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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0C92D it is the complementary color #4F36D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0C92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0C92D shade: #B5C928, #C6DB3B, #D7ED4E, #E8FF61 and #F9FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0C92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0C92D shade: #B0C92D, #9FB71A, #8EA507, #7D9300 and #6C8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0C92D shade: #AFC82D, #C8B72D, #C88D2D, #C8632D and #C83A2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0C92D shade: #AFC82D, #85C82D, #5CC82D, #32C82D and #2DC852

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0C92D shade matches the following richer shades: #AFC82D, #BCDB19 and #CAEF06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0C92D shade: #AFC82D, #A1B441, #94A055, #868C69 and #79787D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0C92D shade: #C88C2D, #C8B62D, #B0C82D, #87C82D and #5EC82D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0C92D shade: #74841E, #91A626, #AFC82D, #BFD648 and #CBDD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0C92D shade: #B0C92D, #2DC863 and #A12DC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0C92D shade: #B0C92D, #2DB0C8 and #C82DB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0C92D shade: #B0C92D, #2DC863, #442DC8 and #C82D92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0C92D shade: #B0C92D, #2DC892, #442DC8 and #C82D63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 78 / 21

HEX #B0C92D

RGB 176 201 45

HSL 69.62, 0.63%, 0.48%

LAB 76.8, -27.6, 68.88

 

Complementary color

CMYK 62 / 74 / 0 / 18

HEX #4F36D2

RGB 79 54 210

HSL 249.62, 0.63%, 0.52%

LAB 35.9, 53.4, -76.16

 

CMYK 10 / 0 / 80 / 21

HEX #B5C928

RGB 181 201 40

HSL 67.45, 0.67%, 0.47%

LAB 77.13, -25.72, 70.73

 

CMYK 10 / 0 / 73 / 14

HEX #C6DB3B

RGB 198 219 59

HSL 67.88, 0.69%, 0.55%

LAB 83.43, -26.56, 71.24

 

CMYK 9 / 0 / 67 / 7

HEX #D7ED4E

RGB 215 237 78

HSL 68.3, 0.82%, 0.62%

LAB 89.66, -27.26, 71.1

 

CMYK 9 / 0 / 62 / 0

HEX #E8FF61

RGB 232 255 97

HSL 68.73, 1%, 0.69%

LAB 95.81, -27.83, 70.56

 

CMYK 2 / 0 / 55 / 0

HEX #F9FF74

RGB 249 255 116

HSL 62.59, 1%, 0.73%

LAB 97.2, -19.83, 64.52

 

CMYK 12 / 0 / 78 / 21

HEX #B0C92D

RGB 176 201 45

HSL 69.62, 0.63%, 0.48%

LAB 76.8, -27.6, 68.88

 

CMYK 13 / 0 / 86 / 28

HEX #9FB71A

RGB 159 183 26

HSL 69.17, 0.75%, 0.41%

LAB 70.39, -26.68, 67.72

 

CMYK 14 / 0 / 96 / 35

HEX #8EA507

RGB 142 165 7

HSL 68.73, 0.92%, 0.34%

LAB 63.9, -25.54, 65.15

 

CMYK 15 / 0 / 100 / 42

HEX #7D9300

RGB 125 147 0

HSL 68.98, 1%, 0.29%

LAB 57.3, -24.14, 60.59

 

CMYK 16 / 0 / 100 / 49

HEX #6C8100

RGB 108 129 0

HSL 69.77, 1%, 0.25%

LAB 50.56, -22.61, 54.98

 

CMYK 13 / 0 / 78 / 22

HEX #AFC82D

RGB 175 200 45

HSL 69.68, 0.63%, 0.48%

LAB 76.44, -27.53, 68.53

 

CMYK 0 / 9 / 78 / 22

HEX #C8B72D

RGB 200 183 45

HSL 53.42, 0.63%, 0.48%

LAB 73.76, -8.42, 66.83

 

