328.89, 0.59%, 0.36%

LAB 34.61, 49.43, -7.07

 

CMYK 0 / 74 / 35 / 30

HEX #B22E73

RGB 178 46 115

HSL 328.64, 0.59%, 0.44%

LAB 42.24, 57.95, -8.28

 

CMYK 0 / 70 / 34 / 20

HEX #CD3D88

RGB 205 61 136

HSL 328.75, 0.59%, 0.52%

LAB 49.61, 62.44, -9.57

 

CMYK 0 / 56 / 27 / 16

HEX #D55E9C

RGB 213 94 156

HSL 328.74, 0.59%, 0.6%

LAB 56.64, 53.45, -10.74

 

CMYK 0 / 75 / 36 / 31

HEX #B12D72

RGB 177 45 114

HSL 328.64, 0.59%, 0.44%

LAB 41.91, 57.9, -8.18

 

CMYK 0 / 25 / 74 / 30

HEX #B2862E

RGB 178 134 46

HSL 40, 0.59%, 0.44%

LAB 58.71, 8.2, 51.46

 

CMYK 74 / 4 / 0 / 30

HEX #2EAAB2

RGB 46 170 178

HSL 183.64, 0.59%, 0.44%

LAB 63.79, -29.94, -13.75

 

CMYK 0 / 75 / 36 / 31

HEX #B12D72

RGB 177 45 114

HSL 328.64, 0.59%, 0.44%

LAB 41.91, 57.9, -8.18

 

CMYK 34 / 0 / 74 / 30

HEX #75B22E

RGB 117 178 46

HSL 87.73, 0.59%, 0.44%

LAB 66.38, -40.17, 57.42

 

CMYK 74 / 34 / 0 / 30

HEX #2E75B2

RGB 46 117 178

HSL 207.73, 0.59%, 0.44%

LAB 47.65, -1.03, -38.67

 

CMYK 0 / 75 / 36 / 31

HEX #B12D72

RGB 177 45 114

HSL 328.64, 0.59%, 0.44%

LAB 41.91, 57.9, -8.18

 

CMYK 0 / 25 / 74 / 30

HEX #B2862E

RGB 178 134 46

HSL 40, 0.59%, 0.44%

LAB 58.71, 8.2, 51.46

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26C

RGB 46 178 108

HSL 148.18, 0.59%, 0.44%

LAB 64.57, -51.1, 25.96

 

CMYK 74 / 49 / 0 / 30

HEX #2E5AB2

RGB 46 90 178

HSL 220, 0.59%, 0.44%

LAB 39.76, 16.06, -51.26

 

CMYK 0 / 75 / 36 / 31

HEX #B12D72

RGB 177 45 114

HSL 328.64, 0.59%, 0.44%

LAB 41.91, 57.9, -8.18

 

CMYK 0 / 2 / 74 / 30

HEX #B2AE2E

RGB 178 174 46

HSL 58.18, 0.59%, 0.44%

LAB 69.42, -13.3, 61.8

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26C

RGB 46 178 108

HSL 148.18, 0.59%, 0.44%

LAB 64.57, -51.1, 25.96

 

CMYK 74 / 72 / 0 / 30

HEX #2E32B2

RGB 46 50 178

HSL 238.18, 0.59%, 0.44%

LAB 29.6, 41.83, -67.82

 

Description

Color code: HEX #B12D72 | qconv.com Color code: HEX #B12D72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 45 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 45 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 36 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 36% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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