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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0C2EB it is the complementary color #4F3D14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0C2EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0C2EB shade: #B5C2E6, #C6D4F9, #D7E6FF, #E8F8FF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0C2EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0C2EB shade: #B0C2EB, #9FB0D8, #8E9EC5, #7D8CB2 and #6C7A9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0C2EB shade: #B1C3EC, #B1B4EC, #BFB1EC, #CFB1EC and #DEB1EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0C2EB shade: #B1C3EC, #B1B4EC and #B1B1EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0C2EB shade matches the following richer shades: #B1C3EC, #AAC0F3 and #A2BDFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0C2EB shade: #B1C3EC, #B9C6E4, #C1C9DC, #C9CCD4 and #D1CFCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0C2EB shade: #B1E3EC, #B1D3EC, #B1C4EC, #B1B4EC and #BEB1EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0C2EB shade: #6F90DB, #90AAE3, #B1C3EC, #D2DDF4 and #F3F6FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0C2EB shade: #B0C2EB, #E5B1EC and #DBECB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0C2EB shade: #B0C2EB, #ECB1C4 and #C4ECB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0C2EB shade: #B0C2EB, #E5B1EC, #ECD9B1 and #B8ECB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0C2EB shade: #B0C2EB, #ECB1E1, #ECD9B1 and #B1ECBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 17 / 0 / 8

HEX #B0C2EB

RGB 176 194 235

HSL 221.69, 0.6%, 0.81%

LAB 78.35, 2.75, -22.37

 

Complementary color

CMYK 0 / 23 / 75 / 69

HEX #4F3D14

RGB 79 61 20

HSL 41.69, 0.6%, 0.19%

LAB 26.88, 2.77, 27.39

 

CMYK 21 / 16 / 0 / 10

HEX #B5C2E6

RGB 181 194 230

HSL 224.08, 0.49%, 0.81%

LAB 78.53, 3.12, -19.37

 

CMYK 20 / 15 / 0 / 2

HEX #C6D4F9

RGB 198 212 249

HSL 223.53, 0.81%, 0.88%

LAB 84.96, 2.91, -19.67

 

CMYK 16 / 10 / 0 / 0

HEX #D7E6FF

RGB 215 230 255

HSL 217.5, 1%, 0.92%

LAB 90.9, -0.03, -13.78

 

CMYK 9 / 3 / 0 / 0

HEX #E8F8FF

RGB 232 248 255

HSL 198.26, 1%, 0.95%

LAB 96.62, -3.9, -5.16

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 25 / 17 / 0 / 8

HEX #B0C2EB

RGB 176 194 235

HSL 221.69, 0.6%, 0.81%

LAB 78.35, 2.75, -22.37

 

CMYK 26 / 19 / 0 / 15

HEX #9FB0D8

RGB 159 176 216

HSL 222.11, 0.42%, 0.74%

LAB 71.81, 3, -22.12

 

CMYK 28 / 20 / 0 / 23

HEX #8E9EC5

RGB 142 158 197

HSL 222.55, 0.32%, 0.66%

LAB 65.15, 3.27, -21.9

 

CMYK 30 / 21 / 0 / 30

HEX #7D8CB2

RGB 125 140 178

HSL 223.02, 0.26%, 0.59%

LAB 58.35, 3.57, -21.71

 

CMYK 32 / 23 / 0 / 38

HEX #6C7A9F

RGB 108 122 159

HSL 223.53, 0.21%, 0.52%

LAB 51.39, 3.91, -21.54

 

CMYK 25 / 17 / 0 / 7

HEX #B1C3EC

RGB 177 195 236

HSL 221.69, 0.61%, 0.81%

LAB 78.71, 2.74, -22.35

 

CMYK 25 / 24 / 0 / 7

HEX #B1B4EC

RGB 177 180 236

HSL 236.95, 0.61%, 0.81%

LAB 74.85, 10.92, -28.24

 

