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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B10572 it is the complementary color #4EFA8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B10572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B10572 shade: #B6056D, #C71780, #D82993, #E93BA6 and #FA4DB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B10572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B10572 shade: #B10572, #A0005F, #8F004C, #7E0039 and #6D0026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B10572 shade: #B30573, #B30544, #B30515 and #B30505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B10572 shade: #B30573, #B305A2, #9505B3, #6605B3 and #3705B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B10572 shade matches the following richer shades: #B30573

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B10572 shade: #B30573, #A4136F, #95226B, #863167 and #784063

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B10572 shade: #9305B3, #B305A4, #B30576, #B30547 and #B30519

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B10572 shade: #63033F, #8B0459, #B30573, #DB068D and #F911A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B10572 shade: #B10572, #B36505 and #05B3AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B10572 shade: #B10572, #76B305 and #0576B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B10572 shade: #B10572, #B36505, #05B342 and #0553B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B10572 shade: #B10572, #B39905, #05B342 and #051FB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 36 / 31

HEX #B10572

RGB 177 5 114

HSL 321.98, 0.95%, 0.36%

LAB 39.02, 66.18, -12.54

 

Complementary color

CMYK 69 / 0 / 44 / 2

HEX #4EFA8D

RGB 78 250 141

HSL 141.98, 0.95%, 0.64%

LAB 87.93, -66.72, 39.8

 

CMYK 0 / 97 / 40 / 29

HEX #B6056D

RGB 182 5 109

HSL 324.75, 0.95%, 0.37%

LAB 39.84, 66.78, -8.05

 

CMYK 0 / 88 / 36 / 22

HEX #C71780

RGB 199 23 128

HSL 324.2, 0.79%, 0.44%

LAB 44.68, 70.18, -12.24

 

CMYK 0 / 81 / 32 / 15

HEX #D82993

RGB 216 41 147

HSL 323.66, 0.69%, 0.5%

LAB 49.85, 72.42, -15.62

 

CMYK 0 / 75 / 29 / 9

HEX #E93BA6

RGB 233 59 166

HSL 323.1, 0.8%, 0.57%

LAB 55.28, 73.74, -18.33

 

CMYK 0 / 69 / 26 / 2

HEX #FA4DB9

RGB 250 77 185

HSL 322.54, 0.95%, 0.64%

LAB 60.9, 74.4, -20.51

 

CMYK 0 / 97 / 36 / 31

HEX #B10572

RGB 177 5 114

HSL 321.98, 0.95%, 0.36%

LAB 39.02, 66.18, -12.54

 

CMYK 0 / 100 / 41 / 37

HEX #A0005F

RGB 160 0 95

HSL 324.38, 1%, 0.31%

LAB 34.6, 61.17, -7.45

 

CMYK 0 / 100 / 47 / 44

HEX #8F004C

RGB 143 0 76

HSL 328.11, 1%, 0.28%

LAB 30.31, 55.56, -1.78

 

CMYK 0 / 100 / 55 / 51

HEX #7E0039

RGB 126 0 57

HSL 332.86, 1%, 0.25%

LAB 25.95, 49.92, 4.27

 

CMYK 0 / 100 / 65 / 57

HEX #6D0026

RGB 109 0 38

HSL 339.08, 1%, 0.21%

LAB 21.55, 44.26, 10.78

 

CMYK 0 / 97 / 36 / 30

HEX #B30573

RGB 179 5 115

HSL 322.07, 0.95%, 0.36%

LAB 39.46, 66.72, -12.46

 

CMYK 0 / 97 / 62 / 30

HEX #B30544

RGB 179 5 68

HSL 338.28, 0.95%, 0.36%

LAB 38.04, 62.92, 15.48

 

CMYK 0 / 97 / 88 / 30

HEX #B30515

RGB 179 5 21

HSL 354.48, 0.95%, 0.36%

LAB 37.38, 61.12, 43.04

 

CMYK 0 / 97 / 97 / 30

HEX #B30505

RGB 179 5 5

HSL 0, 0.95%, 0.36%

LAB 37.3, 60.9, 49.57

 

CMYK 0 / 97 / 36 / 30

HEX #B30573

RGB 179 5 115

HSL 322.07, 0.95%, 0.36%

LAB 39.46, 66.72, -12.46

 

CMYK 0 / 97 / 9 / 30

HEX #B305A2

RGB 179 5 162

HSL 305.86, 0.95%, 0.36%

LAB 41.69, 72.4, -37.84

 

CMYK 17 / 97 / 0 / 30

HEX #9505B3

RGB 149 5 179

HSL 289.66, 0.95%, 0.36%

LAB 37.4, 70.12, -55.18

 

CMYK 43 / 97 / 0 / 30

HEX #6605B3

RGB 102 5 179

HSL 273.45, 0.95%, 0.36%

LAB 29.88, 64.2, -67.77

 

CMYK 69 / 97 / 0 / 30

HEX #3705B3

RGB 55 5 179

HSL 257.24, 0.95%, 0.36%

LAB 24.24, 60.73, -77.28

 

CMYK 0 / 97 / 36 / 30

HEX #B30573

RGB 179 5 115

HSL 322.07, 0.95%, 0.36%

LAB 39.46, 66.72, -12.46

 

CMYK 0 / 97 / 36 / 30

HEX #B30573

RGB 179 5 115

HSL 322.07, 0.95%, 0.36%

LAB 39.46, 66.72, -12.46

 

