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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0C321 it is the complementary color #4F3CDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0C321. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0C321 shade: #B5C31C, #C6D52F, #D7E742, #E8F955 and #F9FF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0C321. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0C321 shade: #B0C321, #9FB10E, #8E9F00, #7D8D00 and #6C7B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0C321 shade: #B1C421, #C4AB21, #C47F21, #C45421 and #C42821

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0C321 shade: #B1C421, #85C421, #59C421, #2DC421 and #21C441

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0C321 shade matches the following richer shades: #B1C421 and #BFD70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0C321 shade: #B1C421, #A3B234, #959F46, #868D59 and #787A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0C321 shade: #C48021, #C4AC21, #B1C421, #86C421 and #5AC421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0C321 shade: #717E15, #91A11B, #B1C421, #C8DC32 and #D2E256

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0C321 shade: #B0C321, #21C455 and #9621C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0C321 shade: #B0C321, #21B1C4 and #C421B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0C321 shade: #B0C321, #21C455, #3421C4 and #C42191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0C321 shade: #B0C321, #21C486, #3421C4 and #C42160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 83 / 24

HEX #B0C321

RGB 176 195 33

HSL 67.04, 0.71%, 0.45%

LAB 75.06, -25.14, 70.56

 

Complementary color

CMYK 64 / 73 / 0 / 13

HEX #4F3CDE

RGB 79 60 222

HSL 247.04, 0.71%, 0.55%

LAB 38.14, 53.89, -79.36

 

CMYK 7 / 0 / 86 / 24

HEX #B5C31C

RGB 181 195 28

HSL 65.03, 0.75%, 0.44%

LAB 75.41, -23.17, 72.13

 

CMYK 7 / 0 / 78 / 16

HEX #C6D52F

RGB 198 213 47

HSL 65.42, 0.66%, 0.51%

LAB 81.73, -24.19, 73.35

 

CMYK 7 / 0 / 71 / 9

HEX #D7E742

RGB 215 231 66

HSL 65.82, 0.77%, 0.58%

LAB 87.96, -25.04, 73.68

 

CMYK 7 / 0 / 66 / 2

HEX #E8F955

RGB 232 249 85

HSL 66.22, 0.93%, 0.65%

LAB 94.13, -25.75, 73.44

 

CMYK 2 / 0 / 59 / 0

HEX #F9FF68

RGB 249 255 104

HSL 62.38, 1%, 0.7%

LAB 97.09, -20.69, 69.48

 

CMYK 10 / 0 / 83 / 24

HEX #B0C321

RGB 176 195 33

HSL 67.04, 0.71%, 0.45%

LAB 75.06, -25.14, 70.56

 

CMYK 10 / 0 / 92 / 31

HEX #9FB10E

RGB 159 177 14

HSL 66.63, 0.85%, 0.37%

LAB 68.64, -24.02, 68.46

 

CMYK 11 / 0 / 100 / 38

HEX #8E9F00

RGB 142 159 0

HSL 66.42, 1%, 0.31%

LAB 62.12, -22.68, 64.76

 

CMYK 11 / 0 / 100 / 45

HEX #7D8D00

RGB 125 141 0

HSL 66.81, 1%, 0.28%

LAB 55.49, -21.12, 59.24

 

CMYK 12 / 0 / 100 / 52

HEX #6C7B00

RGB 108 123 0

HSL 67.32, 1%, 0.24%

LAB 48.7, -19.52, 53.59

 

CMYK 10 / 0 / 83 / 23

HEX #B1C421

RGB 177 196 33

HSL 66.99, 0.71%, 0.45%

LAB 75.41, -25.2, 70.89

 

CMYK 0 / 13 / 83 / 23

HEX #C4AB21

RGB 196 171 33

HSL 50.8, 0.71%, 0.45%

LAB 70.16, -4.31, 67.05

 

CMYK 0 / 35 / 83 / 23

HEX #C47F21

RGB 196 127 33

HSL 34.6, 0.71%, 0.45%

LAB 59, 19.53, 57.49

 

CMYK 0 / 57 / 83 / 23

HEX #C45421

RGB 196 84 33

HSL 18.77, 0.71%, 0.45%

LAB 49.72, 42.16, 49.31

 

CMYK 0 / 80 / 83 / 23

HEX #C42821

RGB 196 40 33

HSL 2.58, 0.71%, 0.45%

LAB 43.31, 59.51, 43.47

 

CMYK 10 / 0 / 83 / 23

HEX #B1C421

RGB 177 196 33

HSL 66.99, 0.71%, 0.45%

LAB 75.41, -25.2, 70.89

 

CMYK 32 / 0 / 83 / 23

HEX #85C421

RGB 133 196 33

HSL 83.19, 0.71%, 0.45%

LAB 72.61, -42.7, 67.38

 

CMYK 55 / 0 / 83 / 23

HEX #59C421

RGB 89 196 33

HSL 99.39, 0.71%, 0.45%

LAB 70.67, -56.97, 64.91

 

CMYK 77 / 0 / 83 / 23

HEX #2DC421

RGB 45 196 33

HSL 115.58, 0.71%, 0.45%

LAB 69.57, -66.12, 63.51

 

CMYK 83 / 0 / 67 / 23

HEX #21C441

RGB 33 196 65

HSL 131.78, 0.71%, 0.45%

LAB 69.6, -65.16, 52.68

 

CMYK 10 / 0 / 83 / 23

HEX #B1C421

RGB 177 196 33

HSL 66.99, 0.71%, 0.45%

LAB 75.41, -25.2, 70.89

 

CMYK 11 / 0 / 93 / 16

HEX #BFD70F

RGB 191 215 15

HSL 67.2, 0.87%, 0.45%

LAB 81.68, -28.84, 79.52

 

