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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B12989 it is the complementary color #4ED676. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B12989. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B12989 shade: #B62984, #C73B97, #D84DAA, #E95FBD and #FA71D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B12989. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B12989 shade: #B12989, #A01776, #8F0563, #7E0050 and #6D003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B12989 shade: #B22A8A, #B22A65, #B22A40 and #B22A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B12989 shade: #B22A8A, #B22AAE, #902AB2, #6C2AB2 and #472AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B12989 shade matches the following richer shades: #B22A8A, #C31891 and #D50698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B12989 shade: #B22A8A, #A03B82, #8E4D7B, #7C5F74 and #6B716C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B12989 shade: #902AB2, #B22AAF, #B22A8B, #B22A67 and #B22A43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B12989 shade: #6F1A56, #902270, #B22A8A, #D035A2 and #D756B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B12989 shade: #B12989, #B26B2A and #2AB2A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B12989 shade: #B12989, #8BB22A and #2A8BB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B12989 shade: #B12989, #B26B2A, #2AB250 and #2A70B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B12989 shade: #B12989, #B2942A, #2AB250 and #2A47B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 23 / 31

HEX #B12989

RGB 177 41 137

HSL 317.65, 0.62%, 0.43%

LAB 42.37, 61.97, -21.66

 

Complementary color

CMYK 64 / 0 / 45 / 16

HEX #4ED676

RGB 78 214 118

HSL 137.65, 0.62%, 0.57%

LAB 76.69, -57.38, 36.72

 

CMYK 0 / 77 / 27 / 29

HEX #B62984

RGB 182 41 132

HSL 321.28, 0.63%, 0.44%

LAB 43.06, 62.56, -17.46

 

CMYK 0 / 70 / 24 / 22

HEX #C73B97

RGB 199 59 151

HSL 320.57, 0.56%, 0.51%

LAB 48.89, 63.38, -19.75

 

CMYK 0 / 64 / 21 / 15

HEX #D84DAA

RGB 216 77 170

HSL 319.86, 0.64%, 0.57%

LAB 54.88, 63.58, -21.54

 

CMYK 0 / 59 / 19 / 9

HEX #E95FBD

RGB 233 95 189

HSL 319.13, 0.76%, 0.64%

LAB 60.94, 63.41, -22.97

 

CMYK 0 / 55 / 17 / 2

HEX #FA71D0

RGB 250 113 208

HSL 318.39, 0.93%, 0.71%

LAB 67.04, 63, -24.15

 

CMYK 0 / 77 / 23 / 31

HEX #B12989

RGB 177 41 137

HSL 317.65, 0.62%, 0.43%

LAB 42.37, 61.97, -21.66

 

CMYK 0 / 86 / 26 / 37

HEX #A01776

RGB 160 23 118

HSL 318.39, 0.75%, 0.36%

LAB 36.73, 60.23, -18.85

 

CMYK 0 / 97 / 31 / 44

HEX #8F0563

RGB 143 5 99

HSL 319.13, 0.93%, 0.29%

LAB 31.46, 57.17, -15.13

 

CMYK 0 / 100 / 37 / 51

HEX #7E0050

RGB 126 0 80

HSL 321.9, 1%, 0.25%

LAB 26.78, 52.07, -10.11

 

CMYK 0 / 100 / 44 / 57

HEX #6D003D

RGB 109 0 61

HSL 326.42, 1%, 0.21%

LAB 22.26, 46.14, -4.34

 

CMYK 0 / 76 / 22 / 30

HEX #B22A8A

RGB 178 42 138

HSL 317.65, 0.62%, 0.43%

LAB 42.7, 62.04, -21.74

 

CMYK 0 / 76 / 43 / 30

HEX #B22A65

RGB 178 42 101

HSL 333.97, 0.62%, 0.43%

LAB 41.31, 57.79, -0.93

 

