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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1229B it is the complementary color #4EDD64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1229B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1229B shade: #B62296, #C734A9, #D846BC, #E958CF and #FA6AE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1229B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1229B shade: #B1229B, #A01088, #8F0075, #7E0062 and #6D004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1229B shade: #B0219A, #B02173, #B0214D, #B02127 and #B02121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1229B shade: #B0219A, #9F21B0, #7921B0, #5221B0 and #2C21B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1229B shade matches the following richer shades: #B0219A and #C111A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1229B shade: #B0219A, #9F328E, #8E4382, #7D5477 and #6C656B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1229B shade: #7921B0, #9F21B0, #B0219A, #B02174 and #B0214E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1229B shade: #6A145D, #8D1B7B, #B0219A, #D228B8 and #DC48C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1229B shade: #B1229B, #B05321 and #21B08C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1229B shade: #B1229B, #9AB021 and #219AB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1229B shade: #B1229B, #B05321, #21B037 and #217EB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1229B shade: #B1229B, #B07E21, #21B037 and #2153B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 12 / 31

HEX #B1229B

RGB 177 34 155

HSL 309.23, 0.68%, 0.41%

LAB 42.55, 66.36, -32.3

 

Complementary color

CMYK 65 / 0 / 55 / 13

HEX #4EDD64

RGB 78 221 100

HSL 129.23, 0.68%, 0.59%

LAB 78.61, -62.52, 47.79

 

CMYK 0 / 81 / 18 / 29

HEX #B62296

RGB 182 34 150

HSL 312.97, 0.69%, 0.42%

LAB 43.2, 66.76, -28.19

 

CMYK 0 / 74 / 15 / 22

HEX #C734A9

RGB 199 52 169

HSL 312.24, 0.59%, 0.49%

LAB 48.84, 68.15, -30.52

 

CMYK 0 / 68 / 13 / 15

HEX #D846BC

RGB 216 70 188

HSL 311.51, 0.65%, 0.56%

LAB 54.67, 68.79, -32.31

 

CMYK 0 / 62 / 11 / 9

HEX #E958CF

RGB 233 88 207

HSL 310.76, 0.77%, 0.63%

LAB 60.61, 68.93, -33.72

 

CMYK 0 / 58 / 10 / 2

HEX #FA6AE2

RGB 250 106 226

HSL 310, 0.94%, 0.7%

LAB 66.61, 68.75, -34.86

 

CMYK 0 / 81 / 12 / 31

HEX #B1229B

RGB 177 34 155

HSL 309.23, 0.68%, 0.41%

LAB 42.55, 66.36, -32.3

 

CMYK 0 / 90 / 15 / 37

HEX #A01088

RGB 160 16 136

HSL 310, 0.82%, 0.35%

LAB 37.15, 63.89, -29.4

 

CMYK 0 / 100 / 18 / 44

HEX #8F0075

RGB 143 0 117

HSL 310.91, 1%, 0.28%

LAB 32.09, 60.13, -25.7

 

CMYK 0 / 100 / 22 / 51

HEX #7E0062

RGB 126 0 98

HSL 313.33, 1%, 0.25%

LAB 27.62, 54.22, -20.71

 

CMYK 0 / 100 / 28 / 57

HEX #6D004F

RGB 109 0 79

HSL 316.51, 1%, 0.21%

LAB 23.05, 48.19, -15.47

 

CMYK 0 / 81 / 13 / 31

HEX #B0219A

RGB 176 33 154

HSL 309.23, 0.68%, 0.41%

LAB 42.23, 66.26, -32.2

 

CMYK 0 / 81 / 35 / 31

HEX #B02173

RGB 176 33 115

HSL 325.59, 0.68%, 0.41%

LAB 40.5, 61.32, -10.94

 

CMYK 0 / 81 / 56 / 31

HEX #B0214D

RGB 176 33 77

HSL 341.54, 0.68%, 0.41%

LAB 39.33, 57.84, 11.38

 

CMYK 0 / 81 / 78 / 31

HEX #B02127

RGB 176 33 39

HSL 357.48, 0.68%, 0.41%

LAB 38.66, 55.78, 34.19

 

CMYK 0 / 81 / 81 / 31

HEX #B02121

RGB 176 33 33

HSL 0, 0.68%, 0.41%

LAB 38.6, 55.58, 37.56

 

CMYK 0 / 81 / 13 / 31

HEX #B0219A

RGB 176 33 154

HSL 309.23, 0.68%, 0.41%

LAB 42.23, 66.26, -32.2

 

CMYK 10 / 81 / 0 / 31

HEX #9F21B0

RGB 159 33 176

HSL 292.87, 0.68%, 0.41%

LAB 40.56, 66.32, -48.2

 

CMYK 31 / 81 / 0 / 31

HEX #7921B0

RGB 121 33 176

HSL 276.92, 0.68%, 0.41%

LAB 34.57, 59.6, -58.18

 

CMYK 53 / 81 / 0 / 31

HEX #5221B0

RGB 82 33 176

HSL 260.56, 0.68%, 0.41%

LAB 29.45, 53.93, -66.77

 

CMYK 75 / 81 / 0 / 31

HEX #2C21B0

RGB 44 33 176

HSL 244.62, 0.68%, 0.41%

LAB 26.03, 50.2, -72.53

 

CMYK 0 / 81 / 13 / 31

HEX #B0219A

RGB 176 33 154

HSL 309.23, 0.68%, 0.41%

LAB 42.23, 66.26, -32.2

 

CMYK 0 / 91 / 15 / 24

HEX #C111A5

RGB 193 17 165

HSL 309.55, 0.84%, 0.41%

LAB 44.88, 74.14, -34.43

 

