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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0DF5D it is the complementary color #4F20A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0DF5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0DF5D shade: #B5DF58, #C6F16B, #D7FF7E, #E8FF91 and #F9FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0DF5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0DF5D shade: #B0DF5D, #9FCD4A, #8EBB37, #7DA924 and #6C9711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0DF5D shade: #B0DF5D, #D3DF5D, #DFC75D, #DFA45D and #DF815D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0DF5D shade: #B0DF5D, #8DDF5D, #6ADF5D, #5DDF73 and #5DDF96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0DF5D shade matches the following richer shades: #B0DF5D, #B4EE4D and #B8FE3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0DF5D shade: #B0DF5D, #ABCF6C, #A7BF7C, #A3AF8C and #9EA09B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0DF5D shade: #DFC75D, #D4DF5D, #B1DF5D, #8EDF5D and #6CDF5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0DF5D shade: #8AC326, #9FD83A, #B0DF5D, #C0E57F and #D1ECA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0DF5D shade: #B0DF5D, #5DDFA4 and #D85DDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0DF5D shade: #B0DF5D, #5DB1DF and #DF5DB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0DF5D shade: #B0DF5D, #5DDFA4, #8A5DDF and #DF5D97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0DF5D shade: #B0DF5D, #5DDFCB, #8A5DDF and #DF5D70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

Complementary color

CMYK 51 / 80 / 0 / 36

HEX #4F20A2

RGB 79 32 162

HSL 261.69, 0.67%, 0.38%

LAB 27.58, 50.23, -61.42

 

CMYK 19 / 0 / 61 / 13

HEX #B5DF58

RGB 181 223 88

HSL 78.67, 0.68%, 0.61%

LAB 83.6, -33.36, 60.04

 

CMYK 18 / 0 / 56 / 5

HEX #C6F16B

RGB 198 241 107

HSL 79.25, 0.83%, 0.68%

LAB 89.85, -33.62, 59.14

 

CMYK 16 / 0 / 51 / 0

HEX #D7FF7E

RGB 215 255 126

HSL 78.6, 1%, 0.75%

LAB 94.94, -31.98, 56.85

 

CMYK 9 / 0 / 43 / 0

HEX #E8FF91

RGB 232 255 145

HSL 72.55, 1%, 0.78%

LAB 96.29, -23.74, 49.91

 

CMYK 2 / 0 / 36 / 0

HEX #F9FFA4

RGB 249 255 164

HSL 63.96, 1%, 0.82%

LAB 97.77, -15.31, 42.85

 

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

CMYK 22 / 0 / 64 / 20

HEX #9FCD4A

RGB 159 205 74

HSL 81.07, 0.57%, 0.55%

LAB 77, -34.57, 58.31

 

CMYK 24 / 0 / 71 / 27

HEX #8EBB37

RGB 142 187 55

HSL 80.45, 0.55%, 0.47%

LAB 70.57, -34.18, 58.8

 

CMYK 26 / 0 / 79 / 34

HEX #7DA924

RGB 125 169 36

HSL 79.85, 0.65%, 0.4%

LAB 64.05, -33.63, 58.66

 

CMYK 28 / 0 / 89 / 41

HEX #6C9711

RGB 108 151 17

HSL 79.25, 0.8%, 0.33%

LAB 57.43, -32.85, 57.39

 

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

CMYK 5 / 0 / 58 / 13

HEX #D3DF5D

RGB 211 223 93

HSL 65.54, 0.67%, 0.62%

LAB 85.71, -21.19, 60.82

 

CMYK 0 / 11 / 58 / 13

HEX #DFC75D

RGB 223 199 93

HSL 48.92, 0.67%, 0.62%

LAB 80.36, -4.25, 55.1

 

CMYK 0 / 26 / 58 / 13

HEX #DFA45D

RGB 223 164 93

HSL 32.77, 0.67%, 0.62%

LAB 71.57, 14.18, 44.9

 

CMYK 0 / 42 / 58 / 13

HEX #DF815D

RGB 223 129 93

HSL 16.62, 0.67%, 0.62%

LAB 63.49, 32.87, 35.05

 

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

CMYK 37 / 0 / 58 / 13

HEX #8DDF5D

RGB 141 223 93

HSL 97.85, 0.67%, 0.62%

LAB 81.42, -47.25, 54.81

 

CMYK 52 / 0 / 58 / 13

HEX #6ADF5D

RGB 106 223 93

HSL 114, 0.67%, 0.62%

LAB 79.97, -57.67, 52.77

 

CMYK 58 / 0 / 48 / 13

HEX #5DDF73

RGB 93 223 115

HSL 130.15, 0.67%, 0.62%

LAB 79.81, -58.04, 42.22

 

CMYK 58 / 0 / 33 / 13

HEX #5DDF96

RGB 93 223 150

HSL 146.31, 0.67%, 0.62%

LAB 80.35, -52.18, 25.31

 

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

CMYK 24 / 0 / 68 / 7

HEX #B4EE4D

RGB 180 238 77

HSL 81.61, 0.83%, 0.62%

LAB 87.67, -41.27, 68.72

 

