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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0CE0F it is the complementary color #4F31F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0CE0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0CE0F shade: #B5CE0A, #C6E01D, #D7F230, #E8FF43 and #F9FF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0CE0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0CE0F shade: #B0CE0F, #9FBC00, #8EAA00, #7D9800 and #6C8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0CE0F shade: #AECC0F, #CCB70F, #CC840F, #CC510F and #CC1E0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0CE0F shade: #AECC0F, #7BCC0F, #49CC0F, #16CC0F and #0FCC3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0CE0F shade matches the following richer shades: #AECC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0CE0F shade: #AECC0F, #A2BA21, #96A833, #8A9745 and #7E8556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0CE0F shade: #CC840F, #CCB60F, #B0CC0F, #7DCC0F and #4BCC0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0CE0F shade: #6D7F0A, #8EA60C, #AECC0F, #CCEE17 and #D4F03D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0CE0F shade: #B0CE0F, #0FCC51 and #9D0FCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0CE0F shade: #B0CE0F, #0FB0CC and #CC0FB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0CE0F shade: #B0CE0F, #0FCC51, #2C0FCC and #CC0F8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0CE0F shade: #B0CE0F, #0FCC8A, #2C0FCC and #CC0F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 93 / 19

HEX #B0CE0F

RGB 176 206 15

HSL 69.42, 0.86%, 0.43%

LAB 78.11, -30.78, 76.29

 

Complementary color

CMYK 67 / 80 / 0 / 6

HEX #4F31F0

RGB 79 49 240

HSL 249.42, 0.86%, 0.57%

LAB 38.11, 64.41, -89.65

 

CMYK 12 / 0 / 95 / 19

HEX #B5CE0A

RGB 181 206 10

HSL 67.65, 0.91%, 0.42%

LAB 78.45, -28.78, 77.25

 

CMYK 12 / 0 / 87 / 12

HEX #C6E01D

RGB 198 224 29

HSL 68, 0.77%, 0.5%

LAB 84.69, -29.95, 80.06

 

CMYK 11 / 0 / 80 / 5

HEX #D7F230

RGB 215 242 48

HSL 68.35, 0.88%, 0.57%

LAB 90.86, -30.93, 81.62

 

CMYK 9 / 0 / 74 / 0

HEX #E8FF43

RGB 232 255 67

HSL 67.34, 1%, 0.63%

LAB 95.61, -29.45, 81.05

 

CMYK 2 / 0 / 66 / 0

HEX #F9FF56

RGB 249 255 86

HSL 62.13, 1%, 0.67%

LAB 96.96, -21.77, 76.35

 

CMYK 15 / 0 / 93 / 19

HEX #B0CE0F

RGB 176 206 15

HSL 69.42, 0.86%, 0.43%

LAB 78.11, -30.78, 76.29

 

CMYK 15 / 0 / 100 / 26

HEX #9FBC00

RGB 159 188 0

HSL 69.26, 1%, 0.37%

LAB 71.78, -29.52, 72.54

 

CMYK 16 / 0 / 100 / 33

HEX #8EAA00

RGB 142 170 0

HSL 69.88, 1%, 0.33%

LAB 65.36, -28.07, 67.18

 

CMYK 18 / 0 / 100 / 40

HEX #7D9800

RGB 125 152 0

HSL 70.66, 1%, 0.3%

LAB 58.8, -26.6, 61.73

 

CMYK 19 / 0 / 100 / 47

HEX #6C8600

RGB 108 134 0

HSL 71.64, 1%, 0.26%

LAB 52.11, -25.11, 56.15

 

CMYK 15 / 0 / 93 / 20

HEX #AECC0F

RGB 174 204 15

HSL 69.52, 0.86%, 0.43%

LAB 77.41, -30.66, 75.68

 

CMYK 0 / 10 / 93 / 20

HEX #CCB70F

RGB 204 183 15

HSL 53.33, 0.86%, 0.43%

LAB 74.02, -7.43, 74.1

 

