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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0EA52 it is the complementary color #4F15AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0EA52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0EA52 shade: #B5EA4D, #C6FC60, #D7FF73, #E8FF86 and #F9FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0EA52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0EA52 shade: #B0EA52, #9FD83F, #8EC62C, #7DB419 and #6CA206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0EA52 shade: #B0EA53, #D9EA53, #EAD253, #EAA953 and #EA8053

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0EA52 shade: #B0EA53, #87EA53, #5EEA53, #53EA6F and #53EA98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0EA52 shade matches the following richer shades: #B0EA53 and #B4F943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0EA52 shade: #B0EA53, #ACDA62, #A9CA72, #A5BB82 and #A1AB91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0EA52 shade: #EAD053, #DBEA53, #B2EA53, #8AEA53 and #62EA53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0EA52 shade: #8AD01A, #9FE52E, #B0EA53, #C1EE77 and #D2F39C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0EA52 shade: #B0EA52, #53EAA8 and #E553EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0EA52 shade: #B0EA52, #53B2EA and #EA53B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0EA52 shade: #B0EA52, #53EAA8, #8A53EA and #EA5394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0EA52 shade: #B0EA52, #53EAD6, #8A53EA and #EA5367

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 65 / 8

HEX #B0EA52

RGB 176 234 82

HSL 82.89, 0.78%, 0.62%

LAB 86.35, -40.64, 65.36

 

Complementary color

CMYK 54 / 88 / 0 / 32

HEX #4F15AD

RGB 79 21 173

HSL 262.89, 0.78%, 0.38%

LAB 27.34, 57.11, -68.47

 

CMYK 23 / 0 / 67 / 8

HEX #B5EA4D

RGB 181 234 77

HSL 80.25, 0.79%, 0.61%

LAB 86.61, -39.13, 67.64

 

CMYK 21 / 0 / 62 / 1

HEX #C6FC60

RGB 198 252 96

HSL 80.77, 0.96%, 0.68%

LAB 92.78, -39.47, 67.06

 

CMYK 16 / 0 / 55 / 0

HEX #D7FF73

RGB 215 255 115

HSL 77.14, 1%, 0.73%

LAB 94.83, -32.97, 61.62

 

CMYK 9 / 0 / 47 / 0

HEX #E8FF86

RGB 232 255 134

HSL 71.4, 1%, 0.76%

LAB 96.16, -24.85, 54.91

 

CMYK 2 / 0 / 40 / 0

HEX #F9FF99

RGB 249 255 153

HSL 63.53, 1%, 0.8%

LAB 97.62, -16.51, 48

 

CMYK 25 / 0 / 65 / 8

HEX #B0EA52

RGB 176 234 82

HSL 82.89, 0.78%, 0.62%

LAB 86.35, -40.64, 65.36

 

CMYK 26 / 0 / 71 / 15

HEX #9FD83F

RGB 159 216 63

HSL 82.35, 0.66%, 0.55%

LAB 80.09, -40.27, 65.75

 

CMYK 28 / 0 / 78 / 22

HEX #8EC62C

RGB 142 198 44

HSL 81.82, 0.64%, 0.47%

LAB 73.75, -39.74, 65.58

 

CMYK 31 / 0 / 86 / 29

HEX #7DB419

RGB 125 180 25

HSL 81.29, 0.76%, 0.4%

LAB 67.33, -39.02, 64.48

 

CMYK 33 / 0 / 96 / 36

HEX #6CA206

RGB 108 162 6

HSL 80.77, 0.93%, 0.33%

LAB 60.82, -38.06, 61.94

 

CMYK 25 / 0 / 65 / 8

HEX #B0EA53

RGB 176 234 83

HSL 83.05, 0.78%, 0.62%

LAB 86.36, -40.57, 64.97

 

CMYK 7 / 0 / 65 / 8

HEX #D9EA53

RGB 217 234 83

HSL 66.75, 0.78%, 0.62%

LAB 89.03, -24.74, 68.6

 

