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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B117DB it is the complementary color #4EE824. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B117DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B117DB shade: #B617D6, #C729E9, #D83BFC, #E94DFF and #FA5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B117DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B117DB shade: #B117DB, #A005C8, #8F00B5, #7E00A2 and #6D008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B117DB shade: #AF17D9, #D917CE, #D9179A, #D91765 and #D91731

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B117DB shade: #AF17D9, #7B17D9, #4717D9 and #1717D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B117DB shade matches the following richer shades: #AF17D9 and #BA03EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B117DB shade: #AF17D9, #A42AC6, #993EB2, #8E519F and #83648B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B117DB shade: #4717D9, #7B17D9, #AF17D9, #D917CF and #D9179B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B117DB shade: #730F8E, #9113B4, #AF17D9, #C130E9 and #CD55ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B117DB shade: #B117DB, #D9171A and #17D961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B117DB shade: #B117DB, #D9AF17 and #17D9AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B117DB shade: #B117DB, #D9171A, #41D917 and #17D9D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B117DB shade: #B117DB, #D94E17, #41D917 and #17A2D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 89 / 0 / 14

HEX #B117DB

RGB 177 23 219

HSL 287.14, 0.81%, 0.47%

LAB 45.74, 78.9, -64.75

 

Complementary color

CMYK 66 / 0 / 84 / 9

HEX #4EE824

RGB 78 232 36

HSL 107.14, 0.81%, 0.53%

LAB 81.54, -71.47, 73.8

 

CMYK 15 / 89 / 0 / 16

HEX #B617D6

RGB 182 23 214

HSL 289.95, 0.81%, 0.46%

LAB 46.19, 78.79, -61.1

 

CMYK 15 / 82 / 0 / 9

HEX #C729E9

RGB 199 41 233

HSL 289.38, 0.81%, 0.54%

LAB 51.39, 81.22, -63.38

 

CMYK 14 / 77 / 0 / 1

HEX #D83BFC

RGB 216 59 252

HSL 288.81, 0.97%, 0.61%

LAB 56.84, 82.71, -65.11

 

CMYK 9 / 70 / 0 / 0

HEX #E94DFF

RGB 233 77 255

HSL 292.58, 1%, 0.65%

LAB 61.53, 80.74, -59.11

 

CMYK 2 / 63 / 0 / 0

HEX #FA5FFF

RGB 250 95 255

HSL 298.13, 1%, 0.69%

LAB 66.31, 77.83, -51.35

 

CMYK 19 / 89 / 0 / 14

HEX #B117DB

RGB 177 23 219

HSL 287.14, 0.81%, 0.47%

LAB 45.74, 78.9, -64.75

 

CMYK 20 / 98 / 0 / 22

HEX #A005C8

RGB 160 5 200

HSL 287.69, 0.95%, 0.4%

LAB 40.82, 75.35, -61.89

 

CMYK 21 / 100 / 0 / 29

HEX #8F00B5

RGB 143 0 181

HSL 287.4, 1%, 0.35%

LAB 36.32, 70.22, -58.16

 

CMYK 22 / 100 / 0 / 36

HEX #7E00A2

RGB 126 0 162

HSL 286.67, 1%, 0.32%

LAB 31.91, 64.46, -54.07

 

CMYK 24 / 100 / 0 / 44

HEX #6D008F

RGB 109 0 143

HSL 285.73, 1%, 0.28%

LAB 27.39, 58.56, -49.9

 

CMYK 19 / 89 / 0 / 15

HEX #AF17D9

RGB 175 23 217

HSL 287.01, 0.81%, 0.47%

LAB 45.27, 78.25, -64.37

 

CMYK 0 / 89 / 5 / 15

HEX #D917CE

RGB 217 23 206

HSL 303.4, 0.81%, 0.47%

LAB 51.63, 83.36, -47.46

 

CMYK 0 / 89 / 29 / 15

HEX #D9179A

RGB 217 23 154

HSL 319.48, 0.81%, 0.47%

LAB 49.13, 76.82, -20.9

 

CMYK 0 / 89 / 53 / 15

HEX #D91765

RGB 217 23 101

HSL 335.88, 0.81%, 0.47%

LAB 47.37, 72.02, 8.77

 

CMYK 0 / 89 / 77 / 15

HEX #D91731

RGB 217 23 49

HSL 351.96, 0.81%, 0.47%

LAB 46.43, 69.36, 39.21

 

CMYK 19 / 89 / 0 / 15

HEX #AF17D9

RGB 175 23 217

HSL 287.01, 0.81%, 0.47%

LAB 45.27, 78.25, -64.37

 

CMYK 43 / 89 / 0 / 15

HEX #7B17D9

RGB 123 23 217

HSL 270.93, 0.81%, 0.47%

LAB 37.54, 71.48, -77.32

 

CMYK 67 / 89 / 0 / 15

HEX #4717D9

RGB 71 23 217

HSL 254.85, 0.81%, 0.47%

LAB 31.72, 67.06, -87.14

 

CMYK 89 / 89 / 0 / 15

HEX #1717D9

RGB 23 23 217

HSL 240, 0.81%, 0.47%

LAB 28.91, 65.23, -91.88

 

CMYK 19 / 89 / 0 / 15

HEX #AF17D9

RGB 175 23 217

HSL 287.01, 0.81%, 0.47%

LAB 45.27, 78.25, -64.37

 

CMYK 21 / 99 / 0 / 7

HEX #BA03EC

RGB 186 3 236

HSL 287.12, 0.97%, 0.47%

LAB 47.7, 85.24, -71.16

 

CMYK 19 / 89 / 0 / 15

HEX #AF17D9

RGB 175 23 217

HSL 287.01, 0.81%, 0.47%

LAB 45.27, 78.25, -64.37

 

