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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0E843 it is the complementary color #4F17BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0E843. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0E843 shade: #B5E83E, #C6FA51, #D7FF64, #E8FF77 and #F9FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0E843. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0E843 shade: #B0E843, #9FD630, #8EC41D, #7DB20A and #6CA000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0E843 shade: #B1E845, #DDE845, #E8C745, #E89B45 and #E86F45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0E843 shade: #B1E845, #85E845, #59E845, #45E85D and #45E889

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0E843 shade matches the following richer shades: #B1E845 and #B6F934

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0E843 shade: #B1E845, #ABD756, #A6C667, #A0B578 and #9BA489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0E843 shade: #E8C745, #DDE845, #B2E845, #86E845 and #5BE845

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0E843 shade: #89C218, #A1E320, #B1E845, #C0ED6A and #D0F18E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0E843 shade: #B0E843, #45E89C and #DD45E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0E843 shade: #B0E843, #45B2E8 and #E845B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0E843 shade: #B0E843, #45E89C, #7B45E8 and #E84591

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0E843 shade: #B0E843, #45E8CD, #7B45E8 and #E84560

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 71 / 9

HEX #B0E843

RGB 176 232 67

HSL 80.36, 0.78%, 0.59%

LAB 85.68, -40.73, 70.23

 

Complementary color

CMYK 58 / 88 / 0 / 26

HEX #4F17BC

RGB 79 23 188

HSL 260.36, 0.78%, 0.41%

LAB 29.17, 60.28, -74.38

 

CMYK 22 / 0 / 73 / 9

HEX #B5E83E

RGB 181 232 62

HSL 78, 0.79%, 0.58%

LAB 85.95, -39.11, 72.28

 

CMYK 21 / 0 / 68 / 2

HEX #C6FA51

RGB 198 250 81

HSL 78.46, 0.94%, 0.65%

LAB 92.12, -39.61, 72.15

 

CMYK 16 / 0 / 61 / 0

HEX #D7FF64

RGB 215 255 100

HSL 75.48, 1%, 0.7%

LAB 94.69, -34.16, 67.82

 

CMYK 9 / 0 / 53 / 0

HEX #E8FF77

RGB 232 255 119

HSL 70.15, 1%, 0.73%

LAB 96, -26.19, 61.51

 

CMYK 2 / 0 / 46 / 0

HEX #F9FF8A

RGB 249 255 138

HSL 63.08, 1%, 0.77%

LAB 97.43, -17.98, 54.87

 

CMYK 24 / 0 / 71 / 9

HEX #B0E843

RGB 176 232 67

HSL 80.36, 0.78%, 0.59%

LAB 85.68, -40.73, 70.23

 

CMYK 26 / 0 / 78 / 16

HEX #9FD630

RGB 159 214 48

HSL 79.88, 0.67%, 0.51%

LAB 79.43, -40.18, 70.01

 

CMYK 28 / 0 / 85 / 23

HEX #8EC41D

RGB 142 196 29

HSL 79.4, 0.74%, 0.44%

LAB 73.1, -39.45, 68.92

 

CMYK 30 / 0 / 94 / 30

HEX #7DB20A

RGB 125 178 10

HSL 78.93, 0.89%, 0.37%

LAB 66.69, -38.5, 66.5

 

CMYK 33 / 0 / 100 / 37

HEX #6CA000

RGB 108 160 0

HSL 79.5, 1%, 0.31%

LAB 60.19, -37.29, 62.31

 

CMYK 24 / 0 / 70 / 9

HEX #B1E845

RGB 177 232 69

HSL 80.25, 0.78%, 0.59%

LAB 85.75, -40.24, 69.62

 

CMYK 5 / 0 / 70 / 9

HEX #DDE845

RGB 221 232 69

HSL 64.05, 0.78%, 0.59%

LAB 88.69, -22.94, 73.51

 

