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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0ED52 it is the complementary color #4F12AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0ED52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0ED52 shade: #B5ED4D, #C6FF60, #D7FF73, #E8FF86 and #F9FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0ED52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0ED52 shade: #B0ED52, #9FDB3F, #8EC92C, #7DB719 and #6CA506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0ED52 shade: #B1ED54, #DAED54, #EDD754, #EDAE54 and #ED8454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0ED52 shade: #B1ED54, #88ED54, #5EED54, #54ED73 and #54ED9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0ED52 shade matches the following richer shades: #B1ED54 and #B4FC45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0ED52 shade: #B1ED54, #AEDE63, #AACF73, #A7BF82 and #A4B091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0ED52 shade: #EDD654, #DBED54, #B2ED54, #8AED54 and #61ED54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0ED52 shade: #8CD817, #A0E92F, #B1ED54, #C2F17A and #D3F59F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0ED52 shade: #B0ED52, #54EDAD and #EB54ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0ED52 shade: #B0ED52, #54B2ED and #ED54B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0ED52 shade: #B0ED52, #54EDAD, #8F54ED and #ED5494

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0ED52 shade: #B0ED52, #54EDDB, #8F54ED and #ED5466

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 65 / 7

HEX #B0ED52

RGB 176 237 82

HSL 83.61, 0.81%, 0.63%

LAB 87.2, -41.96, 66.26

 

Complementary color

CMYK 54 / 90 / 0 / 32

HEX #4F12AD

RGB 79 18 173

HSL 263.61, 0.81%, 0.37%

LAB 27.05, 57.97, -68.94

 

CMYK 24 / 0 / 68 / 7

HEX #B5ED4D

RGB 181 237 77

HSL 81, 0.82%, 0.62%

LAB 87.45, -40.46, 68.51

 

CMYK 22 / 0 / 62 / 0

HEX #C6FF60

RGB 198 255 96

HSL 81.51, 1%, 0.69%

LAB 93.61, -40.8, 67.96

 

CMYK 16 / 0 / 55 / 0

HEX #D7FF73

RGB 215 255 115

HSL 77.14, 1%, 0.73%

LAB 94.83, -32.97, 61.62

 

CMYK 9 / 0 / 47 / 0

HEX #E8FF86

RGB 232 255 134

HSL 71.4, 1%, 0.76%

LAB 96.16, -24.85, 54.91

 

CMYK 2 / 0 / 40 / 0

HEX #F9FF99

RGB 249 255 153

HSL 63.53, 1%, 0.8%

LAB 97.62, -16.51, 48

 

CMYK 26 / 0 / 65 / 7

HEX #B0ED52

RGB 176 237 82

HSL 83.61, 0.81%, 0.63%

LAB 87.2, -41.96, 66.26

 

CMYK 27 / 0 / 71 / 14

HEX #9FDB3F

RGB 159 219 63

HSL 83.08, 0.68%, 0.55%

LAB 80.96, -41.58, 66.61

 

CMYK 29 / 0 / 78 / 21

HEX #8EC92C

RGB 142 201 44

HSL 82.55, 0.64%, 0.48%

LAB 74.64, -41.06, 66.41

 

CMYK 32 / 0 / 86 / 28

HEX #7DB719

RGB 125 183 25

HSL 82.03, 0.76%, 0.41%

LAB 68.24, -40.34, 65.26

 

CMYK 35 / 0 / 96 / 35

HEX #6CA506

RGB 108 165 6

HSL 81.51, 0.93%, 0.34%

LAB 61.75, -39.37, 62.68

 

CMYK 25 / 0 / 65 / 7

HEX #B1ED54

RGB 177 237 84

HSL 83.53, 0.81%, 0.63%

LAB 87.27, -41.45, 65.57

 

CMYK 8 / 0 / 65 / 7

HEX #DAED54

RGB 218 237 84

HSL 67.45, 0.81%, 0.63%

LAB 89.91, -25.71, 69.16

 