CMYK 0 / 30 / 78 / 22

HEX #C88D2D

RGB 200 141 45

HSL 37.16, 0.63%, 0.48%

LAB 62.94, 14.03, 56.82

 

CMYK 0 / 51 / 78 / 22

HEX #C8632D

RGB 200 99 45

HSL 20.9, 0.63%, 0.48%

LAB 53.38, 36.62, 47.54

 

CMYK 0 / 71 / 78 / 22

HEX #C83A2D

RGB 200 58 45

HSL 5.03, 0.63%, 0.48%

LAB 46.3, 55.21, 40.31

 

CMYK 13 / 0 / 78 / 22

HEX #AFC82D

RGB 175 200 45

HSL 69.68, 0.63%, 0.48%

LAB 76.44, -27.53, 68.53

 

CMYK 34 / 0 / 78 / 22

HEX #85C82D

RGB 133 200 45

HSL 85.94, 0.63%, 0.48%

LAB 73.86, -43.89, 65.2

 

CMYK 54 / 0 / 78 / 22

HEX #5CC82D

RGB 92 200 45

HSL 101.81, 0.63%, 0.48%

LAB 72.08, -56.99, 62.89

 

CMYK 75 / 0 / 78 / 22

HEX #32C82D

RGB 50 200 45

HSL 118.06, 0.63%, 0.48%

LAB 70.99, -65.92, 61.47

 

CMYK 78 / 0 / 59 / 22

HEX #2DC852

RGB 45 200 82

HSL 134.32, 0.63%, 0.48%

LAB 71.2, -63.11, 47.15

 

CMYK 13 / 0 / 78 / 22

HEX #AFC82D

RGB 175 200 45

HSL 69.68, 0.63%, 0.48%

LAB 76.44, -27.53, 68.53

 

CMYK 14 / 0 / 89 / 14

HEX #BCDB19

RGB 188 219 25

HSL 69.59, 0.8%, 0.48%

LAB 82.61, -31.77, 78.77

 

CMYK 15 / 0 / 97 / 6

HEX #CAEF06

RGB 202 239 6

HSL 69.53, 0.95%, 0.48%

LAB 89.07, -35.56, 86.33

 

CMYK 13 / 0 / 78 / 22

HEX #AFC82D

RGB 175 200 45

HSL 69.68, 0.63%, 0.48%

LAB 76.44, -27.53, 68.53

 

CMYK 11 / 0 / 64 / 29

HEX #A1B441

RGB 161 180 65

HSL 69.91, 0.47%, 0.48%

LAB 69.9, -22.5, 54.52

 

CMYK 7 / 0 / 47 / 37

HEX #94A055

RGB 148 160 85

HSL 69.6, 0.31%, 0.48%

LAB 63.42, -16, 37.46

 

CMYK 4 / 0 / 25 / 45

HEX #868C69

RGB 134 140 105

HSL 70.29, 0.14%, 0.48%

LAB 56.92, -8.45, 18.01

 

CMYK 3 / 4 / 0 / 51

HEX #79787D

RGB 121 120 125

HSL 252, 0.02%, 0.48%

LAB 50.66, 1.4, -2.6

 

CMYK 0 / 30 / 78 / 22

HEX #C88C2D

RGB 200 140 45

HSL 36.77, 0.63%, 0.48%

LAB 62.7, 14.58, 56.59

 

CMYK 0 / 9 / 78 / 22

HEX #C8B62D

RGB 200 182 45

HSL 53.03, 0.63%, 0.48%

LAB 73.5, -7.91, 66.59

 

CMYK 12 / 0 / 78 / 22

HEX #B0C82D

RGB 176 200 45

HSL 69.29, 0.63%, 0.48%

LAB 76.51, -27.12, 68.62

 

CMYK 33 / 0 / 78 / 22

HEX #87C82D

RGB 135 200 45

HSL 85.16, 0.63%, 0.48%

LAB 73.96, -43.16, 65.34

 

