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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0F9E5 it is the complementary color #4F061A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0F9E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0F9E5 shade: #B5F9E0, #C6FFF3, #D7FFFF, #E8FFFF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0F9E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0F9E5 shade: #B0F9E5, #9FE7D2, #8ED5BF, #7DC3AC and #6CB199

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0F9E5 shade: #AEF9E5, #AEF9D0, #AEF9BC, #B5F9AE and #C9F9AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0F9E5 shade: #AEF9E5, #AEF9F9, #AEE5F9, #AED1F9 and #AEBDF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0F9E5 shade matches the following richer shades: #AEF9E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0F9E5 shade: #AEF9E5, #B5F2E1, #BCEBDE, #C3E4DB and #CADDD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0F9E5 shade: #AEF9BC, #AEF9D0, #AEF9E4, #AEF9F8 and #AEE6F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0F9E5 shade: #62F3CB, #88F6D8, #AEF9E5, #D5FCF1 and #FBFFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0F9E5 shade: #B0F9E5, #AEB5F9 and #F9C6AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0F9E5 shade: #B0F9E5, #E4AEF9 and #F9E4AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0F9E5 shade: #B0F9E5, #AEB5F9, #F9AEC3 and #F9F3AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0F9E5 shade: #B0F9E5, #BFAEF9, #F9AEC3 and #E9F9AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 8 / 2

HEX #B0F9E5

RGB 176 249 229

HSL 163.56, 0.86%, 0.83%

LAB 92.86, -26.62, 2.38

 

Complementary color

CMYK 0 / 92 / 67 / 69

HEX #4F061A

RGB 79 6 26

HSL 343.56, 0.86%, 0.17%

LAB 14.77, 33.32, 9.12

 

CMYK 27 / 0 / 10 / 2

HEX #B5F9E0

RGB 181 249 224

HSL 157.94, 0.85%, 0.84%

LAB 93, -26.18, 5.2

 

CMYK 22 / 0 / 5 / 0

HEX #C6FFF3

RGB 198 255 243

HSL 167.37, 1%, 0.89%

LAB 96, -20.24, -0.14

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 29 / 0 / 8 / 2

HEX #B0F9E5

RGB 176 249 229

HSL 163.56, 0.86%, 0.83%

LAB 92.86, -26.62, 2.38

 

CMYK 31 / 0 / 9 / 9

HEX #9FE7D2

RGB 159 231 210

HSL 162.5, 0.6%, 0.76%

LAB 86.59, -26.8, 3.08

 

CMYK 33 / 0 / 10 / 16

HEX #8ED5BF

RGB 142 213 191

HSL 161.41, 0.46%, 0.7%

LAB 80.24, -26.99, 3.82

 

CMYK 36 / 0 / 12 / 24

HEX #7DC3AC

RGB 125 195 172

HSL 160.29, 0.37%, 0.63%

LAB 73.78, -27.19, 4.61

 

CMYK 39 / 0 / 14 / 31

HEX #6CB199

RGB 108 177 153

HSL 159.13, 0.31%, 0.56%

LAB 67.23, -27.41, 5.44

 

CMYK 30 / 0 / 8 / 2

HEX #AEF9E5

RGB 174 249 229

HSL 164, 0.86%, 0.83%

LAB 92.75, -27.18, 2.22

 

CMYK 30 / 0 / 16 / 2

HEX #AEF9D0

RGB 174 249 208

HSL 147.2, 0.86%, 0.83%

LAB 92.27, -31.37, 12.37

 

CMYK 30 / 0 / 24 / 2

HEX #AEF9BC

RGB 174 249 188

HSL 131.2, 0.86%, 0.83%

LAB 91.86, -35.01, 22.07

 

CMYK 27 / 0 / 30 / 2

HEX #B5F9AE

RGB 181 249 174

HSL 114.4, 0.86%, 0.83%

LAB 91.97, -35.1, 29.4

 

CMYK 19 / 0 / 30 / 2

HEX #C9F9AE

RGB 201 249 174

HSL 98.4, 0.86%, 0.83%

LAB 93.11, -28.44, 31.15

 

CMYK 30 / 0 / 8 / 2

HEX #AEF9E5

RGB 174 249 229

HSL 164, 0.86%, 0.83%

LAB 92.75, -27.18, 2.22

 

CMYK 30 / 0 / 0 / 2

HEX #AEF9F9

RGB 174 249 249

HSL 180, 0.86%, 0.83%

LAB 93.27, -22.87, -7.39

 

CMYK 30 / 8 / 0 / 2

HEX #AEE5F9

RGB 174 229 249

HSL 196, 0.86%, 0.83%

LAB 87.91, -12.92, -15.38

 

CMYK 30 / 16 / 0 / 2

HEX #AED1F9

RGB 174 209 249

HSL 212, 0.86%, 0.83%

LAB 82.61, -2.54, -23.38

 

CMYK 30 / 24 / 0 / 2

HEX #AEBDF9

RGB 174 189 249

HSL 228, 0.86%, 0.83%

LAB 77.42, 8.23, -31.32

 

CMYK 30 / 0 / 8 / 2

HEX #AEF9E5

RGB 174 249 229

HSL 164, 0.86%, 0.83%

LAB 92.75, -27.18, 2.22

 

CMYK 30 / 0 / 8 / 2

HEX #AEF9E5

RGB 174 249 229

HSL 164, 0.86%, 0.83%

LAB 92.75, -27.18, 2.22

 

CMYK 25 / 0 / 7 / 5

HEX #B5F2E1

RGB 181 242 225

HSL 163.28, 0.7%, 0.83%

LAB 91.13, -22.6, 1.97

 

