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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B090ECCE it is the complementary color #4F6F13CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B090ECCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B090ECCE shade: #B590E7CE, #C6A2FACE, #D7B4FFCE, #E8C6FFCE and #F9D8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B090ECCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B090ECCE shade: #B090ECCE, #9F7ED9CE, #8E6CC6CE, #7D5AB3CE and #6C48A0CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B090ECCE shade: #B192ED, #CA92ED, #E292ED, #ED92DE and #ED92C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B090ECCE shade: #B192ED, #9992ED and #9292ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B090ECCE shade matches the following richer shades: #B192ED and #AE88F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B090ECCE shade: #B192ED, #B59CE2, #B8A7D8, #BBB1CE and #BEBBC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B090ECCE shade: #92A4ED, #9892ED, #B092ED, #C892ED and #E092ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B090ECCE shade: #7F4BE1, #986FE7, #B192ED, #CBB5F2 and #E4D9F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B090ECCE shade: #B090EC, #ED92BC and #98ED92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B090ECCE shade: #B090EC, #EDB092 and #92EDB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B090ECCE shade: #B090EC, #ED92BC, #CEED92 and #92EDC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B090ECCE shade: #B090EC, #ED92A1, #CEED92 and #92EDDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 32 / 0 / 6

HEX #B090ECCE

RGBA 176 144 236 0.81

HSLA 260.87, 0.71%, 0.75%, 0.81

LABA 65.93, 30.75, -42.09, 0.81

 

Complementary color

CMYK 23 / 0 / 67 / 46

HEX #4F6F13CE

RGBA 79 111 19 0.81

HSLA 80.87, 0.71%, 0.25%, 0.81

LABA 42.88, -25.68, 43.45, 0.81

 

CMYK 18 / 31 / 0 / 8

HEX #B590E7CE

RGBA 181 144 231 0.81

HSLA 265.52, 0.64%, 0.74%, 0.81

LABA 66.17, 31.01, -38.93, 0.81

 

CMYK 17 / 29 / 0 / 2

HEX #C6A2FACE

RGBA 198 162 250 0.81

HSLA 264.55, 0.9%, 0.81%, 0.81

LABA 72.73, 30.3, -38.98, 0.81

 

CMYK 13 / 24 / 0 / 0

HEX #D7B4FFCE

RGBA 215 180 255 0.81

HSLA 268, 1%, 0.85%, 0.81

LABA 78.64, 26.61, -32.39, 0.81

 

CMYK 7 / 18 / 0 / 0

HEX #E8C6FFCE

RGBA 232 198 255 0.81

HSLA 275.79, 1%, 0.89%, 0.81

LABA 84.36, 22.19, -23.51, 0.81

 

CMYK 2 / 12 / 0 / 0

HEX #F9D8FFCE

RGBA 249 216 255 0.81

HSLA 290.77, 1%, 0.92%, 0.81

LABA 90.08, 18.12, -14.74, 0.81

 

CMYK 21 / 32 / 0 / 6

HEX #B090ECCE

RGBA 176 144 236 0.81

HSLA 260.87, 0.71%, 0.75%, 0.81

LABA 65.93, 30.75, -42.09, 0.81

 

CMYK 22 / 34 / 0 / 12

HEX #9F7ED9CE

RGBA 159 126 217 0.81

HSLA 261.76, 0.54%, 0.67%, 0.81

LABA 59.25, 31.55, -42.13, 0.81

 

CMYK 23 / 37 / 0 / 18

HEX #8E6CC6CE

RGBA 142 108 198 0.81

HSLA 262.67, 0.44%, 0.6%, 0.81

LABA 52.46, 32.43, -42.2, 0.81

 

CMYK 24 / 40 / 0 / 24

HEX #7D5AB3CE

RGBA 125 90 179 0.81

HSLA 263.6, 0.37%, 0.53%, 0.81

LABA 45.53, 33.4, -42.29, 0.81

 

