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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B08DFC it is the complementary color #4F7203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B08DFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B08DFC shade: #B58DF7, #C69FFF, #D7B1FF, #E8C3FF and #F9D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B08DFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B08DFC shade: #B08DFC, #9F7BE9, #8E69D6, #7D57C3 and #6C45B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B08DFC shade: #B08DFC, #CE8DFC, #EC8DFC, #FC8DEE and #FC8DD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B08DFC shade: #B08DFC, #928DFC and #8D8DFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B08DFC shade matches the following richer shades: #B08DFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B08DFC shade: #B08DFC, #B396F3, #B7A0E9, #BAA9E0 and #BEB3D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B08DFC shade: #8DA7FC, #908DFC, #AE8DFC, #CC8DFC and #E98DFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B08DFC shade: #783CFA, #9464FB, #B08DFC, #CCB5FD and #E8DDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B08DFC shade: #B08DFC, #FC8DC4 and #98FC8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B08DFC shade: #B08DFC, #FCAE8D and #8DFCAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B08DFC shade: #B08DFC, #FC8DC4, #DBFC8D and #8DFCC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B08DFC shade: #B08DFC, #FC8DA3, #DBFC8D and #8DFCE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

Complementary color

CMYK 31 / 0 / 97 / 55

HEX #4F7203

RGB 79 114 3

HSL 78.92, 0.95%, 0.23%

LAB 43.8, -27.72, 48.28

 

CMYK 27 / 43 / 0 / 3

HEX #B58DF7

RGB 181 141 247

HSL 262.64, 0.87%, 0.76%

LAB 66.2, 36.43, -47.67

 

CMYK 22 / 38 / 0 / 0

HEX #C69FFF

RGB 198 159 255

HSL 264.38, 1%, 0.81%

LAB 72.24, 33.08, -42.44

 

CMYK 16 / 31 / 0 / 0

HEX #D7B1FF

RGB 215 177 255

HSL 269.23, 1%, 0.85%

LAB 77.94, 28.24, -33.47

 

CMYK 9 / 24 / 0 / 0

HEX #E8C3FF

RGB 232 195 255

HSL 277, 1%, 0.88%

LAB 83.66, 23.79, -24.58

 

CMYK 2 / 16 / 0 / 0

HEX #F9D5FF

RGB 249 213 255

HSL 291.43, 1%, 0.92%

LAB 89.37, 19.7, -15.8

 

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

CMYK 32 / 47 / 0 / 9

HEX #9F7BE9

RGB 159 123 233

HSL 259.64, 0.71%, 0.7%

LAB 59.36, 37.23, -50.9

 

CMYK 34 / 51 / 0 / 16

HEX #8E69D6

RGB 142 105 214

HSL 260.37, 0.57%, 0.63%

LAB 52.63, 38.23, -51.04

 

CMYK 36 / 55 / 0 / 24

HEX #7D57C3

RGB 125 87 195

HSL 261.11, 0.47%, 0.55%

LAB 45.79, 39.32, -51.18

 

CMYK 39 / 61 / 0 / 31

HEX #6C45B0

RGB 108 69 176

HSL 261.87, 0.44%, 0.48%

LAB 38.86, 40.46, -51.3

 

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

CMYK 18 / 44 / 0 / 1

HEX #CE8DFC

RGB 206 141 252

HSL 275.14, 0.95%, 0.77%

LAB 68.9, 44.44, -46

 

CMYK 6 / 44 / 0 / 1

HEX #EC8DFC

RGB 236 141 252

HSL 291.35, 0.95%, 0.77%

LAB 72.17, 52.86, -40.64

 

CMYK 0 / 44 / 6 / 1

HEX #FC8DEE

RGB 252 141 238

HSL 307.57, 0.95%, 0.77%

LAB 73.49, 55, -30.81

 

CMYK 0 / 44 / 17 / 1

HEX #FC8DD0

RGB 252 141 208

HSL 323.78, 0.95%, 0.77%

LAB 72.43, 50.26, -15.95

 

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

CMYK 42 / 44 / 0 / 1

HEX #928DFC

RGB 146 141 252

HSL 242.7, 0.95%, 0.77%

LAB 63.5, 28.72, -54.88

 

CMYK 44 / 44 / 0 / 1

HEX #8D8DFC

RGB 141 141 252

HSL 240, 0.95%, 0.77%

LAB 63.13, 27.53, -55.49

 

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

CMYK 26 / 38 / 0 / 5

HEX #B396F3

RGB 179 150 243

HSL 258.71, 0.79%, 0.77%

LAB 67.92, 29.9, -42.79

 

