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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B08B0B it is the complementary color #4F74F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B08B0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B08B0B shade: #B58B06, #C69D19, #D7AF2C, #E8C13F and #F9D352

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B08B0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B08B0B shade: #B08B0B, #9F7900, #8E6700, #7D5500 and #6C4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B08B0B shade: #B18C0B, #B15F0B, #B1330B and #B10B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B08B0B shade: #B18C0B, #AAB10B, #7DB10B, #50B10B and #23B10B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B08B0B shade matches the following richer shades: #B18C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B08B0B shade: #B18C0B, #A2841B, #937B2A, #847339 and #746A48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B08B0B shade: #B1320B, #B15E0B, #B18B0B, #ACB10B and #80B10B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B08B0B shade: #644F06, #8B6E09, #B18C0B, #D8AB0E and #F1C21F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B08B0B shade: #B08B0B, #11B10B and #480BB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B08B0B shade: #B08B0B, #0BB18B and #8B0BB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B08B0B shade: #B08B0B, #11B10B, #0B32B1 and #AC0BB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B08B0B shade: #B08B0B, #0BB138, #0B32B1 and #B10B85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 94 / 31

HEX #B08B0B

RGB 176 139 11

HSL 46.55, 0.88%, 0.37%

LAB 59.63, 3.47, 62.65

 

Complementary color

CMYK 68 / 52 / 0 / 4

HEX #4F74F4

RGB 79 116 244

HSL 226.55, 0.88%, 0.63%

LAB 52.6, 28.04, -68.17

 

CMYK 0 / 23 / 97 / 29

HEX #B58B06

RGB 181 139 6

HSL 45.6, 0.94%, 0.37%

LAB 60.16, 5.68, 64.05

 

CMYK 0 / 21 / 87 / 22

HEX #C69D19

RGB 198 157 25

HSL 45.78, 0.78%, 0.44%

LAB 66.66, 3.84, 66.28

 

CMYK 0 / 19 / 80 / 16

HEX #D7AF2C

RGB 215 175 44

HSL 45.96, 0.68%, 0.51%

LAB 73.08, 2.26, 67.07

 

CMYK 0 / 17 / 73 / 9

HEX #E8C13F

RGB 232 193 63

HSL 46.15, 0.79%, 0.58%

LAB 79.42, 0.9, 66.95

 

CMYK 0 / 15 / 67 / 2

HEX #F9D352

RGB 249 211 82

HSL 46.35, 0.93%, 0.65%

LAB 85.67, -0.27, 66.33

 

CMYK 0 / 21 / 94 / 31

HEX #B08B0B

RGB 176 139 11

HSL 46.55, 0.88%, 0.37%

LAB 59.63, 3.47, 62.65

 

CMYK 0 / 24 / 100 / 38

HEX #9F7900

RGB 159 121 0

HSL 45.66, 1%, 0.31%

LAB 53, 5.51, 58.91

 

CMYK 0 / 27 / 100 / 44

HEX #8E6700

RGB 142 103 0

HSL 43.52, 1%, 0.28%

LAB 46.25, 7.81, 53.36

 

CMYK 0 / 32 / 100 / 51

HEX #7D5500

RGB 125 85 0

HSL 40.8, 1%, 0.25%

LAB 39.34, 10.24, 47.7

 

CMYK 0 / 38 / 100 / 58

HEX #6C4300

RGB 108 67 0

HSL 37.22, 1%, 0.21%

LAB 32.26, 12.83, 41.92

 

CMYK 0 / 21 / 94 / 31

HEX #B18C0B

RGB 177 140 11

HSL 46.63, 0.88%, 0.37%

LAB 60, 3.38, 62.97

 

CMYK 0 / 46 / 94 / 31

HEX #B15F0B

RGB 177 95 11

HSL 30.36, 0.88%, 0.37%

LAB 48.95, 28.34, 54.91

 

CMYK 0 / 71 / 94 / 31

HEX #B1330B

RGB 177 51 11

HSL 14.46, 0.88%, 0.37%

LAB 40.8, 49.45, 49.34

 

CMYK 0 / 94 / 94 / 31

HEX #B10B0B

RGB 177 11 11

HSL 0, 0.88%, 0.37%

LAB 37.13, 59.75, 47.02

 

CMYK 0 / 21 / 94 / 31

HEX #B18C0B

RGB 177 140 11

HSL 46.63, 0.88%, 0.37%

LAB 60, 3.38, 62.97

 

CMYK 4 / 0 / 94 / 31

HEX #AAB10B

RGB 170 177 11

HSL 62.53, 0.88%, 0.37%

LAB 69.48, -19.31, 69.88

 

CMYK 29 / 0 / 94 / 31

HEX #7DB10B

RGB 125 177 11

HSL 78.8, 0.88%, 0.37%

LAB 66.39, -38.04, 66.13

 

CMYK 55 / 0 / 94 / 31

HEX #50B10B

RGB 80 177 11

HSL 95.06, 0.88%, 0.37%

LAB 64.3, -53.31, 63.57

 

CMYK 80 / 0 / 94 / 31

HEX #23B10B

RGB 35 177 11

HSL 111.33, 0.88%, 0.37%

LAB 63.2, -62.59, 62.21

 

CMYK 0 / 21 / 94 / 31

HEX #B18C0B

RGB 177 140 11

HSL 46.63, 0.88%, 0.37%

LAB 60, 3.38, 62.97

 

CMYK 0 / 21 / 94 / 31

HEX #B18C0B

RGB 177 140 11

HSL 46.63, 0.88%, 0.37%

LAB 60, 3.38, 62.97

 

