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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0C21C it is the complementary color #4F3DE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0C21C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0C21C shade: #B5C217, #C6D42A, #D7E63D, #E8F850 and #F9FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0C21C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0C21C shade: #B0C21C, #9FB009, #8E9E00, #7D8C00 and #6C7A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0C21C shade: #B2C41C, #C4A91C, #C47C1C, #C44E1C and #C4211C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0C21C shade: #B2C41C, #85C41C, #57C41C, #2AC41C and #1CC43C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0C21C shade matches the following richer shades: #B2C41C and #C0D70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0C21C shade: #B2C41C, #A4B22E, #96A040, #878E53 and #797C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0C21C shade: #C47B1C, #C4A81C, #B4C41C, #87C41C and #5AC41C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0C21C shade: #717C12, #91A017, #B2C41C, #CDE029 and #D5E64D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0C21C shade: #B0C21C, #1CC44F and #921CC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0C21C shade: #B0C21C, #1CB4C4 and #C41CB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0C21C shade: #B0C21C, #1CC44F, #2D1CC4 and #C41C92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0C21C shade: #B0C21C, #1CC481, #2D1CC4 and #C41C5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 86 / 24

HEX #B0C21C

RGB 176 194 28

HSL 66.51, 0.75%, 0.44%

LAB 74.76, -24.8, 71.44

 

Complementary color

CMYK 65 / 73 / 0 / 11

HEX #4F3DE3

RGB 79 61 227

HSL 246.51, 0.75%, 0.56%

LAB 38.8, 54.88, -81.13

 

CMYK 7 / 0 / 88 / 24

HEX #B5C217

RGB 181 194 23

HSL 64.56, 0.79%, 0.43%

LAB 75.12, -22.8, 72.86

 

CMYK 7 / 0 / 80 / 17

HEX #C6D42A

RGB 198 212 42

HSL 64.94, 0.67%, 0.5%

LAB 81.43, -23.89, 74.45

 

CMYK 7 / 0 / 73 / 10

HEX #D7E63D

RGB 215 230 61

HSL 65.33, 0.77%, 0.57%

LAB 87.67, -24.8, 75.03

 

CMYK 6 / 0 / 68 / 3

HEX #E8F850

RGB 232 248 80

HSL 65.71, 0.92%, 0.64%

LAB 93.83, -25.56, 74.97

 

CMYK 2 / 0 / 61 / 0

HEX #F9FF63

RGB 249 255 99

HSL 62.31, 1%, 0.69%

LAB 97.05, -21.01, 71.46

 

CMYK 9 / 0 / 86 / 24

HEX #B0C21C

RGB 176 194 28

HSL 66.51, 0.75%, 0.44%

LAB 74.76, -24.8, 71.44

 

CMYK 10 / 0 / 95 / 31

HEX #9FB009

RGB 159 176 9

HSL 66.11, 0.9%, 0.36%

LAB 68.34, -23.6, 68.88

 

CMYK 10 / 0 / 100 / 38

HEX #8E9E00

RGB 142 158 0

HSL 66.08, 1%, 0.31%

LAB 61.83, -22.18, 64.55

 

CMYK 11 / 0 / 100 / 45

HEX #7D8C00

RGB 125 140 0

HSL 66.43, 1%, 0.27%

LAB 55.19, -20.61, 59.02

 

CMYK 11 / 0 / 100 / 52

HEX #6C7A00

RGB 108 122 0

HSL 66.89, 1%, 0.24%

LAB 48.39, -19, 53.36

 

CMYK 9 / 0 / 86 / 23

HEX #B2C41C

RGB 178 196 28

HSL 66.43, 0.75%, 0.44%

LAB 75.47, -24.92, 72.08

 

CMYK 0 / 14 / 86 / 23

HEX #C4A91C

RGB 196 169 28

HSL 50.36, 0.75%, 0.44%

LAB 69.61, -3.39, 67.87

 