CMYK 17 / 79 / 0 / 22

HEX #A42AC6

RGB 164 42 198

HSL 286.92, 0.65%, 0.47%

LAB 43.69, 68.66, -56.04

 

CMYK 14 / 65 / 0 / 30

HEX #993EB2

RGB 153 62 178

HSL 287.07, 0.48%, 0.47%

LAB 43.41, 55.04, -44.88

 

CMYK 11 / 49 / 0 / 38

HEX #8E519F

RGB 142 81 159

HSL 286.92, 0.33%, 0.47%

LAB 44.43, 38.67, -32.1

 

CMYK 6 / 28 / 0 / 45

HEX #83648B

RGB 131 100 139

HSL 287.69, 0.16%, 0.47%

LAB 46.72, 19.84, -16.74

 

CMYK 67 / 89 / 0 / 15

HEX #4717D9

RGB 71 23 217

HSL 254.85, 0.81%, 0.47%

LAB 31.72, 67.06, -87.14

 

CMYK 43 / 89 / 0 / 15

HEX #7B17D9

RGB 123 23 217

HSL 270.93, 0.81%, 0.47%

LAB 37.54, 71.48, -77.32

 

CMYK 19 / 89 / 0 / 15

HEX #AF17D9

RGB 175 23 217

HSL 287.01, 0.81%, 0.47%

LAB 45.27, 78.25, -64.37

 

CMYK 0 / 89 / 5 / 15

HEX #D917CF

RGB 217 23 207

HSL 303.09, 0.81%, 0.47%

LAB 51.69, 83.5, -47.94

 

CMYK 0 / 89 / 29 / 15

HEX #D9179B

RGB 217 23 155

HSL 319.18, 0.81%, 0.47%

LAB 49.17, 76.93, -21.43

 

CMYK 19 / 89 / 0 / 44

HEX #730F8E

RGB 115 15 142

HSL 287.24, 0.81%, 0.31%

LAB 29.26, 56.61, -46.2

 

CMYK 19 / 89 / 0 / 29

HEX #9113B4

RGB 145 19 180

HSL 286.96, 0.81%, 0.39%

LAB 37.45, 67.76, -55.72

 

CMYK 19 / 89 / 0 / 15

HEX #AF17D9

RGB 175 23 217

HSL 287.01, 0.81%, 0.47%

LAB 45.27, 78.25, -64.37

 

CMYK 17 / 79 / 0 / 9

HEX #C130E9

RGB 193 48 233

HSL 287.03, 0.81%, 0.55%

LAB 51.08, 78.43, -63.94

 

CMYK 14 / 64 / 0 / 7

HEX #CD55ED

RGB 205 85 237

HSL 287.37, 0.81%, 0.63%

LAB 57.65, 68.5, -55.54

 

CMYK 19 / 89 / 0 / 14

HEX #B117DB

RGB 177 23 219

HSL 287.14, 0.81%, 0.47%

LAB 45.74, 78.9, -64.75

 

CMYK 0 / 89 / 88 / 15

HEX #D9171A

RGB 217 23 26

HSL 359.07, 0.81%, 0.47%

LAB 46.23, 68.79, 51.04

 

CMYK 89 / 0 / 55 / 15

HEX #17D961

RGB 23 217 97

HSL 142.89, 0.81%, 0.47%

LAB 76.48, -68.62, 46.43

 

CMYK 19 / 89 / 0 / 14

HEX #B117DB

RGB 177 23 219

HSL 287.14, 0.81%, 0.47%

LAB 45.74, 78.9, -64.75

 

CMYK 0 / 19 / 89 / 15

HEX #D9AF17

RGB 217 175 23

HSL 47.01, 0.81%, 0.47%

LAB 73.2, 2.59, 72.68

 

CMYK 89 / 0 / 19 / 15

HEX #17D9AF

RGB 23 217 175

HSL 167.01, 0.81%, 0.47%

LAB 77.82, -53.31, 8.45

 

CMYK 19 / 89 / 0 / 14

HEX #B117DB

RGB 177 23 219

HSL 287.14, 0.81%, 0.47%

LAB 45.74, 78.9, -64.75

 

CMYK 0 / 89 / 88 / 15

HEX #D9171A

RGB 217 23 26

HSL 359.07, 0.81%, 0.47%

LAB 46.23, 68.79, 51.04

 

CMYK 70 / 0 / 89 / 15

HEX #41D917

RGB 65 217 23

HSL 107.01, 0.81%, 0.47%

LAB 76.56, -69.7, 71.87

 

CMYK 89 / 0 / 1 / 15

HEX #17D9D6

RGB 23 217 214

HSL 179.07, 0.81%, 0.47%

LAB 78.85, -42.74, -10.88

 

CMYK 19 / 89 / 0 / 14

HEX #B117DB

RGB 177 23 219

HSL 287.14, 0.81%, 0.47%

LAB 45.74, 78.9, -64.75

 

CMYK 0 / 64 / 89 / 15

HEX #D94E17

RGB 217 78 23

HSL 17.01, 0.81%, 0.47%

LAB 52.13, 52.32, 56.65

 

CMYK 70 / 0 / 89 / 15

HEX #41D917

RGB 65 217 23

HSL 107.01, 0.81%, 0.47%

LAB 76.56, -69.7, 71.87

 

CMYK 89 / 25 / 0 / 15

HEX #17A2D9

RGB 23 162 217

HSL 197.01, 0.81%, 0.47%

LAB 62.54, -14.78, -37.44

 

Description

Color code: HEX #B117DB | qconv.com Color code: HEX #B117DB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 23 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 23 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 89 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 89% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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