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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B09CF33F it is the complementary color #4F630C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B09CF33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B09CF33F shade: #B59CEE3F, #C6AEFF3F, #D7C0FF3F, #E8D2FF3F and #F9E4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B09CF33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B09CF33F shade: #B09CF33F, #9F8AE03F, #8E78CD3F, #7D66BA3F and #6C54A73F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B09CF33F shade: #AF9BF3, #C79BF3, #DE9BF3, #F39BEF and #F39BD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B09CF33F shade: #AF9BF3 and #9B9BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B09CF33F shade matches the following richer shades: #AF9BF3 and #AA92FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B09CF33F shade: #AF9BF3, #B4A4EA, #B9ADE1, #BEB6D7 and #C3BFCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B09CF33F shade: #9BB7F3, #9BA0F3, #AE9BF3, #C59BF3 and #DD9BF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B09CF33F shade: #7552EA, #9276EE, #AF9BF3, #CDC0F7 and #EAE5FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B09CF33F shade: #B09CF3, #F39BCE and #ABF39B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B09CF33F shade: #B09CF3, #F3AE9B and #9BF3AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B09CF33F shade: #B09CF3, #F39BCE, #E0F39B and #9BF3C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B09CF33F shade: #B09CF3, #F39BB4, #E0F39B and #9BF3DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 9 / 0 / 1

HEX #B09CF33F

RGBA 176 156 243 0.25

HSLA 253.79, 0.78%, 0.78%, 0.25

LABA 69.1, 25.69, -40.97, 0.25

 

Complementary color

CMYK 5 / 0 / 22 / 15

HEX #4F630C3F

RGBA 79 99 12 0.25

HSLA 73.79, 0.78%, 0.22%, 0.25

LABA 38.92, -19.88, 42.03, 0.25

 

CMYK 6 / 9 / 0 / 2

HEX #B59CEE3F

RGBA 181 156 238 0.25

HSLA 258.29, 0.71%, 0.77%, 0.25

LABA 69.31, 25.93, -37.88, 0.25

 

CMYK 6 / 8 / 0 / 0

HEX #C6AEFF3F

RGBA 198 174 255 0.25

HSLA 257.78, 1%, 0.84%, 0.25

LABA 75.76, 24.83, -36.96, 0.25

 

CMYK 4 / 6 / 0 / 0

HEX #D7C0FF3F

RGBA 215 192 255 0.25

HSLA 261.9, 1%, 0.88%, 0.25

LABA 81.49, 20.12, -28.01, 0.25

 

CMYK 2 / 4 / 0 / 0

HEX #E8D2FF3F

RGBA 232 210 255 0.25

HSLA 269.33, 1%, 0.91%, 0.25

LABA 87.23, 15.81, -19.17, 0.25

 

CMYK 1 / 3 / 0 / 0

HEX #F9E4FF3F

RGBA 249 228 255 0.25

HSLA 286.67, 1%, 0.95%, 0.25

LABA 92.95, 11.86, -10.46, 0.25

 

CMYK 7 / 9 / 0 / 1

HEX #B09CF33F

RGBA 176 156 243 0.25

HSLA 253.79, 0.78%, 0.78%, 0.25

LABA 69.1, 25.69, -40.97, 0.25

 

CMYK 7 / 10 / 0 / 3

HEX #9F8AE03F

RGBA 159 138 224 0.25

HSLA 254.65, 0.58%, 0.71%, 0.25

LABA 62.45, 26.42, -41.02, 0.25

 

CMYK 8 / 10 / 0 / 5

HEX #8E78CD3F

RGBA 142 120 205 0.25

HSLA 255.53, 0.46%, 0.64%, 0.25

LABA 55.68, 27.24, -41.1, 0.25

 

CMYK 8 / 11 / 0 / 7

HEX #7D66BA3F

RGBA 125 102 186 0.25

HSLA 256.43, 0.38%, 0.56%, 0.25

LABA 48.77, 28.15, -41.23, 0.25

 