CMYK 0 / 10 / 65 / 8

HEX #EAD253

RGB 234 210 83

HSL 50.46, 0.78%, 0.62%

LAB 84.08, -5.95, 63.82

 

CMYK 0 / 28 / 65 / 8

HEX #EAA953

RGB 234 169 83

HSL 34.17, 0.78%, 0.62%

LAB 73.86, 15.42, 52.71

 

CMYK 0 / 45 / 65 / 8

HEX #EA8053

RGB 234 128 83

HSL 17.88, 0.78%, 0.62%

LAB 64.61, 37.02, 42.08

 

CMYK 25 / 0 / 65 / 8

HEX #B0EA53

RGB 176 234 83

HSL 83.05, 0.78%, 0.62%

LAB 86.36, -40.57, 64.97

 

CMYK 42 / 0 / 65 / 8

HEX #87EA53

RGB 135 234 83

HSL 99.34, 0.78%, 0.62%

LAB 84.29, -54.56, 62.14

 

CMYK 60 / 0 / 65 / 8

HEX #5EEA53

RGB 94 234 83

HSL 115.63, 0.78%, 0.62%

LAB 82.83, -65.59, 60.14

 

CMYK 65 / 0 / 53 / 8

HEX #53EA6F

RGB 83 234 111

HSL 131.13, 0.78%, 0.62%

LAB 82.82, -64.67, 47.78

 

CMYK 65 / 0 / 35 / 8

HEX #53EA98

RGB 83 234 152

HSL 147.42, 0.78%, 0.62%

LAB 83.42, -58.07, 28.38

 

CMYK 25 / 0 / 65 / 8

HEX #B0EA53

RGB 176 234 83

HSL 83.05, 0.78%, 0.62%

LAB 86.36, -40.57, 64.97

 

CMYK 28 / 0 / 73 / 2

HEX #B4F943

RGB 180 249 67

HSL 82.75, 0.94%, 0.62%

LAB 90.72, -46.61, 75.24

 

CMYK 25 / 0 / 65 / 8

HEX #B0EA53

RGB 176 234 83

HSL 83.05, 0.78%, 0.62%

LAB 86.36, -40.57, 64.97

 

CMYK 21 / 0 / 55 / 15

HEX #ACDA62

RGB 172 218 98

HSL 83, 0.62%, 0.62%

LAB 81.73, -33.6, 53.38

 

CMYK 16 / 0 / 44 / 21

HEX #A9CA72

RGB 169 202 114

HSL 82.5, 0.45%, 0.62%

LAB 77.22, -25.48, 40.24

 

CMYK 12 / 0 / 30 / 27

HEX #A5BB82

RGB 165 187 130

HSL 83.16, 0.3%, 0.62%

LAB 72.99, -17.46, 26.45

 

CMYK 6 / 0 / 15 / 33

HEX #A1AB91

RGB 161 171 145

HSL 83.08, 0.13%, 0.62%

LAB 68.57, -8.29, 12.21

 

CMYK 0 / 11 / 65 / 8

HEX #EAD053

RGB 234 208 83

HSL 49.67, 0.78%, 0.62%

LAB 83.56, -4.93, 63.28

 

CMYK 6 / 0 / 65 / 8

HEX #DBEA53

RGB 219 234 83

HSL 65.96, 0.78%, 0.62%

LAB 89.17, -23.94, 68.8

 

CMYK 24 / 0 / 65 / 8

HEX #B2EA53

RGB 178 234 83

HSL 82.25, 0.78%, 0.62%

LAB 86.47, -39.83, 65.13

 

CMYK 41 / 0 / 65 / 8

HEX #8AEA53

RGB 138 234 83

HSL 98.15, 0.78%, 0.62%

LAB 84.42, -53.62, 62.32

 

CMYK 58 / 0 / 65 / 8

HEX #62EA53

RGB 98 234 83

HSL 114.04, 0.78%, 0.62%

LAB 82.95, -64.67, 60.3

 

