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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0EFC8 it is the complementary color #4F1037. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0EFC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0EFC8 shade: #B5EFC3, #C6FFD6, #D7FFE9, #E8FFFC and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0EFC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0EFC8 shade: #B0EFC8, #9FDDB5, #8ECBA2, #7DB98F and #6CA77C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0EFC8 shade: #AFEFC7, #AFEFB6, #B9EFAF, #CAEFAF and #DBEFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0EFC8 shade: #AFEFC7, #AFEFD8, #AFEFE9, #AFE2EF and #AFD1EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0EFC8 shade matches the following richer shades: #AFEFC7, #A7F6C5 and #9FFEC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0EFC8 shade: #AFEFC7, #B6E7C9, #BEDFCB, #C6D7CD and #CECFCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0EFC8 shade: #B9EFAF, #AFEFB5, #AFEFC6, #AFEFD7 and #AFEFE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0EFC8 shade: #6AE097, #8CE8AF, #AFEFC7, #D1F6DF and #F3FDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0EFC8 shade: #B0EFC8, #AFCAEF and #EFAFB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0EFC8 shade: #B0EFC8, #C6AFEF and #EFC6AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0EFC8 shade: #B0EFC8, #AFCAEF, #EFAFD7 and #EFD3AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0EFC8 shade: #B0EFC8, #AFB7EF, #EFAFD7 and #EFE6AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 16 / 6

HEX #B0EFC8

RGB 176 239 200

HSL 142.86, 0.66%, 0.81%

LAB 89.46, -27.55, 12.54

 

Complementary color

CMYK 0 / 80 / 30 / 69

HEX #4F1037

RGB 79 16 55

HSL 322.86, 0.66%, 0.19%

LAB 17.03, 32.97, -8.66

 

CMYK 24 / 0 / 18 / 6

HEX #B5EFC3

RGB 181 239 195

HSL 134.48, 0.64%, 0.82%

LAB 89.63, -26.91, 15.41

 

CMYK 22 / 0 / 16 / 0

HEX #C6FFD6

RGB 198 255 214

HSL 136.84, 1%, 0.89%

LAB 95.32, -25.76, 13.8

 

CMYK 16 / 0 / 9 / 0

HEX #D7FFE9

RGB 215 255 233

HSL 147, 1%, 0.92%

LAB 96.76, -16.93, 6.24

 

CMYK 9 / 0 / 1 / 0

HEX #E8FFFC

RGB 232 255 252

HSL 172.17, 1%, 0.95%

LAB 98.31, -7.99, -1.13

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 26 / 0 / 16 / 6

HEX #B0EFC8

RGB 176 239 200

HSL 142.86, 0.66%, 0.81%

LAB 89.46, -27.55, 12.54

 

CMYK 28 / 0 / 18 / 13

HEX #9FDDB5

RGB 159 221 181

HSL 141.29, 0.48%, 0.75%

LAB 83.14, -27.78, 13.39

 

CMYK 30 / 0 / 20 / 20

HEX #8ECBA2

RGB 142 203 162

HSL 139.67, 0.37%, 0.68%

LAB 76.72, -28.01, 14.3

 

CMYK 32 / 0 / 23 / 27

HEX #7DB98F

RGB 125 185 143

HSL 138, 0.3%, 0.61%

LAB 70.2, -28.27, 15.26

 

CMYK 35 / 0 / 26 / 35

HEX #6CA77C

RGB 108 167 124

HSL 136.27, 0.25%, 0.54%

LAB 63.57, -28.55, 16.29

 

CMYK 27 / 0 / 17 / 6

HEX #AFEFC7

RGB 175 239 199

HSL 142.5, 0.67%, 0.81%

LAB 89.38, -28.05, 12.94

 

CMYK 27 / 0 / 24 / 6

HEX #AFEFB6

RGB 175 239 182

HSL 126.56, 0.67%, 0.81%

LAB 89.03, -31.09, 21.25

 

CMYK 23 / 0 / 27 / 6

HEX #B9EFAF

RGB 185 239 175

HSL 110.63, 0.67%, 0.81%

LAB 89.46, -28.98, 25.52

 

