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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0FD8B it is the complementary color #4F0274. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0FD8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0FD8B shade: #B5FD86, #C6FF99, #D7FFAC, #E8FFBF and #F9FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0FD8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0FD8B shade: #B0FD8B, #9FEB78, #8ED965, #7DC752 and #6CB53F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0FD8B shade: #B0FD8B, #CFFD8B, #EEFD8B, #FDEE8B and #FDCF8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0FD8B shade: #B0FD8B, #92FD8B, #8BFDA4, #8BFDC3 and #8BFDE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0FD8B shade matches the following richer shades: #B0FD8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0FD8B shade: #B0FD8B, #B4F495, #B7EA9E, #BAE1A8 and #BED7B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0FD8B shade: #EEFD8B, #D0FD8B, #B1FD8B, #93FD8B and #8BFDA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0FD8B shade: #79FC3A, #95FD63, #B0FD8B, #CCFEB4 and #E8FEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0FD8B shade: #B0FD8B, #8BFDEE and #FD8BDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0FD8B shade: #B0FD8B, #8BB1FD and #FD8BB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0FD8B shade: #B0FD8B, #8BFDEE, #D78BFD and #FD8B9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0FD8B shade: #B0FD8B, #8BEAFD, #D78BFD and #FD9E8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

Complementary color

CMYK 32 / 98 / 0 / 55

HEX #4F0274

RGB 79 2 116

HSL 280.53, 0.97%, 0.23%

LAB 19.91, 48.62, -45.27

 

CMYK 28 / 0 / 47 / 1

HEX #B5FD86

RGB 181 253 134

HSL 96.3, 0.97%, 0.76%

LAB 92.48, -42.33, 49.7

 

CMYK 22 / 0 / 40 / 0

HEX #C6FF99

RGB 198 255 153

HSL 93.53, 1%, 0.8%

LAB 94.24, -35.1, 43

 

CMYK 16 / 0 / 33 / 0

HEX #D7FFAC

RGB 215 255 172

HSL 88.92, 1%, 0.84%

LAB 95.56, -26.69, 35.57

 

CMYK 9 / 0 / 25 / 0

HEX #E8FFBF

RGB 232 255 191

HSL 81.56, 1%, 0.87%

LAB 97, -18.06, 28.17

 

CMYK 2 / 0 / 18 / 0

HEX #F9FFD2

RGB 249 255 210

HSL 68, 1%, 0.91%

LAB 98.56, -9.31, 20.88

 

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

CMYK 32 / 0 / 49 / 8

HEX #9FEB78

RGB 159 235 120

HSL 99.65, 0.74%, 0.7%

LAB 86.08, -43.5, 48.17

 

CMYK 35 / 0 / 53 / 15

HEX #8ED965

RGB 142 217 101

HSL 98.79, 0.6%, 0.62%

LAB 79.79, -43.54, 49.31

 

CMYK 37 / 0 / 59 / 22

HEX #7DC752

RGB 125 199 82

HSL 97.95, 0.51%, 0.55%

LAB 73.43, -43.5, 50.38

 

CMYK 40 / 0 / 65 / 29

HEX #6CB53F

RGB 108 181 63

HSL 97.12, 0.48%, 0.48%

LAB 66.97, -43.35, 51.28

 

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

CMYK 18 / 0 / 45 / 1

HEX #CFFD8B

RGB 207 253 139

HSL 84.21, 0.97%, 0.77%

LAB 94.05, -32.66, 49.6

 

CMYK 6 / 0 / 45 / 1

HEX #EEFD8B

RGB 238 253 139

HSL 67.89, 0.97%, 0.77%

LAB 96.12, -21.13, 52.62

 

CMYK 0 / 6 / 45 / 1

HEX #FDEE8B

RGB 253 238 139

HSL 52.11, 0.97%, 0.77%

LAB 93.41, -8.02, 49.53

 

CMYK 0 / 18 / 45 / 1

HEX #FDCF8B

RGB 253 207 139

HSL 35.79, 0.97%, 0.77%

LAB 85.69, 7.72, 39.81

 

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

CMYK 42 / 0 / 45 / 1

HEX #92FD8B

RGB 146 253 139

HSL 116.32, 0.97%, 0.77%

LAB 90.88, -52.71, 44.96

 

CMYK 45 / 0 / 35 / 1

HEX #8BFDA4

RGB 139 253 164

HSL 133.16, 0.97%, 0.77%

LAB 90.97, -50.91, 32.76

 

CMYK 45 / 0 / 23 / 1

HEX #8BFDC3

RGB 139 253 195

HSL 149.47, 0.97%, 0.77%

LAB 91.54, -45.31, 17.81

 

CMYK 45 / 0 / 11 / 1

HEX #8BFDE1

RGB 139 253 225

HSL 165.26, 0.97%, 0.77%

LAB 92.21, -39.03, 3.3

 