CMYK 28 / 0 / 76 / 0

HEX #B8FE3D

RGB 184 254 61

HSL 81.76, 0.99%, 0.62%

LAB 92.31, -47.58, 78.69

 

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

CMYK 17 / 0 / 48 / 19

HEX #ABCF6C

RGB 171 207 108

HSL 81.82, 0.51%, 0.62%

LAB 78.67, -27.81, 45.03

 

CMYK 13 / 0 / 35 / 25

HEX #A7BF7C

RGB 167 191 124

HSL 81.49, 0.34%, 0.62%

LAB 74.15, -19.56, 31.16

 

CMYK 7 / 0 / 20 / 31

HEX #A3AF8C

RGB 163 175 140

HSL 80.57, 0.18%, 0.62%

LAB 69.71, -10.49, 16.57

 

CMYK 1 / 0 / 3 / 37

HEX #9EA09B

RGB 158 160 155

HSL 84, 0.03%, 0.62%

LAB 65.57, -1.66, 2.34

 

CMYK 0 / 11 / 58 / 13

HEX #DFC75D

RGB 223 199 93

HSL 48.92, 0.67%, 0.62%

LAB 80.36, -4.25, 55.1

 

CMYK 5 / 0 / 58 / 13

HEX #D4DF5D

RGB 212 223 93

HSL 65.08, 0.67%, 0.62%

LAB 85.79, -20.79, 60.92

 

CMYK 21 / 0 / 58 / 13

HEX #B1DF5D

RGB 177 223 93

HSL 81.23, 0.67%, 0.62%

LAB 83.4, -34.47, 57.59

 

CMYK 36 / 0 / 58 / 13

HEX #8EDF5D

RGB 142 223 93

HSL 97.38, 0.67%, 0.62%

LAB 81.47, -46.92, 54.88

 

CMYK 52 / 0 / 58 / 13

HEX #6CDF5D

RGB 108 223 93

HSL 113.08, 0.67%, 0.62%

LAB 80.04, -57.14, 52.87

 

CMYK 29 / 0 / 81 / 24

HEX #8AC326

RGB 138 195 38

HSL 81.78, 0.67%, 0.46%

LAB 72.61, -40.2, 66.18

 

CMYK 26 / 0 / 73 / 15

HEX #9FD83A

RGB 159 216 58

HSL 81.65, 0.67%, 0.54%

LAB 80.06, -40.56, 67.45

 

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

CMYK 16 / 0 / 45 / 10

HEX #C0E57F

RGB 192 229 127

HSL 81.76, 0.66%, 0.7%

LAB 86.39, -28.29, 45.64

 

CMYK 11 / 0 / 31 / 7

HEX #D1ECA2

RGB 209 236 162

HSL 81.89, 0.66%, 0.78%

LAB 89.93, -21.08, 33.04

 

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

CMYK 58 / 0 / 26 / 13

HEX #5DDFA4

RGB 93 223 164

HSL 152.77, 0.67%, 0.62%

LAB 80.62, -49.4, 18.39

 

CMYK 3 / 58 / 0 / 13

HEX #D85DDF

RGB 216 93 223

HSL 296.77, 0.67%, 0.62%

LAB 59.67, 65.14, -44.4

 

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

CMYK 58 / 21 / 0 / 13

HEX #5DB1DF

RGB 93 177 223

HSL 201.23, 0.67%, 0.62%

LAB 68.82, -12.23, -30.85

 

CMYK 0 / 58 / 21 / 13

HEX #DF5DB1

RGB 223 93 177

HSL 321.23, 0.67%, 0.62%

LAB 58.69, 59.76, -19.67

 

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

CMYK 58 / 0 / 26 / 13

HEX #5DDFA4

RGB 93 223 164

HSL 152.77, 0.67%, 0.62%

LAB 80.62, -49.4, 18.39

 

CMYK 38 / 58 / 0 / 13

HEX #8A5DDF

RGB 138 93 223

HSL 260.77, 0.67%, 0.62%

LAB 50.17, 46.35, -60.11

 

CMYK 0 / 58 / 32 / 13

HEX #DF5D97

RGB 223 93 151

HSL 333.23, 0.67%, 0.62%

LAB 57.8, 56.38, -5.93

 

CMYK 21 / 0 / 58 / 13

HEX #B0DF5D

RGB 176 223 93

HSL 81.69, 0.67%, 0.62%

LAB 83.33, -34.84, 57.51

 

CMYK 58 / 0 / 9 / 13

HEX #5DDFCB

RGB 93 223 203

HSL 170.77, 0.67%, 0.62%

LAB 81.52, -40.47, -0.93

 

CMYK 38 / 58 / 0 / 13

HEX #8A5DDF

RGB 138 93 223

HSL 260.77, 0.67%, 0.62%

LAB 50.17, 46.35, -60.11

 

CMYK 0 / 58 / 50 / 13

HEX #DF5D70

RGB 223 93 112

HSL 351.23, 0.67%, 0.62%

LAB 56.77, 52.31, 15.43

 

Description

Color code: HEX #B0DF5D | qconv.com Color code: HEX #B0DF5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 223 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 223 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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