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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B115A4 it is the complementary color #4EEA5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B115A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B115A4 shade: #B6159F, #C727B2, #D839C5, #E94BD8 and #FA5DEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B115A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B115A4 shade: #B115A4, #A00391, #8F007E, #7E006B and #6D0058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B115A4 shade: #B215A5, #B2157B, #B21550, #B21526 and #B21515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B115A4 shade: #B215A5, #9515B2, #6A15B2, #4015B2 and #1615B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B115A4 shade matches the following richer shades: #B215A5 and #C205B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B115A4 shade: #B215A5, #A22598, #92358A, #82457D and #72556F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B115A4 shade: #6B15B2, #9515B2, #B215A5, #B2157B and #B21551

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B115A4 shade: #680C61, #8D1183, #B215A5, #D719C7 and #E732D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B115A4 shade: #B115A4, #B24115 and #15B280

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B115A4 shade: #B115A4, #A5B215 and #15A5B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B115A4 shade: #B115A4, #B24115, #15B222 and #1585B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B115A4 shade: #B115A4, #B27115, #15B222 and #1556B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 7 / 31

HEX #B115A4

RGB 177 21 164

HSL 305, 0.79%, 0.39%

LAB 42.1, 70.36, -38.41

 

Complementary color

CMYK 67 / 0 / 61 / 8

HEX #4EEA5B

RGB 78 234 91

HSL 125, 0.79%, 0.61%

LAB 82.5, -68.05, 56.33

 

CMYK 0 / 88 / 13 / 29

HEX #B6159F

RGB 182 21 159

HSL 308.57, 0.79%, 0.4%

LAB 42.74, 70.62, -34.34

 

CMYK 0 / 80 / 11 / 22

HEX #C727B2

RGB 199 39 178

HSL 307.88, 0.67%, 0.47%

LAB 48.02, 73.04, -37.11

 

CMYK 0 / 74 / 9 / 15

HEX #D839C5

RGB 216 57 197

HSL 307.17, 0.67%, 0.54%

LAB 53.55, 74.46, -39.25

 

CMYK 0 / 68 / 7 / 9

HEX #E94BD8

RGB 233 75 216

HSL 306.46, 0.78%, 0.6%

LAB 59.26, 75.18, -40.92

 

CMYK 0 / 63 / 6 / 2

HEX #FA5DEB

RGB 250 93 235

HSL 305.73, 0.94%, 0.67%

LAB 65.08, 75.42, -42.25

 

CMYK 0 / 88 / 7 / 31

HEX #B115A4

RGB 177 21 164

HSL 305, 0.79%, 0.39%

LAB 42.1, 70.36, -38.41

 

CMYK 0 / 98 / 9 / 37

HEX #A00391

RGB 160 3 145

HSL 305.73, 0.96%, 0.32%

LAB 37.08, 66.8, -35.06

 

CMYK 0 / 100 / 12 / 44

HEX #8F007E

RGB 143 0 126

HSL 307.13, 1%, 0.28%

LAB 32.58, 61.36, -30.61

 

CMYK 0 / 100 / 15 / 51

HEX #7E006B

RGB 126 0 107

HSL 309.05, 1%, 0.25%

LAB 28.11, 55.44, -25.8

 

CMYK 0 / 100 / 19 / 57

HEX #6D0058

RGB 109 0 88

HSL 311.56, 1%, 0.21%

LAB 23.52, 49.38, -20.78

 

CMYK 0 / 88 / 7 / 30

HEX #B215A5

RGB 178 21 165

HSL 304.97, 0.79%, 0.39%

LAB 42.34, 70.7, -38.62

 

CMYK 0 / 88 / 31 / 30

HEX #B2157B

RGB 178 21 123

HSL 321.02, 0.79%, 0.39%

LAB 40.3, 65.28, -16.2

 

CMYK 0 / 88 / 55 / 30

HEX #B21550

RGB 178 21 80

HSL 337.45, 0.79%, 0.39%

LAB 38.86, 61.29, 8.87

 

CMYK 0 / 88 / 79 / 30

HEX #B21526

RGB 178 21 38

HSL 353.5, 0.79%, 0.39%

LAB 38.09, 59.07, 34.3

 

CMYK 0 / 88 / 88 / 30

HEX #B21515

RGB 178 21 21

HSL 0, 0.79%, 0.39%

LAB 37.94, 58.63, 43.4

 

CMYK 0 / 88 / 7 / 30

HEX #B215A5

RGB 178 21 165

HSL 304.97, 0.79%, 0.39%

LAB 42.34, 70.7, -38.62

 

CMYK 16 / 88 / 0 / 30

HEX #9515B2

RGB 149 21 178

HSL 288.92, 0.79%, 0.39%

LAB 38.09, 67.66, -53.45

 

CMYK 40 / 88 / 0 / 30

HEX #6A15B2

RGB 106 21 178

HSL 272.48, 0.79%, 0.39%

LAB 31.38, 61.38, -64.68

 

CMYK 64 / 88 / 0 / 30

HEX #4015B2

RGB 64 21 178

HSL 256.43, 0.79%, 0.39%

LAB 26.28, 57.07, -73.28

 

CMYK 88 / 88 / 0 / 30

HEX #1615B2

RGB 22 21 178

HSL 240.38, 0.79%, 0.39%

LAB 23.41, 54.9, -78.13

 

CMYK 0 / 88 / 7 / 30

HEX #B215A5

RGB 178 21 165

HSL 304.97, 0.79%, 0.39%

LAB 42.34, 70.7, -38.62

 

CMYK 0 / 97 / 8 / 24

HEX #C205B2

RGB 194 5 178

HSL 305.08, 0.95%, 0.39%

LAB 45.35, 77.27, -41.39

 