CMYK 0 / 9 / 65 / 7

HEX #EDD754

RGB 237 215 84

HSL 51.37, 0.81%, 0.63%

LAB 85.63, -7.17, 65.13

 

CMYK 0 / 27 / 65 / 7

HEX #EDAE54

RGB 237 174 84

HSL 35.29, 0.81%, 0.63%

LAB 75.4, 14.09, 54.05

 

CMYK 0 / 44 / 65 / 7

HEX #ED8454

RGB 237 132 84

HSL 18.82, 0.81%, 0.63%

LAB 65.86, 36.19, 43.14

 

CMYK 25 / 0 / 65 / 7

HEX #B1ED54

RGB 177 237 84

HSL 83.53, 0.81%, 0.63%

LAB 87.27, -41.45, 65.57

 

CMYK 43 / 0 / 65 / 7

HEX #88ED54

RGB 136 237 84

HSL 99.61, 0.81%, 0.63%

LAB 85.22, -55.35, 62.76

 

CMYK 60 / 0 / 65 / 7

HEX #5EED54

RGB 94 237 84

HSL 116.08, 0.81%, 0.63%

LAB 83.75, -66.53, 60.74

 

CMYK 65 / 0 / 51 / 7

HEX #54ED73

RGB 84 237 115

HSL 132.16, 0.81%, 0.63%

LAB 83.8, -65, 47.11

 

CMYK 65 / 0 / 34 / 7

HEX #54ED9C

RGB 84 237 156

HSL 148.24, 0.81%, 0.63%

LAB 84.41, -58.28, 27.69

 

CMYK 25 / 0 / 65 / 7

HEX #B1ED54

RGB 177 237 84

HSL 83.53, 0.81%, 0.63%

LAB 87.27, -41.45, 65.57

 

CMYK 29 / 0 / 73 / 1

HEX #B4FC45

RGB 180 252 69

HSL 83.61, 0.97%, 0.63%

LAB 91.57, -47.77, 75.42

 

CMYK 25 / 0 / 65 / 7

HEX #B1ED54

RGB 177 237 84

HSL 83.53, 0.81%, 0.63%

LAB 87.27, -41.45, 65.57

 

CMYK 22 / 0 / 55 / 13

HEX #AEDE63

RGB 174 222 99

HSL 83.41, 0.65%, 0.63%

LAB 82.99, -34.6, 54.42

 

CMYK 18 / 0 / 44 / 19

HEX #AACF73

RGB 170 207 115

HSL 84.13, 0.49%, 0.63%

LAB 78.7, -27.4, 41.61

 

CMYK 13 / 0 / 32 / 25

HEX #A7BF82

RGB 167 191 130

HSL 83.61, 0.32%, 0.63%

LAB 74.25, -18.73, 28.15

 

CMYK 7 / 0 / 18 / 31

HEX #A4B091

RGB 164 176 145

HSL 83.23, 0.16%, 0.63%

LAB 70.17, -9.83, 14.49

 

CMYK 0 / 10 / 65 / 7

HEX #EDD654

RGB 237 214 84

HSL 50.98, 0.81%, 0.63%

LAB 85.37, -6.67, 64.86

 

CMYK 8 / 0 / 65 / 7

HEX #DBED54

RGB 219 237 84

HSL 67.06, 0.81%, 0.63%

LAB 89.98, -25.31, 69.25

 

CMYK 25 / 0 / 65 / 7

HEX #B2ED54

RGB 178 237 84

HSL 83.14, 0.81%, 0.63%

LAB 87.33, -41.09, 65.64

 

CMYK 42 / 0 / 65 / 7

HEX #8AED54

RGB 138 237 84

HSL 98.82, 0.81%, 0.63%

LAB 85.31, -54.73, 62.88

 

CMYK 59 / 0 / 65 / 7

HEX #61ED54

RGB 97 237 84

HSL 114.9, 0.81%, 0.63%

LAB 83.84, -65.85, 60.86

 