CMYK 0 / 76 / 64 / 30

HEX #B22A40

RGB 178 42 64

HSL 350.29, 0.62%, 0.43%

LAB 40.4, 54.87, 21.09

 

CMYK 0 / 76 / 76 / 30

HEX #B22A2A

RGB 178 42 42

HSL 0, 0.62%, 0.43%

LAB 40.06, 53.78, 34.08

 

CMYK 0 / 76 / 22 / 30

HEX #B22A8A

RGB 178 42 138

HSL 317.65, 0.62%, 0.43%

LAB 42.7, 62.04, -21.74

 

CMYK 0 / 76 / 2 / 30

HEX #B22AAE

RGB 178 42 174

HSL 301.76, 0.62%, 0.43%

LAB 44.49, 67.27, -40.57

 

CMYK 19 / 76 / 0 / 30

HEX #902AB2

RGB 144 42 178

HSL 285, 0.62%, 0.43%

LAB 39.24, 61.09, -51.64

 

CMYK 39 / 76 / 0 / 30

HEX #6C2AB2

RGB 108 42 178

HSL 269.12, 0.62%, 0.43%

LAB 34.1, 54.52, -60.21

 

CMYK 60 / 76 / 0 / 30

HEX #472AB2

RGB 71 42 178

HSL 252.79, 0.62%, 0.43%

LAB 29.94, 49.03, -67.21

 

CMYK 0 / 76 / 22 / 30

HEX #B22A8A

RGB 178 42 138

HSL 317.65, 0.62%, 0.43%

LAB 42.7, 62.04, -21.74

 

CMYK 0 / 88 / 26 / 24

HEX #C31891

RGB 195 24 145

HSL 317.54, 0.78%, 0.43%

LAB 44.66, 71, -22.71

 

CMYK 0 / 97 / 29 / 16

HEX #D50698

RGB 213 6 152

HSL 317.68, 0.95%, 0.43%

LAB 47.68, 77.55, -21.99

 

CMYK 0 / 76 / 22 / 30

HEX #B22A8A

RGB 178 42 138

HSL 317.65, 0.62%, 0.43%

LAB 42.7, 62.04, -21.74

 

CMYK 0 / 63 / 19 / 37

HEX #A03B82

RGB 160 59 130

HSL 317.82, 0.46%, 0.43%

LAB 41.55, 49.77, -18.87

 

CMYK 0 / 46 / 13 / 44

HEX #8E4D7B

RGB 142 77 123

HSL 317.54, 0.3%, 0.43%

LAB 41.98, 33.9, -14.16

 

CMYK 0 / 23 / 6 / 51

HEX #7C5F74

RGB 124 95 116

HSL 316.55, 0.13%, 0.43%

LAB 43.84, 15.56, -7.3

 

CMYK 5 / 0 / 4 / 56

HEX #6B716C

RGB 107 113 108

HSL 130, 0.03%, 0.43%

LAB 47, -3.31, 1.98

 

CMYK 19 / 76 / 0 / 30

HEX #902AB2

RGB 144 42 178

HSL 285, 0.62%, 0.43%

LAB 39.24, 61.09, -51.64

 

CMYK 0 / 76 / 2 / 30

HEX #B22AAF

RGB 178 42 175

HSL 301.32, 0.62%, 0.43%

LAB 44.54, 67.43, -41.07

 

CMYK 0 / 76 / 22 / 30

HEX #B22A8B

RGB 178 42 139

HSL 317.21, 0.62%, 0.43%

LAB 42.74, 62.17, -22.28

 

CMYK 0 / 76 / 42 / 30

HEX #B22A67

RGB 178 42 103

HSL 333.09, 0.62%, 0.43%

LAB 41.37, 57.99, -2.09

 

CMYK 0 / 76 / 62 / 30

HEX #B22A43

RGB 178 42 67

HSL 348.97, 0.62%, 0.43%

LAB 40.45, 55.06, 19.29

 

