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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0FB9A it is the complementary color #4F0465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0FB9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0FB9A shade: #B5FB95, #C6FFA8, #D7FFBB, #E8FFCE and #F9FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0FB9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0FB9A shade: #B0FB9A, #9FE987, #8ED774, #7DC561 and #6CB34E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0FB9A shade: #AFFB98, #C9FB98, #E4FB98, #FBF798 and #FBDD98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0FB9A shade: #AFFB98, #98FB9C, #98FBB7, #98FBD2 and #98FBEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0FB9A shade matches the following richer shades: #AFFB98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0FB9A shade: #AFFB98, #B3F2A1, #B8E9AA, #BDE1B2 and #C1D8BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0FB9A shade: #E4FB98, #C9FB98, #AFFB98, #98FB9B and #98FBB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0FB9A shade: #71F749, #90F971, #AFFB98, #CEFCC0 and #EDFEE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0FB9A shade: #B0FB9A, #98FBF7 and #FB98D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0FB9A shade: #B0FB9A, #98AFFB and #FB98AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0FB9A shade: #B0FB9A, #98FBF7, #E498FB and #FB989B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0FB9A shade: #B0FB9A, #98E0FB, #E498FB and #FBB298

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 39 / 2

HEX #B0FB9A

RGB 176 251 154

HSL 106.39, 0.92%, 0.79%

LAB 91.93, -40.57, 39.3

 

Complementary color

CMYK 22 / 96 / 0 / 60

HEX #4F0465

RGB 79 4 101

HSL 286.39, 0.92%, 0.21%

LAB 18.75, 44.96, -37.38

 

CMYK 28 / 0 / 41 / 2

HEX #B5FB95

RGB 181 251 149

HSL 101.18, 0.93%, 0.78%

LAB 92.13, -39.59, 42.05

 

CMYK 22 / 0 / 34 / 0

HEX #C6FFA8

RGB 198 255 168

HSL 99.31, 1%, 0.83%

LAB 94.46, -33.11, 35.92

 

CMYK 16 / 0 / 27 / 0

HEX #D7FFBB

RGB 215 255 187

HSL 95.29, 1%, 0.87%

LAB 95.81, -24.57, 28.39

 

CMYK 9 / 0 / 19 / 0

HEX #E8FFCE

RGB 232 255 206

HSL 88.16, 1%, 0.9%

LAB 97.28, -15.84, 20.95

 

CMYK 2 / 0 / 12 / 0

HEX #F9FFE1

RGB 249 255 225

HSL 72, 1%, 0.94%

LAB 98.87, -7.02, 13.66

 

CMYK 30 / 0 / 39 / 2

HEX #B0FB9A

RGB 176 251 154

HSL 106.39, 0.92%, 0.79%

LAB 91.93, -40.57, 39.3

 

CMYK 32 / 0 / 42 / 9

HEX #9FE987

RGB 159 233 135

HSL 105.31, 0.69%, 0.72%

LAB 85.7, -40.74, 40.45

 

CMYK 34 / 0 / 46 / 16

HEX #8ED774

RGB 142 215 116

HSL 104.24, 0.55%, 0.65%

LAB 79.39, -40.88, 41.64

 

CMYK 37 / 0 / 51 / 23

HEX #7DC561

RGB 125 197 97

HSL 103.2, 0.46%, 0.58%

LAB 72.99, -40.98, 42.84

 

CMYK 40 / 0 / 56 / 30

HEX #6CB34E

RGB 108 179 78

HSL 102.18, 0.4%, 0.5%

LAB 66.5, -41, 44.01

 

CMYK 30 / 0 / 39 / 2

HEX #AFFB98

RGB 175 251 152

HSL 106.06, 0.93%, 0.79%

LAB 91.85, -41.17, 40.17

 

CMYK 20 / 0 / 39 / 2

HEX #C9FB98

RGB 201 251 152

HSL 90.3, 0.93%, 0.79%

LAB 93.31, -32.35, 42.34

 