CMYK 0 / 81 / 13 / 31

HEX #B0219A

RGB 176 33 154

HSL 309.23, 0.68%, 0.41%

LAB 42.23, 66.26, -32.2

 

CMYK 0 / 69 / 11 / 38

HEX #9F328E

RGB 159 50 142

HSL 309.36, 0.52%, 0.41%

LAB 40.58, 55.09, -27.72

 

CMYK 0 / 53 / 8 / 44

HEX #8E4382

RGB 142 67 130

HSL 309.6, 0.36%, 0.41%

LAB 40.21, 40.49, -21.17

 

CMYK 0 / 33 / 5 / 51

HEX #7D5477

RGB 125 84 119

HSL 308.78, 0.2%, 0.41%

LAB 41.27, 23.1, -13

 

CMYK 0 / 6 / 1 / 58

HEX #6C656B

RGB 108 101 107

HSL 308.57, 0.03%, 0.41%

LAB 43.59, 3.97, -2.39

 

CMYK 31 / 81 / 0 / 31

HEX #7921B0

RGB 121 33 176

HSL 276.92, 0.68%, 0.41%

LAB 34.57, 59.6, -58.18

 

CMYK 10 / 81 / 0 / 31

HEX #9F21B0

RGB 159 33 176

HSL 292.87, 0.68%, 0.41%

LAB 40.56, 66.32, -48.2

 

CMYK 0 / 81 / 13 / 31

HEX #B0219A

RGB 176 33 154

HSL 309.23, 0.68%, 0.41%

LAB 42.23, 66.26, -32.2

 

CMYK 0 / 81 / 34 / 31

HEX #B02174

RGB 176 33 116

HSL 325.17, 0.68%, 0.41%

LAB 40.54, 61.43, -11.51

 

CMYK 0 / 81 / 56 / 31

HEX #B0214E

RGB 176 33 78

HSL 341.12, 0.68%, 0.41%

LAB 39.36, 57.91, 10.78

 

CMYK 0 / 81 / 12 / 58

HEX #6A145D

RGB 106 20 93

HSL 309.07, 0.68%, 0.25%

LAB 24.81, 44.75, -22.12

 

CMYK 0 / 81 / 13 / 45

HEX #8D1B7B

RGB 141 27 123

HSL 309.47, 0.68%, 0.33%

LAB 33.72, 55.58, -26.95

 

CMYK 0 / 81 / 13 / 31

HEX #B0219A

RGB 176 33 154

HSL 309.23, 0.68%, 0.41%

LAB 42.23, 66.26, -32.2

 

CMYK 0 / 81 / 12 / 18

HEX #D228B8

RGB 210 40 184

HSL 309.18, 0.68%, 0.49%

LAB 50.31, 75.9, -36.88

 

CMYK 0 / 67 / 10 / 14

HEX #DC48C5

RGB 220 72 197

HSL 309.32, 0.68%, 0.57%

LAB 55.97, 70.36, -35.41

 

CMYK 0 / 81 / 12 / 31

HEX #B1229B

RGB 177 34 155

HSL 309.23, 0.68%, 0.41%

LAB 42.55, 66.36, -32.3

 

CMYK 0 / 53 / 81 / 31

HEX #B05321

RGB 176 83 33

HSL 20.98, 0.68%, 0.41%

LAB 46.35, 34.84, 45.05

 

CMYK 81 / 0 / 20 / 31

HEX #21B08C

RGB 33 176 140

HSL 164.9, 0.68%, 0.41%

LAB 64.38, -44.73, 8.25

 

CMYK 0 / 81 / 12 / 31

HEX #B1229B

RGB 177 34 155

HSL 309.23, 0.68%, 0.41%

LAB 42.55, 66.36, -32.3

 

CMYK 13 / 0 / 81 / 31

HEX #9AB021

RGB 154 176 33

HSL 69.23, 0.68%, 0.41%

LAB 68.04, -25.16, 63.86

 

CMYK 81 / 13 / 0 / 31

HEX #219AB0

RGB 33 154 176

HSL 189.23, 0.68%, 0.41%

LAB 58.57, -23.95, -20.56

 

CMYK 0 / 81 / 12 / 31

HEX #B1229B

RGB 177 34 155

HSL 309.23, 0.68%, 0.41%

LAB 42.55, 66.36, -32.3

 

CMYK 0 / 53 / 81 / 31

HEX #B05321

RGB 176 83 33

HSL 20.98, 0.68%, 0.41%

LAB 46.35, 34.84, 45.05

 

CMYK 81 / 0 / 69 / 31

HEX #21B037

RGB 33 176 55

HSL 129.23, 0.68%, 0.41%

LAB 63.05, -59.91, 49.71

 

CMYK 81 / 28 / 0 / 31

HEX #217EB0

RGB 33 126 176

HSL 200.98, 0.68%, 0.41%

LAB 49.95, -8.64, -33.91

 

CMYK 0 / 81 / 12 / 31

HEX #B1229B

RGB 177 34 155

HSL 309.23, 0.68%, 0.41%

LAB 42.55, 66.36, -32.3

 

CMYK 0 / 28 / 81 / 31

HEX #B07E21

RGB 176 126 33

HSL 39.02, 0.68%, 0.41%

LAB 56.35, 11.22, 54.23

 

CMYK 81 / 0 / 69 / 31

HEX #21B037

RGB 33 176 55

HSL 129.23, 0.68%, 0.41%

LAB 63.05, -59.91, 49.71

 

CMYK 81 / 53 / 0 / 31

HEX #2153B0

RGB 33 83 176

HSL 219.02, 0.68%, 0.41%

LAB 37.2, 18.41, -54.25

 

Description

Color code: HEX #B1229B | qconv.com Color code: HEX #B1229B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 34 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 34 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 12 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 12% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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