CMYK 26 / 45 / 0 / 30

HEX #6C48A0CE

RGBA 108 72 160 0.81

HSLA 264.55, 0.38%, 0.45%, 0.81

LABA 38.48, 34.44, -42.38, 0.81

 

CMYK 25 / 38 / 0 / 7

HEX #B192ED

RGB 177 146 237

HSL 260.44, 0.72%, 0.75%

LAB 66.53, 30.15, -41.69

 

CMYK 15 / 38 / 0 / 7

HEX #CA92ED

RGB 202 146 237

HSL 276.92, 0.72%, 0.75%

LAB 68.92, 37.4, -37.79

 

CMYK 5 / 38 / 0 / 7

HEX #E292ED

RGB 226 146 237

HSL 292.75, 0.72%, 0.75%

LAB 71.45, 44.55, -33.67

 

CMYK 0 / 38 / 6 / 7

HEX #ED92DE

RGB 237 146 222

HSL 309.89, 0.72%, 0.75%

LAB 72.12, 45.22, -24.3

 

CMYK 0 / 38 / 16 / 7

HEX #ED92C6

RGB 237 146 198

HSL 325.71, 0.72%, 0.75%

LAB 71.31, 41.32, -12.28

 

CMYK 25 / 38 / 0 / 7

HEX #B192ED

RGB 177 146 237

HSL 260.44, 0.72%, 0.75%

LAB 66.53, 30.15, -41.69

 

CMYK 35 / 38 / 0 / 7

HEX #9992ED

RGB 153 146 237

HSL 244.62, 0.72%, 0.75%

LAB 64.52, 23.53, -44.99

 

CMYK 38 / 38 / 0 / 7

HEX #9292ED

RGB 146 146 237

HSL 240, 0.72%, 0.75%

LAB 63.98, 21.69, -45.87

 

CMYK 25 / 38 / 0 / 7

HEX #B192ED

RGB 177 146 237

HSL 260.44, 0.72%, 0.75%

LAB 66.53, 30.15, -41.69

 

CMYK 30 / 45 / 0 / 3

HEX #AE88F7

RGB 174 136 247

HSL 260.54, 0.87%, 0.75%

LAB 64.42, 37.34, -50.53

 

CMYK 25 / 38 / 0 / 7

HEX #B192ED

RGB 177 146 237

HSL 260.44, 0.72%, 0.75%

LAB 66.53, 30.15, -41.69

 

CMYK 20 / 31 / 0 / 11

HEX #B59CE2

RGB 181 156 226

HSL 261.43, 0.55%, 0.75%

LAB 68.82, 23.16, -32.06

 

CMYK 15 / 23 / 0 / 15

HEX #B8A7D8

RGB 184 167 216

HSL 260.82, 0.39%, 0.75%

LAB 71.41, 15.74, -22.56

 

CMYK 9 / 14 / 0 / 19

HEX #BBB1CE

RGB 187 177 206

HSL 260.69, 0.23%, 0.75%

LAB 73.85, 9.11, -13.38

 

CMYK 3 / 4 / 0 / 24

HEX #BEBBC3

RGB 190 187 195

HSL 262.5, 0.06%, 0.75%

LAB 76.33, 2.55, -3.67

 

CMYK 38 / 31 / 0 / 7

HEX #92A4ED

RGB 146 164 237

HSL 228.13, 0.72%, 0.75%

LAB 68.59, 11.38, -38.65

 

CMYK 36 / 38 / 0 / 7

HEX #9892ED

RGB 152 146 237

HSL 243.96, 0.72%, 0.75%

LAB 64.44, 23.27, -45.12

 

CMYK 26 / 38 / 0 / 7

HEX #B092ED

RGB 176 146 237

HSL 259.78, 0.72%, 0.75%

LAB 66.45, 29.86, -41.83

 

CMYK 16 / 38 / 0 / 7

HEX #C892ED

RGB 200 146 237

HSL 275.6, 0.72%, 0.75%

LAB 68.72, 36.81, -38.12

 