CMYK 34 / 0 / 88 / 18

HEX #8AD01A

RGB 138 208 26

HSL 83.08, 0.78%, 0.46%

LAB 76.43, -46.19, 72.27

 

CMYK 31 / 0 / 80 / 10

HEX #9FE52E

RGB 159 229 46

HSL 82.95, 0.78%, 0.54%

LAB 83.76, -46.73, 74.52

 

CMYK 25 / 0 / 65 / 8

HEX #B0EA53

RGB 176 234 83

HSL 83.05, 0.78%, 0.62%

LAB 86.36, -40.57, 64.97

 

CMYK 19 / 0 / 50 / 7

HEX #C1EE77

RGB 193 238 119

HSL 82.69, 0.78%, 0.7%

LAB 88.84, -32.97, 52.44

 

CMYK 14 / 0 / 36 / 5

HEX #D2F39C

RGB 210 243 156

HSL 82.76, 0.78%, 0.78%

LAB 91.78, -24.87, 38.49

 

CMYK 25 / 0 / 65 / 8

HEX #B0EA52

RGB 176 234 82

HSL 82.89, 0.78%, 0.62%

LAB 86.35, -40.64, 65.36

 

CMYK 65 / 0 / 28 / 8

HEX #53EAA8

RGB 83 234 168

HSL 153.77, 0.78%, 0.62%

LAB 83.71, -54.91, 20.56

 

CMYK 2 / 65 / 0 / 8

HEX #E553EA

RGB 229 83 234

HSL 298.01, 0.78%, 0.62%

LAB 60.59, 74.18, -48.98

 

CMYK 25 / 0 / 65 / 8

HEX #B0EA52

RGB 176 234 82

HSL 82.89, 0.78%, 0.62%

LAB 86.35, -40.64, 65.36

 

CMYK 65 / 24 / 0 / 8

HEX #53B2EA

RGB 83 178 234

HSL 202.25, 0.78%, 0.62%

LAB 69.2, -11.12, -36.3

 

CMYK 0 / 65 / 24 / 8

HEX #EA53B2

RGB 234 83 178

HSL 322.25, 0.78%, 0.62%

LAB 58.88, 67.13, -19.81

 

CMYK 25 / 0 / 65 / 8

HEX #B0EA52

RGB 176 234 82

HSL 82.89, 0.78%, 0.62%

LAB 86.35, -40.64, 65.36

 

CMYK 65 / 0 / 28 / 8

HEX #53EAA8

RGB 83 234 168

HSL 153.77, 0.78%, 0.62%

LAB 83.71, -54.91, 20.56

 

CMYK 41 / 65 / 0 / 8

HEX #8A53EA

RGB 138 83 234

HSL 261.85, 0.78%, 0.62%

LAB 48.92, 54.54, -68.33

 

CMYK 0 / 65 / 37 / 8

HEX #EA5394

RGB 234 83 148

HSL 334.17, 0.78%, 0.62%

LAB 57.86, 63.58, -3.89

 

CMYK 25 / 0 / 65 / 8

HEX #B0EA52

RGB 176 234 82

HSL 82.89, 0.78%, 0.62%

LAB 86.35, -40.64, 65.36

 

CMYK 65 / 0 / 9 / 8

HEX #53EAD6

RGB 83 234 214

HSL 172.05, 0.78%, 0.62%

LAB 84.76, -44.25, -2.03

 

CMYK 41 / 65 / 0 / 8

HEX #8A53EA

RGB 138 83 234

HSL 261.85, 0.78%, 0.62%

LAB 48.92, 54.54, -68.33

 

CMYK 0 / 65 / 56 / 8

HEX #EA5367

RGB 234 83 103

HSL 352.05, 0.78%, 0.62%

LAB 56.74, 59.5, 20.96

 

Description

Color code: HEX #B0EA52 | qconv.com Color code: HEX #B0EA52 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 234 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 234 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 65% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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