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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B09151 it is the complementary color #4F6EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B09151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B09151 shade: #B5914C, #C6A35F, #D7B572, #E8C785 and #F9D998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B09151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B09151 shade: #B09151, #9F7F3E, #8E6D2B, #7D5B18 and #6C4905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B09151 shade: #B0904F, #B0764F, #B05C4F and #B04F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B09151 shade: #B0904F, #B0AA4F, #9BB04F, #81B04F and #67B04F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B09151 shade matches the following richer shades: #B0904F, #C5973A, #D99F26 and #EEA611

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B09151 shade: #B0904F, #9B8964, #878278, #727B8D and #5D74A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B09151 shade: #B05C4F, #B0764F, #B0904F, #B0A94F and #9DB04F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B09151 shade: #776235, #937942, #B0904F, #BDA26C and #CAB488

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B09151 shade: #B09151, #5CB04F and #694FB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B09151 shade: #B09151, #4FB090 and #904FB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B09151 shade: #B09151, #5CB04F, #4F6FB0 and #A34FB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B09151 shade: #B09151, #4FB05F, #4F6FB0 and #B04FA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 54 / 31

HEX #B09151

RGB 176 145 81

HSL 40.42, 0.38%, 0.5%

LAB 61.72, 3.59, 38.02

 

Complementary color

CMYK 55 / 37 / 0 / 32

HEX #4F6EAE

RGB 79 110 174

HSL 220.42, 0.38%, 0.5%

LAB 46.8, 7.88, -37.58

 

CMYK 0 / 20 / 58 / 29

HEX #B5914C

RGB 181 145 76

HSL 39.43, 0.42%, 0.5%

LAB 62.17, 5.34, 41.24

 

CMYK 0 / 18 / 52 / 22

HEX #C6A35F

RGB 198 163 95

HSL 39.61, 0.47%, 0.57%

LAB 68.77, 4.41, 39.89

 

CMYK 0 / 16 / 47 / 16

HEX #D7B572

RGB 215 181 114

HSL 39.8, 0.56%, 0.65%

LAB 75.27, 3.62, 38.57

 

CMYK 0 / 14 / 43 / 9

HEX #E8C785

RGB 232 199 133

HSL 40, 0.68%, 0.72%

LAB 81.67, 2.94, 37.31

 

CMYK 0 / 13 / 39 / 2

HEX #F9D998

RGB 249 217 152

HSL 40.21, 0.89%, 0.79%

LAB 87.98, 2.35, 36.11

 

CMYK 0 / 18 / 54 / 31

HEX #B09151

RGB 176 145 81

HSL 40.42, 0.38%, 0.5%

LAB 61.72, 3.59, 38.02

 

CMYK 0 / 20 / 61 / 38

HEX #9F7F3E

RGB 159 127 62

HSL 40.21, 0.44%, 0.43%

LAB 54.97, 4.59, 39.37

 

CMYK 0 / 23 / 70 / 44

HEX #8E6D2B

RGB 142 109 43

HSL 40, 0.54%, 0.36%

LAB 48.09, 5.81, 40.63

 

CMYK 0 / 27 / 81 / 51

HEX #7D5B18

RGB 125 91 24

HSL 39.8, 0.68%, 0.29%

LAB 41.07, 7.35, 41.47

 

CMYK 0 / 32 / 95 / 58

HEX #6C4905

RGB 108 73 5

HSL 39.61, 0.91%, 0.22%

LAB 33.91, 9.3, 41.2

 

CMYK 0 / 18 / 55 / 31

HEX #B0904F

RGB 176 144 79

HSL 40.21, 0.38%, 0.5%

LAB 61.43, 3.97, 38.7

 

CMYK 0 / 33 / 55 / 31

HEX #B0764F

RGB 176 118 79

HSL 24.12, 0.38%, 0.5%

LAB 54.82, 18.48, 30.59

 