CMYK 21 / 31 / 0 / 9

HEX #B7A0E9

RGB 183 160 233

HSL 258.9, 0.62%, 0.77%

LAB 70.24, 23.12, -33.68

 

CMYK 17 / 25 / 0 / 12

HEX #BAA9E0

RGB 186 169 224

HSL 258.55, 0.47%, 0.77%

LAB 72.36, 17.01, -25.48

 

CMYK 11 / 16 / 0 / 16

HEX #BEB3D6

RGB 190 179 214

HSL 258.86, 0.3%, 0.77%

LAB 74.85, 10.66, -16.21

 

CMYK 44 / 34 / 0 / 1

HEX #8DA7FC

RGB 141 167 252

HSL 225.95, 0.95%, 0.77%

LAB 69.7, 12.56, -45.11

 

CMYK 43 / 44 / 0 / 1

HEX #908DFC

RGB 144 141 252

HSL 241.62, 0.95%, 0.77%

LAB 63.35, 28.24, -55.13

 

CMYK 31 / 44 / 0 / 1

HEX #AE8DFC

RGB 174 141 252

HSL 257.84, 0.95%, 0.77%

LAB 65.81, 35.78, -51.07

 

CMYK 19 / 44 / 0 / 1

HEX #CC8DFC

RGB 204 141 252

HSL 274.05, 0.95%, 0.77%

LAB 68.69, 43.89, -46.34

 

CMYK 8 / 44 / 0 / 1

HEX #E98DFC

RGB 233 141 252

HSL 289.73, 0.95%, 0.77%

LAB 71.83, 52.02, -41.2

 

CMYK 52 / 76 / 0 / 2

HEX #783CFA

RGB 120 60 250

HSL 258.95, 0.95%, 0.61%

LAB 44.41, 66.72, -84.75

 

CMYK 41 / 60 / 0 / 2

HEX #9464FB

RGB 148 100 251

HSL 259.07, 0.95%, 0.69%

LAB 54.42, 52.02, -68.87

 

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

CMYK 19 / 28 / 0 / 1

HEX #CCB5FD

RGB 204 181 253

HSL 259.17, 0.95%, 0.85%

LAB 77.86, 22.32, -32.6

 

CMYK 9 / 13 / 0 / 0

HEX #E8DDFE

RGB 232 221 254

HSL 260, 0.94%, 0.93%

LAB 89.87, 9.82, -14.67

 

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

CMYK 0 / 44 / 22 / 1

HEX #FC8DC4

RGB 252 141 196

HSL 330.27, 0.95%, 0.77%

LAB 72.05, 48.53, -9.87

 

CMYK 40 / 0 / 44 / 1

HEX #98FC8D

RGB 152 252 141

HSL 114.05, 0.95%, 0.77%

LAB 90.88, -50.27, 44.05

 

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

CMYK 0 / 31 / 44 / 1

HEX #FCAE8D

RGB 252 174 141

HSL 17.84, 0.95%, 0.77%

LAB 77.81, 24.77, 28.44

 

CMYK 44 / 0 / 31 / 1

HEX #8DFCAE

RGB 141 252 174

HSL 137.84, 0.95%, 0.77%

LAB 90.93, -48.26, 27.69

 

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

CMYK 0 / 44 / 22 / 1

HEX #FC8DC4

RGB 252 141 196

HSL 330.27, 0.95%, 0.77%

LAB 72.05, 48.53, -9.87

 

CMYK 13 / 0 / 44 / 1

HEX #DBFC8D

RGB 219 252 141

HSL 77.84, 0.95%, 0.77%

LAB 94.57, -27.59, 49.47

 

CMYK 44 / 0 / 22 / 1

HEX #8DFCC4

RGB 141 252 196

HSL 149.73, 0.95%, 0.77%

LAB 91.36, -44.18, 17.05

 

CMYK 30 / 44 / 0 / 1

HEX #B08DFC

RGB 176 141 252

HSL 258.92, 0.95%, 0.77%

LAB 65.99, 36.3, -50.78

 

CMYK 0 / 44 / 35 / 1

HEX #FC8DA3

RGB 252 141 163

HSL 348.11, 0.95%, 0.77%

LAB 71.14, 44.27, 7.16

 

CMYK 13 / 0 / 44 / 1

HEX #DBFC8D

RGB 219 252 141

HSL 77.84, 0.95%, 0.77%

LAB 94.57, -27.59, 49.47

 

CMYK 44 / 0 / 9 / 1

HEX #8DFCE6

RGB 141 252 230

HSL 168.11, 0.95%, 0.77%

LAB 92.13, -36.98, 0.61

 

Description

Color code: HEX #B08DFC | qconv.com Color code: HEX #B08DFC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 141 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 141 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 44 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 44% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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