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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0EB66 it is the complementary color #4F1499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0EB66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0EB66 shade: #B5EB61, #C6FD74, #D7FF87, #E8FF9A and #F9FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0EB66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0EB66 shade: #B0EB66, #9FD953, #8EC740, #7DB52D and #6CA31A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0EB66 shade: #B0EB66, #D4EB66, #EBDE66, #EBBA66 and #EB9666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0EB66 shade: #B0EB66, #8CEB66, #68EB66, #66EB87 and #66EBAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0EB66 shade matches the following richer shades: #B0EB66 and #B1F958

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0EB66 shade: #B0EB66, #AEDD74, #ADCF82, #ABC190 and #A9B39E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0EB66 shade: #EBDE66, #D5EB66, #B1EB66, #8EEB66 and #6AEB66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0EB66 shade: #8AE11D, #9DE641, #B0EB66, #C3F08A and #D6F5AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0EB66 shade: #B0EB66, #66EBBA and #EB66E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0EB66 shade: #B0EB66, #66B1EB and #EB66B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0EB66 shade: #B0EB66, #66EBBA, #9F66EB and #EB6696

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0EB66 shade: #B0EB66, #66EBE2, #9F66EB and #EB666E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

Complementary color

CMYK 48 / 87 / 0 / 40

HEX #4F1499

RGB 79 20 153

HSL 266.62, 0.77%, 0.34%

LAB 25.14, 52.43, -59.94

 

CMYK 23 / 0 / 59 / 8

HEX #B5EB61

RGB 181 235 97

HSL 83.48, 0.78%, 0.65%

LAB 87.05, -38.08, 60.03

 

CMYK 22 / 0 / 54 / 1

HEX #C6FD74

RGB 198 253 116

HSL 84.09, 0.97%, 0.72%

LAB 93.24, -38.25, 59.08

 

CMYK 16 / 0 / 47 / 0

HEX #D7FF87

RGB 215 255 135

HSL 80, 1%, 0.76%

LAB 95.04, -31.09, 52.82

 

CMYK 9 / 0 / 40 / 0

HEX #E8FF9A

RGB 232 255 154

HSL 73.66, 1%, 0.8%

LAB 96.41, -22.77, 45.74

 

CMYK 2 / 0 / 32 / 0

HEX #F9FFAD

RGB 249 255 173

HSL 64.39, 1%, 0.84%

LAB 97.9, -14.26, 38.6

 

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

CMYK 27 / 0 / 62 / 15

HEX #9FD953

RGB 159 217 83

HSL 85.97, 0.64%, 0.59%

LAB 80.53, -39.29, 58.39

 

CMYK 29 / 0 / 68 / 22

HEX #8EC740

RGB 142 199 64

HSL 85.33, 0.55%, 0.52%

LAB 74.17, -39.01, 59.04

 

CMYK 31 / 0 / 75 / 29

HEX #7DB52D

RGB 125 181 45

HSL 84.71, 0.6%, 0.44%

LAB 67.72, -38.58, 59.22

 

CMYK 34 / 0 / 84 / 36

HEX #6CA31A

RGB 108 163 26

HSL 84.09, 0.72%, 0.37%

LAB 61.18, -37.95, 58.53

 

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

CMYK 10 / 0 / 57 / 8

HEX #D4EB66

RGB 212 235 102

HSL 70.38, 0.77%, 0.66%

LAB 89.1, -25.87, 60.72

 

CMYK 0 / 6 / 57 / 8

HEX #EBDE66

RGB 235 222 102

HSL 54.14, 0.77%, 0.66%

LAB 87.42, -10.33, 59.3

 

CMYK 0 / 21 / 57 / 8

HEX #EBBA66

RGB 235 186 102

HSL 37.89, 0.77%, 0.66%

LAB 78.31, 8.17, 48.75

 

CMYK 0 / 36 / 57 / 8

HEX #EB9666

RGB 235 150 102

HSL 21.65, 0.77%, 0.66%

LAB 69.78, 27.24, 38.4

 

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

CMYK 40 / 0 / 57 / 8

HEX #8CEB66

RGB 140 235 102

HSL 102.86, 0.77%, 0.66%

LAB 84.97, -51.62, 54.91

 

CMYK 56 / 0 / 57 / 8

HEX #68EB66

RGB 104 235 102

HSL 119.1, 0.77%, 0.66%

LAB 83.61, -61.61, 52.98

 

CMYK 57 / 0 / 43 / 8

HEX #66EB87

RGB 102 235 135

HSL 134.89, 0.77%, 0.66%

LAB 83.96, -57.55, 37.75

 

CMYK 57 / 0 / 27 / 8

HEX #66EBAB

RGB 102 235 171

HSL 151.13, 0.77%, 0.66%

LAB 84.58, -51.06, 20.28

 

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

CMYK 29 / 0 / 65 / 2

HEX #B1F958

RGB 177 249 88

HSL 86.83, 0.93%, 0.66%

LAB 90.69, -46.35, 67.64

 