CMYK 0 / 48 / 55 / 31

HEX #B05C4F

RGB 176 92 79

HSL 8.04, 0.38%, 0.5%

LAB 48.82, 32.82, 22.91

 

CMYK 0 / 55 / 55 / 31

HEX #B04F4F

RGB 176 79 79

HSL 0, 0.38%, 0.5%

LAB 46.16, 39.59, 19.4

 

CMYK 0 / 18 / 55 / 31

HEX #B0904F

RGB 176 144 79

HSL 40.21, 0.38%, 0.5%

LAB 61.43, 3.97, 38.7

 

CMYK 0 / 3 / 55 / 31

HEX #B0AA4F

RGB 176 170 79

HSL 56.29, 0.38%, 0.5%

LAB 68.42, -10.02, 46.91

 

CMYK 12 / 0 / 55 / 31

HEX #9BB04F

RGB 155 176 79

HSL 72.99, 0.38%, 0.5%

LAB 68.45, -21.86, 46.52

 

CMYK 27 / 0 / 55 / 31

HEX #81B04F

RGB 129 176 79

HSL 89.07, 0.38%, 0.5%

LAB 66.74, -32.08, 44.09

 

CMYK 41 / 0 / 55 / 31

HEX #67B04F

RGB 103 176 79

HSL 105.15, 0.38%, 0.5%

LAB 65.36, -41.23, 42.12

 

CMYK 0 / 18 / 55 / 31

HEX #B0904F

RGB 176 144 79

HSL 40.21, 0.38%, 0.5%

LAB 61.43, 3.97, 38.7

 

CMYK 0 / 23 / 71 / 23

HEX #C5973A

RGB 197 151 58

HSL 40.14, 0.55%, 0.5%

LAB 65.21, 7.86, 53.58

 

CMYK 0 / 27 / 82 / 15

HEX #D99F26

RGB 217 159 38

HSL 40.56, 0.7%, 0.5%

LAB 69.25, 11.46, 65.68

 

CMYK 0 / 30 / 93 / 7

HEX #EEA611

RGB 238 166 17

HSL 40.45, 0.87%, 0.5%

LAB 73.21, 16.37, 74.75

 

CMYK 0 / 18 / 55 / 31

HEX #B0904F

RGB 176 144 79

HSL 40.21, 0.38%, 0.5%

LAB 61.43, 3.97, 38.7

 

CMYK 0 / 12 / 35 / 39

HEX #9B8964

RGB 155 137 100

HSL 40.36, 0.22%, 0.5%

LAB 57.83, 1.12, 22.35

 

CMYK 0 / 4 / 11 / 47

HEX #878278

RGB 135 130 120

HSL 40, 0.06%, 0.5%

LAB 54.52, 0.03, 6.08

 

CMYK 19 / 13 / 0 / 45

HEX #727B8D

RGB 114 123 141

HSL 220, 0.11%, 0.5%

LAB 51.46, 0.71, -10.88

 

CMYK 43 / 28 / 0 / 36

HEX #5D74A2

RGB 93 116 162

HSL 220, 0.27%, 0.5%

LAB 48.79, 3.98, -27.39

 

CMYK 0 / 48 / 55 / 31

HEX #B05C4F

RGB 176 92 79

HSL 8.04, 0.38%, 0.5%

LAB 48.82, 32.82, 22.91

 

CMYK 0 / 33 / 55 / 31

HEX #B0764F

RGB 176 118 79

HSL 24.12, 0.38%, 0.5%

LAB 54.82, 18.48, 30.59

 

CMYK 0 / 18 / 55 / 31

HEX #B0904F

RGB 176 144 79

HSL 40.21, 0.38%, 0.5%

LAB 61.43, 3.97, 38.7

 

CMYK 0 / 4 / 55 / 31

HEX #B0A94F

RGB 176 169 79

HSL 55.67, 0.38%, 0.5%

LAB 68.15, -9.5, 46.6

 

CMYK 11 / 0 / 55 / 31

HEX #9DB04F

RGB 157 176 79

HSL 71.75, 0.38%, 0.5%

LAB 68.59, -21.04, 46.72

 