CMYK 0 / 14 / 70 / 9

HEX #E8C745

RGB 232 199 69

HSL 47.85, 0.78%, 0.59%

LAB 80.98, -1.92, 66.21

 

CMYK 0 / 33 / 70 / 9

HEX #E89B45

RGB 232 155 69

HSL 31.66, 0.78%, 0.59%

LAB 70.2, 21.24, 55.12

 

CMYK 0 / 52 / 70 / 9

HEX #E86F45

RGB 232 111 69

HSL 15.46, 0.78%, 0.59%

LAB 60.74, 44.03, 44.84

 

CMYK 24 / 0 / 70 / 9

HEX #B1E845

RGB 177 232 69

HSL 80.25, 0.78%, 0.59%

LAB 85.75, -40.24, 69.62

 

CMYK 43 / 0 / 70 / 9

HEX #85E845

RGB 133 232 69

HSL 96.44, 0.78%, 0.59%

LAB 83.51, -55.47, 66.63

 

CMYK 62 / 0 / 70 / 9

HEX #59E845

RGB 89 232 69

HSL 112.64, 0.78%, 0.59%

LAB 81.98, -67.23, 64.58

 

CMYK 70 / 0 / 60 / 9

HEX #45E85D

RGB 69 232 93

HSL 128.83, 0.78%, 0.59%

LAB 81.71, -68.74, 54.52

 

CMYK 70 / 0 / 41 / 9

HEX #45E889

RGB 69 232 137

HSL 145.03, 0.78%, 0.59%

LAB 82.26, -62.37, 34.39

 

CMYK 24 / 0 / 70 / 9

HEX #B1E845

RGB 177 232 69

HSL 80.25, 0.78%, 0.59%

LAB 85.75, -40.24, 69.62

 

CMYK 27 / 0 / 79 / 2

HEX #B6F934

RGB 182 249 52

HSL 80.41, 0.94%, 0.59%

LAB 90.75, -46.58, 79.72

 

CMYK 24 / 0 / 70 / 9

HEX #B1E845

RGB 177 232 69

HSL 80.25, 0.78%, 0.59%

LAB 85.75, -40.24, 69.62

 

CMYK 20 / 0 / 60 / 16

HEX #ABD756

RGB 171 215 86

HSL 80.47, 0.62%, 0.59%

LAB 80.7, -33.65, 57.51

 

CMYK 16 / 0 / 48 / 22

HEX #A6C667

RGB 166 198 103

HSL 80.21, 0.45%, 0.59%

LAB 75.75, -25.93, 43.82

 

CMYK 12 / 0 / 34 / 29

HEX #A0B578

RGB 160 181 120

HSL 80.66, 0.29%, 0.59%

LAB 70.79, -17.72, 28.75

 

CMYK 5 / 0 / 16 / 36

HEX #9BA489

RGB 155 164 137

HSL 80, 0.13%, 0.59%

LAB 66, -8.14, 12.95

 

CMYK 0 / 14 / 70 / 9

HEX #E8C745

RGB 232 199 69

HSL 47.85, 0.78%, 0.59%

LAB 80.98, -1.92, 66.21

 

CMYK 5 / 0 / 70 / 9

HEX #DDE845

RGB 221 232 69

HSL 64.05, 0.78%, 0.59%

LAB 88.69, -22.94, 73.51

 

CMYK 23 / 0 / 70 / 9

HEX #B2E845

RGB 178 232 69

HSL 79.88, 0.78%, 0.59%

LAB 85.81, -39.86, 69.7

 

CMYK 42 / 0 / 70 / 9

HEX #86E845

RGB 134 232 69

HSL 96.07, 0.78%, 0.59%

LAB 83.55, -55.16, 66.69

 

CMYK 61 / 0 / 70 / 9

HEX #5BE845

RGB 91 232 69

HSL 111.9, 0.78%, 0.59%

LAB 82.04, -66.79, 64.65

 