CMYK 0 / 88 / 32 / 36

HEX #A4136F

RGB 164 19 111

HSL 321.93, 0.79%, 0.36%

LAB 36.94, 61.11, -14.05

 

CMYK 0 / 77 / 28 / 42

HEX #95226B

RGB 149 34 107

HSL 321.91, 0.63%, 0.36%

LAB 35.19, 53.22, -14.44

 

CMYK 0 / 63 / 23 / 47

HEX #863167

RGB 134 49 103

HSL 321.88, 0.46%, 0.36%

LAB 34.49, 42.47, -13.22

 

CMYK 0 / 47 / 18 / 53

HEX #784063

RGB 120 64 99

HSL 322.5, 0.3%, 0.36%

LAB 35.12, 29.29, -9.91

 

CMYK 18 / 97 / 0 / 30

HEX #9305B3

RGB 147 5 179

HSL 288.97, 0.95%, 0.36%

LAB 37.05, 69.82, -55.75

 

CMYK 0 / 97 / 8 / 30

HEX #B305A4

RGB 179 5 164

HSL 305.17, 0.95%, 0.36%

LAB 41.8, 72.68, -38.86

 

CMYK 0 / 97 / 34 / 30

HEX #B30576

RGB 179 5 118

HSL 321.03, 0.95%, 0.36%

LAB 39.58, 67.02, -14.16

 

CMYK 0 / 97 / 60 / 30

HEX #B30547

RGB 179 5 71

HSL 337.24, 0.95%, 0.36%

LAB 38.11, 63.1, 13.64

 

CMYK 0 / 97 / 86 / 30

HEX #B30519

RGB 179 5 25

HSL 353.1, 0.95%, 0.36%

LAB 37.41, 61.2, 41.03

 

CMYK 0 / 97 / 36 / 61

HEX #63033F

RGB 99 3 63

HSL 322.5, 0.94%, 0.2%

LAB 20.35, 43.24, -8.84

 

CMYK 0 / 97 / 36 / 45

HEX #8B0459

RGB 139 4 89

HSL 322.22, 0.94%, 0.28%

LAB 30.15, 55.31, -10.69

 

CMYK 0 / 97 / 36 / 30

HEX #B30573

RGB 179 5 115

HSL 322.07, 0.95%, 0.36%

LAB 39.46, 66.72, -12.46

 

CMYK 0 / 97 / 36 / 14

HEX #DB068D

RGB 219 6 141

HSL 321.97, 0.95%, 0.44%

LAB 48.4, 77.64, -14.15

 

CMYK 0 / 93 / 34 / 2

HEX #F911A4

RGB 249 17 164

HSL 321.98, 0.95%, 0.52%

LAB 55.3, 85.15, -16.86

 

CMYK 0 / 97 / 36 / 31

HEX #B10572

RGB 177 5 114

HSL 321.98, 0.95%, 0.36%

LAB 39.02, 66.18, -12.54

 

CMYK 0 / 44 / 97 / 30

HEX #B36505

RGB 179 101 5

HSL 33.1, 0.95%, 0.36%

LAB 50.57, 25.85, 57.44

 

CMYK 97 / 0 / 5 / 30

HEX #05B3AA

RGB 5 179 170

HSL 176.9, 0.95%, 0.36%

LAB 65.88, -39.41, -6.22

 

CMYK 0 / 97 / 36 / 31

HEX #B10572

RGB 177 5 114

HSL 321.98, 0.95%, 0.36%

LAB 39.02, 66.18, -12.54

 

CMYK 34 / 0 / 97 / 30

HEX #76B305

RGB 118 179 5

HSL 81.03, 0.95%, 0.36%

LAB 66.6, -41.68, 66.87

 

CMYK 97 / 34 / 0 / 30

HEX #0576B3

RGB 5 118 179

HSL 201.03, 0.95%, 0.36%

LAB 47.29, -4.56, -39.86

 

CMYK 0 / 97 / 36 / 31

HEX #B10572

RGB 177 5 114

HSL 321.98, 0.95%, 0.36%

LAB 39.02, 66.18, -12.54

 

CMYK 0 / 44 / 97 / 30

HEX #B36505

RGB 179 101 5

HSL 33.1, 0.95%, 0.36%

LAB 50.57, 25.85, 57.44

 

CMYK 97 / 0 / 63 / 30

HEX #05B342

RGB 5 179 66

HSL 141.03, 0.95%, 0.36%

LAB 63.89, -61.72, 45.87

 

CMYK 97 / 54 / 0 / 30

HEX #0553B3

RGB 5 83 179

HSL 213.1, 0.95%, 0.36%

LAB 36.88, 17.87, -56.56

 

CMYK 0 / 97 / 36 / 31

HEX #B10572

RGB 177 5 114

HSL 321.98, 0.95%, 0.36%

LAB 39.02, 66.18, -12.54

 

CMYK 0 / 15 / 97 / 30

HEX #B39905

RGB 179 153 5

HSL 51.03, 0.95%, 0.36%

LAB 63.65, -2.87, 66.63

 

CMYK 97 / 0 / 63 / 30

HEX #05B342

RGB 5 179 66

HSL 141.03, 0.95%, 0.36%

LAB 63.89, -61.72, 45.87

 

CMYK 97 / 83 / 0 / 30

HEX #051FB3

RGB 5 31 179

HSL 231.03, 0.95%, 0.36%

LAB 24.53, 50.52, -76.86

 

Description

Color code: HEX #B10572 | qconv.com Color code: HEX #B10572 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 5 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 5 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 36 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 36% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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