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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0FF06 it is the complementary color #4F00F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0FF06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0FF06 shade: #B5FF01, #C6FF14, #D7FF27, #E8FF3A and #F9FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0FF06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0FF06 shade: #B0FF06, #9FED00, #8EDB00, #7DC900 and #6CB700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0FF06 shade: #B0FF05, #F3FF05, #FFC805, #FF8405 and #FF4105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0FF06 shade: #B0FF05, #6CFF05, #29FF05, #05FF25 and #05FF68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0FF06 shade matches the following richer shades: #B0FF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0FF06 shade: #B0FF05, #A8EB19, #A1D72E, #9AC242 and #92AE56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0FF06 shade: #FFC905, #F3FF05, #B0FF05, #6DFF05 and #2BFF05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0FF06 shade: #79B200, #95DB00, #B0FF05, #BDFF2E and #CAFF58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0FF06 shade: #B0FF06, #05FF86 and #EA05FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0FF06 shade: #B0FF06, #05B0FF and #FF05B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0FF06 shade: #B0FF06, #05FF86, #5405FF and #FF057E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0FF06 shade: #B0FF06, #05FFD1, #5405FF and #FF0533

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 98 / 0

HEX #B0FF06

RGB 176 255 6

HSL 79.04, 1%, 0.51%

LAB 92.03, -52.29, 87.94

 

Complementary color

CMYK 68 / 100 / 0 / 2

HEX #4F00F9

RGB 79 0 249

HSL 259.04, 1%, 0.49%

LAB 35.01, 79.13, -99.89

 

CMYK 29 / 0 / 100 / 0

HEX #B5FF01

RGB 181 255 1

HSL 77.48, 1%, 0.5%

LAB 92.29, -50.54, 88.62

 

CMYK 22 / 0 / 92 / 0

HEX #C6FF14

RGB 198 255 20

HSL 74.55, 1%, 0.54%

LAB 93.27, -44.03, 88.23

 

CMYK 16 / 0 / 85 / 0

HEX #D7FF27

RGB 215 255 39

HSL 71.11, 1%, 0.58%

LAB 94.36, -37.1, 86.62

 

CMYK 9 / 0 / 77 / 0

HEX #E8FF3A

RGB 232 255 58

HSL 67.01, 1%, 0.61%

LAB 95.57, -29.81, 83.63

 

CMYK 2 / 0 / 70 / 0

HEX #F9FF4D

RGB 249 255 77

HSL 62.02, 1%, 0.65%

LAB 96.9, -22.22, 79.47

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF06

RGB 176 255 6

HSL 79.04, 1%, 0.51%

LAB 92.03, -52.29, 87.94

 

CMYK 33 / 0 / 100 / 7

HEX #9FED00

RGB 159 237 0

HSL 79.75, 1%, 0.46%

LAB 85.98, -51.06, 83.34

 

CMYK 35 / 0 / 100 / 14

HEX #8EDB00

RGB 142 219 0

HSL 81.1, 1%, 0.43%

LAB 79.85, -49.75, 78.25

 

CMYK 38 / 0 / 100 / 21

HEX #7DC900

RGB 125 201 0

HSL 82.69, 1%, 0.39%

LAB 73.63, -48.41, 73.07

 

CMYK 41 / 0 / 100 / 28

HEX #6CB700

RGB 108 183 0

HSL 84.59, 1%, 0.36%

LAB 67.32, -47.02, 67.83

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF05

RGB 176 255 5

HSL 78.96, 1%, 0.51%

LAB 92.03, -52.3, 88.02

 

CMYK 5 / 0 / 98 / 0

HEX #F3FF05

RGB 243 255 5

HSL 62.88, 1%, 0.51%

LAB 96.24, -26.42, 93.07

 

CMYK 0 / 22 / 98 / 0

HEX #FFC805

RGB 255 200 5

HSL 46.8, 1%, 0.51%

LAB 83.22, 5.77, 84.08

 

CMYK 0 / 48 / 98 / 0

HEX #FF8405

RGB 255 132 5

HSL 30.48, 1%, 0.51%

LAB 67.85, 40.89, 73.8

 

CMYK 0 / 75 / 98 / 0

HEX #FF4105

RGB 255 65 5

HSL 14.4, 1%, 0.51%

LAB 57.13, 69.11, 67.73

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF05

RGB 176 255 5

HSL 78.96, 1%, 0.51%

LAB 92.03, -52.3, 88.02

 

CMYK 58 / 0 / 98 / 0

HEX #6CFF05

RGB 108 255 5

HSL 95.28, 1%, 0.51%

LAB 89.26, -72.96, 84.66

 

CMYK 84 / 0 / 98 / 0

HEX #29FF05

RGB 41 255 5

HSL 111.36, 1%, 0.51%

LAB 87.97, -84.05, 83.08

 

CMYK 98 / 0 / 85 / 0

HEX #05FF25

RGB 5 255 37

HSL 127.68, 1%, 0.51%

LAB 87.82, -85.2, 78.82

 

CMYK 98 / 0 / 59 / 0

HEX #05FF68

RGB 5 255 104

HSL 143.76, 1%, 0.51%

LAB 88.23, -79.9, 57.11

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF05

RGB 176 255 5

HSL 78.96, 1%, 0.51%

LAB 92.03, -52.3, 88.02

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF05

RGB 176 255 5

HSL 78.96, 1%, 0.51%

LAB 92.03, -52.3, 88.02

 