CMYK 0 / 35 / 93 / 20

HEX #CC840F

RGB 204 132 15

HSL 37.14, 0.86%, 0.43%

LAB 61.11, 19.9, 64.47

 

CMYK 0 / 60 / 93 / 20

HEX #CC510F

RGB 204 81 15

HSL 20.95, 0.86%, 0.43%

LAB 50.4, 46.2, 56.89

 

CMYK 0 / 85 / 93 / 20

HEX #CC1E0F

RGB 204 30 15

HSL 4.76, 0.86%, 0.43%

LAB 43.95, 63.89, 52.65

 

CMYK 15 / 0 / 93 / 20

HEX #AECC0F

RGB 174 204 15

HSL 69.52, 0.86%, 0.43%

LAB 77.41, -30.66, 75.68

 

CMYK 40 / 0 / 93 / 20

HEX #7BCC0F

RGB 123 204 15

HSL 85.71, 0.86%, 0.43%

LAB 74.46, -50.08, 72.09

 

CMYK 64 / 0 / 93 / 20

HEX #49CC0F

RGB 73 204 15

HSL 101.59, 0.86%, 0.43%

LAB 72.65, -64.23, 69.86

 

CMYK 89 / 0 / 93 / 20

HEX #16CC0F

RGB 22 204 15

HSL 117.78, 0.86%, 0.43%

LAB 71.82, -71.49, 68.82

 

CMYK 93 / 0 / 71 / 20

HEX #0FCC3C

RGB 15 204 60

HSL 134.29, 0.86%, 0.43%

LAB 71.97, -69.39, 57.13

 

CMYK 15 / 0 / 93 / 20

HEX #AECC0F

RGB 174 204 15

HSL 69.52, 0.86%, 0.43%

LAB 77.41, -30.66, 75.68

 

CMYK 15 / 0 / 93 / 20

HEX #AECC0F

RGB 174 204 15

HSL 69.52, 0.86%, 0.43%

LAB 77.41, -30.66, 75.68

 

CMYK 13 / 0 / 82 / 27

HEX #A2BA21

RGB 162 186 33

HSL 69.41, 0.7%, 0.43%

LAB 71.49, -26.65, 67.1

 

CMYK 11 / 0 / 70 / 34

HEX #96A833

RGB 150 168 51

HSL 69.23, 0.53%, 0.43%

LAB 65.54, -22.05, 55.43

 

CMYK 9 / 0 / 54 / 41

HEX #8A9745

RGB 138 151 69

HSL 69.51, 0.37%, 0.43%

LAB 59.86, -17.11, 41.05

 

CMYK 5 / 0 / 35 / 48

HEX #7E8556

RGB 126 133 86

HSL 68.94, 0.21%, 0.43%

LAB 53.9, -10.64, 24.52

 

CMYK 0 / 35 / 93 / 20

HEX #CC840F

RGB 204 132 15

HSL 37.14, 0.86%, 0.43%

LAB 61.11, 19.9, 64.47

 

CMYK 0 / 11 / 93 / 20

HEX #CCB60F

RGB 204 182 15

HSL 53.02, 0.86%, 0.43%

LAB 73.76, -6.91, 73.9

 

CMYK 14 / 0 / 93 / 20

HEX #B0CC0F

RGB 176 204 15

HSL 68.89, 0.86%, 0.43%

LAB 77.55, -29.84, 75.85

 

CMYK 39 / 0 / 93 / 20

HEX #7DCC0F

RGB 125 204 15

HSL 85.08, 0.86%, 0.43%

LAB 74.56, -49.39, 72.2

 

CMYK 63 / 0 / 93 / 20

HEX #4BCC0F

RGB 75 204 15

HSL 100.95, 0.86%, 0.43%

LAB 72.7, -63.79, 69.92

 

