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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B085E9 it is the complementary color #4F7A16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B085E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B085E9 shade: #B585E4, #C697F7, #D7A9FF, #E8BBFF and #F9CDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B085E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B085E9 shade: #B085E9, #9F73D6, #8E61C3, #7D4FB0 and #6C3D9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B085E9 shade: #B086E8, #CB86E8, #E586E8, #E886D1 and #E886B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B085E9 shade: #B086E8, #9686E8 and #8686E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B085E9 shade matches the following richer shades: #B086E8 and #AF7AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B085E9 shade: #B086E8, #B291DD, #B39DD1, #B5A8C6 and #B7B4BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B085E9 shade: #8691E8, #9586E8, #AF86E8, #C986E8 and #E386E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B085E9 shade: #8340DC, #9A63E2, #B086E8, #C7A9EF and #DDCCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B085E9 shade: #B085E9, #E886AC and #86E887

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B085E9 shade: #B085E9, #E8AF86 and #86E8AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B085E9 shade: #B085E9, #E886AC, #BFE886 and #86E8C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B085E9 shade: #B085E9, #E8868E, #BFE886 and #86E8E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 43 / 0 / 9

HEX #B085E9

RGB 176 133 233

HSL 265.8, 0.69%, 0.72%

LAB 63.25, 36.19, -44.64

 

Complementary color

CMYK 35 / 0 / 82 / 52

HEX #4F7A16

RGB 79 122 22

HSL 85.8, 0.69%, 0.28%

LAB 46.5, -30.78, 45.82

 

CMYK 21 / 42 / 0 / 11

HEX #B585E4

RGB 181 133 228

HSL 270.32, 0.64%, 0.71%

LAB 63.51, 36.45, -41.43

 

CMYK 20 / 39 / 0 / 3

HEX #C697F7

RGB 198 151 247

HSL 269.38, 0.86%, 0.78%

LAB 70.07, 35.67, -41.48

 

CMYK 16 / 34 / 0 / 0

HEX #D7A9FF

RGB 215 169 255

HSL 272.09, 1%, 0.83%

LAB 76.1, 32.58, -36.32

 

CMYK 9 / 27 / 0 / 0

HEX #E8BBFF

RGB 232 187 255

HSL 279.71, 1%, 0.87%

LAB 81.79, 28.07, -27.42

 

CMYK 2 / 20 / 0 / 0

HEX #F9CDFF

RGB 249 205 255

HSL 292.8, 1%, 0.9%

LAB 87.5, 23.9, -18.62

 

CMYK 24 / 43 / 0 / 9

HEX #B085E9

RGB 176 133 233

HSL 265.8, 0.69%, 0.72%

LAB 63.25, 36.19, -44.64

 

CMYK 26 / 46 / 0 / 16

HEX #9F73D6

RGB 159 115 214

HSL 266.67, 0.55%, 0.65%

LAB 56.57, 37.06, -44.67

 

CMYK 27 / 50 / 0 / 24

HEX #8E61C3

RGB 142 97 195

HSL 267.55, 0.45%, 0.57%

LAB 49.79, 37.99, -44.71

 

CMYK 29 / 55 / 0 / 31

HEX #7D4FB0

RGB 125 79 176

HSL 268.45, 0.38%, 0.5%

LAB 42.89, 38.96, -44.73

 

CMYK 31 / 61 / 0 / 38

HEX #6C3D9D

RGB 108 61 157

HSL 269.38, 0.44%, 0.43%

LAB 35.91, 39.94, -44.7

 

CMYK 24 / 42 / 0 / 9

HEX #B086E8

RGB 176 134 232

HSL 265.71, 0.68%, 0.72%

LAB 63.43, 35.4, -43.81

 

CMYK 13 / 42 / 0 / 9

HEX #CB86E8

RGB 203 134 232

HSL 282.24, 0.68%, 0.72%

LAB 66.19, 43.12, -39.28

 

CMYK 1 / 42 / 0 / 9

HEX #E586E8

RGB 229 134 232

HSL 298.16, 0.68%, 0.72%

LAB 69.14, 50.71, -34.47

 

CMYK 0 / 42 / 10 / 9

HEX #E886D1

RGB 232 134 209

HSL 314.08, 0.68%, 0.72%

LAB 68.61, 47.64, -22.52

 

CMYK 0 / 42 / 22 / 9

HEX #E886B6

RGB 232 134 182

HSL 330.61, 0.68%, 0.72%

LAB 67.71, 43.46, -8.79

 

CMYK 24 / 42 / 0 / 9

HEX #B086E8

RGB 176 134 232

HSL 265.71, 0.68%, 0.72%

LAB 63.43, 35.4, -43.81

 

CMYK 35 / 42 / 0 / 9

HEX #9686E8

RGB 150 134 232

HSL 249.8, 0.68%, 0.72%

LAB 61.1, 28.33, -47.64

 

CMYK 42 / 42 / 0 / 9

HEX #8686E8

RGB 134 134 232

HSL 240, 0.68%, 0.72%

LAB 59.84, 24.25, -49.72

 

CMYK 24 / 42 / 0 / 9

HEX #B086E8

RGB 176 134 232

HSL 265.71, 0.68%, 0.72%

LAB 63.43, 35.4, -43.81

 

CMYK 28 / 50 / 0 / 4

HEX #AF7AF4

RGB 175 122 244

HSL 266.07, 0.85%, 0.72%

LAB 61.28, 44.6, -53.86

 

CMYK 24 / 42 / 0 / 9

HEX #B086E8

RGB 176 134 232

HSL 265.71, 0.68%, 0.72%

LAB 63.43, 35.4, -43.81

 

