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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0D5E7 it is the complementary color #4F2A18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0D5E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0D5E7 shade: #B5D5E2, #C6E7F5, #D7F9FF, #E8FFFF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0D5E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0D5E7 shade: #B0D5E7, #9FC3D4, #8EB1C1, #7D9FAE and #6C8D9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0D5E7 shade: #B0D5E7, #B0C6E7, #B0B8E7, #B8B0E7 and #C6B0E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0D5E7 shade: #B0D5E7, #B0C6E7, #B0B8E7 and #B0B0E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0D5E7 shade matches the following richer shades: #B0D5E7, #A8D8EF and #A0DBF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0D5E7 shade: #B0D5E7, #B9D2DE, #C1CFD6, #C9CCCE and #D1C9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0D5E7 shade: #B0E7DB, #B0E4E7, #B0D5E7, #B0C7E7 and #B0B9E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0D5E7 shade: #71B3D3, #91C4DD, #B0D5E7, #D0E6F0 and #F0F7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0D5E7 shade: #B0D5E7, #CCB0E7 and #E7E2B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0D5E7 shade: #B0D5E7, #E7B0D5 and #D5E7B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0D5E7 shade: #B0D5E7, #CCB0E7, #E7C2B0 and #CBE7B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0D5E7 shade: #B0D5E7, #DDB0E7, #E7C2B0 and #BAE7B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

Complementary color

CMYK 0 / 47 / 70 / 69

HEX #4F2A18

RGB 79 42 24

HSL 19.64, 0.53%, 0.2%

LAB 21.52, 15.28, 19.04

 

CMYK 20 / 6 / 0 / 11

HEX #B5D5E2

RGB 181 213 226

HSL 197.33, 0.44%, 0.8%

LAB 83.39, -7.81, -9.94

 

CMYK 19 / 6 / 0 / 4

HEX #C6E7F5

RGB 198 231 245

HSL 197.87, 0.7%, 0.87%

LAB 89.74, -7.84, -10.39

 

CMYK 16 / 2 / 0 / 0

HEX #D7F9FF

RGB 215 249 255

HSL 189, 1%, 0.92%

LAB 95.76, -9.72, -6.56

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 25 / 8 / 0 / 17

HEX #9FC3D4

RGB 159 195 212

HSL 199.25, 0.38%, 0.73%

LAB 76.77, -8.18, -12.46

 

CMYK 26 / 8 / 0 / 24

HEX #8EB1C1

RGB 142 177 193

HSL 198.82, 0.29%, 0.66%

LAB 70.21, -8.14, -12.04

 

CMYK 28 / 9 / 0 / 32

HEX #7D9FAE

RGB 125 159 174

HSL 198.37, 0.23%, 0.59%

LAB 63.52, -8.11, -11.61

 

CMYK 30 / 9 / 0 / 39

HEX #6C8D9B

RGB 108 141 155

HSL 197.87, 0.19%, 0.52%

LAB 56.69, -8.07, -11.18

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 24 / 14 / 0 / 9

HEX #B0C6E7

RGB 176 198 231

HSL 216, 0.53%, 0.8%

LAB 79.26, -0.32, -18.83

 

CMYK 24 / 20 / 0 / 9

HEX #B0B8E7

RGB 176 184 231

HSL 231.27, 0.53%, 0.8%

LAB 75.63, 7.26, -24.36

 

CMYK 20 / 24 / 0 / 9

HEX #B8B0E7

RGB 184 176 231

HSL 248.73, 0.53%, 0.8%

LAB 74.2, 14.08, -26.49

 

CMYK 14 / 24 / 0 / 9

HEX #C6B0E7

RGB 198 176 231

HSL 264, 0.53%, 0.8%

LAB 75.34, 18.44, -24.64

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 24 / 14 / 0 / 9

HEX #B0C6E7

RGB 176 198 231

HSL 216, 0.53%, 0.8%

LAB 79.26, -0.32, -18.83

 

CMYK 24 / 20 / 0 / 9

HEX #B0B8E7

RGB 176 184 231

HSL 231.27, 0.53%, 0.8%

LAB 75.63, 7.26, -24.36

 

CMYK 24 / 24 / 0 / 9

HEX #B0B0E7

RGB 176 176 231

HSL 240, 0.53%, 0.8%

LAB 73.58, 11.65, -27.49

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 30 / 10 / 0 / 6

HEX #A8D8EF

RGB 168 216 239

HSL 199.44, 0.69%, 0.8%

LAB 83.79, -10.27, -16.32

 