CMYK 19 / 25 / 0 / 7

HEX #BFB1EC

RGB 191 177 236

HSL 254.24, 0.61%, 0.81%

LAB 75.19, 16.8, -27.64

 

CMYK 12 / 25 / 0 / 7

HEX #CFB1EC

RGB 207 177 236

HSL 270.51, 0.61%, 0.81%

LAB 76.54, 21.78, -25.45

 

CMYK 6 / 25 / 0 / 7

HEX #DEB1EC

RGB 222 177 236

HSL 285.76, 0.61%, 0.81%

LAB 77.89, 26.55, -23.26

 

CMYK 25 / 17 / 0 / 7

HEX #B1C3EC

RGB 177 195 236

HSL 221.69, 0.61%, 0.81%

LAB 78.71, 2.74, -22.35

 

CMYK 25 / 24 / 0 / 7

HEX #B1B4EC

RGB 177 180 236

HSL 236.95, 0.61%, 0.81%

LAB 74.85, 10.92, -28.24

 

CMYK 25 / 25 / 0 / 7

HEX #B1B1EC

RGB 177 177 236

HSL 240, 0.61%, 0.81%

LAB 74.09, 12.57, -29.41

 

CMYK 25 / 17 / 0 / 7

HEX #B1C3EC

RGB 177 195 236

HSL 221.69, 0.61%, 0.81%

LAB 78.71, 2.74, -22.35

 

CMYK 30 / 21 / 0 / 5

HEX #AAC0F3

RGB 170 192 243

HSL 221.92, 0.75%, 0.81%

LAB 77.71, 3.99, -27.68

 

CMYK 35 / 25 / 0 / 2

HEX #A2BDFB

RGB 162 189 251

HSL 221.8, 0.92%, 0.81%

LAB 76.7, 5.41, -33.57

 

CMYK 25 / 17 / 0 / 7

HEX #B1C3EC

RGB 177 195 236

HSL 221.69, 0.61%, 0.81%

LAB 78.71, 2.74, -22.35

 

CMYK 19 / 13 / 0 / 11

HEX #B9C6E4

RGB 185 198 228

HSL 221.86, 0.44%, 0.81%

LAB 79.79, 1.77, -16.38

 

CMYK 12 / 9 / 0 / 14

HEX #C1C9DC

RGB 193 201 220

HSL 222.22, 0.28%, 0.81%

LAB 80.89, 1.02, -10.37

 

CMYK 5 / 4 / 0 / 17

HEX #C9CCD4

RGB 201 204 212

HSL 223.64, 0.11%, 0.81%

LAB 82.03, 0.48, -4.33

 

CMYK 0 / 1 / 2 / 18

HEX #D1CFCC

RGB 209 207 204

HSL 36, 0.05%, 0.81%

LAB 83.2, 0.15, 1.72

 

CMYK 25 / 4 / 0 / 7

HEX #B1E3EC

RGB 177 227 236

HSL 189.15, 0.61%, 0.81%

LAB 87.16, -14, -9.64

 

CMYK 25 / 11 / 0 / 7

HEX #B1D3EC

RGB 177 211 236

HSL 205.42, 0.61%, 0.81%

LAB 82.91, -5.76, -16

 

CMYK 25 / 17 / 0 / 7

HEX #B1C4EC

RGB 177 196 236

HSL 220.68, 0.61%, 0.81%

LAB 78.97, 2.2, -21.95

 

CMYK 25 / 24 / 0 / 7

HEX #B1B4EC

RGB 177 180 236

HSL 236.95, 0.61%, 0.81%

LAB 74.85, 10.92, -28.24

 

CMYK 19 / 25 / 0 / 7

HEX #BEB1EC

RGB 190 177 236

HSL 253.22, 0.61%, 0.81%

LAB 75.11, 16.49, -27.77

 

