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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B07EFF it is the complementary color #4F8100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B07EFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B07EFF shade: #B57EFA, #C690FF, #D7A2FF, #E8B4FF and #F9C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B07EFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B07EFF shade: #B07EFF, #9F6CEC, #8E5AD9, #7D48C6 and #6C36B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B07EFF shade: #B180FF, #D380FF, #F680FF, #FF80E6 and #FF80C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B07EFF shade: #B180FF, #8F80FF and #8080FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B07EFF shade matches the following richer shades: #B180FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B07EFF shade: #B180FF, #B38AF5, #B694EA, #B89EE0 and #BAA9D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B07EFF shade: #8093FF, #8E80FF, #B080FF, #D280FF and #F480FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B07EFF shade: #7E2DFF, #9856FF, #B180FF, #CAA9FF and #E3D2FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B07EFF shade: #B07EFF, #FF80B5 and #82FF80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B07EFF shade: #B07EFF, #FFB080 and #80FFB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B07EFF shade: #B07EFF, #FF80B5, #CEFF80 and #80FFCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B07EFF shade: #B07EFF, #FF808E, #CEFF80 and #80FFF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 51 / 0 / 0

HEX #B07EFF

RGB 176 126 255

HSL 263.26, 1%, 0.75%

LAB 62.82, 45.33, -57.45

 

Complementary color

CMYK 39 / 0 / 100 / 49

HEX #4F8100

RGB 79 129 0

HSL 83.26, 1%, 0.25%

LAB 48.71, -34.73, 52.77

 

CMYK 28 / 50 / 0 / 2

HEX #B57EFA

RGB 181 126 250

HSL 266.61, 0.93%, 0.74%

LAB 63.05, 45.39, -54.31

 

CMYK 22 / 44 / 0 / 0

HEX #C690FF

RGB 198 144 255

HSL 269.19, 1%, 0.78%

LAB 68.88, 41.28, -47.72

 

CMYK 16 / 36 / 0 / 0

HEX #D7A2FF

RGB 215 162 255

HSL 274.19, 1%, 0.82%

LAB 74.51, 36.37, -38.78

 

CMYK 9 / 29 / 0 / 0

HEX #E8B4FF

RGB 232 180 255

HSL 281.6, 1%, 0.85%

LAB 80.19, 31.81, -29.88

 

CMYK 2 / 22 / 0 / 0

HEX #F9C6FF

RGB 249 198 255

HSL 293.68, 1%, 0.89%

LAB 85.88, 27.6, -21.06

 

CMYK 31 / 51 / 0 / 0

HEX #B07EFF

RGB 176 126 255

HSL 263.26, 1%, 0.75%

LAB 62.82, 45.33, -57.45

 

CMYK 33 / 54 / 0 / 7

HEX #9F6CEC

RGB 159 108 236

HSL 263.91, 0.77%, 0.67%

LAB 56.24, 46.32, -57.55

 

CMYK 35 / 59 / 0 / 15

HEX #8E5AD9

RGB 142 90 217

HSL 264.57, 0.63%, 0.6%

LAB 49.58, 47.35, -57.62

 

CMYK 37 / 64 / 0 / 22

HEX #7D48C6

RGB 125 72 198

HSL 265.24, 0.53%, 0.53%

LAB 42.87, 48.36, -57.63

 

CMYK 40 / 70 / 0 / 30

HEX #6C36B3

RGB 108 54 179

HSL 265.92, 0.54%, 0.46%

LAB 36.14, 49.25, -57.49

 

CMYK 31 / 50 / 0 / 0

HEX #B180FF

RGB 177 128 255

HSL 263.15, 1%, 0.75%

LAB 63.35, 44.48, -56.6

 

CMYK 17 / 50 / 0 / 0

HEX #D380FF

RGB 211 128 255

HSL 279.21, 1%, 0.75%

LAB 66.91, 53.24, -50.74

 

CMYK 4 / 50 / 0 / 0

HEX #F680FF

RGB 246 128 255

HSL 295.75, 1%, 0.75%

LAB 71.04, 62.54, -43.94

 

CMYK 0 / 50 / 10 / 0

HEX #FF80E6

RGB 255 128 230

HSL 311.81, 1%, 0.75%

LAB 71.15, 60.85, -29.99

 

CMYK 0 / 50 / 23 / 0

HEX #FF80C4

RGB 255 128 196

HSL 327.87, 1%, 0.75%

LAB 69.95, 55.85, -12.97

 

CMYK 31 / 50 / 0 / 0

HEX #B180FF

RGB 177 128 255

HSL 263.15, 1%, 0.75%

LAB 63.35, 44.48, -56.6

 

CMYK 44 / 50 / 0 / 0

HEX #8F80FF

RGB 143 128 255

HSL 247.09, 1%, 0.75%

LAB 60.34, 36.37, -61.59

 

CMYK 50 / 50 / 0 / 0

HEX #8080FF

RGB 128 128 255

HSL 240, 1%, 0.75%

LAB 59.2, 33.11, -63.47

 

CMYK 31 / 50 / 0 / 0

HEX #B180FF

RGB 177 128 255

HSL 263.15, 1%, 0.75%

LAB 63.35, 44.48, -56.6

 

CMYK 31 / 50 / 0 / 0

HEX #B180FF

RGB 177 128 255

HSL 263.15, 1%, 0.75%

LAB 63.35, 44.48, -56.6

 

