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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0FE06 it is the complementary color #4F01F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0FE06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0FE06 shade: #B5FE01, #C6FF14, #D7FF27, #E8FF3A and #F9FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0FE06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0FE06 shade: #B0FE06, #9FEC00, #8EDA00, #7DC800 and #6CB600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0FE06 shade: #B0FE06, #F3FE06, #FEC606, #FE8306 and #FE4106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0FE06 shade: #B0FE06, #6DFE06, #2BFE06, #06FE25 and #06FE68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0FE06 shade matches the following richer shades: #B0FE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0FE06 shade: #B0FE06, #A8EA1B, #A1D52F, #99C143 and #92AD57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0FE06 shade: #FEC406, #F6FE06, #B4FE06, #72FE06 and #30FE06

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0FE06 shade: #79B101, #96DA01, #B0FE06, #BDFE2F and #CAFE58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0FE06 shade: #B0FE06, #06FE82 and #E506FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0FE06 shade: #B0FE06, #06B4FE and #FE06B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0FE06 shade: #B0FE06, #06FE82, #5106FE and #FE0682

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0FE06 shade: #B0FE06, #06FECC, #5106FE and #FE0638

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

Complementary color

CMYK 68 / 100 / 0 / 2

HEX #4F01F9

RGB 79 1 249

HSL 258.87, 0.99%, 0.49%

LAB 35.05, 79, -99.82

 

CMYK 29 / 0 / 100 / 0

HEX #B5FE01

RGB 181 254 1

HSL 77.31, 0.99%, 0.5%

LAB 92, -50.13, 88.4

 

CMYK 22 / 0 / 92 / 0

HEX #C6FF14

RGB 198 255 20

HSL 74.55, 1%, 0.54%

LAB 93.27, -44.03, 88.23

 

CMYK 16 / 0 / 85 / 0

HEX #D7FF27

RGB 215 255 39

HSL 71.11, 1%, 0.58%

LAB 94.36, -37.1, 86.62

 

CMYK 9 / 0 / 77 / 0

HEX #E8FF3A

RGB 232 255 58

HSL 67.01, 1%, 0.61%

LAB 95.57, -29.81, 83.63

 

CMYK 2 / 0 / 70 / 0

HEX #F9FF4D

RGB 249 255 77

HSL 62.02, 1%, 0.65%

LAB 96.9, -22.22, 79.47

 

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

CMYK 33 / 0 / 100 / 7

HEX #9FEC00

RGB 159 236 0

HSL 79.58, 1%, 0.46%

LAB 85.69, -50.66, 83.12

 

CMYK 35 / 0 / 100 / 15

HEX #8EDA00

RGB 142 218 0

HSL 80.92, 1%, 0.43%

LAB 79.55, -49.35, 78.02

 

CMYK 38 / 0 / 100 / 22

HEX #7DC800

RGB 125 200 0

HSL 82.5, 1%, 0.39%

LAB 73.33, -48, 72.84

 

CMYK 41 / 0 / 100 / 29

HEX #6CB600

RGB 108 182 0

HSL 84.4, 1%, 0.36%

LAB 67.01, -46.62, 67.59

 

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

CMYK 4 / 0 / 98 / 0

HEX #F3FE06

RGB 243 254 6

HSL 62.66, 0.99%, 0.51%

LAB 95.98, -25.94, 92.8

 

CMYK 0 / 22 / 98 / 0

HEX #FEC606

RGB 254 198 6

HSL 46.45, 0.99%, 0.51%

LAB 82.63, 6.39, 83.53

 

CMYK 0 / 48 / 98 / 0

HEX #FE8306

RGB 254 131 6

HSL 30.24, 0.99%, 0.51%

LAB 67.51, 41.01, 73.38

 

CMYK 0 / 74 / 98 / 0

HEX #FE4106

RGB 254 65 6

HSL 14.27, 0.99%, 0.51%

LAB 56.94, 68.82, 67.33

 

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

CMYK 57 / 0 / 98 / 0

HEX #6DFE06

RGB 109 254 6

HSL 95.08, 0.99%, 0.51%

LAB 88.99, -72.38, 84.39

 

CMYK 83 / 0 / 98 / 0

HEX #2BFE06

RGB 43 254 6

HSL 111.05, 0.99%, 0.51%

LAB 87.68, -83.58, 82.79

 

CMYK 98 / 0 / 85 / 0

HEX #06FE25

RGB 6 254 37

HSL 127.5, 0.99%, 0.51%

LAB 87.51, -84.91, 78.55

 

CMYK 98 / 0 / 59 / 0

HEX #06FE68

RGB 6 254 104

HSL 143.71, 0.99%, 0.51%

LAB 87.93, -79.59, 56.76

 