CMYK 49 / 34 / 0 / 14

HEX #6F90DB

RGB 111 144 219

HSL 221.67, 0.6%, 0.65%

LAB 60.28, 9.01, -41.88

 

CMYK 37 / 25 / 0 / 11

HEX #90AAE3

RGB 144 170 227

HSL 221.2, 0.6%, 0.73%

LAB 69.63, 4.79, -31.58

 

CMYK 25 / 17 / 0 / 7

HEX #B1C3EC

RGB 177 195 236

HSL 221.69, 0.61%, 0.81%

LAB 78.71, 2.74, -22.35

 

CMYK 14 / 9 / 0 / 4

HEX #D2DDF4

RGB 210 221 244

HSL 220.59, 0.61%, 0.89%

LAB 87.94, 0.83, -12.47

 

CMYK 4 / 2 / 0 / 1

HEX #F3F6FC

RGB 243 246 252

HSL 220, 0.6%, 0.97%

LAB 96.82, 0.09, -3.23

 

CMYK 25 / 17 / 0 / 8

HEX #B0C2EB

RGB 176 194 235

HSL 221.69, 0.6%, 0.81%

LAB 78.35, 2.75, -22.37

 

CMYK 3 / 25 / 0 / 7

HEX #E5B1EC

RGB 229 177 236

HSL 292.88, 0.61%, 0.81%

LAB 78.55, 28.79, -22.19

 

CMYK 7 / 0 / 25 / 7

HEX #DBECB1

RGB 219 236 177

HSL 77.29, 0.61%, 0.81%

LAB 90.88, -15.39, 26.8

 

CMYK 25 / 17 / 0 / 8

HEX #B0C2EB

RGB 176 194 235

HSL 221.69, 0.6%, 0.81%

LAB 78.35, 2.75, -22.37

 

CMYK 0 / 25 / 17 / 7

HEX #ECB1C4

RGB 236 177 196

HSL 340.68, 0.61%, 0.81%

LAB 78.03, 24.28, -1.23

 

CMYK 17 / 0 / 25 / 7

HEX #C4ECB1

RGB 196 236 177

HSL 100.68, 0.61%, 0.81%

LAB 89.35, -23.51, 24.45

 

CMYK 25 / 17 / 0 / 8

HEX #B0C2EB

RGB 176 194 235

HSL 221.69, 0.6%, 0.81%

LAB 78.35, 2.75, -22.37

 

CMYK 3 / 25 / 0 / 7

HEX #E5B1EC

RGB 229 177 236

HSL 292.88, 0.61%, 0.81%

LAB 78.55, 28.79, -22.19

 

CMYK 0 / 8 / 25 / 7

HEX #ECD9B1

RGB 236 217 177

HSL 40.68, 0.61%, 0.81%

LAB 87.31, 0.46, 22.11

 

CMYK 22 / 0 / 25 / 7

HEX #B8ECB1

RGB 184 236 177

HSL 112.88, 0.61%, 0.81%

LAB 88.62, -27.57, 23.33

 

CMYK 25 / 17 / 0 / 8

HEX #B0C2EB

RGB 176 194 235

HSL 221.69, 0.6%, 0.81%

LAB 78.35, 2.75, -22.37

 

CMYK 0 / 25 / 5 / 7

HEX #ECB1E1

RGB 236 177 225

HSL 311.19, 0.61%, 0.81%

LAB 78.88, 29.08, -15.7

 

CMYK 0 / 8 / 25 / 7

HEX #ECD9B1

RGB 236 217 177

HSL 40.68, 0.61%, 0.81%

LAB 87.31, 0.46, 22.11

 

CMYK 25 / 0 / 20 / 7

HEX #B1ECBC

RGB 177 236 188

HSL 131.19, 0.61%, 0.81%

LAB 88.43, -27.99, 17.33

 

Description

Color code: HEX #B0C2EB | qconv.com Color code: HEX #B0C2EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 194 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 194 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 17 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 17% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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