CMYK 53 / 0 / 78 / 22

HEX #5EC82D

RGB 94 200 45

HSL 101.03, 0.63%, 0.48%

LAB 72.15, -56.44, 62.98

 

CMYK 12 / 0 / 77 / 48

HEX #74841E

RGB 116 132 30

HSL 69.41, 0.63%, 0.32%

LAB 52.19, -19.63, 49.34

 

CMYK 13 / 0 / 77 / 35

HEX #91A626

RGB 145 166 38

HSL 69.84, 0.63%, 0.4%

LAB 64.51, -23.86, 58.94

 

CMYK 13 / 0 / 78 / 22

HEX #AFC82D

RGB 175 200 45

HSL 69.68, 0.63%, 0.48%

LAB 76.44, -27.53, 68.53

 

CMYK 11 / 0 / 66 / 16

HEX #BFD648

RGB 191 214 72

HSL 69.72, 0.63%, 0.56%

LAB 81.64, -26.31, 64.64

 

CMYK 8 / 0 / 52 / 13

HEX #CBDD6A

RGB 203 221 106

HSL 69.39, 0.63%, 0.64%

LAB 84.72, -22.35, 53.73

 

CMYK 12 / 0 / 78 / 21

HEX #B0C92D

RGB 176 201 45

HSL 69.62, 0.63%, 0.48%

LAB 76.8, -27.6, 68.88

 

CMYK 78 / 0 / 51 / 22

HEX #2DC863

RGB 45 200 99

HSL 140.9, 0.63%, 0.48%

LAB 71.4, -60.73, 39.33

 

CMYK 20 / 78 / 0 / 22

HEX #A12DC8

RGB 161 45 200

HSL 284.9, 0.63%, 0.48%

LAB 43.69, 67.55, -57.23

 

CMYK 12 / 0 / 78 / 21

HEX #B0C92D

RGB 176 201 45

HSL 69.62, 0.63%, 0.48%

LAB 76.8, -27.6, 68.88

 

CMYK 78 / 12 / 0 / 22

HEX #2DB0C8

RGB 45 176 200

HSL 189.29, 0.63%, 0.48%

LAB 66.35, -26.14, -22.1

 

CMYK 0 / 78 / 12 / 22

HEX #C82DB0

RGB 200 45 176

HSL 309.29, 0.63%, 0.48%

LAB 48.62, 71.42, -34.96

 

CMYK 12 / 0 / 78 / 21

HEX #B0C92D

RGB 176 201 45

HSL 69.62, 0.63%, 0.48%

LAB 76.8, -27.6, 68.88

 

CMYK 78 / 0 / 51 / 22

HEX #2DC863

RGB 45 200 99

HSL 140.9, 0.63%, 0.48%

LAB 71.4, -60.73, 39.33

 

CMYK 66 / 78 / 0 / 22

HEX #442DC8

RGB 68 45 200

HSL 248.9, 0.63%, 0.48%

LAB 32.43, 53.73, -76.1

 

CMYK 0 / 78 / 27 / 22

HEX #C82D92

RGB 200 45 146

HSL 320.9, 0.63%, 0.48%

LAB 47.28, 67.48, -19.21

 

CMYK 12 / 0 / 78 / 21

HEX #B0C92D

RGB 176 201 45

HSL 69.62, 0.63%, 0.48%

LAB 76.8, -27.6, 68.88

 

CMYK 78 / 0 / 27 / 22

HEX #2DC892

RGB 45 200 146

HSL 159.1, 0.63%, 0.48%

LAB 72.19, -51.75, 16.02

 

CMYK 66 / 78 / 0 / 22

HEX #442DC8

RGB 68 45 200

HSL 248.9, 0.63%, 0.48%

LAB 32.43, 53.73, -76.1

 

CMYK 0 / 78 / 51 / 22

HEX #C82D63

RGB 200 45 99

HSL 339.1, 0.63%, 0.48%

LAB 45.71, 62.72, 7.2

 

Description

Color code: HEX #B0C92D | qconv.com Color code: HEX #B0C92D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 201 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 201 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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