CMYK 15 / 0 / 27 / 6

HEX #CAEFAF

RGB 202 239 175

HSL 94.69, 0.67%, 0.81%

LAB 90.5, -23.18, 27.11

 

CMYK 8 / 0 / 27 / 6

HEX #DBEFAF

RGB 219 239 175

HSL 78.75, 0.67%, 0.81%

LAB 91.63, -17.15, 28.84

 

CMYK 27 / 0 / 17 / 6

HEX #AFEFC7

RGB 175 239 199

HSL 142.5, 0.67%, 0.81%

LAB 89.38, -28.05, 12.94

 

CMYK 27 / 0 / 10 / 6

HEX #AFEFD8

RGB 175 239 216

HSL 158.44, 0.67%, 0.81%

LAB 89.77, -24.75, 4.65

 

CMYK 27 / 0 / 3 / 6

HEX #AFEFE9

RGB 175 239 233

HSL 174.38, 0.67%, 0.81%

LAB 90.2, -21.21, -3.6

 

CMYK 27 / 5 / 0 / 6

HEX #AFE2EF

RGB 175 226 239

HSL 192.19, 0.67%, 0.81%

LAB 86.87, -13.4, -11.67

 

CMYK 27 / 13 / 0 / 6

HEX #AFD1EF

RGB 175 209 239

HSL 208.13, 0.67%, 0.81%

LAB 82.35, -4.61, -18.45

 

CMYK 27 / 0 / 17 / 6

HEX #AFEFC7

RGB 175 239 199

HSL 142.5, 0.67%, 0.81%

LAB 89.38, -28.05, 12.94

 

CMYK 32 / 0 / 20 / 4

HEX #A7F6C5

RGB 167 246 197

HSL 142.78, 0.81%, 0.81%

LAB 90.85, -34.12, 16

 

CMYK 37 / 0 / 23 / 0

HEX #9FFEC3

RGB 159 254 195

HSL 142.74, 0.98%, 0.81%

LAB 92.66, -40.43, 19.5

 

CMYK 27 / 0 / 17 / 6

HEX #AFEFC7

RGB 175 239 199

HSL 142.5, 0.67%, 0.81%

LAB 89.38, -28.05, 12.94

 

CMYK 21 / 0 / 13 / 9

HEX #B6E7C9

RGB 182 231 201

HSL 143.27, 0.51%, 0.81%

LAB 87.64, -21.62, 9.47

 

CMYK 15 / 0 / 9 / 13

HEX #BEDFCB

RGB 190 223 203

HSL 143.64, 0.34%, 0.81%

LAB 86.02, -14.68, 6.17

 

CMYK 8 / 0 / 5 / 16

HEX #C6D7CD

RGB 198 215 205

HSL 144.71, 0.18%, 0.81%

LAB 84.49, -7.58, 2.96

 

CMYK 0 / 0 / 0 / 19

HEX #CECFCE

RGB 206 207 206

HSL 120, 0.01%, 0.81%

LAB 83.02, -0.52, 0.37

 

CMYK 23 / 0 / 27 / 6

HEX #B9EFAF

RGB 185 239 175

HSL 110.63, 0.67%, 0.81%

LAB 89.46, -28.98, 25.52

 

CMYK 27 / 0 / 24 / 6

HEX #AFEFB5

RGB 175 239 181

HSL 125.63, 0.67%, 0.81%

LAB 89.01, -31.26, 21.73

 

CMYK 27 / 0 / 17 / 6

HEX #AFEFC6

RGB 175 239 198

HSL 141.56, 0.67%, 0.81%

LAB 89.36, -28.24, 13.43

 

CMYK 27 / 0 / 10 / 6

HEX #AFEFD7

RGB 175 239 215

HSL 157.5, 0.67%, 0.81%

LAB 89.74, -24.95, 5.14

 

CMYK 27 / 0 / 3 / 6

HEX #AFEFE8

RGB 175 239 232

HSL 173.44, 0.67%, 0.81%

LAB 90.17, -21.43, -3.11

 