CMYK 27 / 44 / 0 / 4

HEX #B38AF5

RGB 179 138 245

HSL 262.99, 0.84%, 0.75%

LAB 65.24, 37.08, -48.1

 

CMYK 22 / 37 / 0 / 8

HEX #B694EA

RGB 182 148 234

HSL 263.72, 0.67%, 0.75%

LAB 67.33, 29.76, -38.77

 

CMYK 18 / 29 / 0 / 12

HEX #B89EE0

RGB 184 158 224

HSL 263.64, 0.52%, 0.75%

LAB 69.49, 22.51, -29.9

 

CMYK 13 / 21 / 0 / 16

HEX #BAA9D6

RGB 186 169 214

HSL 262.67, 0.35%, 0.75%

LAB 72.01, 14.85, -20.54

 

CMYK 50 / 42 / 0 / 0

HEX #8093FF

RGB 128 147 255

HSL 231.02, 1%, 0.75%

LAB 63.9, 21.96, -55.96

 

CMYK 44 / 50 / 0 / 0

HEX #8E80FF

RGB 142 128 255

HSL 246.61, 1%, 0.75%

LAB 60.26, 36.14, -61.72

 

CMYK 31 / 50 / 0 / 0

HEX #B080FF

RGB 176 128 255

HSL 262.68, 1%, 0.75%

LAB 63.25, 44.23, -56.76

 

CMYK 18 / 50 / 0 / 0

HEX #D280FF

RGB 210 128 255

HSL 278.74, 1%, 0.75%

LAB 66.79, 52.98, -50.92

 

CMYK 4 / 50 / 0 / 0

HEX #F480FF

RGB 244 128 255

HSL 294.8, 1%, 0.75%

LAB 70.8, 62.01, -44.35

 

CMYK 51 / 82 / 0 / 0

HEX #7E2DFF

RGB 126 45 255

HSL 263.14, 1%, 0.59%

LAB 43.55, 74.37, -88.94

 

CMYK 40 / 66 / 0 / 0

HEX #9856FF

RGB 152 86 255

HSL 263.43, 1%, 0.67%

LAB 52.45, 61.01, -74.26

 

CMYK 31 / 50 / 0 / 0

HEX #B180FF

RGB 177 128 255

HSL 263.15, 1%, 0.75%

LAB 63.35, 44.48, -56.6

 

CMYK 21 / 34 / 0 / 0

HEX #CAA9FF

RGB 202 169 255

HSL 263.02, 1%, 0.83%

LAB 74.92, 28.75, -38.24

 

CMYK 11 / 18 / 0 / 0

HEX #E3D2FF

RGB 227 210 255

HSL 262.67, 1%, 0.91%

LAB 86.82, 14.22, -19.82

 

CMYK 31 / 51 / 0 / 0

HEX #B07EFF

RGB 176 126 255

HSL 263.26, 1%, 0.75%

LAB 62.82, 45.33, -57.45

 

CMYK 0 / 50 / 29 / 0

HEX #FF80B5

RGB 255 128 181

HSL 334.96, 1%, 0.75%

LAB 69.49, 53.88, -5.26

 

CMYK 49 / 0 / 50 / 0

HEX #82FF80

RGB 130 255 128

HSL 119.06, 1%, 0.75%

LAB 90.7, -59.37, 49.8

 

CMYK 31 / 51 / 0 / 0

HEX #B07EFF

RGB 176 126 255

HSL 263.26, 1%, 0.75%

LAB 62.82, 45.33, -57.45

 

CMYK 0 / 31 / 50 / 0

HEX #FFB080

RGB 255 176 128

HSL 22.68, 1%, 0.75%

LAB 78.39, 23.66, 36.12

 

CMYK 50 / 0 / 31 / 0

HEX #80FFB0

RGB 128 255 176

HSL 142.68, 1%, 0.75%

LAB 91.34, -52.45, 27.16

 

CMYK 31 / 51 / 0 / 0

HEX #B07EFF

RGB 176 126 255

HSL 263.26, 1%, 0.75%

LAB 62.82, 45.33, -57.45

 

CMYK 0 / 50 / 29 / 0

HEX #FF80B5

RGB 255 128 181

HSL 334.96, 1%, 0.75%

LAB 69.49, 53.88, -5.26

 

CMYK 19 / 0 / 50 / 0

HEX #CEFF80

RGB 206 255 128

HSL 83.15, 1%, 0.75%

LAB 94.4, -35.09, 55.15

 

CMYK 50 / 0 / 21 / 0

HEX #80FFCA

RGB 128 255 202

HSL 154.96, 1%, 0.75%

LAB 91.85, -47.41, 14.6

 

CMYK 31 / 51 / 0 / 0

HEX #B07EFF

RGB 176 126 255

HSL 263.26, 1%, 0.75%

LAB 62.82, 45.33, -57.45

 

CMYK 0 / 50 / 44 / 0

HEX #FF808E

RGB 255 128 142

HSL 353.39, 1%, 0.75%

LAB 68.5, 49.5, 15.24

 

CMYK 19 / 0 / 50 / 0

HEX #CEFF80

RGB 206 255 128

HSL 83.15, 1%, 0.75%

LAB 94.4, -35.09, 55.15

 

CMYK 50 / 0 / 6 / 0

HEX #80FFF0

RGB 128 255 240

HSL 172.91, 1%, 0.75%

LAB 92.75, -38.91, -3.72

 

Description

Color code: HEX #B07EFF | qconv.com Color code: HEX #B07EFF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 126 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 126 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 51 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 51% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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