CMYK 0 / 37 / 86 / 23

HEX #C47C1C

RGB 196 124 28

HSL 34.29, 0.75%, 0.44%

LAB 58.26, 21.04, 58.52

 

CMYK 0 / 60 / 86 / 23

HEX #C44E1C

RGB 196 78 28

HSL 17.86, 0.75%, 0.44%

LAB 48.6, 44.88, 50.45

 

CMYK 0 / 83 / 86 / 23

HEX #C4211C

RGB 196 33 28

HSL 1.79, 0.75%, 0.44%

LAB 42.62, 61.21, 45.39

 

CMYK 9 / 0 / 86 / 23

HEX #B2C41C

RGB 178 196 28

HSL 66.43, 0.75%, 0.44%

LAB 75.47, -24.92, 72.08

 

CMYK 32 / 0 / 86 / 23

HEX #85C41C

RGB 133 196 28

HSL 82.5, 0.75%, 0.44%

LAB 72.59, -42.88, 68.51

 

CMYK 56 / 0 / 86 / 23

HEX #57C41C

RGB 87 196 28

HSL 98.93, 0.75%, 0.44%

LAB 70.59, -57.72, 65.99

 

CMYK 79 / 0 / 86 / 23

HEX #2AC41C

RGB 42 196 28

HSL 115, 0.75%, 0.44%

LAB 69.51, -66.76, 64.62

 

CMYK 86 / 0 / 69 / 23

HEX #1CC43C

RGB 28 196 60

HSL 131.43, 0.75%, 0.44%

LAB 69.51, -66.13, 54.57

 

CMYK 9 / 0 / 86 / 23

HEX #B2C41C

RGB 178 196 28

HSL 66.43, 0.75%, 0.44%

LAB 75.47, -24.92, 72.08

 

CMYK 11 / 0 / 95 / 16

HEX #C0D70A

RGB 192 215 10

HSL 66.73, 0.91%, 0.44%

LAB 81.75, -28.49, 80.11

 

CMYK 9 / 0 / 86 / 23

HEX #B2C41C

RGB 178 196 28

HSL 66.43, 0.75%, 0.44%

LAB 75.47, -24.92, 72.08

 

CMYK 8 / 0 / 74 / 30

HEX #A4B22E

RGB 164 178 46

HSL 66.36, 0.59%, 0.44%

LAB 69.42, -21.36, 61.4

 

CMYK 6 / 0 / 60 / 37

HEX #96A040

RGB 150 160 64

HSL 66.25, 0.43%, 0.44%

LAB 63.34, -17.1, 47.62

 

CMYK 5 / 0 / 42 / 44

HEX #878E53

RGB 135 142 83

HSL 67.12, 0.26%, 0.44%

LAB 57.19, -12.14, 30.54

 

CMYK 2 / 0 / 19 / 51

HEX #797C65

RGB 121 124 101

HSL 67.83, 0.1%, 0.44%

LAB 51.17, -5.41, 12.2

 

CMYK 0 / 37 / 86 / 23

HEX #C47B1C

RGB 196 123 28

HSL 33.93, 0.75%, 0.44%

LAB 58.02, 21.58, 58.32

 

CMYK 0 / 14 / 86 / 23

HEX #C4A81C

RGB 196 168 28

HSL 50, 0.75%, 0.44%

LAB 69.34, -2.86, 67.65

 

CMYK 8 / 0 / 86 / 23

HEX #B4C41C

RGB 180 196 28

HSL 65.71, 0.75%, 0.44%

LAB 75.62, -24.08, 72.27

 

CMYK 31 / 0 / 86 / 23

HEX #87C41C

RGB 135 196 28

HSL 81.79, 0.75%, 0.44%

LAB 72.7, -42.13, 68.65

 

CMYK 54 / 0 / 86 / 23

HEX #5AC41C

RGB 90 196 28

HSL 97.86, 0.75%, 0.44%

LAB 70.69, -56.91, 66.11

 