CMYK 9 / 12 / 0 / 9

HEX #6C54A73F

RGBA 108 84 167 0.25

HSLA 257.35, 0.33%, 0.49%, 0.25

LABA 41.72, 29.17, -41.39, 0.25

 

CMYK 28 / 36 / 0 / 5

HEX #AF9BF3

RGB 175 155 243

HSL 253.64, 0.79%, 0.78%

LAB 68.77, 25.97, -41.49

 

CMYK 18 / 36 / 0 / 5

HEX #C79BF3

RGB 199 155 243

HSL 270, 0.79%, 0.78%

LAB 70.91, 32.89, -37.99

 

CMYK 9 / 36 / 0 / 5

HEX #DE9BF3

RGB 222 155 243

HSL 285.68, 0.79%, 0.78%

LAB 73.18, 39.75, -34.29

 

CMYK 0 / 36 / 2 / 5

HEX #F39BEF

RGB 243 155 239

HSL 302.73, 0.79%, 0.78%

LAB 75.28, 45.39, -28.69

 

CMYK 0 / 36 / 11 / 5

HEX #F39BD8

RGB 243 155 216

HSL 318.41, 0.79%, 0.78%

LAB 74.48, 41.47, -17.36

 

CMYK 28 / 36 / 0 / 5

HEX #AF9BF3

RGB 175 155 243

HSL 253.64, 0.79%, 0.78%

LAB 68.77, 25.97, -41.49

 

CMYK 36 / 36 / 0 / 5

HEX #9B9BF3

RGB 155 155 243

HSL 240, 0.79%, 0.78%

LAB 67.19, 20.49, -44.08

 

CMYK 28 / 36 / 0 / 5

HEX #AF9BF3

RGB 175 155 243

HSL 253.64, 0.79%, 0.78%

LAB 68.77, 25.97, -41.49

 

CMYK 33 / 42 / 0 / 1

HEX #AA92FC

RGB 170 146 252

HSL 253.58, 0.95%, 0.78%

LAB 66.62, 31.91, -49.81

 

CMYK 28 / 36 / 0 / 5

HEX #AF9BF3

RGB 175 155 243

HSL 253.64, 0.79%, 0.78%

LAB 68.77, 25.97, -41.49

 

CMYK 23 / 30 / 0 / 8

HEX #B4A4EA

RGB 180 164 234

HSL 253.71, 0.63%, 0.78%

LAB 71, 20.22, -33.07

 

CMYK 18 / 23 / 0 / 12

HEX #B9ADE1

RGB 185 173 225

HSL 253.85, 0.46%, 0.78%

LAB 73.31, 14.71, -24.58

 

CMYK 12 / 15 / 0 / 16

HEX #BEB6D7

RGB 190 182 215

HSL 254.55, 0.29%, 0.78%

LAB 75.64, 9.23, -15.56

 

CMYK 5 / 7 / 0 / 19

HEX #C3BFCE

RGB 195 191 206

HSL 256, 0.13%, 0.78%

LAB 78.06, 4.22, -7.02

 

CMYK 36 / 25 / 0 / 5

HEX #9BB7F3

RGB 155 183 243

HSL 220.91, 0.79%, 0.78%

LAB 74.39, 4.75, -32.87

 

CMYK 36 / 34 / 0 / 5

HEX #9BA0F3

RGB 155 160 243

HSL 236.59, 0.79%, 0.78%

LAB 68.45, 17.65, -42.11

 

CMYK 28 / 36 / 0 / 5

HEX #AE9BF3

RGB 174 155 243

HSL 252.95, 0.79%, 0.78%

LAB 68.69, 25.69, -41.62

 

CMYK 19 / 36 / 0 / 5

HEX #C59BF3

RGB 197 155 243

HSL 268.64, 0.79%, 0.78%

LAB 70.72, 32.3, -38.3

 

CMYK 9 / 36 / 0 / 5

HEX #DD9BF3

RGB 221 155 243

HSL 285, 0.79%, 0.78%

LAB 73.08, 39.44, -34.45

 

