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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0FFCC it is the complementary color #4F0033. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0FFCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B0FFCC: #B5FFC7, #C6FFDA, #D7FFED, #E8FFFF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0FFCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B0FFCC: #B0FFCC, #9FEDB9, #8EDBA6, #7DC993 and #6CB780

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 20 / 0

HEX #B0FFCC

RGB 176 255 204

HSL 141.27, 1%, 0.85%

LAB 93.93, -34.31, 16.8

 

Complementary color

CMYK 0 / 100 / 35 / 69

HEX #4F0033

RGB 79 0 51

HSL 321.27, 1%, 0.15%

LAB 14.96, 37.85, -8.96

 

CMYK 29 / 0 / 22 / 0

HEX #B5FFC7

RGB 181 255 199

HSL 134.59, 1%, 0.85%

LAB 94.08, -33.7, 19.61

 

CMYK 22 / 0 / 15 / 0

HEX #C6FFDA

RGB 198 255 218

HSL 141.05, 1%, 0.89%

LAB 95.41, -25.04, 11.88

 

CMYK 16 / 0 / 7 / 0

HEX #D7FFED

RGB 215 255 237

HSL 153, 1%, 0.92%

LAB 96.85, -16.19, 4.32

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 31 / 0 / 20 / 0

HEX #B0FFCC

RGB 176 255 204

HSL 141.27, 1%, 0.85%

LAB 93.93, -34.31, 16.8

 

CMYK 33 / 0 / 22 / 7

HEX #9FEDB9

RGB 159 237 185

HSL 140, 0.68%, 0.78%

LAB 87.7, -34.56, 17.72

 

CMYK 35 / 0 / 24 / 14

HEX #8EDBA6

RGB 142 219 166

HSL 138.7, 0.52%, 0.71%

LAB 81.38, -34.82, 18.69

 

CMYK 38 / 0 / 27 / 21

HEX #7DC993

RGB 125 201 147

HSL 137.37, 0.41%, 0.64%

LAB 74.98, -35.09, 19.73

 

CMYK 41 / 0 / 30 / 28

HEX #6CB780

RGB 108 183 128

HSL 136, 0.34%, 0.57%

LAB 68.47, -35.36, 20.84

 

CMYK 31 / 0 / 20 / 0

HEX #B0FFCC

RGB 176 255 204

HSL 141.27, 1%, 0.85%

LAB 93.93, -34.31, 16.8

 

CMYK 30 / 0 / 15 / 0

HEX #B2FFDA

RGB 178 255 218

HSL 151.17, 1%, 0.85%

LAB 94.33, -31.08, 10.2

 

CMYK 30 / 0 / 10 / 0

HEX #B2FFE6

RGB 178 255 230

HSL 160.52, 1%, 0.85%

LAB 94.61, -28.69, 4.42

 

CMYK 30 / 0 / 5 / 0

HEX #B2FFF3

RGB 178 255 243

HSL 170.65, 1%, 0.85%

LAB 94.93, -25.98, -1.82

 

CMYK 30 / 1 / 0 / 0

HEX #B2FDFF

RGB 178 253 255

HSL 181.56, 1%, 0.85%

LAB 94.71, -22.39, -8.34

 

CMYK 31 / 0 / 20 / 0

HEX #B0FFCC

RGB 176 255 204

HSL 141.27, 1%, 0.85%

LAB 93.93, -34.31, 16.8

 

CMYK 31 / 0 / 20 / 80

HEX #233329

RGB 35 51 41

HSL 142.5, 0.19%, 0.17%

LAB 19.58, -9.21, 4.23

 

CMYK 31 / 0 / 20 / 60

HEX #466652

RGB 70 102 82

HSL 142.5, 0.19%, 0.34%

LAB 40.27, -16.34, 7.62

 

CMYK 31 / 0 / 20 / 40

HEX #6A997A

RGB 106 153 122

HSL 140.43, 0.19%, 0.51%

LAB 59.21, -22.63, 11.3

 

CMYK 31 / 0 / 20 / 20

HEX #8DCCA3

RGB 141 204 163

HSL 140.95, 0.38%, 0.68%

LAB 76.98, -28.62, 14.11

 

CMYK 31 / 0 / 20 / 0

HEX #B0FFCC

RGB 176 255 204

HSL 141.27, 1%, 0.85%

LAB 93.93, -34.31, 16.8

 

CMYK 30 / 17 / 0 / 0

HEX #B2D4FF

RGB 178 212 255

HSL 213.51, 1%, 0.85%

LAB 83.85, -1.57, -24.66

 

CMYK 0 / 30 / 29 / 0

HEX #FFB2B6

RGB 255 178 182

HSL 356.88, 1%, 0.85%

LAB 79.89, 28.58, 9.29

 

CMYK 31 / 0 / 20 / 0

HEX #B0FFCC

RGB 176 255 204

HSL 141.27, 1%, 0.85%

LAB 93.93, -34.31, 16.8

 

CMYK 20 / 30 / 0 / 0

HEX #CDB2FF

RGB 205 178 255

HSL 261.04, 1%, 0.85%

LAB 77.3, 24.7, -34.53

 

CMYK 0 / 20 / 30 / 0

HEX #FFCDB2

RGB 255 205 178

HSL 21.04, 1%, 0.85%

LAB 86.07, 13.92, 20.14

 

CMYK 31 / 0 / 20 / 0

HEX #B0FFCC

RGB 176 255 204

HSL 141.27, 1%, 0.85%

LAB 93.93, -34.31, 16.8

 

CMYK 30 / 17 / 0 / 0

HEX #B2D4FF

RGB 178 212 255

HSL 213.51, 1%, 0.85%

LAB 83.85, -1.57, -24.66

 

CMYK 0 / 30 / 11 / 0

HEX #FFB2E4

RGB 255 178 228

HSL 321.04, 1%, 0.85%

LAB 81.13, 35.37, -13.74

 

CMYK 0 / 14 / 30 / 0

HEX #FFDCB2

RGB 255 220 178

HSL 32.73, 1%, 0.85%

LAB 89.7, 6.16, 25.14

 

CMYK 31 / 0 / 20 / 0

HEX #B0FFCC

RGB 176 255 204

HSL 141.27, 1%, 0.85%

LAB 93.93, -34.31, 16.8

 

CMYK 30 / 26 / 0 / 0

HEX #B2BDFF

RGB 178 189 255

HSL 231.43, 1%, 0.85%

LAB 77.92, 10.83, -33.74

 

CMYK 0 / 30 / 11 / 0

HEX #FFB2E4

RGB 255 178 228

HSL 321.04, 1%, 0.85%

LAB 81.13, 35.37, -13.74

 

CMYK 0 / 5 / 30 / 0

HEX #FFF3B2

RGB 255 243 178

HSL 50.65, 1%, 0.85%

LAB 95.4, -5.5, 32.86

 

Description

Color code: HEX #B0FFCC | qconv.com Color code: HEX #B0FFCC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 255 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 255 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 20 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 20% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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