CMYK 35 / 0 / 89 / 15

HEX #8CD817

RGB 140 216 23

HSL 83.63, 0.81%, 0.47%

LAB 78.9, -48.87, 74.89

 

CMYK 31 / 0 / 80 / 9

HEX #A0E92F

RGB 160 233 47

HSL 83.55, 0.81%, 0.55%

LAB 84.97, -48.01, 75.38

 

CMYK 25 / 0 / 65 / 7

HEX #B1ED54

RGB 177 237 84

HSL 83.53, 0.81%, 0.63%

LAB 87.27, -41.45, 65.57

 

CMYK 20 / 0 / 49 / 5

HEX #C2F17A

RGB 194 241 122

HSL 83.7, 0.81%, 0.71%

LAB 89.76, -33.68, 52.17

 

CMYK 14 / 0 / 35 / 4

HEX #D3F59F

RGB 211 245 159

HSL 83.72, 0.81%, 0.79%

LAB 92.42, -25.08, 37.86

 

CMYK 26 / 0 / 65 / 7

HEX #B0ED52

RGB 176 237 82

HSL 83.61, 0.81%, 0.63%

LAB 87.2, -41.96, 66.26

 

CMYK 65 / 0 / 27 / 7

HEX #54EDAD

RGB 84 237 173

HSL 154.9, 0.81%, 0.63%

LAB 84.73, -54.89, 19.38

 

CMYK 1 / 65 / 0 / 7

HEX #EB54ED

RGB 235 84 237

HSL 299.22, 0.81%, 0.63%

LAB 61.76, 75.66, -48.75

 

CMYK 26 / 0 / 65 / 7

HEX #B0ED52

RGB 176 237 82

HSL 83.61, 0.81%, 0.63%

LAB 87.2, -41.96, 66.26

 

CMYK 65 / 25 / 0 / 7

HEX #54B2ED

RGB 84 178 237

HSL 203.14, 0.81%, 0.63%

LAB 69.36, -10, -37.69

 

CMYK 0 / 65 / 25 / 7

HEX #ED54B2

RGB 237 84 178

HSL 323.14, 0.81%, 0.63%

LAB 59.49, 67.55, -18.83

 

CMYK 26 / 0 / 65 / 7

HEX #B0ED52

RGB 176 237 82

HSL 83.61, 0.81%, 0.63%

LAB 87.2, -41.96, 66.26

 

CMYK 65 / 0 / 27 / 7

HEX #54EDAD

RGB 84 237 173

HSL 154.9, 0.81%, 0.63%

LAB 84.73, -54.89, 19.38

 

CMYK 40 / 65 / 0 / 7

HEX #8F54ED

RGB 143 84 237

HSL 263.14, 0.81%, 0.63%

LAB 49.85, 55.77, -68.49

 

CMYK 0 / 65 / 38 / 7

HEX #ED5494

RGB 237 84 148

HSL 334.9, 0.81%, 0.63%

LAB 58.49, 64.05, -2.91

 

CMYK 26 / 0 / 65 / 7

HEX #B0ED52

RGB 176 237 82

HSL 83.61, 0.81%, 0.63%

LAB 87.2, -41.96, 66.26

 

CMYK 65 / 0 / 8 / 7

HEX #54EDDB

RGB 84 237 219

HSL 172.94, 0.81%, 0.63%

LAB 85.79, -44.13, -3.15

 

CMYK 40 / 65 / 0 / 7

HEX #8F54ED

RGB 143 84 237

HSL 263.14, 0.81%, 0.63%

LAB 49.85, 55.77, -68.49

 

CMYK 0 / 65 / 57 / 7

HEX #ED5466

RGB 237 84 102

HSL 352.94, 0.81%, 0.63%

LAB 57.37, 59.98, 22.48

 

Description

Color code: HEX #B0ED52 | qconv.com Color code: HEX #B0ED52 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 237 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 237 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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