CMYK 50 / 65 / 0 / 8

HEX #7552EA

RGB 117 82 234

HSL 253.82, 0.78%, 0.62%

LAB 46.65, 51.17, -72.11

 

CMYK 39 / 50 / 0 / 7

HEX #9276EE

RGB 146 118 238

HSL 254, 0.78%, 0.7%

LAB 57.31, 38.13, -57.02

 

CMYK 28 / 36 / 0 / 5

HEX #AF9BF3

RGB 175 155 243

HSL 253.64, 0.79%, 0.78%

LAB 68.77, 25.97, -41.49

 

CMYK 17 / 22 / 0 / 3

HEX #CDC0F7

RGB 205 192 247

HSL 254.18, 0.77%, 0.86%

LAB 80.4, 15.33, -25.48

 

CMYK 7 / 9 / 0 / 1

HEX #EAE5FC

RGB 234 229 252

HSL 253.04, 0.79%, 0.94%

LAB 91.94, 5.9, -10.52

 

CMYK 28 / 36 / 0 / 5

HEX #B09CF3

RGB 176 156 243

HSL 253.79, 0.78%, 0.78%

LAB 69.1, 25.69, -40.97

 

CMYK 0 / 36 / 15 / 5

HEX #F39BCE

RGB 243 155 206

HSL 325.23, 0.79%, 0.78%

LAB 74.16, 39.88, -12.35

 

CMYK 30 / 0 / 36 / 5

HEX #ABF39B

RGB 171 243 155

HSL 109.09, 0.79%, 0.78%

LAB 89.45, -38.48, 35.51

 

CMYK 28 / 36 / 0 / 5

HEX #B09CF3

RGB 176 156 243

HSL 253.79, 0.78%, 0.78%

LAB 69.1, 25.69, -40.97

 

CMYK 0 / 28 / 36 / 5

HEX #F3AE9B

RGB 243 174 155

HSL 12.95, 0.79%, 0.78%

LAB 77.1, 22.85, 19.79

 

CMYK 36 / 0 / 28 / 5

HEX #9BF3AE

RGB 155 243 174

HSL 132.95, 0.79%, 0.78%

LAB 88.98, -40.43, 25.13

 

CMYK 28 / 36 / 0 / 5

HEX #B09CF3

RGB 176 156 243

HSL 253.79, 0.78%, 0.78%

LAB 69.1, 25.69, -40.97

 

CMYK 0 / 36 / 15 / 5

HEX #F39BCE

RGB 243 155 206

HSL 325.23, 0.79%, 0.78%

LAB 74.16, 39.88, -12.35

 

CMYK 8 / 0 / 36 / 5

HEX #E0F39B

RGB 224 243 155

HSL 72.95, 0.79%, 0.78%

LAB 92.71, -19.86, 40.39

 

CMYK 36 / 0 / 21 / 5

HEX #9BF3C0

RGB 155 243 192

HSL 145.23, 0.79%, 0.78%

LAB 89.33, -37.16, 16.36

 

CMYK 28 / 36 / 0 / 5

HEX #B09CF3

RGB 176 156 243

HSL 253.79, 0.78%, 0.78%

LAB 69.1, 25.69, -40.97

 

CMYK 0 / 36 / 26 / 5

HEX #F39BB4

RGB 243 155 180

HSL 342.95, 0.79%, 0.78%

LAB 73.41, 36.06, 0.87

 

CMYK 8 / 0 / 36 / 5

HEX #E0F39B

RGB 224 243 155

HSL 72.95, 0.79%, 0.78%

LAB 92.71, -19.86, 40.39

 

CMYK 36 / 0 / 10 / 5

HEX #9BF3DA

RGB 155 243 218

HSL 162.95, 0.79%, 0.78%

LAB 89.92, -31.91, 3.7

 

Description

Color code: HEX #B09CF33F | qconv.com Color code: HEX #B09CF33F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 156 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 156 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 9 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 9% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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