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

CMYK 21 / 0 / 48 / 13

HEX #AEDD74

RGB 174 221 116

HSL 86.86, 0.61%, 0.66%

LAB 82.9, -32.41, 46.38

 

CMYK 16 / 0 / 37 / 19

HEX #ADCF82

RGB 173 207 130

HSL 86.49, 0.45%, 0.66%

LAB 79.11, -24.42, 34.63

 

CMYK 11 / 0 / 25 / 24

HEX #ABC190

RGB 171 193 144

HSL 86.94, 0.28%, 0.66%

LAB 75.33, -16.2, 22.25

 

CMYK 6 / 0 / 12 / 30

HEX #A9B39E

RGB 169 179 158

HSL 88.57, 0.12%, 0.66%

LAB 71.65, -7.37, 9.53

 

CMYK 0 / 6 / 57 / 8

HEX #EBDE66

RGB 235 222 102

HSL 54.14, 0.77%, 0.66%

LAB 87.42, -10.33, 59.3

 

CMYK 9 / 0 / 57 / 8

HEX #D5EB66

RGB 213 235 102

HSL 69.92, 0.77%, 0.66%

LAB 89.17, -25.48, 60.82

 

CMYK 25 / 0 / 57 / 8

HEX #B1EB66

RGB 177 235 102

HSL 86.17, 0.77%, 0.66%

LAB 86.86, -39.1, 57.58

 

CMYK 40 / 0 / 57 / 8

HEX #8EEB66

RGB 142 235 102

HSL 101.95, 0.77%, 0.66%

LAB 85.06, -50.99, 55.04

 

CMYK 55 / 0 / 57 / 8

HEX #6AEB66

RGB 106 235 102

HSL 118.2, 0.77%, 0.66%

LAB 83.67, -61.12, 53.07

 

CMYK 39 / 0 / 87 / 12

HEX #8AE11D

RGB 138 225 29

HSL 86.63, 0.77%, 0.5%

LAB 81.48, -53.03, 75.97

 

CMYK 32 / 0 / 72 / 10

HEX #9DE641

RGB 157 230 65

HSL 86.55, 0.77%, 0.58%

LAB 84.04, -46.91, 68.94

 

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

CMYK 19 / 0 / 43 / 6

HEX #C3F08A

RGB 195 240 138

HSL 86.47, 0.77%, 0.74%

LAB 89.75, -31.09, 44.54

 

CMYK 13 / 0 / 29 / 4

HEX #D6F5AF

RGB 214 245 175

HSL 86.57, 0.78%, 0.82%

LAB 92.88, -21.86, 30.47

 

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

CMYK 57 / 0 / 21 / 8

HEX #66EBBA

RGB 102 235 186

HSL 157.89, 0.77%, 0.66%

LAB 84.89, -47.92, 12.91

 

CMYK 0 / 57 / 2 / 8

HEX #EB66E7

RGB 235 102 231

HSL 301.8, 0.77%, 0.66%

LAB 64.11, 67.38, -41.71

 

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

CMYK 57 / 25 / 0 / 8

HEX #66B1EB

RGB 102 177 235

HSL 206.17, 0.77%, 0.66%

LAB 69.66, -6.8, -36.08

 

CMYK 0 / 57 / 25 / 8

HEX #EB66B1

RGB 235 102 177

HSL 326.17, 0.77%, 0.66%

LAB 61.95, 59.27, -14.56

 

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

CMYK 57 / 0 / 21 / 8

HEX #66EBBA

RGB 102 235 186

HSL 157.89, 0.77%, 0.66%

LAB 84.89, -47.92, 12.91

 

CMYK 32 / 57 / 0 / 8

HEX #9F66EB

RGB 159 102 235

HSL 265.71, 0.77%, 0.66%

LAB 54.94, 49.32, -59.07

 

CMYK 0 / 57 / 36 / 8

HEX #EB6696

RGB 235 102 150

HSL 338.35, 0.77%, 0.66%

LAB 61.1, 55.95, -0.28

 

CMYK 25 / 0 / 57 / 8

HEX #B0EB66

RGB 176 235 102

HSL 86.62, 0.77%, 0.66%

LAB 86.8, -39.46, 57.5

 

CMYK 57 / 0 / 4 / 8

HEX #66EBE2

RGB 102 235 226

HSL 175.94, 0.77%, 0.66%

LAB 85.87, -38.42, -6.65

 

CMYK 32 / 57 / 0 / 8

HEX #9F66EB

RGB 159 102 235

HSL 265.71, 0.77%, 0.66%

LAB 54.94, 49.32, -59.07

 

CMYK 0 / 57 / 53 / 8

HEX #EB666E

RGB 235 102 110

HSL 356.39, 0.77%, 0.66%

LAB 60.15, 52.08, 21.51

 

Description

Color code: HEX #B0EB66 | qconv.com Color code: HEX #B0EB66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 235 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 235 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 57 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 57% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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