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

CMYK 28 / 0 / 88 / 8

HEX #A8EA1B

RGB 168 234 27

HSL 79.13, 0.83%, 0.51%

LAB 85.63, -46.15, 80.4

 

CMYK 24 / 0 / 78 / 16

HEX #A1D52F

RGB 161 213 47

HSL 78.8, 0.66%, 0.51%

LAB 79.25, -39.02, 70.19

 

CMYK 21 / 0 / 65 / 24

HEX #99C143

RGB 153 193 67

HSL 79.05, 0.5%, 0.51%

LAB 73.1, -31.85, 56.92

 

CMYK 16 / 0 / 50 / 32

HEX #92AD57

RGB 146 173 87

HSL 78.84, 0.34%, 0.51%

LAB 67.04, -23.2, 40.82

 

CMYK 0 / 23 / 98 / 0

HEX #FEC406

RGB 254 196 6

HSL 45.97, 0.99%, 0.51%

LAB 82.14, 7.42, 83.18

 

CMYK 3 / 0 / 98 / 0

HEX #F6FE06

RGB 246 254 6

HSL 61.94, 0.99%, 0.51%

LAB 96.2, -24.72, 93.07

 

CMYK 29 / 0 / 98 / 0

HEX #B4FE06

RGB 180 254 6

HSL 77.9, 0.99%, 0.51%

LAB 91.95, -50.44, 87.98

 

CMYK 55 / 0 / 98 / 0

HEX #72FE06

RGB 114 254 6

HSL 93.87, 0.99%, 0.51%

LAB 89.15, -71.13, 84.57

 

CMYK 81 / 0 / 98 / 0

HEX #30FE06

RGB 48 254 6

HSL 109.84, 0.99%, 0.51%

LAB 87.74, -83.08, 82.85

 

CMYK 32 / 0 / 99 / 31

HEX #79B101

RGB 121 177 1

HSL 79.09, 0.99%, 0.35%

LAB 66.14, -39.75, 67.08

 

CMYK 31 / 0 / 100 / 15

HEX #96DA01

RGB 150 218 1

HSL 78.8, 0.99%, 0.43%

LAB 79.97, -46.44, 78.43

 

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

CMYK 26 / 0 / 81 / 0

HEX #BDFE2F

RGB 189 254 47

HSL 78.84, 0.99%, 0.59%

LAB 92.53, -46.32, 82.7

 

CMYK 20 / 0 / 65 / 0

HEX #CAFE58

RGB 202 254 88

HSL 78.8, 0.99%, 0.67%

LAB 93.51, -39.44, 71.05

 

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

CMYK 98 / 0 / 49 / 0

HEX #06FE82

RGB 6 254 130

HSL 150, 0.99%, 0.51%

LAB 88.23, -75.97, 45.31

 

CMYK 10 / 98 / 0 / 0

HEX #E506FE

RGB 229 6 254

HSL 293.95, 0.99%, 0.51%

LAB 56.03, 93.86, -67.41

 

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

CMYK 98 / 29 / 0 / 0

HEX #06B4FE

RGB 6 180 254

HSL 197.9, 0.99%, 0.51%

LAB 69.35, -11.97, -47.02

 

CMYK 0 / 98 / 29 / 0

HEX #FE06B4

RGB 254 6 180

HSL 317.9, 0.99%, 0.51%

LAB 56.58, 88.55, -24.18

 

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

CMYK 98 / 0 / 49 / 0

HEX #06FE82

RGB 6 254 130

HSL 150, 0.99%, 0.51%

LAB 88.23, -75.97, 45.31

 

CMYK 68 / 98 / 0 / 0

HEX #5106FE

RGB 81 6 254

HSL 258.15, 0.99%, 0.51%

LAB 36.05, 79.57, -100.95

 

CMYK 0 / 98 / 49 / 0

HEX #FE0682

RGB 254 6 130

HSL 330, 0.99%, 0.51%

LAB 54.88, 84.09, 2.83

 

CMYK 31 / 0 / 98 / 0

HEX #B0FE06

RGB 176 254 6

HSL 78.87, 0.99%, 0.51%

LAB 91.74, -51.88, 87.72

 

CMYK 98 / 0 / 20 / 0

HEX #06FECC

RGB 6 254 204

HSL 167.9, 0.99%, 0.51%

LAB 89.52, -61.11, 9.98

 

CMYK 68 / 98 / 0 / 0

HEX #5106FE

RGB 81 6 254

HSL 258.15, 0.99%, 0.51%

LAB 36.05, 79.57, -100.95

 

CMYK 0 / 98 / 78 / 0

HEX #FE0638

RGB 254 6 56

HSL 347.9, 0.99%, 0.51%

LAB 53.48, 80.31, 45

 

Description

Color code: HEX #B0FE06 | qconv.com Color code: HEX #B0FE06 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 254 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 254 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 98% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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