CMYK 29 / 0 / 88 / 24

HEX #89C218

RGB 137 194 24

HSL 80.12, 0.78%, 0.43%

LAB 72.21, -40.63, 69.08

 

CMYK 29 / 0 / 86 / 11

HEX #A1E320

RGB 161 227 32

HSL 80.31, 0.78%, 0.51%

LAB 83.24, -45.64, 77.35

 

CMYK 24 / 0 / 70 / 9

HEX #B1E845

RGB 177 232 69

HSL 80.25, 0.78%, 0.59%

LAB 85.75, -40.24, 69.62

 

CMYK 19 / 0 / 55 / 7

HEX #C0ED6A

RGB 192 237 106

HSL 80.61, 0.78%, 0.67%

LAB 88.36, -34.12, 57.77

 

CMYK 14 / 0 / 41 / 5

HEX #D0F18E

RGB 208 241 142

HSL 80, 0.78%, 0.75%

LAB 90.9, -26.35, 44.24

 

CMYK 24 / 0 / 71 / 9

HEX #B0E843

RGB 176 232 67

HSL 80.36, 0.78%, 0.59%

LAB 85.68, -40.73, 70.23

 

CMYK 70 / 0 / 33 / 9

HEX #45E89C

RGB 69 232 156

HSL 152.02, 0.78%, 0.59%

LAB 82.58, -58.82, 25.16

 

CMYK 5 / 70 / 0 / 9

HEX #DD45E8

RGB 221 69 232

HSL 295.95, 0.78%, 0.59%

LAB 57.52, 77.14, -52.82

 

CMYK 24 / 0 / 71 / 9

HEX #B0E843

RGB 176 232 67

HSL 80.36, 0.78%, 0.59%

LAB 85.68, -40.73, 70.23

 

CMYK 70 / 23 / 0 / 9

HEX #45B2E8

RGB 69 178 232

HSL 199.88, 0.78%, 0.59%

LAB 68.7, -13.89, -36.01

 

CMYK 0 / 70 / 23 / 9

HEX #E845B2

RGB 232 69 178

HSL 319.88, 0.78%, 0.59%

LAB 56.71, 71.75, -23.15

 

CMYK 24 / 0 / 71 / 9

HEX #B0E843

RGB 176 232 67

HSL 80.36, 0.78%, 0.59%

LAB 85.68, -40.73, 70.23

 

CMYK 70 / 0 / 33 / 9

HEX #45E89C

RGB 69 232 156

HSL 152.02, 0.78%, 0.59%

LAB 82.58, -58.82, 25.16

 

CMYK 47 / 70 / 0 / 9

HEX #7B45E8

RGB 123 69 232

HSL 259.88, 0.78%, 0.59%

LAB 44.65, 58.34, -74.22

 

CMYK 0 / 70 / 38 / 9

HEX #E84591

RGB 232 69 145

HSL 332.02, 0.78%, 0.59%

LAB 55.54, 67.94, -5.6

 

CMYK 24 / 0 / 71 / 9

HEX #B0E843

RGB 176 232 67

HSL 80.36, 0.78%, 0.59%

LAB 85.68, -40.73, 70.23

 

CMYK 70 / 0 / 12 / 9

HEX #45E8CD

RGB 69 232 205

HSL 170.06, 0.78%, 0.59%

LAB 83.65, -47.67, 1.05

 

CMYK 47 / 70 / 0 / 9

HEX #7B45E8

RGB 123 69 232

HSL 259.88, 0.78%, 0.59%

LAB 44.65, 58.34, -74.22

 

CMYK 0 / 70 / 59 / 9

HEX #E84560

RGB 232 69 96

HSL 350.06, 0.78%, 0.59%

LAB 54.3, 63.77, 21.76

 

Description

Color code: HEX #B0E843 | qconv.com Color code: HEX #B0E843 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 232 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 232 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 71 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 71% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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