CMYK 29 / 0 / 89 / 8

HEX #A8EB19

RGB 168 235 25

HSL 79.14, 0.84%, 0.51%

LAB 85.91, -46.62, 80.95

 

CMYK 25 / 0 / 79 / 16

HEX #A1D72E

RGB 161 215 46

HSL 79.17, 0.68%, 0.51%

LAB 79.83, -39.95, 71

 

CMYK 21 / 0 / 66 / 24

HEX #9AC242

RGB 154 194 66

HSL 78.75, 0.51%, 0.51%

LAB 73.45, -32, 57.71

 

CMYK 16 / 0 / 51 / 32

HEX #92AE56

RGB 146 174 86

HSL 79.09, 0.35%, 0.51%

LAB 67.32, -23.81, 41.65

 

CMYK 0 / 21 / 98 / 0

HEX #FFC905

RGB 255 201 5

HSL 47.04, 1%, 0.51%

LAB 83.47, 5.26, 84.25

 

CMYK 5 / 0 / 98 / 0

HEX #F3FF05

RGB 243 255 5

HSL 62.88, 1%, 0.51%

LAB 96.24, -26.42, 93.07

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF05

RGB 176 255 5

HSL 78.96, 1%, 0.51%

LAB 92.03, -52.3, 88.02

 

CMYK 57 / 0 / 98 / 0

HEX #6DFF05

RGB 109 255 5

HSL 95.04, 1%, 0.51%

LAB 89.29, -72.72, 84.7

 

CMYK 83 / 0 / 98 / 0

HEX #2BFF05

RGB 43 255 5

HSL 110.88, 1%, 0.51%

LAB 87.99, -83.86, 83.11

 

CMYK 32 / 0 / 100 / 30

HEX #79B200

RGB 121 178 0

HSL 79.21, 1%, 0.35%

LAB 66.45, -40.2, 67.44

 

CMYK 32 / 0 / 100 / 14

HEX #95DB00

RGB 149 219 0

HSL 79.18, 1%, 0.43%

LAB 80.21, -47.24, 78.68

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF05

RGB 176 255 5

HSL 78.96, 1%, 0.51%

LAB 92.03, -52.3, 88.02

 

CMYK 26 / 0 / 82 / 0

HEX #BDFF2E

RGB 189 255 46

HSL 78.95, 1%, 0.59%

LAB 92.81, -46.78, 83.18

 

CMYK 21 / 0 / 65 / 0

HEX #CAFF58

RGB 202 255 88

HSL 79.04, 1%, 0.67%

LAB 93.79, -39.88, 71.34

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF06

RGB 176 255 6

HSL 79.04, 1%, 0.51%

LAB 92.03, -52.29, 87.94

 

CMYK 98 / 0 / 47 / 0

HEX #05FF86

RGB 5 255 134

HSL 150.96, 1%, 0.51%

LAB 88.58, -75.68, 43.85

 

CMYK 8 / 98 / 0 / 0

HEX #EA05FF

RGB 234 5 255

HSL 294.96, 1%, 0.51%

LAB 56.9, 94.81, -66.52

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF06

RGB 176 255 6

HSL 79.04, 1%, 0.51%

LAB 92.03, -52.29, 87.94

 

CMYK 98 / 31 / 0 / 0

HEX #05B0FF

RGB 5 176 255

HSL 198.96, 1%, 0.51%

LAB 68.24, -9.45, -49.31

 

CMYK 0 / 98 / 31 / 0

HEX #FF05B0

RGB 255 5 176

HSL 318.96, 1%, 0.51%

LAB 56.59, 88.4, -21.83

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF06

RGB 176 255 6

HSL 79.04, 1%, 0.51%

LAB 92.03, -52.29, 87.94

 

CMYK 98 / 0 / 47 / 0

HEX #05FF86

RGB 5 255 134

HSL 150.96, 1%, 0.51%

LAB 88.58, -75.68, 43.85

 

CMYK 67 / 98 / 0 / 0

HEX #5405FF

RGB 84 5 255

HSL 258.96, 1%, 0.51%

LAB 36.39, 80.05, -100.94

 

CMYK 0 / 98 / 51 / 0

HEX #FF057E

RGB 255 5 126

HSL 330.96, 1%, 0.51%

LAB 54.94, 84.08, 5.35

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF06

RGB 176 255 6

HSL 79.04, 1%, 0.51%

LAB 92.03, -52.29, 87.94

 

CMYK 98 / 0 / 18 / 0

HEX #05FFD1

RGB 5 255 209

HSL 168.96, 1%, 0.51%

LAB 89.93, -60.29, 7.97

 

CMYK 67 / 98 / 0 / 0

HEX #5405FF

RGB 84 5 255

HSL 258.96, 1%, 0.51%

LAB 36.39, 80.05, -100.94

 

CMYK 0 / 98 / 80 / 0

HEX #FF0533

RGB 255 5 51

HSL 348.96, 1%, 0.51%

LAB 53.61, 80.48, 47.94

 

Description

Color code: HEX #B0FF06 | qconv.com Color code: HEX #B0FF06 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 255 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 255 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 98% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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