CMYK 0 / 88 / 7 / 30

HEX #B215A5

RGB 178 21 165

HSL 304.97, 0.79%, 0.39%

LAB 42.34, 70.7, -38.62

 

CMYK 0 / 77 / 6 / 36

HEX #A22598

RGB 162 37 152

HSL 304.8, 0.63%, 0.39%

LAB 40.03, 61.84, -34.62

 

CMYK 0 / 64 / 5 / 43

HEX #92358A

RGB 146 53 138

HSL 305.16, 0.47%, 0.39%

LAB 38.71, 49.78, -28.36

 

CMYK 0 / 47 / 4 / 49

HEX #82457D

RGB 130 69 125

HSL 304.92, 0.31%, 0.39%

LAB 38.7, 34.66, -20.57

 

CMYK 0 / 25 / 3 / 55

HEX #72556F

RGB 114 85 111

HSL 306.21, 0.15%, 0.39%

LAB 39.95, 16.82, -10.2

 

CMYK 40 / 88 / 0 / 30

HEX #6B15B2

RGB 107 21 178

HSL 272.87, 0.79%, 0.39%

LAB 31.52, 61.5, -64.44

 

CMYK 16 / 88 / 0 / 30

HEX #9515B2

RGB 149 21 178

HSL 288.92, 0.79%, 0.39%

LAB 38.09, 67.66, -53.45

 

CMYK 0 / 88 / 7 / 30

HEX #B215A5

RGB 178 21 165

HSL 304.97, 0.79%, 0.39%

LAB 42.34, 70.7, -38.62

 

CMYK 0 / 88 / 31 / 30

HEX #B2157B

RGB 178 21 123

HSL 321.02, 0.79%, 0.39%

LAB 40.3, 65.28, -16.2

 

CMYK 0 / 88 / 54 / 30

HEX #B21551

RGB 178 21 81

HSL 337.07, 0.79%, 0.39%

LAB 38.89, 61.36, 8.27

 

CMYK 0 / 88 / 7 / 59

HEX #680C61

RGB 104 12 97

HSL 304.57, 0.79%, 0.23%

LAB 23.9, 47.13, -26.22

 

CMYK 0 / 88 / 7 / 45

HEX #8D1183

RGB 141 17 131

HSL 304.84, 0.78%, 0.31%

LAB 33.36, 59.14, -32.54

 

CMYK 0 / 88 / 7 / 30

HEX #B215A5

RGB 178 21 165

HSL 304.97, 0.79%, 0.39%

LAB 42.34, 70.7, -38.62

 

CMYK 0 / 88 / 7 / 16

HEX #D719C7

RGB 215 25 199

HSL 305.05, 0.79%, 0.47%

LAB 51, 81.75, -44.45

 

CMYK 0 / 78 / 6 / 9

HEX #E732D8

RGB 231 50 216

HSL 304.97, 0.79%, 0.55%

LAB 56.32, 82.25, -45.59

 

CMYK 0 / 88 / 7 / 31

HEX #B115A4

RGB 177 21 164

HSL 305, 0.79%, 0.39%

LAB 42.1, 70.36, -38.41

 

CMYK 0 / 63 / 88 / 30

HEX #B24115

RGB 178 65 21

HSL 16.82, 0.79%, 0.39%

LAB 43.21, 44.07, 47.6

 

CMYK 88 / 0 / 28 / 30

HEX #15B280

RGB 21 178 128

HSL 160.89, 0.79%, 0.39%

LAB 64.61, -49.44, 15.16

 

CMYK 0 / 88 / 7 / 31

HEX #B115A4

RGB 177 21 164

HSL 305, 0.79%, 0.39%

LAB 42.1, 70.36, -38.41

 

CMYK 7 / 0 / 88 / 30

HEX #A5B215

RGB 165 178 21

HSL 64.97, 0.79%, 0.39%

LAB 69.39, -21.8, 68.09

 

CMYK 88 / 7 / 0 / 30

HEX #15A5B2

RGB 21 165 178

HSL 184.97, 0.79%, 0.39%

LAB 61.9, -29.71, -16.64

 

CMYK 0 / 88 / 7 / 31

HEX #B115A4

RGB 177 21 164

HSL 305, 0.79%, 0.39%

LAB 42.1, 70.36, -38.41

 

CMYK 0 / 63 / 88 / 30

HEX #B24115

RGB 178 65 21

HSL 16.82, 0.79%, 0.39%

LAB 43.21, 44.07, 47.6

 

CMYK 88 / 0 / 81 / 30

HEX #15B222

RGB 21 178 34

HSL 124.97, 0.79%, 0.39%

LAB 63.44, -63.38, 57.45

 

CMYK 88 / 25 / 0 / 30

HEX #1585B2

RGB 21 133 178

HSL 197.2, 0.79%, 0.39%

LAB 52.01, -12.9, -31.86

 

CMYK 0 / 88 / 7 / 31

HEX #B115A4

RGB 177 21 164

HSL 305, 0.79%, 0.39%

LAB 42.1, 70.36, -38.41

 

CMYK 0 / 37 / 88 / 30

HEX #B27115

RGB 178 113 21

HSL 35.16, 0.79%, 0.39%

LAB 53.31, 19.04, 55.66

 

CMYK 88 / 0 / 81 / 30

HEX #15B222

RGB 21 178 34

HSL 124.97, 0.79%, 0.39%

LAB 63.44, -63.38, 57.45

 

CMYK 88 / 52 / 0 / 30

HEX #1556B2

RGB 21 86 178

HSL 215.16, 0.79%, 0.39%

LAB 37.9, 16.23, -54.31

 

Description

Color code: HEX #B115A4 | qconv.com Color code: HEX #B115A4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 21 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 21 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 7 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 7% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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