CMYK 19 / 34 / 0 / 13

HEX #B291DD

RGB 178 145 221

HSL 266.05, 0.53%, 0.72%

LAB 65.7, 27.28, -34.15

 

CMYK 14 / 25 / 0 / 18

HEX #B39DD1

RGB 179 157 209

HSL 265.38, 0.36%, 0.72%

LAB 68.24, 18.2, -23.58

 

CMYK 9 / 15 / 0 / 22

HEX #B5A8C6

RGB 181 168 198

HSL 266, 0.21%, 0.72%

LAB 70.81, 10.42, -13.6

 

CMYK 2 / 3 / 0 / 27

HEX #B7B4BA

RGB 183 180 186

HSL 270, 0.04%, 0.72%

LAB 73.71, 2.18, -2.68

 

CMYK 42 / 38 / 0 / 9

HEX #8691E8

RGB 134 145 232

HSL 233.27, 0.68%, 0.72%

LAB 62.63, 17.82, -45.3

 

CMYK 36 / 42 / 0 / 9

HEX #9586E8

RGB 149 134 232

HSL 249.18, 0.68%, 0.72%

LAB 61.02, 28.07, -47.78

 

CMYK 25 / 42 / 0 / 9

HEX #AF86E8

RGB 175 134 232

HSL 265.1, 0.68%, 0.72%

LAB 63.33, 35.12, -43.96

 

CMYK 13 / 42 / 0 / 9

HEX #C986E8

RGB 201 134 232

HSL 281.02, 0.68%, 0.72%

LAB 65.98, 42.54, -39.63

 

CMYK 2 / 42 / 0 / 9

HEX #E386E8

RGB 227 134 232

HSL 296.94, 0.68%, 0.72%

LAB 68.9, 50.12, -34.86

 

CMYK 40 / 71 / 0 / 14

HEX #8340DC

RGB 131 64 220

HSL 265.77, 0.69%, 0.56%

LAB 43.74, 59.02, -68.85

 

CMYK 32 / 56 / 0 / 11

HEX #9A63E2

RGB 154 99 226

HSL 265.98, 0.69%, 0.64%

LAB 53.26, 47.54, -56.74

 

CMYK 24 / 42 / 0 / 9

HEX #B086E8

RGB 176 134 232

HSL 265.71, 0.68%, 0.72%

LAB 63.43, 35.4, -43.81

 

CMYK 17 / 29 / 0 / 6

HEX #C7A9EF

RGB 199 169 239

HSL 265.71, 0.69%, 0.8%

LAB 74.03, 24.31, -30.98

 

CMYK 10 / 17 / 0 / 4

HEX #DDCCF5

RGB 221 204 245

HSL 264.88, 0.67%, 0.88%

LAB 84.56, 13.5, -17.99

 

CMYK 24 / 43 / 0 / 9

HEX #B085E9

RGB 176 133 233

HSL 265.8, 0.69%, 0.72%

LAB 63.25, 36.19, -44.64

 

CMYK 0 / 42 / 26 / 9

HEX #E886AC

RGB 232 134 172

HSL 336.73, 0.68%, 0.72%

LAB 67.42, 42.05, -3.61

 

CMYK 42 / 0 / 42 / 9

HEX #86E887

RGB 134 232 135

HSL 120.61, 0.68%, 0.72%

LAB 84.24, -48.06, 38.34

 

CMYK 24 / 43 / 0 / 9

HEX #B085E9

RGB 176 133 233

HSL 265.8, 0.69%, 0.72%

LAB 63.25, 36.19, -44.64

 

CMYK 0 / 25 / 42 / 9

HEX #E8AF86

RGB 232 175 134

HSL 25.1, 0.68%, 0.72%

LAB 75.78, 15.69, 29.09

 

CMYK 42 / 0 / 25 / 9

HEX #86E8AF

RGB 134 232 175

HSL 145.1, 0.68%, 0.72%

LAB 84.93, -41.29, 18.88

 

CMYK 24 / 43 / 0 / 9

HEX #B085E9

RGB 176 133 233

HSL 265.8, 0.69%, 0.72%

LAB 63.25, 36.19, -44.64

 

CMYK 0 / 42 / 26 / 9

HEX #E886AC

RGB 232 134 172

HSL 336.73, 0.68%, 0.72%

LAB 67.42, 42.05, -3.61

 

CMYK 18 / 0 / 42 / 9

HEX #BFE886

RGB 191 232 134

HSL 85.1, 0.68%, 0.72%

LAB 87.25, -29.27, 43.28

 

CMYK 42 / 0 / 16 / 9

HEX #86E8C3

RGB 134 232 195

HSL 157.35, 0.68%, 0.72%

LAB 85.36, -37.25, 9.04

 

CMYK 24 / 43 / 0 / 9

HEX #B085E9

RGB 176 133 233

HSL 265.8, 0.69%, 0.72%

LAB 63.25, 36.19, -44.64

 

CMYK 0 / 42 / 39 / 9

HEX #E8868E

RGB 232 134 142

HSL 355.1, 0.68%, 0.72%

LAB 66.64, 38.29, 12.18

 

CMYK 18 / 0 / 42 / 9

HEX #BFE886

RGB 191 232 134

HSL 85.1, 0.68%, 0.72%

LAB 87.25, -29.27, 43.28

 

CMYK 42 / 0 / 3 / 9

HEX #86E8E0

RGB 134 232 224

HSL 175.1, 0.68%, 0.72%

LAB 86.09, -30.72, -5.15

 

Description

Color code: HEX #B085E9 | qconv.com Color code: HEX #B085E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 133 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 133 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 43 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 43% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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