CMYK 10 / 0 / 83 / 23

HEX #B1C421

RGB 177 196 33

HSL 66.99, 0.71%, 0.45%

LAB 75.41, -25.2, 70.89

 

CMYK 8 / 0 / 71 / 30

HEX #A3B234

RGB 163 178 52

HSL 67.14, 0.55%, 0.45%

LAB 69.38, -21.48, 59.2

 

CMYK 6 / 0 / 56 / 38

HEX #959F46

RGB 149 159 70

HSL 66.74, 0.39%, 0.45%

LAB 63.03, -16.51, 44.45

 

CMYK 5 / 0 / 37 / 45

HEX #868D59

RGB 134 141 89

HSL 68.08, 0.23%, 0.45%

LAB 56.92, -11.27, 26.91

 

CMYK 2 / 0 / 11 / 52

HEX #787A6C

RGB 120 122 108

HSL 68.57, 0.06%, 0.45%

LAB 50.68, -3.45, 7.41

 

CMYK 0 / 35 / 83 / 23

HEX #C48021

RGB 196 128 33

HSL 34.97, 0.71%, 0.45%

LAB 59.24, 18.98, 57.7

 

CMYK 0 / 12 / 83 / 23

HEX #C4AC21

RGB 196 172 33

HSL 51.17, 0.71%, 0.45%

LAB 70.42, -4.83, 67.28

 

CMYK 10 / 0 / 83 / 23

HEX #B1C421

RGB 177 196 33

HSL 66.99, 0.71%, 0.45%

LAB 75.41, -25.2, 70.89

 

CMYK 32 / 0 / 83 / 23

HEX #86C421

RGB 134 196 33

HSL 82.82, 0.71%, 0.45%

LAB 72.67, -42.33, 67.44

 

CMYK 54 / 0 / 83 / 23

HEX #5AC421

RGB 90 196 33

HSL 99.02, 0.71%, 0.45%

LAB 70.71, -56.7, 64.96

 

CMYK 10 / 0 / 83 / 51

HEX #717E15

RGB 113 126 21

HSL 67.43, 0.71%, 0.29%

LAB 50.08, -18.24, 50.23

 

CMYK 10 / 0 / 83 / 37

HEX #91A11B

RGB 145 161 27

HSL 67.16, 0.71%, 0.37%

LAB 63, -21.8, 60.8

 

CMYK 10 / 0 / 83 / 23

HEX #B1C421

RGB 177 196 33

HSL 66.99, 0.71%, 0.45%

LAB 75.41, -25.2, 70.89

 

CMYK 9 / 0 / 77 / 14

HEX #C8DC32

RGB 200 220 50

HSL 67.06, 0.71%, 0.53%

LAB 83.81, -26.61, 74.42

 

CMYK 7 / 0 / 62 / 11

HEX #D2E256

RGB 210 226 86

HSL 66.86, 0.71%, 0.61%

LAB 86.39, -23.53, 64.47

 

CMYK 10 / 0 / 83 / 24

HEX #B0C321

RGB 176 195 33

HSL 67.04, 0.71%, 0.45%

LAB 75.06, -25.14, 70.56

 

CMYK 83 / 0 / 57 / 23

HEX #21C455

RGB 33 196 85

HSL 139.14, 0.71%, 0.45%

LAB 69.8, -62.78, 44.07

 

CMYK 23 / 83 / 0 / 23

HEX #9621C4

RGB 150 33 196

HSL 283.07, 0.71%, 0.45%

LAB 40.5, 68.41, -60.14

 

CMYK 10 / 0 / 83 / 24

HEX #B0C321

RGB 176 195 33

HSL 67.04, 0.71%, 0.45%

LAB 75.06, -25.14, 70.56

 

CMYK 83 / 10 / 0 / 23

HEX #21B1C4

RGB 33 177 196

HSL 186.99, 0.71%, 0.45%

LAB 66.33, -29, -19.93

 

CMYK 0 / 83 / 10 / 23

HEX #C421B1

RGB 196 33 177

HSL 306.99, 0.71%, 0.45%

LAB 46.97, 73.65, -38.2

 

CMYK 10 / 0 / 83 / 24

HEX #B0C321

RGB 176 195 33

HSL 67.04, 0.71%, 0.45%

LAB 75.06, -25.14, 70.56

 

CMYK 83 / 0 / 57 / 23

HEX #21C455

RGB 33 196 85

HSL 139.14, 0.71%, 0.45%

LAB 69.8, -62.78, 44.07

 

CMYK 73 / 83 / 0 / 23

HEX #3421C4

RGB 52 33 196

HSL 246.99, 0.71%, 0.45%

LAB 28.91, 56.72, -79.61

 

CMYK 0 / 83 / 26 / 23

HEX #C42191

RGB 196 33 145

HSL 318.77, 0.71%, 0.45%

LAB 45.45, 69.46, -21.47

 

CMYK 10 / 0 / 83 / 24

HEX #B0C321

RGB 176 195 33

HSL 67.04, 0.71%, 0.45%

LAB 75.06, -25.14, 70.56

 

CMYK 83 / 0 / 32 / 23

HEX #21C486

RGB 33 196 134

HSL 157.18, 0.71%, 0.45%

LAB 70.54, -54.08, 20.13

 

CMYK 73 / 83 / 0 / 23

HEX #3421C4

RGB 52 33 196

HSL 246.99, 0.71%, 0.45%

LAB 28.91, 56.72, -79.61

 

CMYK 0 / 83 / 51 / 23

HEX #C42160

RGB 196 33 96

HSL 336.81, 0.71%, 0.45%

LAB 43.75, 64.59, 6.17

 

Description

Color code: HEX #B0C321 | qconv.com Color code: HEX #B0C321 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 195 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 195 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 83 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 83% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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