CMYK 5 / 38 / 0 / 7

HEX #E092ED

RGB 224 146 237

HSL 291.43, 0.72%, 0.75%

LAB 71.23, 43.95, -34.02

 

CMYK 44 / 67 / 0 / 12

HEX #7F4BE1

RGB 127 75 225

HSL 260.8, 0.71%, 0.59%

LAB 45.61, 54.21, -68.68

 

CMYK 34 / 52 / 0 / 9

HEX #986FE7

RGB 152 111 231

HSL 260.5, 0.71%, 0.67%

LAB 55.9, 41.71, -55.33

 

CMYK 25 / 38 / 0 / 7

HEX #B192ED

RGB 177 146 237

HSL 260.44, 0.72%, 0.75%

LAB 66.53, 30.15, -41.69

 

CMYK 16 / 25 / 0 / 5

HEX #CBB5F2

RGB 203 181 242

HSL 261.64, 0.7%, 0.83%

LAB 77.37, 19.62, -27.44

 

CMYK 8 / 13 / 0 / 3

HEX #E4D9F8

RGB 228 217 248

HSL 261.29, 0.69%, 0.91%

LAB 88.4, 9.46, -13.75

 

CMYK 25 / 39 / 0 / 7

HEX #B090EC

RGB 176 144 236

HSL 260.87, 0.71%, 0.75%

LAB 65.93, 30.75, -42.09

 

CMYK 0 / 38 / 21 / 7

HEX #ED92BC

RGB 237 146 188

HSL 332.31, 0.72%, 0.75%

LAB 71, 39.82, -7.18

 

CMYK 36 / 0 / 38 / 7

HEX #98ED92

RGB 152 237 146

HSL 116.04, 0.72%, 0.75%

LAB 86.66, -43.17, 36.16

 

CMYK 25 / 39 / 0 / 7

HEX #B090EC

RGB 176 144 236

HSL 260.87, 0.71%, 0.75%

LAB 65.93, 30.75, -42.09

 

CMYK 0 / 26 / 38 / 7

HEX #EDB092

RGB 237 176 146

HSL 19.78, 0.72%, 0.75%

LAB 76.76, 18.44, 24.07

 

CMYK 38 / 0 / 26 / 7

HEX #92EDB0

RGB 146 237 176

HSL 139.78, 0.72%, 0.75%

LAB 86.91, -40, 21.18

 

CMYK 25 / 39 / 0 / 7

HEX #B090EC

RGB 176 144 236

HSL 260.87, 0.71%, 0.75%

LAB 65.93, 30.75, -42.09

 

CMYK 0 / 38 / 21 / 7

HEX #ED92BC

RGB 237 146 188

HSL 332.31, 0.72%, 0.75%

LAB 71, 39.82, -7.18

 

CMYK 13 / 0 / 38 / 7

HEX #CEED92

RGB 206 237 146

HSL 80.44, 0.72%, 0.75%

LAB 89.75, -24.71, 40.77

 

CMYK 38 / 0 / 18 / 7

HEX #92EDC2

RGB 146 237 194

HSL 151.65, 0.72%, 0.75%

LAB 87.28, -36.55, 12.36

 

CMYK 25 / 39 / 0 / 7

HEX #B090EC

RGB 176 144 236

HSL 260.87, 0.71%, 0.75%

LAB 65.93, 30.75, -42.09

 

CMYK 0 / 38 / 32 / 7

HEX #ED92A1

RGB 237 146 161

HSL 350.11, 0.72%, 0.75%

LAB 70.27, 36.13, 6.78

 

CMYK 13 / 0 / 38 / 7

HEX #CEED92

RGB 206 237 146

HSL 80.44, 0.72%, 0.75%

LAB 89.75, -24.71, 40.77

 

CMYK 38 / 0 / 7 / 7

HEX #92EDDD

RGB 146 237 221

HSL 169.45, 0.72%, 0.75%

LAB 87.92, -30.8, -0.83

 

Description

Color code: HEX #B090ECCE | qconv.com Color code: HEX #B090ECCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 144 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 144 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 32 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 32% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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