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

CMYK 26 / 0 / 39 / 4

HEX #B4F495

RGB 180 244 149

HSL 100.42, 0.81%, 0.77%

LAB 90.13, -36.78, 39.46

 

CMYK 22 / 0 / 32 / 8

HEX #B7EA9E

RGB 183 234 158

HSL 100.26, 0.64%, 0.77%

LAB 87.67, -29.89, 31.76

 

CMYK 17 / 0 / 25 / 12

HEX #BAE1A8

RGB 186 225 168

HSL 101.05, 0.49%, 0.77%

LAB 85.56, -23.04, 23.81

 

CMYK 12 / 0 / 18 / 16

HEX #BED7B1

RGB 190 215 177

HSL 99.47, 0.32%, 0.77%

LAB 83.3, -15.24, 16

 

CMYK 6 / 0 / 45 / 1

HEX #EEFD8B

RGB 238 253 139

HSL 67.89, 0.97%, 0.77%

LAB 96.12, -21.13, 52.62

 

CMYK 18 / 0 / 45 / 1

HEX #D0FD8B

RGB 208 253 139

HSL 83.68, 0.97%, 0.77%

LAB 94.11, -32.3, 49.69

 

CMYK 30 / 0 / 45 / 1

HEX #B1FD8B

RGB 177 253 139

HSL 100, 0.97%, 0.77%

LAB 92.34, -43.07, 47.1

 

CMYK 42 / 0 / 45 / 1

HEX #93FD8B

RGB 147 253 139

HSL 115.79, 0.97%, 0.77%

LAB 90.92, -52.42, 45.02

 

CMYK 45 / 0 / 36 / 1

HEX #8BFDA2

RGB 139 253 162

HSL 132.11, 0.97%, 0.77%

LAB 90.94, -51.23, 33.71

 

CMYK 52 / 0 / 77 / 1

HEX #79FC3A

RGB 121 252 58

HSL 100.52, 0.97%, 0.61%

LAB 88.92, -67.04, 75.37

 

CMYK 41 / 0 / 61 / 1

HEX #95FD63

RGB 149 253 99

HSL 100.52, 0.97%, 0.69%

LAB 90.57, -56.34, 62.68

 

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

CMYK 20 / 0 / 29 / 0

HEX #CCFEB4

RGB 204 254 180

HSL 100.54, 0.97%, 0.85%

LAB 94.75, -28.89, 30.36

 

CMYK 9 / 0 / 13 / 0

HEX #E8FEDD

RGB 232 254 221

HSL 100, 0.94%, 0.93%

LAB 97.33, -12.96, 13.37

 

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

CMYK 45 / 0 / 6 / 1

HEX #8BFDEE

RGB 139 253 238

HSL 172.11, 0.97%, 0.77%

LAB 92.54, -36.06, -2.95

 

CMYK 0 / 45 / 12 / 1

HEX #FD8BDF

RGB 253 139 223

HSL 315.79, 0.97%, 0.77%

LAB 72.68, 53.86, -23.82

 

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

CMYK 45 / 30 / 0 / 1

HEX #8BB1FD

RGB 139 177 253

HSL 220, 0.97%, 0.77%

LAB 72.25, 6.71, -41.68

 

CMYK 0 / 45 / 30 / 1

HEX #FD8BB1

RGB 253 139 177

HSL 340, 0.97%, 0.77%

LAB 71.23, 47.32, -0.5

 

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

CMYK 45 / 0 / 6 / 1

HEX #8BFDEE

RGB 139 253 238

HSL 172.11, 0.97%, 0.77%

LAB 92.54, -36.06, -2.95

 

CMYK 15 / 45 / 0 / 1

HEX #D78BFD

RGB 215 139 253

HSL 280, 0.97%, 0.77%

LAB 69.47, 48.21, -45.57

 

CMYK 0 / 45 / 39 / 1

HEX #FD8B9B

RGB 253 139 155

HSL 351.58, 0.97%, 0.77%

LAB 70.67, 44.72, 10.98

 

CMYK 30 / 0 / 45 / 1

HEX #B0FD8B

RGB 176 253 139

HSL 100.53, 0.97%, 0.77%

LAB 92.28, -43.4, 47.02

 

CMYK 45 / 8 / 0 / 1

HEX #8BEAFD

RGB 139 234 253

HSL 190, 0.97%, 0.77%

LAB 87.69, -23.34, -17.98

 

CMYK 15 / 45 / 0 / 1

HEX #D78BFD

RGB 215 139 253

HSL 280, 0.97%, 0.77%

LAB 69.47, 48.21, -45.57

 

CMYK 0 / 38 / 45 / 1

HEX #FD9E8B

RGB 253 158 139

HSL 10, 0.97%, 0.77%

LAB 74.32, 33.32, 24.84

 

Description

Color code: HEX #B0FD8B | qconv.com Color code: HEX #B0FD8B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 253 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 253 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 45 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 45% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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