CMYK 9 / 0 / 39 / 2

HEX #E4FB98

RGB 228 251 152

HSL 73.94, 0.93%, 0.79%

LAB 95.06, -22.57, 44.93

 

CMYK 0 / 2 / 39 / 2

HEX #FBF798

RGB 251 247 152

HSL 57.58, 0.93%, 0.79%

LAB 95.7, -11.95, 46.1

 

CMYK 0 / 12 / 39 / 2

HEX #FBDD98

RGB 251 221 152

HSL 41.82, 0.93%, 0.79%

LAB 89.15, 1.08, 37.67

 

CMYK 30 / 0 / 39 / 2

HEX #AFFB98

RGB 175 251 152

HSL 106.06, 0.93%, 0.79%

LAB 91.85, -41.17, 40.17

 

CMYK 39 / 0 / 38 / 2

HEX #98FB9C

RGB 152 251 156

HSL 122.42, 0.93%, 0.79%

LAB 90.81, -47.7, 36.63

 

CMYK 39 / 0 / 27 / 2

HEX #98FBB7

RGB 152 251 183

HSL 138.79, 0.93%, 0.79%

LAB 91.27, -43.24, 23.66

 

CMYK 39 / 0 / 16 / 2

HEX #98FBD2

RGB 152 251 210

HSL 155.15, 0.93%, 0.79%

LAB 91.83, -38.07, 10.58

 

CMYK 39 / 0 / 6 / 2

HEX #98FBEC

RGB 152 251 236

HSL 170.91, 0.93%, 0.79%

LAB 92.45, -32.48, -1.97

 

CMYK 30 / 0 / 39 / 2

HEX #AFFB98

RGB 175 251 152

HSL 106.06, 0.93%, 0.79%

LAB 91.85, -41.17, 40.17

 

CMYK 30 / 0 / 39 / 2

HEX #AFFB98

RGB 175 251 152

HSL 106.06, 0.93%, 0.79%

LAB 91.85, -41.17, 40.17

 

CMYK 26 / 0 / 33 / 5

HEX #B3F2A1

RGB 179 242 161

HSL 106.67, 0.76%, 0.79%

LAB 89.7, -34.52, 32.91

 

CMYK 21 / 0 / 27 / 9

HEX #B8E9AA

RGB 184 233 170

HSL 106.67, 0.59%, 0.79%

LAB 87.66, -27.26, 25.63

 

CMYK 16 / 0 / 21 / 12

HEX #BDE1B2

RGB 189 225 178

HSL 105.96, 0.44%, 0.79%

LAB 85.95, -20.4, 19.17

 

CMYK 11 / 0 / 13 / 15

HEX #C1D8BB

RGB 193 216 187

HSL 107.59, 0.27%, 0.79%

LAB 83.99, -13.01, 11.72

 

CMYK 9 / 0 / 39 / 2

HEX #E4FB98

RGB 228 251 152

HSL 73.94, 0.93%, 0.79%

LAB 95.06, -22.57, 44.93

 

CMYK 20 / 0 / 39 / 2

HEX #C9FB98

RGB 201 251 152

HSL 90.3, 0.93%, 0.79%

LAB 93.31, -32.35, 42.34

 

CMYK 30 / 0 / 39 / 2

HEX #AFFB98

RGB 175 251 152

HSL 106.06, 0.93%, 0.79%

LAB 91.85, -41.17, 40.17

 

CMYK 39 / 0 / 38 / 2

HEX #98FB9B

RGB 152 251 155

HSL 121.82, 0.93%, 0.79%

LAB 90.8, -47.85, 37.1

 

CMYK 39 / 0 / 27 / 2

HEX #98FBB6

RGB 152 251 182

HSL 138.18, 0.93%, 0.79%

LAB 91.26, -43.42, 24.14

 