CMYK 14 / 0 / 92 / 50

HEX #6D7F0A

RGB 109 127 10

HSL 69.23, 0.85%, 0.27%

LAB 50.04, -20.9, 52.7

 

CMYK 14 / 0 / 93 / 35

HEX #8EA60C

RGB 142 166 12

HSL 69.35, 0.87%, 0.35%

LAB 64.2, -25.94, 64.72

 

CMYK 15 / 0 / 93 / 20

HEX #AECC0F

RGB 174 204 15

HSL 69.52, 0.86%, 0.43%

LAB 77.41, -30.66, 75.68

 

CMYK 14 / 0 / 90 / 7

HEX #CCEE17

RGB 204 238 23

HSL 69.49, 0.86%, 0.51%

LAB 88.95, -34.11, 84.6

 

CMYK 12 / 0 / 75 / 6

HEX #D4F03D

RGB 212 240 61

HSL 69.39, 0.86%, 0.59%

LAB 90.16, -30.7, 77.29

 

CMYK 15 / 0 / 93 / 19

HEX #B0CE0F

RGB 176 206 15

HSL 69.42, 0.86%, 0.43%

LAB 78.11, -30.78, 76.29

 

CMYK 93 / 0 / 60 / 20

HEX #0FCC51

RGB 15 204 81

HSL 140.95, 0.86%, 0.43%

LAB 72.15, -67.14, 48.62

 

CMYK 23 / 93 / 0 / 20

HEX #9D0FCC

RGB 157 15 204

HSL 285.08, 0.86%, 0.43%

LAB 41.01, 74.53, -63.93

 

CMYK 15 / 0 / 93 / 19

HEX #B0CE0F

RGB 176 206 15

HSL 69.42, 0.86%, 0.43%

LAB 78.11, -30.78, 76.29

 

CMYK 93 / 14 / 0 / 20

HEX #0FB0CC

RGB 15 176 204

HSL 188.89, 0.86%, 0.43%

LAB 66.15, -26.93, -24.65

 

CMYK 0 / 93 / 14 / 20

HEX #CC0FB0

RGB 204 15 176

HSL 308.89, 0.86%, 0.43%

LAB 47.38, 77.9, -36.87

 

CMYK 15 / 0 / 93 / 19

HEX #B0CE0F

RGB 176 206 15

HSL 69.42, 0.86%, 0.43%

LAB 78.11, -30.78, 76.29

 

CMYK 93 / 0 / 60 / 20

HEX #0FCC51

RGB 15 204 81

HSL 140.95, 0.86%, 0.43%

LAB 72.15, -67.14, 48.62

 

CMYK 78 / 93 / 0 / 20

HEX #2C0FCC

RGB 44 15 204

HSL 249.21, 0.86%, 0.43%

LAB 27.4, 64.52, -86.83

 

CMYK 0 / 93 / 32 / 20

HEX #CC0F8A

RGB 204 15 138

HSL 320.95, 0.86%, 0.43%

LAB 45.65, 73.39, -16.79

 

CMYK 15 / 0 / 93 / 19

HEX #B0CE0F

RGB 176 206 15

HSL 69.42, 0.86%, 0.43%

LAB 78.11, -30.78, 76.29

 

CMYK 93 / 0 / 32 / 20

HEX #0FCC8A

RGB 15 204 138

HSL 159.05, 0.86%, 0.43%

LAB 72.97, -57.36, 21.32

 

CMYK 78 / 93 / 0 / 20

HEX #2C0FCC

RGB 44 15 204

HSL 249.21, 0.86%, 0.43%

LAB 27.4, 64.52, -86.83

 

CMYK 0 / 93 / 60 / 20

HEX #CC0F51

RGB 204 15 81

HSL 339.05, 0.86%, 0.43%

LAB 43.91, 68.67, 16.03

 

Description

Color code: HEX #B0CE0F | qconv.com Color code: HEX #B0CE0F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 206 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 206 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 93 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 93% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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