CMYK 9 / 0 / 85 / 51

HEX #717C12

RGB 113 124 18

HSL 66.23, 0.75%, 0.28%

LAB 49.46, -17.3, 50.53

 

CMYK 9 / 0 / 86 / 37

HEX #91A017

RGB 145 160 23

HSL 66.57, 0.75%, 0.36%

LAB 62.7, -21.42, 61.52

 

CMYK 9 / 0 / 86 / 23

HEX #B2C41C

RGB 178 196 28

HSL 66.43, 0.75%, 0.44%

LAB 75.47, -24.92, 72.08

 

CMYK 8 / 0 / 82 / 12

HEX #CDE029

RGB 205 224 41

HSL 66.23, 0.75%, 0.52%

LAB 85.23, -26.77, 78.18

 

CMYK 7 / 0 / 67 / 10

HEX #D5E64D

RGB 213 230 77

HSL 66.67, 0.75%, 0.6%

LAB 87.62, -24.8, 69.36

 

CMYK 9 / 0 / 86 / 24

HEX #B0C21C

RGB 176 194 28

HSL 66.51, 0.75%, 0.44%

LAB 74.76, -24.8, 71.44

 

CMYK 86 / 0 / 60 / 23

HEX #1CC44F

RGB 28 196 79

HSL 138.21, 0.75%, 0.44%

LAB 69.68, -64.03, 46.69

 

CMYK 26 / 86 / 0 / 23

HEX #921CC4

RGB 146 28 196

HSL 282.14, 0.75%, 0.44%

LAB 39.46, 69.04, -61.87

 

CMYK 9 / 0 / 86 / 24

HEX #B0C21C

RGB 176 194 28

HSL 66.51, 0.75%, 0.44%

LAB 74.76, -24.8, 71.44

 

CMYK 86 / 8 / 0 / 23

HEX #1CB4C4

RGB 28 180 196

HSL 185.71, 0.75%, 0.44%

LAB 67.18, -30.82, -18.64

 

CMYK 0 / 86 / 8 / 23

HEX #C41CB4

RGB 196 28 180

HSL 305.71, 0.75%, 0.44%

LAB 46.79, 75.06, -40.25

 

CMYK 9 / 0 / 86 / 24

HEX #B0C21C

RGB 176 194 28

HSL 66.51, 0.75%, 0.44%

LAB 74.76, -24.8, 71.44

 

CMYK 86 / 0 / 60 / 23

HEX #1CC44F

RGB 28 196 79

HSL 138.21, 0.75%, 0.44%

LAB 69.68, -64.03, 46.69

 

CMYK 77 / 86 / 0 / 23

HEX #2D1CC4

RGB 45 28 196

HSL 246.07, 0.75%, 0.44%

LAB 27.77, 58.34, -81.51

 

CMYK 0 / 86 / 26 / 23

HEX #C41C92

RGB 196 28 146

HSL 317.86, 0.75%, 0.44%

LAB 45.14, 70.61, -22.56

 

CMYK 9 / 0 / 86 / 24

HEX #B0C21C

RGB 176 194 28

HSL 66.51, 0.75%, 0.44%

LAB 74.76, -24.8, 71.44

 

CMYK 86 / 0 / 34 / 23

HEX #1CC481

RGB 28 196 129

HSL 156.07, 0.75%, 0.44%

LAB 70.39, -55.56, 22.58

 

CMYK 77 / 86 / 0 / 23

HEX #2D1CC4

RGB 45 28 196

HSL 246.07, 0.75%, 0.44%

LAB 27.77, 58.34, -81.51

 

CMYK 0 / 86 / 52 / 23

HEX #C41C5F

RGB 196 28 95

HSL 336.07, 0.75%, 0.44%

LAB 43.35, 65.59, 6.22

 

Description

Color code: HEX #B0C21C | qconv.com Color code: HEX #B0C21C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 194 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 194 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 86 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 86% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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