CMYK 54 / 0 / 70 / 3

HEX #71F749

RGB 113 247 73

HSL 106.21, 0.92%, 0.63%

LAB 87.25, -66.41, 68.78

 

CMYK 42 / 0 / 55 / 2

HEX #90F971

RGB 144 249 113

HSL 106.32, 0.92%, 0.71%

LAB 89.33, -54.86, 55.15

 

CMYK 30 / 0 / 39 / 2

HEX #AFFB98

RGB 175 251 152

HSL 106.06, 0.93%, 0.79%

LAB 91.85, -41.17, 40.17

 

CMYK 18 / 0 / 24 / 1

HEX #CEFCC0

RGB 206 252 192

HSL 106, 0.91%, 0.87%

LAB 94.55, -25.44, 24.03

 

CMYK 7 / 0 / 9 / 0

HEX #EDFEE7

RGB 237 254 231

HSL 104.35, 0.92%, 0.95%

LAB 97.9, -9.61, 9.09

 

CMYK 30 / 0 / 39 / 2

HEX #B0FB9A

RGB 176 251 154

HSL 106.39, 0.92%, 0.79%

LAB 91.93, -40.57, 39.3

 

CMYK 39 / 0 / 2 / 2

HEX #98FBF7

RGB 152 251 247

HSL 177.58, 0.93%, 0.79%

LAB 92.74, -29.95, -7.25

 

CMYK 0 / 39 / 14 / 2

HEX #FB98D7

RGB 251 152 215

HSL 321.82, 0.93%, 0.79%

LAB 74.74, 45.45, -16.32

 

CMYK 30 / 0 / 39 / 2

HEX #B0FB9A

RGB 176 251 154

HSL 106.39, 0.92%, 0.79%

LAB 91.93, -40.57, 39.3

 

CMYK 39 / 30 / 0 / 2

HEX #98AFFB

RGB 152 175 251

HSL 226.06, 0.93%, 0.79%

LAB 72.43, 10.53, -40.25

 

CMYK 0 / 39 / 30 / 2

HEX #FB98AF

RGB 251 152 175

HSL 346.06, 0.93%, 0.79%

LAB 73.59, 39.78, 4

 

CMYK 30 / 0 / 39 / 2

HEX #B0FB9A

RGB 176 251 154

HSL 106.39, 0.92%, 0.79%

LAB 91.93, -40.57, 39.3

 

CMYK 39 / 0 / 2 / 2

HEX #98FBF7

RGB 152 251 247

HSL 177.58, 0.93%, 0.79%

LAB 92.74, -29.95, -7.25

 

CMYK 9 / 39 / 0 / 2

HEX #E498FB

RGB 228 152 251

HSL 286.06, 0.93%, 0.79%

LAB 73.49, 44.69, -38.1

 

CMYK 0 / 39 / 38 / 2

HEX #FB989B

RGB 251 152 155

HSL 358.18, 0.93%, 0.79%

LAB 73.11, 37.37, 14.38

 

CMYK 30 / 0 / 39 / 2

HEX #B0FB9A

RGB 176 251 154

HSL 106.39, 0.92%, 0.79%

LAB 91.93, -40.57, 39.3

 

CMYK 39 / 11 / 0 / 2

HEX #98E0FB

RGB 152 224 251

HSL 196.36, 0.93%, 0.79%

LAB 85.48, -15.72, -20.21

 

CMYK 9 / 39 / 0 / 2

HEX #E498FB

RGB 228 152 251

HSL 286.06, 0.93%, 0.79%

LAB 73.49, 44.69, -38.1

 

CMYK 0 / 29 / 39 / 2

HEX #FBB298

RGB 251 178 152

HSL 15.76, 0.93%, 0.79%

LAB 78.82, 23.45, 23.9

 

Description

Color code: HEX #B0FB9A | qconv.com Color code: HEX #B0FB9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 251 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 251 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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