CMYK 35 / 11 / 0 / 3

HEX #A0DBF7

RGB 160 219 247

HSL 199.31, 0.84%, 0.8%

LAB 84.41, -12.09, -19.68

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 17 / 5 / 0 / 13

HEX #B9D2DE

RGB 185 210 222

HSL 199.46, 0.36%, 0.8%

LAB 82.74, -5.86, -8.74

 

CMYK 10 / 3 / 0 / 16

HEX #C1CFD6

RGB 193 207 214

HSL 200, 0.2%, 0.8%

LAB 82.28, -3.36, -5.1

 

CMYK 2 / 1 / 0 / 19

HEX #C9CCCE

RGB 201 204 206

HSL 204, 0.05%, 0.8%

LAB 81.87, -0.65, -1.36

 

CMYK 0 / 4 / 5 / 18

HEX #D1C9C6

RGB 209 201 198

HSL 16.36, 0.11%, 0.8%

LAB 81.51, 2.25, 2.47

 

CMYK 24 / 0 / 5 / 9

HEX #B0E7DB

RGB 176 231 219

HSL 166.91, 0.53%, 0.8%

LAB 87.73, -19.93, 0.12

 

CMYK 24 / 1 / 0 / 9

HEX #B0E4E7

RGB 176 228 231

HSL 183.27, 0.53%, 0.8%

LAB 87.23, -15.89, -6.91

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 24 / 14 / 0 / 9

HEX #B0C7E7

RGB 176 199 231

HSL 214.91, 0.53%, 0.8%

LAB 79.53, -0.85, -18.44

 

CMYK 24 / 20 / 0 / 9

HEX #B0B9E7

RGB 176 185 231

HSL 230.18, 0.53%, 0.8%

LAB 75.88, 6.71, -23.97

 

CMYK 46 / 15 / 0 / 17

HEX #71B3D3

RGB 113 179 211

HSL 199.59, 0.53%, 0.64%

LAB 69.79, -12.48, -22.71

 

CMYK 34 / 11 / 0 / 13

HEX #91C4DD

RGB 145 196 221

HSL 199.74, 0.53%, 0.72%

LAB 76.51, -10.59, -17.8

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 13 / 4 / 0 / 6

HEX #D0E6F0

RGB 208 230 240

HSL 198.75, 0.52%, 0.88%

LAB 90, -5.27, -7.33

 

CMYK 4 / 1 / 0 / 2

HEX #F0F7FA

RGB 240 247 250

HSL 198, 0.5%, 0.96%

LAB 96.8, -1.76, -2.25

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 12 / 24 / 0 / 9

HEX #CCB0E7

RGB 204 176 231

HSL 270.55, 0.53%, 0.8%

LAB 75.86, 20.34, -23.8

 

CMYK 0 / 2 / 24 / 9

HEX #E7E2B0

RGB 231 226 176

HSL 54.55, 0.53%, 0.8%

LAB 89.17, -6.14, 25.12

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 0 / 24 / 8 / 9

HEX #E7B0D5

RGB 231 176 213

HSL 319.64, 0.53%, 0.8%

LAB 77.78, 25.85, -10.89

 

CMYK 8 / 0 / 24 / 9

HEX #D5E7B0

RGB 213 231 176

HSL 79.64, 0.53%, 0.8%

LAB 89.13, -15.22, 24.85

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 12 / 24 / 0 / 9

HEX #CCB0E7

RGB 204 176 231

HSL 270.55, 0.53%, 0.8%

LAB 75.86, 20.34, -23.8

 

CMYK 0 / 16 / 24 / 9

HEX #E7C2B0

RGB 231 194 176

HSL 19.64, 0.53%, 0.8%

LAB 81.13, 10.45, 13.95

 

CMYK 12 / 0 / 24 / 9

HEX #CBE7B0

RGB 203 231 176

HSL 90.55, 0.53%, 0.8%

LAB 88.44, -18.79, 23.79

 

CMYK 24 / 8 / 0 / 9

HEX #B0D5E7

RGB 176 213 231

HSL 199.64, 0.53%, 0.8%

LAB 83.23, -8.22, -12.88

 

CMYK 4 / 24 / 0 / 9

HEX #DDB0E7

RGB 221 176 231

HSL 289.09, 0.53%, 0.8%

LAB 77.4, 25.8, -21.32

 

CMYK 0 / 16 / 24 / 9

HEX #E7C2B0

RGB 231 194 176

HSL 19.64, 0.53%, 0.8%

LAB 81.13, 10.45, 13.95

 

CMYK 19 / 0 / 24 / 9

HEX #BAE7B0

RGB 186 231 176

HSL 109.09, 0.53%, 0.8%

LAB 87.35, -24.67, 22.12

 

Description

Color code: HEX #B0D5E7 | qconv.com Color code: HEX #B0D5E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 213 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 213 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 8 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 8% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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