CMYK 0 / 77 / 23 / 56

HEX #6F1A56

RGB 111 26 86

HSL 317.65, 0.62%, 0.27%

LAB 26.13, 42.92, -15.37

 

CMYK 0 / 76 / 22 / 44

HEX #902270

RGB 144 34 112

HSL 317.45, 0.62%, 0.35%

LAB 34.48, 52.59, -18.78

 

CMYK 0 / 76 / 22 / 30

HEX #B22A8A

RGB 178 42 138

HSL 317.65, 0.62%, 0.43%

LAB 42.7, 62.04, -21.74

 

CMYK 0 / 75 / 22 / 18

HEX #D035A2

RGB 208 53 162

HSL 317.81, 0.62%, 0.51%

LAB 50.17, 69.03, -24.18

 

CMYK 0 / 60 / 18 / 16

HEX #D756B1

RGB 215 86 177

HSL 317.67, 0.62%, 0.59%

LAB 56.36, 60.54, -23.33

 

CMYK 0 / 77 / 23 / 31

HEX #B12989

RGB 177 41 137

HSL 317.65, 0.62%, 0.43%

LAB 42.37, 61.97, -21.66

 

CMYK 0 / 40 / 76 / 30

HEX #B26B2A

RGB 178 107 42

HSL 28.68, 0.62%, 0.43%

LAB 52, 23.07, 46.53

 

CMYK 76 / 0 / 9 / 30

HEX #2AB2A2

RGB 42 178 162

HSL 172.94, 0.62%, 0.43%

LAB 65.7, -38.81, -2.01

 

CMYK 0 / 77 / 23 / 31

HEX #B12989

RGB 177 41 137

HSL 317.65, 0.62%, 0.43%

LAB 42.37, 61.97, -21.66

 

CMYK 22 / 0 / 76 / 30

HEX #8BB22A

RGB 139 178 42

HSL 77.21, 0.62%, 0.43%

LAB 67.65, -31.93, 60.43

 

CMYK 76 / 22 / 0 / 30

HEX #2A8BB2

RGB 42 139 178

HSL 197.21, 0.62%, 0.43%

LAB 54.21, -14.31, -28.41

 

CMYK 0 / 77 / 23 / 31

HEX #B12989

RGB 177 41 137

HSL 317.65, 0.62%, 0.43%

LAB 42.37, 61.97, -21.66

 

CMYK 0 / 40 / 76 / 30

HEX #B26B2A

RGB 178 107 42

HSL 28.68, 0.62%, 0.43%

LAB 52, 23.07, 46.53

 

CMYK 76 / 0 / 55 / 30

HEX #2AB250

RGB 42 178 80

HSL 136.76, 0.62%, 0.43%

LAB 64.09, -56.37, 39.66

 

CMYK 76 / 37 / 0 / 30

HEX #2A70B2

RGB 42 112 178

HSL 209.12, 0.62%, 0.43%

LAB 46.04, 1.51, -41.23

 

CMYK 0 / 77 / 23 / 31

HEX #B12989

RGB 177 41 137

HSL 317.65, 0.62%, 0.43%

LAB 42.37, 61.97, -21.66

 

CMYK 0 / 17 / 76 / 30

HEX #B2942A

RGB 178 148 42

HSL 46.76, 0.62%, 0.43%

LAB 62.35, 0.32, 56.56

 

CMYK 76 / 0 / 55 / 30

HEX #2AB250

RGB 42 178 80

HSL 136.76, 0.62%, 0.43%

LAB 64.09, -56.37, 39.66

 

CMYK 76 / 60 / 0 / 30

HEX #2A47B2

RGB 42 71 178

HSL 227.21, 0.62%, 0.43%

LAB 34.42, 28.11, -59.93

 

Description

Color code: HEX #B12989 | qconv.com Color code: HEX #B12989 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 41 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 41 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 23 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 23% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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