CMYK 0 / 18 / 55 / 53

HEX #776235

RGB 119 98 53

HSL 40.91, 0.38%, 0.34%

LAB 42.63, 2.33, 28.55

 

CMYK 0 / 18 / 55 / 42

HEX #937942

RGB 147 121 66

HSL 40.74, 0.38%, 0.42%

LAB 52.14, 2.95, 33.65

 

CMYK 0 / 18 / 55 / 31

HEX #B0904F

RGB 176 144 79

HSL 40.21, 0.38%, 0.5%

LAB 61.43, 3.97, 38.7

 

CMYK 0 / 14 / 43 / 26

HEX #BDA26C

RGB 189 162 108

HSL 40, 0.38%, 0.58%

LAB 67.83, 2.47, 31.72

 

CMYK 0 / 11 / 33 / 21

HEX #CAB488

RGB 202 180 136

HSL 40, 0.38%, 0.66%

LAB 74.17, 1.37, 25.36

 

CMYK 0 / 18 / 54 / 31

HEX #B09151

RGB 176 145 81

HSL 40.42, 0.38%, 0.5%

LAB 61.72, 3.59, 38.02

 

CMYK 48 / 0 / 55 / 31

HEX #5CB04F

RGB 92 176 79

HSL 111.96, 0.38%, 0.5%

LAB 64.88, -44.66, 41.43

 

CMYK 40 / 55 / 0 / 31

HEX #694FB0

RGB 105 79 176

HSL 256.08, 0.38%, 0.5%

LAB 40.78, 33.93, -48.23

 

CMYK 0 / 18 / 54 / 31

HEX #B09151

RGB 176 145 81

HSL 40.42, 0.38%, 0.5%

LAB 61.72, 3.59, 38.02

 

CMYK 55 / 0 / 18 / 31

HEX #4FB090

RGB 79 176 144

HSL 160.21, 0.38%, 0.5%

LAB 65.54, -36.37, 7.84

 

CMYK 18 / 55 / 0 / 31

HEX #904FB0

RGB 144 79 176

HSL 280.21, 0.38%, 0.5%

LAB 45.16, 44, -40.99

 

CMYK 0 / 18 / 54 / 31

HEX #B09151

RGB 176 145 81

HSL 40.42, 0.38%, 0.5%

LAB 61.72, 3.59, 38.02

 

CMYK 48 / 0 / 55 / 31

HEX #5CB04F

RGB 92 176 79

HSL 111.96, 0.38%, 0.5%

LAB 64.88, -44.66, 41.43

 

CMYK 55 / 37 / 0 / 31

HEX #4F6FB0

RGB 79 111 176

HSL 220.21, 0.38%, 0.5%

LAB 47.19, 7.92, -38.14

 

CMYK 7 / 55 / 0 / 31

HEX #A34FB0

RGB 163 79 176

HSL 291.96, 0.38%, 0.5%

LAB 47.64, 49.16, -36.9

 

CMYK 0 / 18 / 54 / 31

HEX #B09151

RGB 176 145 81

HSL 40.42, 0.38%, 0.5%

LAB 61.72, 3.59, 38.02

 

CMYK 55 / 0 / 46 / 31

HEX #4FB05F

RGB 79 176 95

HSL 129.9, 0.38%, 0.5%

LAB 64.6, -46.01, 32.97

 

CMYK 55 / 37 / 0 / 31

HEX #4F6FB0

RGB 79 111 176

HSL 220.21, 0.38%, 0.5%

LAB 47.19, 7.92, -38.14

 

CMYK 0 / 55 / 9 / 31

HEX #B04FA0

RGB 176 79 160

HSL 309.9, 0.38%, 0.5%

LAB 48.71, 49.94, -25.67

 

Description

Color code: HEX #B09151 | qconv.com Color code: HEX #B09151 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 145 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 145 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 54 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 54% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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