CMYK 20 / 0 / 6 / 8

HEX #BCEBDE

RGB 188 235 222

HSL 163.4, 0.54%, 0.83%

LAB 89.57, -17.65, 1.32

 

CMYK 14 / 0 / 4 / 11

HEX #C3E4DB

RGB 195 228 219

HSL 163.64, 0.38%, 0.83%

LAB 88.07, -12.53, 0.75

 

CMYK 9 / 0 / 2 / 13

HEX #CADDD8

RGB 202 221 216

HSL 164.21, 0.22%, 0.83%

LAB 86.62, -7.27, 0.27

 

CMYK 30 / 0 / 24 / 2

HEX #AEF9BC

RGB 174 249 188

HSL 131.2, 0.86%, 0.83%

LAB 91.86, -35.01, 22.07

 

CMYK 30 / 0 / 16 / 2

HEX #AEF9D0

RGB 174 249 208

HSL 147.2, 0.86%, 0.83%

LAB 92.27, -31.37, 12.37

 

CMYK 30 / 0 / 8 / 2

HEX #AEF9E4

RGB 174 249 228

HSL 163.2, 0.86%, 0.83%

LAB 92.73, -27.39, 2.7

 

CMYK 30 / 0 / 0 / 2

HEX #AEF9F8

RGB 174 249 248

HSL 179.2, 0.86%, 0.83%

LAB 93.24, -23.09, -6.91

 

CMYK 30 / 8 / 0 / 2

HEX #AEE6F9

RGB 174 230 249

HSL 195.2, 0.86%, 0.83%

LAB 88.18, -13.43, -14.98

 

CMYK 60 / 0 / 16 / 5

HEX #62F3CB

RGB 98 243 203

HSL 163.45, 0.86%, 0.67%

LAB 87.49, -48.27, 7.74

 

CMYK 45 / 0 / 12 / 4

HEX #88F6D8

RGB 136 246 216

HSL 163.64, 0.86%, 0.75%

LAB 89.91, -38.57, 4.62

 

CMYK 30 / 0 / 8 / 2

HEX #AEF9E5

RGB 174 249 229

HSL 164, 0.86%, 0.83%

LAB 92.75, -27.18, 2.22

 

CMYK 15 / 0 / 4 / 1

HEX #D5FCF1

RGB 213 252 241

HSL 163.08, 0.87%, 0.91%

LAB 96.05, -14.58, 1.07

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFE

RGB 251 255 254

HSL 165, 1%, 0.99%

LAB 99.68, -1.48, 0.01

 

CMYK 29 / 0 / 8 / 2

HEX #B0F9E5

RGB 176 249 229

HSL 163.56, 0.86%, 0.83%

LAB 92.86, -26.62, 2.38

 

CMYK 30 / 27 / 0 / 2

HEX #AEB5F9

RGB 174 181 249

HSL 234.4, 0.86%, 0.83%

LAB 75.38, 12.63, -34.47

 

CMYK 0 / 20 / 30 / 2

HEX #F9C6AE

RGB 249 198 174

HSL 19.2, 0.86%, 0.83%

LAB 83.75, 14.82, 18.93

 

CMYK 29 / 0 / 8 / 2

HEX #B0F9E5

RGB 176 249 229

HSL 163.56, 0.86%, 0.83%

LAB 92.86, -26.62, 2.38

 

CMYK 8 / 30 / 0 / 2

HEX #E4AEF9

RGB 228 174 249

HSL 283.2, 0.86%, 0.83%

LAB 78.23, 32.6, -29.7

 

CMYK 0 / 8 / 30 / 2

HEX #F9E4AE

RGB 249 228 174

HSL 43.2, 0.86%, 0.83%

LAB 91.09, -0.69, 29

 

CMYK 29 / 0 / 8 / 2

HEX #B0F9E5

RGB 176 249 229

HSL 163.56, 0.86%, 0.83%

LAB 92.86, -26.62, 2.38

 

CMYK 30 / 27 / 0 / 2

HEX #AEB5F9

RGB 174 181 249

HSL 234.4, 0.86%, 0.83%

LAB 75.38, 12.63, -34.47

 

CMYK 0 / 30 / 22 / 2

HEX #F9AEC3

RGB 249 174 195

HSL 343.2, 0.86%, 0.83%

LAB 78.67, 30.32, 0.4

 

CMYK 0 / 2 / 30 / 2

HEX #F9F3AE

RGB 249 243 174

HSL 55.2, 0.86%, 0.83%

LAB 94.86, -8.23, 34.07

 

CMYK 29 / 0 / 8 / 2

HEX #B0F9E5

RGB 176 249 229

HSL 163.56, 0.86%, 0.83%

LAB 92.86, -26.62, 2.38

 

CMYK 23 / 30 / 0 / 2

HEX #BFAEF9

RGB 191 174 249

HSL 253.6, 0.86%, 0.83%

LAB 74.94, 21.4, -35.04

 

CMYK 0 / 30 / 22 / 2

HEX #F9AEC3

RGB 249 174 195

HSL 343.2, 0.86%, 0.83%

LAB 78.67, 30.32, 0.4

 

CMYK 6 / 0 / 30 / 2

HEX #E9F9AE

RGB 233 249 174

HSL 72.8, 0.86%, 0.83%

LAB 95.22, -17.1, 34.33

 

Description

Color code: HEX #B0F9E5 | qconv.com Color code: HEX #B0F9E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 249 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 249 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 8 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 8% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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