CMYK 53 / 0 / 33 / 12

HEX #6AE097

RGB 106 224 151

HSL 142.88, 0.66%, 0.65%

LAB 81.08, -49.49, 25.85

 

CMYK 40 / 0 / 25 / 9

HEX #8CE8AF

RGB 140 232 175

HSL 142.83, 0.67%, 0.73%

LAB 85.19, -39.64, 19.28

 

CMYK 27 / 0 / 17 / 6

HEX #AFEFC7

RGB 175 239 199

HSL 142.5, 0.67%, 0.81%

LAB 89.38, -28.05, 12.94

 

CMYK 15 / 0 / 9 / 4

HEX #D1F6DF

RGB 209 246 223

HSL 142.7, 0.67%, 0.89%

LAB 93.79, -16.26, 7.08

 

CMYK 4 / 0 / 2 / 1

HEX #F3FDF7

RGB 243 253 247

HSL 144, 0.71%, 0.97%

LAB 98.44, -4.34, 1.72

 

CMYK 26 / 0 / 16 / 6

HEX #B0EFC8

RGB 176 239 200

HSL 142.86, 0.66%, 0.81%

LAB 89.46, -27.55, 12.54

 

CMYK 27 / 15 / 0 / 6

HEX #AFCAEF

RGB 175 202 239

HSL 214.69, 0.67%, 0.81%

LAB 80.51, -0.9, -21.24

 

CMYK 0 / 27 / 26 / 6

HEX #EFAFB1

RGB 239 175 177

HSL 358.13, 0.67%, 0.81%

LAB 77.39, 23.64, 8.21

 

CMYK 26 / 0 / 16 / 6

HEX #B0EFC8

RGB 176 239 200

HSL 142.86, 0.66%, 0.81%

LAB 89.46, -27.55, 12.54

 

CMYK 17 / 27 / 0 / 6

HEX #C6AFEF

RGB 198 175 239

HSL 261.56, 0.67%, 0.81%

LAB 75.39, 20.71, -28.9

 

CMYK 0 / 17 / 27 / 6

HEX #EFC6AF

RGB 239 198 175

HSL 21.56, 0.67%, 0.81%

LAB 82.83, 11.2, 16.97

 

CMYK 26 / 0 / 16 / 6

HEX #B0EFC8

RGB 176 239 200

HSL 142.86, 0.66%, 0.81%

LAB 89.46, -27.55, 12.54

 

CMYK 27 / 15 / 0 / 6

HEX #AFCAEF

RGB 175 202 239

HSL 214.69, 0.67%, 0.81%

LAB 80.51, -0.9, -21.24

 

CMYK 0 / 27 / 10 / 6

HEX #EFAFD7

RGB 239 175 215

HSL 322.5, 0.67%, 0.81%

LAB 78.41, 29.44, -10.95

 

CMYK 0 / 12 / 27 / 6

HEX #EFD3AF

RGB 239 211 175

HSL 33.75, 0.67%, 0.81%

LAB 86.02, 4.41, 21.42

 

CMYK 26 / 0 / 16 / 6

HEX #B0EFC8

RGB 176 239 200

HSL 142.86, 0.66%, 0.81%

LAB 89.46, -27.55, 12.54

 

CMYK 27 / 23 / 0 / 6

HEX #AFB7EF

RGB 175 183 239

HSL 232.5, 0.67%, 0.81%

LAB 75.58, 9.39, -28.76

 

CMYK 0 / 27 / 10 / 6

HEX #EFAFD7

RGB 239 175 215

HSL 322.5, 0.67%, 0.81%

LAB 78.41, 29.44, -10.95

 

CMYK 0 / 4 / 27 / 6

HEX #EFE6AF

RGB 239 230 175

HSL 51.56, 0.67%, 0.81%

LAB 90.8, -5.32, 27.96

 

Description

Color code: HEX #B0EFC8 | qconv.com Color code: HEX #B0EFC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 239 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 239 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 16 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 16% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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