CMYK 0 / 19 / 83 / 36

HEX #A2841B

RGB 162 132 27

HSL 46.67, 0.71%, 0.37%

LAB 56.35, 1.29, 55.65

 

CMYK 0 / 16 / 71 / 42

HEX #937B2A

RGB 147 123 42

HSL 46.29, 0.56%, 0.37%

LAB 52.44, 0.07, 45.79

 

CMYK 0 / 13 / 57 / 48

HEX #847339

RGB 132 115 57

HSL 46.4, 0.4%, 0.37%

LAB 48.84, -1.2, 34.12

 

CMYK 0 / 9 / 38 / 55

HEX #746A48

RGB 116 106 72

HSL 46.36, 0.23%, 0.37%

LAB 44.93, -1.57, 20.54

 

CMYK 0 / 72 / 94 / 31

HEX #B1320B

RGB 177 50 11

HSL 14.1, 0.88%, 0.37%

LAB 40.66, 49.83, 49.25

 

CMYK 0 / 47 / 94 / 31

HEX #B15E0B

RGB 177 94 11

HSL 30, 0.88%, 0.37%

LAB 48.73, 28.88, 54.75

 

CMYK 0 / 21 / 94 / 31

HEX #B18B0B

RGB 177 139 11

HSL 46.27, 0.88%, 0.37%

LAB 59.74, 3.93, 62.78

 

CMYK 3 / 0 / 94 / 31

HEX #ACB10B

RGB 172 177 11

HSL 61.81, 0.88%, 0.37%

LAB 69.64, -18.44, 70.07

 

CMYK 28 / 0 / 94 / 31

HEX #80B10B

RGB 128 177 11

HSL 77.71, 0.88%, 0.37%

LAB 66.56, -36.87, 66.35

 

CMYK 0 / 21 / 94 / 61

HEX #644F06

RGB 100 79 6

HSL 46.6, 0.89%, 0.21%

LAB 34.63, 1.66, 40.99

 

CMYK 0 / 21 / 94 / 45

HEX #8B6E09

RGB 139 110 9

HSL 46.62, 0.88%, 0.29%

LAB 47.83, 2.51, 52.34

 

CMYK 0 / 21 / 94 / 31

HEX #B18C0B

RGB 177 140 11

HSL 46.63, 0.88%, 0.37%

LAB 60, 3.38, 62.97

 

CMYK 0 / 21 / 94 / 15

HEX #D8AB0E

RGB 216 171 14

HSL 46.63, 0.88%, 0.45%

LAB 72.07, 4.13, 73.28

 

CMYK 0 / 20 / 87 / 5

HEX #F1C21F

RGB 241 194 31

HSL 46.57, 0.88%, 0.53%

LAB 80.39, 3.21, 77.71

 

CMYK 0 / 21 / 94 / 31

HEX #B08B0B

RGB 176 139 11

HSL 46.55, 0.88%, 0.37%

LAB 59.63, 3.47, 62.65

 

CMYK 90 / 0 / 94 / 31

HEX #11B10B

RGB 17 177 11

HSL 117.83, 0.88%, 0.37%

LAB 63, -64.36, 61.97

 

CMYK 59 / 94 / 0 / 31

HEX #480BB1

RGB 72 11 177

HSL 262.05, 0.88%, 0.37%

LAB 26.13, 60.03, -72.89

 

CMYK 0 / 21 / 94 / 31

HEX #B08B0B

RGB 176 139 11

HSL 46.55, 0.88%, 0.37%

LAB 59.63, 3.47, 62.65

 

CMYK 94 / 0 / 21 / 31

HEX #0BB18B

RGB 11 177 139

HSL 166.27, 0.88%, 0.37%

LAB 64.47, -46.89, 8.9

 

CMYK 21 / 94 / 0 / 31

HEX #8B0BB1

RGB 139 11 177

HSL 286.27, 0.88%, 0.37%

LAB 35.8, 67.56, -56.66

 

CMYK 0 / 21 / 94 / 31

HEX #B08B0B

RGB 176 139 11

HSL 46.55, 0.88%, 0.37%

LAB 59.63, 3.47, 62.65

 

CMYK 90 / 0 / 94 / 31

HEX #11B10B

RGB 17 177 11

HSL 117.83, 0.88%, 0.37%

LAB 63, -64.36, 61.97

 

CMYK 94 / 72 / 0 / 31

HEX #0B32B1

RGB 11 50 177

HSL 225.9, 0.88%, 0.37%

LAB 28.19, 39.24, -69.61

 

CMYK 3 / 94 / 0 / 31

HEX #AC0BB1

RGB 172 11 177

HSL 298.19, 0.88%, 0.37%

LAB 41.51, 72.78, -47.16

 

CMYK 0 / 21 / 94 / 31

HEX #B08B0B

RGB 176 139 11

HSL 46.55, 0.88%, 0.37%

LAB 59.63, 3.47, 62.65

 

CMYK 94 / 0 / 68 / 31

HEX #0BB138

RGB 11 177 56

HSL 136.27, 0.88%, 0.37%

LAB 63.18, -61.94, 49.37

 

CMYK 94 / 72 / 0 / 31

HEX #0B32B1

RGB 11 50 177

HSL 225.9, 0.88%, 0.37%

LAB 28.19, 39.24, -69.61

 

CMYK 0 / 94 / 25 / 31

HEX #B10B85

RGB 177 11 133

HSL 315.9, 0.88%, 0.37%

LAB 40.05, 67.65, -22.79

 

Description

Color code: HEX #B08B0B | qconv.com Color code: HEX #B08B0B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 139 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 139 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 94 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 94% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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